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90 articles
Article
Clérisseau’s journey to Dalmatia: a newly attributed collection of drawings
06/2021 | 1419 | 163
Pages: 492-502
related names
Author:
Sverko, Ana (Sverko, Ana)
Subjects
places:
Illustrations
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or 1756. Pen, black ink, brown and grey washes and watercolour on paper, 19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably 1755. Pen, brown ink, grey and brown washes and watercolour on paper, 15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.4 by 19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau. 1757. Pencil, grey and brown washes with watercolour on paper, 19.6 by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.6 by 31.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 16.5 by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen, brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph, 16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg). b. Detail of inscription by the artist on Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg). c. Detail of inscription by the artist on Traou en Dalmathie, by Charles- Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 12.6 by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782 (drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and brown ink, grey and brown washes and watercolour on paper, 34 by 22 cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755. Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm. (Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau. c.1750–55. Pen and brown wash, brush and brown and grey wash on paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau. Undated, probably 1755. Pencil, brown, blue and grey washes and pencil framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper, 43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).
Letter
Robert and James Adam’s Grand Tour letters and writings 1754–63
08/2020 | 1409 | 162
Pages: 645
related names
Author:
Aymonino, Adriano (Aymonino, Adriano)
Author:
Thom, Colin (Thom, Colin)
Subjects
Illustrations
Attributed works:
2. Capriccio, by Robert Adam. c.1756–57. Pen, brown and grey wash on paper, 16.3 by 16.3 cm. (SM Adam volume 56/91; © Sir John Soane’s Museum, London; photograph Hugh Kelly).
Book Review
The Life and Work of Thomas Chippendale Junior. By Judith Goodison
03/2019 | 1392 | 161
Pages: 252-253
related names
Reviewer:
Saunt, Jenny (Saunt, Jenny)
Subjects
art literature:
dates:
Reviewed Items
subjects:
The Life and Work of Thomas Chippendale Junior | :
Illustrations
Attributed works:
1. Armchair, one of a set of six, attributed to Thomas Chippendale Jr. c.1773. Mahogany and beech, 95.2 by 59.5 by 52 cm. (The Chippendale Society).
Attributed works:
2. Armchair, one of a set of six, by Thomas Chippendale Sr. 1768. Mahogany, 95 by 62 by 62 cm. (The National Trust, Nostell Priory, Yorkshire).
Book Review
South-East Marylebone (Survey of London, 51 and 52). Edited by Philip Temple, Colin Thom and Andrew Saint
02/2019 | 1391 | 161
Pages: 171-172
Exhibition Review
Thomas Chippendale studies 1968–2018: reflections on his 300th anniversary
09/2018 | 1386 | 160
Pages: 734-739
related names
Reviewer:
Goodison, Nicholas (Goodison, Nicholas)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
1. Opposite Secretaire, by Thomas Chippendale. 1773. Mahogany with Chinese lacquer and English japanning, 86 by 136 by 43 cm. (Leeds Museums and Galleries, Temple Newsam House).
Attributed works:
2. Drawing for three chairs by Thomas Chippendale. 1753. Pen and grey wash on paper, 20.3 by 33 cm. (The Chippendale Society).
Attributed works:
3. Card table, by Thomas Chippendale. 1759. Mahogany and oak, 75 by 89 by 46 cm. (closed). (Dumfries House Trust).
Attributed works:
4. Armchair, by Thomas Chippendale. 1767. Mahogany, 96 by 63.5 by 65 cm. (Nostell Priory, The National Trust).
Attributed works:
5. Armchair, by Thomas Chippendale. c.1774. Gilt limewood with tapestry covers. 105 by 70 by 74 cm. (Newby Hall, Yorkshire).
Attributed works:
6. Armchair, attributed to Gillows, based on a plate XVII of The Gentleman and Cabinet-Maker’s Director by Thomas Chippendale, London 1762. 1784. Mahogany, 101.6 by 58.4 by 47.5 cm. (Birmingham Museums Trust, Soho House).
Attributed works:
7. Digital reconstruction of Fig.8, to show the original appearance of the marquetry.
Attributed works:
8. Top of a pier table, by Thomas Chippendale. c.1772. Veneered mahogany, 60 by 196 cm. (The Chippendale Society).
Attributed works:
9. Commode, by Thomas Chippendale. c.1773. Veneered mahogany with gilt-brass mounts, 94 by 228.6 by 63.5 cm. (Renishaw Hall, Derbyshire).
