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616 articles
Short Notice
The missing woman: the reunion of a family portrait by Cornelis de Vos
07/2024 | 1456 | 166
Pages: 708–13
related names
Author:
Jager, Angela (Jager, Angela)
Author:
Wadum, Jørgen (Wadum, Jørgen)
Subjects
artists:
dates:
museums and institutions:
subjects:
Illustrations
Attributed works:
1. Portrait of husband and wife, by Cornelis de Vos. After 1635. Oil on canvas, 173 by 132 cm. (The Nivaagaard Collection).
Attributed works:
2a–b. Reconstruction showing Portrait of a father and son and Portrait of a woman by Cornelis de Vos reunited.
Attributed works:
2b. Right: Portrait of a woman. 1626. Oil on canvas, 57.5 by 48.7 cm. (The Nivaagaard Collection).
Attributed works:
3. Fig.2b, before conservation in 2014.
Attributed works:
4. Portrait of a family with four daughters and a son, by Cornelis de Vos. 1626. Oil on canvas, 160.5 by 184.5 cm. (Wallraf-Richartz-Museum, Cologne).
Attributed works:
5. Photograph of detail of Fig.2a, showing the lower-right corner after removal of overpaint. 1966. (Statens Museum for Kunst Archive, Copenhagen).
Attributed works:
6. Strainer of Fig.2b, showing the wax seal in the upper-right corner and label reading ‘No 25’ attached to the cross bar.
Attributed works:
7. Detail of the wax seal of Fig.2b, showing the monogram ‘MB’.
Attributed works:
8. Detail of annotated copy of sale catalogue of Lord Northwick’s collection. (National Gallery Research Centre, London, no.NGA 28/1/6).
Short Notice
The earliest documented work of Marinus van Reymerswale
07/2024 | 1456 | 166
Pages: 704–7
related names
Author:
Parada López de Corselas, Manuel (Parada López de Corselas, Manuel)
Author:
Seidel, Christine (Seidel, Christine)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Parable of the unjust steward, by Marinus van Reymerswale. c.1530?. Oil on panel, 77 by 96.5 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverband).
Attributed works:
2. The so-called Money changer and his wife, by Marinus van Reymerswale. 1539. Oil on panel, 83 by 97 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
3. Banquet in the house of Nicolaas Rockox, by Frans Francken the Younger. c.1630–35. Oil on panel, 62.3 by 96.5 cm. (Alte Pinakothek, Munich).
Attributed works:
4. St Jerome in his study, by Marinus van Reymerswale. 1533. Oil on panel, 80 by 108 cm. (Real Academia de Bellas Artes de San Fernando, Madrid; Bridgeman Images). del Prado, Madrid).
Article
The permanence of ephemera: a rediscovered fragment by Frans Floris
03/2024 | 1452 | 166
Pages: 244–251
related names
Author:
Galassi, Maria Clelia (Galassi, Maria Clelia; Galassi, M. C.)
Subjects
art literature:
dates:
places:
Illustrations
Attributed works:
1. Capture of the heretics, here attributed to Frans Floris. 1549. Oil on canvas, 170 by 112 cm. (Private collection).
Attributed works:
10. Victory taming a barbarian, by Lambert Lombard. After 1536–37. Pen, ink and black chalk on white paper, 25.5 by 12.9 cm (Arenberg and Clérembault albums, Cabinet des Estampes et des Dessins, Liège).
Attributed works:
11. Giants attacking Olympus, by Balthasar Bos after Frans Floris. 1558. Engraving, 44.2 by 43.9 cm. (British Museum, London).
Attributed works:
2. Victory surrounded by prisoners and trophies, by Frans Floris. 1552. Etching, 31.4 by 43.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The triumphal arch of the Genoese nation, after Pieter Coecke van Aelst. 1550. Woodcut, 22.6 by 20.5 cm. (From C. Grapheus: Le triomphe d’Anvers faict en la susception du Prince Philips, Prince d’Espaign[e], Antwerp 1550; Metropolitan Museum of Art, New York).
