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34 articles
Article
Additions to Ter Brugghen in Italy: ‘Christ bound to the column’ and ‘St John the Baptist in the wilderness’
03/2025 | 1464 | 167
Pages: 229–41
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
sources:
Illustrations
Attributed works:
1. Christ bound to the column, here attributed to Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 282 by 199 cm. (Private collection).
Attributed works:
10. Sleeping Mars, by Hendrick ter Brugghen. c.1625/29. Oil on panel, 106.5 by 92.8 cm. (Centraal Museum, Utrecht).
Attributed works:
11. Crucifixion with the Virgin and St John, by Hendrick ter Brugghen. c.1625. Oil on canvas, 154.9 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
12. Christ at the column, by Guido Reni. c.1604. Oil on canvas, 192.7 by 109 cm. (Städel Museum, Frankfurt).
Attributed works:
13. Flagellation of Christ, by Agostino Ciampelli. c.1594–96. Fresco. (S. Prassede, Rome).
Attributed works:
14. Supposed fragment of the column of Christ’s flagellation. Black marble, height 63 cm. (S. Prassede, Rome).
Attributed works:
15. Calling of St Matthew, by Hendrick ter Brugghen. c.1617/18. Oil on canvas, 153.5 by 185 cm. (Musée de l’art moderne André Malraux, Le Havre).
Attributed works:
16. Beheading of St John the Baptist, here attributed to Hendrick ter Brugghen and assistants. ?1610/19. Oil on canvas, 167.6 by 217.8 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
17. Mucius Scaevola before Porsena, by Hendrick ter Brugghen, c.1618/19. Oil on canvas, 183 by 222 cm. (Private collection).
Attributed works:
18. Adoration of the shepherds, by Hendrick ter Brugghen. c.1612–14, or later. Oil on canvas, 160.4 by 208 cm. (Spier Collection, London).
Attributed works:
19. St John the Baptist in the wilderness, here attributed to Hendrick ter Brugghen. 1610s. Oil on canvas, 64.5 by 86.5 cm. (Private collection).
Attributed works:
2. Flagellation of Christ, by Caravaggio. 1607/10. Oil on canvas, 286 by 213 cm. (Museo Nazionale di Capodimonte, Naples).
Attributed works:
20. Supper at Emmaus, by Hendrick ter Brugghen, ?1616. Oil on canvas, 160.3 by 188.3 cm. (Toledo Museum of Art).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1620s. Oil on canvas, 132.3 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. Denial of St Peter, by Hendrick ter Brugghen. c.1612–14 or c.1619–20. Oil on canvas, 288 by 190 cm. (Spier Collection, London).
Attributed works:
5. Christ before the High Priest Caiaphas, by Gerrit van Honthorst. c.1617/18. Oil on canvas, 272 by 183 cm. (National Gallery, London).
Attributed works:
6. Liberation of St Peter, by Gerrit van Honthorst. c.1616–18. Oil on canvas, 129 by 179 cm. (Gemäldegalerie, Berlin).
Attributed works:
7. Detail of Fig.1, showing Christ’s head.
Attributed works:
8. Detail of Fig.1, showing Christ’s loincloth.
Attributed works:
9. Dives and Lazarus, by Hendrick ter Brugghen. 1625. Oil on canvas, 168.2 by 207.3 cm. (Centraal Museum, Utrecht).
Article
The lure of the south
08/2023 | 1445 | 165
Pages: 874–881
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
Reviewed Items
subjects:
De Bentvueghels (11th February to 4th June 2023). Centraal Museum, Utrecht | :
subjects:
Theodoor Rombouts: Virtuoso of Flemish Caravaggism (21st January–23rd April). The Museum of Fine Arts in Ghent (MSK). | :
Illustrations
Attributed works:
1. Installation view of Theodoor Rombouts: Virtuoso of Flemish Caravaggism at the Museum of Fine Arts, Ghent, 2023. (Courtesy Museum of Fine Arts, Ghent; photograph © Martin Corlazzoli).
Attributed works:
2. Christ driving the money changers from the Temple, by Bartolomeo Manfredi. c.1616–17. Oil on canvas, 162 by 244 cm. (Musée du Louvre, Paris, on deposit at the Musée des Beaux-Arts, Libourne; exh. Museum of Fine Arts, Ghent).
Attributed works:
3. Christ driving the money changers from the Temple, by Theodoor Rombouts. c.1625–32. Oil on canvas, 168 by 237 cm. (Royal Museum of Fine Arts, Antwerp; exh. Museum of Fine Arts, Ghent).