Exhibition Review
Thomas Chippendale
05/2018 | 1382 | 160
Pages: 414-416
Subjects
dates:
media:
places:
Illustrations
Attributed works:
10. Armchair from a set of twelve by Thomas Chippendale. c.1774. Carved and gilded limewood, with the original tapestry covers, 105 by 70 by 74 cm. (Newby Hall, Yorkshire; exh. Leeds City Museum).
Attributed works:
11. Pier table made for the Yellow Damask Sitting Room at Harewood House, Yorkshire, by Thomas Chippendale. 1775. Various woods, the frame originally silvered, 95 by 235 by 67 cm. (Private collection; exh. Leeds City Museum).
Attributed works:
12. Library armchair from a set of six by Thomas Chippendale. 1768. Mahogany, originally covered in ‘Green hair Cloth’, 96 by 68 by 59 cm. (Nostell Priory, Yorkshire, The National Trust; exh. Leeds City Museum).
Attributed works:
13. Cabinet, one of a pair made for Melbourne House, London, by Thomas Chippendale. c.1773. Mahogany and various woods, 238 by 114 by 53 cm. (The Trustees of the Firle Estate Settlement; exh. Leeds City Museum).
Article
Bas-reliefs after Angelica Kauffman
07/2014 | 1336 | 156
Pages: 440-444
related names
Author:
Lucey, Conor (Lucey, Conor)
Subjects
dates:
places:
Illustrations
Attributed works:
23. Olim truncus eram ficulnus inutile lignum, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
24. Dormio innocuus, vix impune expergefeceris, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
27. Sappho inspired by Love, composes an ode to Venus, by G.S. and J.G. Facius after Angelica Kauffman (British Museum, London)
Attributed works:
29. Etiam Amor criminibus plectitur, by William Ryland after Angelica Kauffman (British Museum, London)
Attributed works:
31. Detail of drawing-room ceiling at Mount Juliet, County Kilkenny, with centrepiece showing Cupid's struggle with the Graces to recover his arrows, after Angelica Kauffman (Courtesy of the Irish Architectural Archive, Dublin)
Attributed works:
32. Ceiling design from the Stapleton collection with centrepiece showing Ariadne, awakened from sleep, finds herself abandoned, after Angelica Kauffman (Courtesy of the National Library of Ireland, Dublin)
Western art unattributed:
25. Plaster roundel in entrance hall at Lucan House, County Dublin
Western art unattributed:
26. Plaster roundel in entrance hall at Lucan House, County Dublin
Western art unattributed:
28. Detail of plaster roundel on ceiling of drawing room at 9 Merchant's Quay, Dublin
Western art unattributed:
30. Detail of plaster roundel on wall of dining parlour at 53 St Stephen's Green, Dublin
Article
A tale of two tables
06/2013 | 1323 | 155
Pages: 390-395
related names
Author:
Harris, Eileen (Harris, Eileen)
Subjects
dates:
Illustrations
Attributed works:
35. Side-table, one of a pair from 20 St James's Square, London, designed by Robert Adam (Annenberg Retreat, Sunnylands, Rancho Mirage CA)
Attributed works:
36. Borghese dancers, by Lamberto Cristiano Gori. 1770. Scagliola table-top (Annenberg Retreat, Sunnylands, Rancho Mirage CA)
Attributed works:
37. Maidens adorning a candelabrum, by Lamberto Cristiano Gori. 1770. Scagliola table-top (Annenberg Retreat, Sunnylands, Rancho Mirage CA)
Attributed works:
39. Nuptiales Chorae, plate 63 from Admirando Romanarum antiquitatum, by Giovanni Pietro Bellori and Pietro Santi Bartoli, Rome 1693.
