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40 articles
Book Review
The Hub of the World: Art in Eighteenth-Century Rome
05/2024 | 1454 | 166
Pages: 515–518
related names
Reviewer:
Zafran, Eric (Zafran, Eric)
Subjects
art literature:
art literature:
dates:
places:
Reviewed Items
subjects:
The Hub of the World: Art in Eighteenth-Century Rome Edited by Alan P. Wintermute, with contributions by Edgar Peters Bowron, Alvar González-Palacios, J. Patrice Marandel and Melissa Beck Lemke. 360 pp. incl. numerous col. + b. & w. ills. (Nicholas Hall, New York, 2023), $65. ISBN 978–1–7326492–5–5. | :
Illustrations
Attributed works:
10. Study for St Louis Gonzago, by Pompeo Batoni. 1744. Red and white chalk on paper, 19.3 by 7.1 cm. (Private collection).
Attributed works:
11. Two English gentlemen before the Arch of Constantine, by Anton von Maron. 1767. Oil on canvas, 137 by 100.5 cm. (Private collection)
Attributed works:
9. Caricature of Pompeo Batoni, by Giuseppe Cades. c.1780. Pen and ink on paper, 11.3 by 8.3 cm. (Philadelphia Museum of Art).
Article
Piranesi’s ‘Catalogo delle Opere’
03/2022 | 1428 | 164
Pages: 230-245
related names
Author:
Robison, Andrew (Robison, Andrew)
Subjects
places:
Illustrations
Attributed works:
1. Catalogo delle Opere, by G.B. Piranesi. State I, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
10. Catalogo delle Opere, by G.B. Piranesi. State XVII, 1769. Etching, 40 by 29.5 cm. (Rijksmuseum, Amsterdam).
Attributed works:
11. Catalogo delle Opere, by G.B. Piranesi. State XVIII, 1772. Etching, 48 by 30 cm. (Biblioteca Comunale dell’Archiginnasio, Bologna).
Attributed works:
12. Opere del Signor Piranesi, by G.B. Piranesi. 1762. Typeset text, 31.4 by 21.9 cm. (Private collection).
Attributed works:
13. Prospectus for Della Magnificenza, by G.B. Piranesi. 1762. Typeset verso of Fig.12, 31.4 by 21.9 cm. (Private collection).
Attributed works:
14. Catalogo delle Opere, by G.B. Piranesi. State X, with manuscript additions, 1766. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
15. Catalogo delle Opere, by G.B. Piranesi. State XXIII, 1774. Etching, 48 by 30 cm. (National Gallery Art, Washington).
Attributed works:
16. Catalogo delle Opere, by G.B. Piranesi. State XXXV, early 1780s. Etching, 48 by 30 cm. (National Gallery of Art, Washington).
Attributed works:
17. Catalogo delle Opere, by G.B. Piranesi. State XXXVI, late 1780s or 1790s. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
2. ‘Opere finora date in luce’, by G.B. Piranesi. 1756. Typeset text, approx. 12 by 25 cm. (From Le Antichità Romane I; John Work Garrett Library of the Johns Hopkins University, Baltimore).
Attributed works:
3. Advertisement for Nicolas de Fer, by Nicolas Guérard. 1695/1705. Etching, 13.5 by 18.3 cm. (Private collection).
Attributed works:
4. Piazza di San Pietro, by G.B. Piranesi. c.1760. Pen and brown ink with brown wash over red chalk, 8 by 12.7 cm. (Scottish National Gallery, Edinburgh).
Attributed works:
5. Catalogo delle Opere, by G.B. Piranesi. State II, with manuscript addition, 1761. Etching, 40 by 29.5 cm. (Accademia di San Luca, Rome; Coll.1694).
Attributed works:
6. Catalogo delle Opere, by G.B. Piranesi. State III, with manuscript additions, 1761. Etching, 40 by 29.5 cm. (Private collection).
Attributed works:
7. Catalogo delle Opere, by G.B. Piranesi. State VI, with manuscript additions, 1762. Etching, 40 by 29.5 cm. (Istituto centrale per la grafica, Rome).
Attributed works:
8. Detail of Fig.14, showing Piranesi’s handwriting.
Attributed works:
9. Veduta del Tempio d’Iside a Pompei, by G.B. Piranesi. 1776. Pen and ink with wash over graphite, sheet 23.7 by 17.7 cm. (From the Album Amicorum of Aernout Vosmaer; private collection).
Article
Clérisseau’s journey to Dalmatia: a newly attributed collection of drawings
06/2021 | 1419 | 163
Pages: 492-502
related names
Author:
Sverko, Ana (Sverko, Ana)
Subjects
places:
Illustrations
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or 1756. Pen, black ink, brown and grey washes and watercolour on paper, 19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably 1755. Pen, brown ink, grey and brown washes and watercolour on paper, 15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.4 by 19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau. 1757. Pencil, grey and brown washes with watercolour on paper, 19.6 by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.6 by 31.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 16.5 by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen, brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph, 16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg). b. Detail of inscription by the artist on Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg). c. Detail of inscription by the artist on Traou en Dalmathie, by Charles- Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 12.6 by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782 (drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and brown ink, grey and brown washes and watercolour on paper, 34 by 22 cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755. Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm. (Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau. c.1750–55. Pen and brown wash, brush and brown and grey wash on paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau. Undated, probably 1755. Pencil, brown, blue and grey washes and pencil framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper, 43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).