Attributed works:
4. Installation view of De Bentvueghels at Centraal Museum, Utrecht, 2023. (Courtesy Centraal Museum, Utrecht).
Attributed works:
6. Initiation of a Bentvueghel in Rome, by Matthijs Pool after Domenicus van Wijnen. c.1690–1708. Etching and engraving, 62.9 by 50 cm. (Rijksmuseum, Amsterdam; exh. Centraal Museum, Utrecht).
Western art unattributed:
5. Portraits of Bentvueghels. c.1620. Black and red chalk on paper, 26.5 by 39.5 cm. (Kupferstichkabinett, Kunsthalle Hamburg; courtesy bpk; exh. Centraal Museum, Utrecht).
Article
New perspectives on Gérard Douffet in Italy and Malta
02/2023 | 1439 | 165
Pages: 128-139
related names
Author:
Gash, John (Gash, John)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Pope Nicholas V visiting the tomb of St Francis, by Gérard Douffet. c.1627. Oil on canvas, 404 by 347 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
10. St John the Baptist with a ram, by Caravaggio. 1602. Oil on canvas, 129 by 95 cm. (Pinacoteca Capitolina, Rome).
Attributed works:
11. Death of Hyacinth, copy (?) after Gérard Douffet. 1620s. Oil on canvas, 131 by 96.5 cm. (Private collection).
Attributed works:
12. St Roch and St Carlo Borromeo interceding with the Virgin on behalf of the plague-stricken, by Gérard Douffet (or/and Bertholet Flémal?). c.1620. Oil on canvas, 240 by 172 cm. (Sainte-Véronique, Liège; © KIKIRPA, Brussels).
Attributed works:
13. Detail of Fig.12, showing a dead mother and her child.
Attributed works:
14. Penitent Mary Magdalene, here attributed to Gérard Douffet, c.1627. Oil on canvas, 144 by 102 cm. (Schaezlerpalais, Augsburg).
Attributed works:
2. St Helena discovering the True Cross, by Gérard Douffet. 1624. Oil on canvas, 309 by 367 cm. (Staatsgalerie, Neuburg an der Donau).
Attributed works:
3. Detail of Fig.1, showing a man with ringlets looking up.
Attributed works:
4. Christ appearing to St James the Great, by Gérard Douffet. 1633–34. Oil on canvas, 227 by 169 cm. (Schloss Schleissheim, Munich).
Attributed works:
5. Detail of Fig.4, showing the free-floating strands of hair on Christ’s head.
Attributed works:
6. Taking of Christ, here attributed to Gérard Douffet (and Valentin de Boulogne?). c.1618–20. Oil on canvas, 147 by 194 cm. (Museum of Fine Arts, Boston).
Attributed works:
7. St Paul killing the serpent on Malta, here attributed to Gérard Douffet (and assistants?). c.1621–23. Oil on canvas, 163.5 by 220.5 cm. (Private collection).
Attributed works:
8. Death of Hyacinth, here attributed to Gérard Douffet. c.1618–24. Oil on canvas, 132 by 91.2 cm. (Musée Thomas Henry, Cherbourg).
Attributed works:
9. The choice of Hercules, by Bartolomeo Manfredi or his circle (Gérard Douffet?). c.1616–22. Oil on canvas, 104.1 by 146.7 cm. (Fondation Albert Vandervelden, Ferrières).
Book Review
Representing from Life in Seventeenth-Century Italy
05/2022 | 1430 | 164
Pages: 522-524
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
Reviewed Items
subjects:
Representing from Life in Seventeenth- Century Italy By Sheila McTighe. 256 pp. incl. 90 b. & w. ills. (Amsterdam University Press, 2020), £106. ISBN 978–94–6298–328–1. | :
Illustrations
Attributed works:
5. Cosimo III de’ Medici sketching the Medici Vase, by Stefano della Bella. 1656. Etching, 28.6 by 27 cm. (Metropolitan Museum of Art, New York).
Article
‘Roman Charity’: a newly discovered painting by Hendrick ter Brugghen
09/2021 | 1422 | 163
Pages: 806-811
related names
Author:
Franits, Wayne E. (Franits, Wayne E.; Franits, Wayne)
Subjects
places:
Illustrations
Attributed works:
1. Roman Charity, by Hendrick ter Brugghen. 1623. Oil on canvas, 149 by 136 cm. (The Metropolitan Museum of Art, New York).
Attributed works:
2. Incredulity of St Thomas, by Hendrick ter Brugghen. c.1622–23. Oil on canvas, 108.1 by 133.2 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Denial of St Peter, by Hendrick ter Brugghen. 1626–27. Oil on canvas, 132.2 by 178 cm. (Art Institute of Chicago).