Attributed works:
4. Detail of Fig.1, showing physiognomies characteristic of Frans Floris’s style.
Attributed works:
5. Detail of Fig.1, showing the texture of the palin-weave linen canvas.
Attributed works:
6. Infra-red reflectography of Fig.1. (Photograph Paolo Triolo).
Attributed works:
7. Detail of Fig.3, indicating the space allocated for the scene depicting the Capture of the heretics.
Attributed works:
8. Detail of Mars and Venus surprised by Vulcan, by Frans Floris. 1547. Oil on panel. (Formerly Staatliche Museen, Berlin; destroyed in Second Word War).
Attributed works:
9. Column pedestal base on the north side of the Arch of Constantine, Rome, showing Victory taming a barbarian. (Courtesy Roberto Averardi).
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
related names
Author:
Davies, Justin (Davies, Justin)
Subjects
dates:
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Exhibition Review
Dieric Bouts: Creator of Images
01/2024 | 1450 | 166
Pages: 68–70
related names
Reviewer:
Dyballa, Katrin (Dyballa, Katrin)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Dieric Bouts: Creator of Images. Edited by Peter Carpreau. 240 pp. incl. numerous col. ills. (Hannibal, Leuven, 2023), €55. ISBN 978–94–6466–681–6. Dutch edition: Dieric Bouts: Beeldenmaker. €49.95. ISBN 978–94–6466–666–3. | :
subjects:
Dieric Bouts: Creator of Images M Leuven 20th October 2023– 14th January 2024 | :
Illustrations
Attributed works:
10. Triptych of the Holy Sacrament, by Dieric Bouts. 1464–68. Oil on panel, centre panel (Last Supper), 183 by 152.5 cm.; left wing, top (Meeting of Abraham and Melchizedek), 87.5 by 76.2 cm., bottom (Feast of the Passover), 87.8 by 71.3 cm.; right wing, top (Gathering of the Manna), 87.6 by 70.6 cm., bottom (The Prophet Elijah in the desert), 88 by 71.2 cm. (St Peter’s Church, Leuven; exh. M Leuven).
Attributed works:
8. Betrayal of Christ, by a follower of Dieric Bouts. c.1470. Oil on panel, 105 by 68.4 cm. (Alte Pinakothek, Munich; exh. M Leuven).
Attributed works:
9. Installation view of Triptych of the descent from the Cross, by Dieric Bouts. c.1450–58 or 1464–68 (?). Oil on panel, centre panel (Descent from the Cross), 192.8 by 145.3 cm.; left panel (Crucifixion), 189 by 59.3 cm.; right panel (Resurrection), 188.5 by 59 cm. (Cabildo de la Capilla Real de Granada; exh. M Leuven).
Short Notice
An overlooked Antwerp Mannerist panel in Florida: suggestions for an attribution to Noël Bellemare
11/2023 | 1448 | 165
Pages: 1209-1213
related names
Shorter Notice by:
Cartwright, Sarah (Cartwright, Sarah)
Subjects
artists:
dates:
places:
styles:
Illustrations
Attributed works:
1. Massacre of the Innocents, here attributed to Noël Bellemare and dated early 1520s. Oil on panel, 84.13 by 79.37 cm. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
2. Infra-red reflectogram of Fig.1. (John and Mable Ringling Museum of Art, Sarasota).
Attributed works:
3. Adoration of the Magi with Philippe de Villiers de l’Isle-Adam, by Noël Bellemare. c.1529–30. Oil on panel, 112.6 by 225.5 cm. (Kunstmuseum Basel; photograph Martin P. Bühler).
Attributed works:
4. Detail of St John on Patmos, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.7v).
Attributed works:
5. Detail of Christ carrying the Cross, from the Rosenwald Hours by Noël Bellemare. 1524. Tempera and gold on parchment. (Rare Book and Special Collections Division, Library of Congress, Washington, MS 52, Rosenwald Collection, MS 10 [14], fol.60r).
Attributed works:
6. Detail of Fig.2, showing the soldier in the right foreground.
Attributed works:
7. Detail of infra-red reflectogram of Fig.3, showing the magus at the right. (Kunstmuseum Basel; Art Care).
Attributed works:
8. Magnanimity, Fortitude and a small elephant, from Livre du fort Chandio. Paris, c.1515/1522–23. Black and red chalk and watercolour on paper, 28.5 by 21 cm. (Bibliothèque nationale de France, Paris, Département des Manuscrits, Français 1194, fol.6v).