Attributed works:
40. Il triofo Romano, by Lamberto Cristiano Gori. 1768. Scagliola table-top (Galleria Palatina, Palazzo Pitti, Florence)
Attributed works:
41. Chimney-piece in the front drawing room at 20 St James's Square, London, designed by Robert Adam
Attributed works:
42. 'Design of a Frame for the Scagiola Tables for Sir Watkin Wynn Baronet. Adelphie August 24 1773' by Robert Adam (Courtesy of the Trustees of the Sir John Soane's Museum, London; photography by Ardon Bar-Hama)
Attributed works:
43. 'Candlestick for Sir Watkin Wynne Bart./9 March 1773' by Robert Adam (Courtesy of the Trustees of the Sir John Soane's Museum, London; photograph by Ardon Bar-Hama)
Attributed works:
44. Side-table, one of a pair from 20 St James's Square, London, designed by Robert Adam (Annenberg Retreat, Sunnylands, Rancho Mirage CA)
Western art unattributed:
38. Borghese dances. Greco-Roman, 2nd century AD (Musée du Louvre, Paris)
Article
Peter Mathias Van Gelder’s monument to Mary, 3rd Duchess of Montagu, in St Edmund’s, Warkton, Northamptonshire
04/2013 | 1321 | 155
Pages: 220-229
related names
Author:
Lindley, Phillip (Lindley, Phillip)
Subjects
dates:
Illustrations
Attributed works:
1. Monument to Mary, 3rd Duchess of Montagu, by Peter Mathias Van Gelder. 1777-82. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
10. Detail of the monument illustrated in Fig.1 showing the funerary urn.
Attributed works:
11. Detail of the monument illustrated in Fig.1 showing marble repair to the rear of the figure of the widow.
Attributed works:
12. Detail of the monument illustrated in Fig.1 showing the inscription.
Attributed works:
13. Detail of the monument illustrated in Fig.1 showing the addition to the rear of the main sculptural group and the carved inscription 'I. Bentjes' and date '10 November 1781'.
Attributed works:
15. Monument to Catherine Jekyll at St Andrew's, Arthingworth, by Peter Mathias Van Gelder. c.1775. Inscribed 'Van Gelder fecit'.
Attributed works:
16. Detail of the monument illustrated in Fig.2 showing the section of drapery added by Peter Mathias Van Gelder to Roubiliac's statue of the 2nd Duchess of Montagu.
Attributed works:
17. Section of marble representing the garter sash from the monument illustrated in Fig.2.
Attributed works:
2. Monument to John, 2nd Duke of Montagu, by Louis François Roubiliac. 1749-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
3. Monument to Mary, 2nd Duchess of Montagu, by Louis François Roubiliac. 1753-55. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
4. Monument to Elizabeth, Duchess of Buccleuch, by Thomas Campbell. 1830-43. (St Edmund's, Warkton, Northamptonshire).
Attributed works:
5. Detail of the monument illustrated in Fig.1 showing relief of mourning woman with an easel and palette, representing Painting.
Attributed works:
6. Detail of the monument illustrated in Fig.1 showing the weeping boy at the feet of the dying Duchess.
Attributed works:
7. Detail of the monument illustrated in Fig.1 showing the figure representing the widow.
Attributed works:
8. Detail of the monument illustrated in Fig.1 showing the angel in the main sculptural group.
Attributed works:
9. Detail of the monument illustrated in Fig.1 showing the dying Duchess.
Western art unattributed:
14. Marble altar steps, chancel, St Edmund's, Warkton, Northamptonshire.
Article
Decorum and celebration of the family line: Robert Adam’s monuments to the 1st Duchess of Northumberland
05/2010 | 1286 | 152
Pages: 288-296
related names
Author:
Aymonino, Adriano (Aymonino, Adriano)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Project for the monument to the 1st Duchess of Northumberland in Westminster Abbey, from Robert Adam’s office. 1778. Pen with grey wash, 59.2 by 42.9 cm. (Sir John Soane’s Museum, London).
Attributed works:
10. Monument to Samuel Egerton, St Mary’s church, Rostherne, Cheshire, by John Bacon. 1792. White marble.
Attributed works:
2. Monument to the Duchess of Northumberland, St Nicholas chapel, West­minster Abbey, by Robert Adam and Nicholas Read. 1778–82. White and black marble.
Attributed works:
3. Sketch for a sarcophagus for the Duchess of Northumberland at Alnwick Castle, by Robert Adam. c.1778. Pencil with grey wash, 17.5 by 24.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
5. Project for the monument to John Sheffield, 1st Duke of Buckingham, in Westminster Abbey, by James Gibbs. From J. Gibbs: A Book of Architecture, London 1728, pl.116.
Attributed works:
7. Detail of Fig.1.
Attributed works:
8. Detail of Fig.2.
Western art unattributed:
4. Plan of Westminster Abbey. From Central London Atlas-Guide. Designed by Bartholomew, Edinburgh 1951, p.35.
Western art unattributed:
6. Monument to Anne Seymour, Duchess of Somerset, St Nicholas chapel, Westminster Abbey. After 1587. Mixed materials.
Western art unattributed:
9. Coat of arms of the Percy family. From A. Collins: The Peerage of England . . ., London 1779, II, p.280, pl.25.
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