Attributed works:
4. The seven works of mercy, by Caravaggio. 1607. Oil on canvas, 390 by 260 cm. (Pio Monte della Misericordia, Naples).
Attributed works:
5. Roman Charity, by Bartolomeo Manfredi. 1610. Oil on canvas, 129 by 96 cm. (Koelliker Collection, Milan).
Attributed works:
6. Roman Charity, by Dirck van Baburen. c.1622–23. Oil on canvas, 127 by 151.1 cm. (York Art Gallery).
Attributed works:
7. Roman Charity, by the workshop of Gerrit van Honthorst. Before 1625. Oil on canvas, 153.5 by 191.2 cm. (LWL-Landesmuseum für Kunst und Kulturgeschichte, Münster).
Exhibition Review
Georges de La Tour: Europe of Light
11/2020 | 1412 | 162
Pages: 988-990
related names
Reviewer:
Terzaghi, Maria Cristina (Terzaghi, Maria Cristina)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Georges de La Tour: Europe of Light Palazzo Reale, Milan 7th February–27th September | :
Illustrations
Attributed works:
14. Job mocked by his wife, by Georges de La Tour. c.1650. Oil on canvas, 145 by 97 cm. (Musée départemental d’art ancien et contemporain, Épinal; exh. Palazzo Reale, Milan).
Attributed works:
15. St John the Baptist in the desert, by Georges de La Tour. c.1649. Oil on canvas, 81 by 101 cm. (Musée départemental, Vic-sur-Seille; exh. Palazzo Reale, Milan).
Attributed works:
16. Hurdy-gurdy player with a dog, by Georges de La Tour. c.1620–25. Oil on canvas, 186 by 120 cm. (Musée du Mont-depiété, Bergues; exh. Palazzo Reale, Milan).
Book Review
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655). By Marije Osnabrugge
04/2020 | 1405 | 162
Pages: 358-359
related names
Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
places:
Reviewed Items
subjects:
The Neapolitan Lives and Careers of Netherlandish Immigrant Painters (1575–1655) By Marije Osnabrugge. 400 pp. incl. 20 col. + 89 b. & w. ills. (Amsterdam University Press, Amsterdam, 2019),  130. ISBN 978–94–6298– 820–0. | :
Illustrations
Attributed works:
3. Resurrection of Christ, by Louis Finson. 1610. Oil on canvas, 218 by 168 cm. (Saint-Jeande- Malte, Aix en Provence; Bridgeman Images).
Exhibition Review
Theodoor van Loon: A Caravaggist Painter Between Rome and Brussels. Centre for Fine Arts, Brussels (BOZAR)
01/2019 | 1390 | 161
Pages: 65-67
related names
Reviewer:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
media:
museums and institutions:
places:
Illustrations
Attributed works:
10. David triumphant, by Theodor van Loon. 1607–09. Canvas, 168.5 by 122 cm. (Private collection; exh. Centre for Fine Arts, Brussels).
Attributed works:
11. Christ and the woman taken in adultery, here attributed to Bartolomeo Manfredi. 1619–20. Canvas, 120 by 184.5 cm. (Royal Museums of Fine Arts of Belgium, Brussels; exh. Centre for Fine Arts, Brussels).
Attributed works:
12. St Elizabeth of Hungary, by Theodor van Loon. 1613–15. Canvas, 207 by 143 cm. (Monastery of the Discalced Carmelites, Brussels; exh. Centre for Fine Arts, Brussels).
Article
Georges de la Tour’s earliest painting?
07/2018 | 1384 | 160
Pages: 554-557
related names
Author:
Cuzin, Jean-Pierre (Cuzin, Jean-Pierre)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
1. Diogenes, here attributed to Georges de La Tour. c.1615–20. Canvas, 99.9 by 121.4 cm. (Private collection).
Attributed works:
2. Peasant couple eating, by Georges de La Tour. c.1620. Canvas, 74 by 87 cm. (Gemäldegalerie, Berlin; Bridgeman Images).
Attributed works:
3. Hurdy-gurdy player and his dog, by Georges de La Tour. c.1620s. Canvas, 186 by 120 cm. (Musée Municipal, Bergues; Bridgeman Images).
Attributed works:
4. St James the Less, by Georges de La Tour. c.1615–20. Canvas, 65 by 54 cm. (Musée Toulouse-Lautrec, Albi; Bridgeman Images).
Book Review
Painted in Mexico, 1700–1760: Pinxit Mexici. Edited by Ilona Katzew
07/2018 | 1384 | 160
Pages: 607-608
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
dates:
media:
patrons:
Illustrations
Attributed works:
4. View of the Plaza Mayor of Mexico, by Juan Patricio Morlete Ruiz. 1770. Canvas, 96.8 by 151 cm. (National Museum of Fine Arts, Malta).
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