Attributed works:
9. Detail of Fig.1, showing a man wearing a green head covering.
Article
The lure of the south
08/2023 | 1445 | 165
Pages: 874–881
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
Reviewed Items
subjects:
De Bentvueghels (11th February to 4th June 2023). Centraal Museum, Utrecht | :
subjects:
Theodoor Rombouts: Virtuoso of Flemish Caravaggism (21st January–23rd April). The Museum of Fine Arts in Ghent (MSK). | :
Illustrations
Attributed works:
1. Installation view of Theodoor Rombouts: Virtuoso of Flemish Caravaggism at the Museum of Fine Arts, Ghent, 2023. (Courtesy Museum of Fine Arts, Ghent; photograph © Martin Corlazzoli).
Attributed works:
2. Christ driving the money changers from the Temple, by Bartolomeo Manfredi. c.1616–17. Oil on canvas, 162 by 244 cm. (Musée du Louvre, Paris, on deposit at the Musée des Beaux-Arts, Libourne; exh. Museum of Fine Arts, Ghent).
Attributed works:
3. Christ driving the money changers from the Temple, by Theodoor Rombouts. c.1625–32. Oil on canvas, 168 by 237 cm. (Royal Museum of Fine Arts, Antwerp; exh. Museum of Fine Arts, Ghent).
Attributed works:
4. Installation view of De Bentvueghels at Centraal Museum, Utrecht, 2023. (Courtesy Centraal Museum, Utrecht).
Attributed works:
6. Initiation of a Bentvueghel in Rome, by Matthijs Pool after Domenicus van Wijnen. c.1690–1708. Etching and engraving, 62.9 by 50 cm. (Rijksmuseum, Amsterdam; exh. Centraal Museum, Utrecht).
Western art unattributed:
5. Portraits of Bentvueghels. c.1620. Black and red chalk on paper, 26.5 by 39.5 cm. (Kupferstichkabinett, Kunsthalle Hamburg; courtesy bpk; exh. Centraal Museum, Utrecht).
Book Review
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664)
07/2023 | 1444 | 165
Pages: 806–807
related names
Reviewer:
Osnabrugge, Marije (Osnabrugge, Marije)
Subjects
places:
Reviewed Items
subjects:
In Italien Karriere machen: Der flämische Maler Michele Desubleo zwischen Rom, Bologna und Venedig (ca.1624–1664) By Stefania Girometti. 466 pp. incl. 63 col.+ 53 b. & w. ills. (arthistoricum.net, Heidelberg, 2022), €64.90 ISBN 978–3–98501–045–5. | :
Illustrations
Attributed works:
4. Martyrdom of St Lawrence, by Michele Desubleo. Early 1640s. Oil on canvas, 250 by 140 cm. (Private collection).
Article
A third self-portrait by Gillis Van Tilborgh
06/2023 | 1443 | 165
Pages: 584–589
related names
Author:
Cauteren, Katharina van (Cauteren, Katharina van)
Author:
Kelchtermans, Leen (Kelchtermans, Leen)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Self-portrait with his family, by Gillis Van Tilborgh. c.1668–70. Oil on canvas, 81 by 171 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
2. Self-portrait in the studio, by Gillis Van Tilborgh. c.1645. Oil on panel, 10.8 by 8.9 cm. (National Gallery of Art, Washington).
Attributed works:
3. Detail of Fig.1, showing Gillis Van Tilborgh.
Attributed works:
4. Detail of Fig.5, showing Gillis Van Tilborgh.
Attributed works:
5. Twelve gentlemen in an interior, including a self-portrait of the artist as a connoisseur, by Gillis Van Tilborgh. c.1665. Oil on canvas, 137 by 208 cm. (The Phoebus Foundation, Antwerp).
