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3 articles
Letter
Van Dyck's 'Countess of Southampton'
02/2006 | 1235 | 148
Pages: 119
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Author:
Villis, Carl (Villis, Carl)
Subjects
artists:
Dyck, Anthony van
dates:
1600-1649
print:
Dyck, Anthony van
subjects:
Rachel de Ruvigny, Countess of Southampton (National Gallery of Victoria, Melbourne) / Flemish painting / Attribution / Attributions / Portraits
subjects:
Correspondence
Article
Anthony van Dyck's portrait of Rachel de Ruvigny, Countess of Southampton
10/2005 | 1231 | 147
Pages: 661-667
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related names
Author:
Anderson, Jaynie (Anderson, Jaynie)
Author:
Villis, Carl (Villis, Carl)
Subjects
artists:
Dyck, Anthony van
dates:
1630-1639
museums and institutions:
National Gallery of Victoria, Melbourne, Australia / Fitzwilliam Museum, Cambridge, Great Britain
print:
Dyck, Anthony van
subjects:
Flemish painting / Full-length portraits / Portraits / Collections, Public / Provenance / Technical analysis / Scientific analysis / Rachel de Ruvigny, Countess of Southampton (National Gallery of Victoria, Melbourne) / Massue de Ruvigny, Rachel, Countess of Southampton, d. 1640
Illustrations
Attributed works:
10. Portrait of Rachel de Ruvigny, later Countess of Southampton, attributed to Cornelius Johnson. Panel, 78.7 by 63.5 cm. (Private collection, England).
Attributed works:
11. Portrait of (?)Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. ?c.1640. 75.6 by 58.4 cm. (Speed Art Museum, Louisville).
Attributed works:
12. Portrait of Thomas Wriothesley, 4th Earl of Southampton, by an anonymous artist after Peter Lely. c.1661. 71.8 by 58.4 cm. (National Portrait Gallery, London).
Attributed works:
13. Portrait of Rachel de Ruvigny, Countess of Southampton, by Jean Petitot after Anthony van Dyck. 1643. Enamel, 24.5 by 14.3 cm. (Devonshire collection, Chatsworth).
Attributed works:
14. Detail at high magnification of yellow paint residues of removed sceptre in Fig.8.
Attributed works:
15. Detail of the left hand in Fig.8.
Attributed works:
16. Detail of the left hand in Fig.9.
Attributed works:
17. Detail of the right hand in Fig.8.
Attributed works:
18. Detail of the right hand in Fig.9.
Attributed works:
19. Detail of the head in Fig.8.
Attributed works:
20. Detail of the head in Fig.9.
Attributed works:
8. Portrait of Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. Late 1630s. 222.4 by 131.6 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
9. Portrait of Rachel de Ruvigny, Countess of Southampton, by Anthony van Dyck. Late 1630s. 219.5 by 132.8 cm. (Fitzwilliam Museum, Cambridge).
Article
Bernardo Bellotto's Seven Large Views of Rome, c.1743
02/2000 | 1163 | 142
Pages: 76-81
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Author:
Villis, Carl (Villis, Carl)
Subjects
artists:
Bellotto, Bernardo
dates:
1700-1799
places:
Italy / Rome
subjects:
Italian painting / Vedute / Topographical views
Illustrations
Attributed works:
1. The Piazza Navona, by Bernardo Bellotto. c.1743. 88 by 149 cm. (Private Collection).
Attributed works:
10. The Piazza del Quirinale, by Bernardo Bellotto. 85 by 146 cm. (Destroyed; Formerly Hallsborough Gallery, London).
Attributed works:
11. View of the Arno towards the Ponte Vecchio, by Bernardo Bellotto. c.1742. 73.3 by 105.7 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
12. View of the Arno towards the Ponte alla Carraia, by Bernardo Bellotto. c.1742. 76.1 by 105.5 cm. (Fitzwilliam Museum, Cambridge).
Attributed works:
2. The Piazza Navona, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 22.3 by 37.5 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
3. Ruins of the Forum, by Bernardo Bellotto. c.1742-44. 86.5 by 148 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
4. The Capitol with S. Maria in Aracœli, by Bernardo Bellotto. c.1742-44. 86 by 148.6 cm. (The National Trust, Petworth House, Sussex).
Attributed works:
5. The Roman Forum Looking towards S. Maria Nova, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 26.5 by 37.6 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
6. The Tiber with the Castel Sant'Angelo, by Bernardo Bellotto. c.1742-44. 85.1 by 146.1 cm. (Detroit Institute of Arts).
Attributed works:
7. The Tiber with the Church of S. Giovanni dei Fiorentini, by Bernardo Bellotto. c.1742-44. 87.5 by 148.5 cm. (Toledo Museum of Art).
Attributed works:
8. The Tiber with the Church of S. Giovanni dei Fiorentini, by Bernardo Bellotto. 1742. Pen and Brown Ink over Pencil, 26.5 by 37 cm. (Hessisches Landesmuseum, Darmstadt).
Attributed works:
9. The Via di Ripetta, by Bernardo Bellotto. c.1742-44. 86.5 by 146 cm. (Kunstmuseum, Düsseldorf).