Article
Paintings by Canaletto and his father in Aberdeen University
12/2017 | 1377 | 159
Pages: 976-981
related names
Author:
Beddington, Charles (Beddington, Charles)
Author:
Gash, John (Gash, John)
Subjects
collectors and dealers:
dates:
subjects:
Illustrations
Attributed works:
26. Capriccio with Roman ruins and a bishop’s tomb, here attributed to Canaletto. c.1742 (University of Aberdeen).
Attributed works:
27. An island in the Lagoon with a church and a column, by Canaletto. c.1742 (Private collection).
Attributed works:
28. An island in the Lagoon with a gateway and a church, by Canaletto. c.1742 (Saint Louis Art Museum).
Attributed works:
29. The portico with the lantern, from Vedute altre prese da i luoghi altre ideate, by Canaletto, Venice 1744 (British Museum, London).
Attributed works:
30. Capriccio with a tomb and a ruined arch, by Canaletto. c.1742 (Private collection, Italy).
Attributed works:
31. View of the Grand Canal with S. Simeone Piccolo and the Scalzi, here attributed to Bernardo Canal (University of Aberdeen).
Attributed works:
32. Plate XI from Antonio Visentini: Prospectus magni canalis Venetiarum (1735), 2nd ed., Venice 1742 (Rijksmuseum, Amsterdam).
Book Review
Visions of Venice:Paintings of the 18th Century
07/2002 | 1192 | 144
Pages: 440
related names
Reviewer:
Beddington, Charles (Beddington, Charles)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Visions of Venice: Paintings of the 18th Century | author: Pedrocco, Filippo
Article
Bernardo Bellotto's Seven Large Views of Rome, c.1743
02/2000 | 1163 | 142
Pages: 76-81
related names
Author:
Villis, Carl (Villis, Carl)
Subjects
dates:
places:
Illustrations
Attributed works:
1. The Piazza Navona, by Bernardo Bellotto. c.1743. 88 by 149 cm. (Private Collection).
Attributed works:
10. The Piazza del Quirinale, by Bernardo Bellotto. 85 by 146 cm. (Destroyed; Formerly Hallsborough Gallery, London).
Attributed works:
11. View of the Arno towards the Ponte Vecchio, by Bernardo Bellotto. c.1742. 73.3 by 105.7 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
12. View of the Arno towards the Ponte alla Carraia, by Bernardo Bellotto. c.1742. 76.1 by 105.5 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
2. The Piazza Navona, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 22.3 by 37.5 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
3. Ruins of the Forum, by Bernardo Bellotto. c.1742-44. 86.5 by 148 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
4. The Capitol with S. Maria in Aracœli, by Bernardo Bellotto. c.1742-44. 86 by 148.6 cm. (The National Trust, Petworth House, Sussex).
Attributed works:
5. The Roman Forum Looking towards S. Maria Nova, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 26.5 by 37.6 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
6. The Tiber with the Castel Sant'Angelo, by Bernardo Bellotto. c.1742-44. 85.1 by 146.1 cm. (Detroit Institute of Arts).
Attributed works:
7. The Tiber with the Church of S. Giovanni dei Fiorentini, by Bernardo Bellotto. c.1742-44. 87.5 by 148.5 cm. (Toledo Museum of Art).
Attributed works:
8. The Tiber with the Church of S. Giovanni dei Fiorentini, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 26.5 by 37 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
9. The Via di Ripetta, by Bernardo Bellotto. c.1742-44. 86.5 by 146 cm. (Kunstmuseum, Düsseldorf).
Exhibition Review
Venetian Veduta. Amsterdam, Rijksmuseum
03/1991 | 1056 | 133
Pages: 213-214
related names
Reviewer:
Links, J. G. (Links, J. G.)
Subjects
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
82. Entrance to the Grand Canal from the Bacino, by Vanvitelli. 1697. 55 by 108 cm. (Private collection; exh. Rijksmuseum, Amsterdam).
Attributed works:
83. Dolo on the Brenta, by Canaletto. 80.5 by 96.5 cm. (Staatsgalerie, Stuttgart, on loan from Daimler Benz; exh. Rijksmuseum, Amsterdam).
Attributed works:
84. The Rialto Bridge from the Riva del Vin, by Michele Marieschi. 130 by 195.5 cm. (Hermitage, Leningrad; exh. Rijksmuseum, Amsterdam).
Short Notice
A Note on Canaletto's Views of Greenwich
08/1981 | 941 | 123
Pages: 484-487
related names
Author:
Dacey, Jane (Dacey, Jane)
Subjects
artists:
dates:
places:
places:
Illustrations
Attributed works:
35. A View of Greenwich from the River with Numerous Vessels, by Canaletto. 54.5 by 89 cm. (Private collection).
Attributed works:
36. Greenwich Hospital from the North Bank of the Thames, by Canaletto. 66 by 112.5 cm. (National Maritime Museum, London).
Attributed works:
38. A View of Greenwich Hospital, Attributed to Jean Rigaud. Pen, Ink and Wash, 33 by 73.2 cm. (National Maritime Museum, London).
Western art unattributed:
37. Prospect of Greenwich Hospital from the River. Etching, 38.6 by 73 cm (Plate).
Book Review
Art in eighteenth-century Rome
09/1979 | 918 | 121
Pages: 588-589
related names
Reviewer:
Conisbee, Philip (Conisbee, Philip)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Andrea Locatelli e il paesaggio romano del settecento; Trittico paesistico romano del settecento: Paolo Anesi, Paolo Monaldi, Alessio de'Marchis | author: Busiri Vici, Andrea , author: Busiri Vici, Andrea
subjects:
Les peintres Belges a Rome de 1700 a 1830 | author: Coeckelbergs, Denis
subjects:
The mind and art of Giovanni Battista Piranesi | author: Wilton-Ely, John
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