Attributed works:
6. Peter Snayers, by Cornelis Van Caukercken after Daniel Van Heil. c.1649–61. Engraving, 23.4 by 19 cm. (From C. De Bie: Het Gulden Cabinet vande Edel Vry Schilder-Const, Lier 1661; The Phoebus Foundation, Antwerp).
Attributed works:
7. Detail of Fig.5, showing Peter Snayers.
Attributed works:
8. David II Teniers, by Lucas II Vorsterman after Pieter Thijs. 1659. Engraving, 34.9 by 24 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. Detail of Fig.5, showing David II Teniers.
Article
The young Jordaens
04/2023 | 1441 | 165
Pages: 366-377
related names
Author:
Vander Auwera, Joost (Vander Auwera, Joost )
Subjects
dates:
places:
Illustrations
Attributed works:
1. Adoration of the shepherds, by Jacques Jordaens. 1616. Oil on panel transferred to canvas, 113 by 81 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
10. Holy Family with St Anne, the young St John the Baptist and his parents, by Jacques Jordaens. c.1620–25 and c.1650s–early 1660s. Oil on panel, 169.9 by 149.9 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Holy Family with St Elizabeth, by Jacques Jordaens. c.1620–23. Pen and brown ink and brown wash, heightened in places with white body colour, 12.3 by 12.1 cm. (British Museum, London).
Attributed works:
12. X-radiographs of Fig.10, revealing the original central composition. (Metropolitan Museum of Art, New York).
Attributed works:
13. Satyr and peasants, by Jacques Jordaens. After 1663. Oil on panel, 77 by 50.1 cm. (Private collection).
Attributed works:
14. Holy Family, by Jacques Jordaens. Here dated c.1616. Oil on canvas, 155 by 113 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
15. Pan and Syrinx, by Jacques Jordaens. Here dated c.1619–20. Oil on canvas, 173 by 136 cm. (Assembly of photographs by Freya Maes and of X-radiographs by Guido van de Voorde; Royal Museums of Fine Arts of Belgium, Brussels; KIK/IRPA).
Attributed works:
16. Abduction of Europa, by Jacques Jordaens. c.1615–16. Oil on panel, 55 by 93.5 cm. (Current location unknown).
Attributed works:
17. Christ with Nicodemus, by Jacques Jordaens. Here dated c.1618. Oil on panel, 112 by 83 cm. (Royal Museums of Fine Arts of Belgium, Brussels; Bridgeman Images).
Attributed works:
18. Lot and his family leaving Sodom, by Jacques Jordaens, after Peter Paul Rubens. Here dated c.1617–18. Oil on canvas, 169.5 by 198.5 cm. (National Museum of Western Art, Tokyo).
Attributed works:
2. The daughters of Cecrops finding the child Erichthonius, by Jacques Jordaens. 1617. Oil on canvas, 170 by 280 cm. (Royal Museum of Fine Arts, Antwerp).
Attributed works:
3. Adoration of the shepherds, by Jacques Jordaens. 1618. Oil on canvas, 124 by 93 cm. (Nationalmuseum, Stockholm).
Attributed works:
4. Adoration of the shepherds, here attributed to Jacques Jordaens. Here dated c.1615. Oil on panel, 64.3 by 51.4 cm. (Museum Mayer van den Bergh, Antwerp).
Attributed works:
5. Adoration of the shepherds, by Jacques Jordaens. Here dated c.1615. Red and black chalk, brush in brown ink and watercolour, some white body-colour on paper, 16.7 by 20.2 cm. (Museum Boijmans Van Beuningen, Rotterdam).
Attributed works:
6. Holy Family with St Anne, by Jacques Jordaens. Here dated c.1617–18. Oil on panel, 63.7 by 48.5 cm. (City Hall, Municipality of Saint-Gilles, Brussels; on long-term loan to the Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
7. Allegory on the Peace of Münster, by Jacques Jordaens. 1654. Oil on canvas, 184 by 139.5 cm. (National Gallery, Oslo).
Attributed works:
8. Detail of Fig.6.
Attributed works:
9. Holy Family with St Elizabeth, by Jacques Jordaens and workshop. c.1620–23. Oil on panel, 122.6 by 145 cm. (Alte Pinakothek, Munich).
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