Die Kunst der Außenseiter:
Ausstellungen und Künstlerkarrieren
im absolutistischen Paris jenseits
der Akademie
By Sarah Salomon. 408 pp. incl. 35 b. & w. ills.
(Wallstein Verlag, Göttingen, 2021), €42.
ISBN 978–3–8353–3907–1. |
:
Exhibition Review
Louis Chéron (Paris, 1655–Londres, 1725): L’ambition du dessin parfait
Louis Chéron (Paris, 1655–
Londres, 1725): L’ambition du
dessin parfait
By François Marandet. 288 pp. incl.
299 col. + 9 b. & w. ills. (Musée des Beaux-
Arts, Caen, and Illustria – La Librairie
des Musées, Deauville, 2021), €30.
ISBN 978–2–35404–095–6. |
:
Illustrations
Attributed works:
1. Sketch for The
prophet Agabus
predicting the
fate of St Paul,
by Louis Chéron.
1686. Oil on
canvas, 61 by
46 cm. (Musée
des Beaux Arts,
Caen).
Attributed works:
2. Standing
female nude, by
Louis Chéron.
c.1722. Black
chalk with white
highlights on
cream paper,
61.1 by 44.6 cm.
(British Museum,
London; exh.
Musée des Beaux
Arts, Caen).
Attributed works:
3. Cupid and
Psyche, by
François II
Chéreau after
Louis Chéron.
1735–55.
Engraving, 24.2
by 30.5 cm.
(British Museum,
London; exh.
Musée des Beaux
Arts, Caen).
Book Review
Las mujeres y las artes: Mecenas, artistas, emprendedoras y coleccionistas
Las mujeres y las artes: Mecenas,
artistas, emprendedoras y coleccionistas
Edited by Beatriz Blasco Esquivias, Jonatan Jair
López Muñoz and Sergio Ramiro Ramírez. 848
pp. incl. 138 b. & w. ills. (Abada Editores, Madrid,
2021), €33. ISBN 978–84–17301–64–4. |
:
Une antiquité moderne
Edited by Jean-Luc Martinez and
Elisabeth Le Breton. 272 pp. incl. 62 col. +
57 b. & w. ills. (Oficina Libraria, Milan,
2019), €39. ISBN 978–88–336–7077–5. |
:
Illustrations
Attributed works:
16. The older
son from the
Niobe Group,
moulded by
Giovanni Arnaldi.
1686–87. Plaster
cast, 120 by 125
by 60 cm. (Villa
Medici, Rome;
photograph
Daniele Molajoli,
Académie de
France à Rome–
Villa Médicis,
2019).
Western art unattributed:
17. Commodus as
Hercules. c.1673–
84. Plaster cast,
237 by 62 by 82 cm.
(Villa Medici, Rome;
photograph Daniele
Molajoli, Académie
de France à Rome –
Villa Médicis, 2019).
Book Review
Die Büchersammlung Friedrich Gillys (1772–1800): Provenienz und Schicksal einer Architektenbibliothek im theoretischen Kontext des 18. Jahrhunderts
Die Büchersammlung Friedrich
Gillys (1772–1800): Provenienz und
Schicksal einer Architektenbibliothek
im theoretischen Kontext des 18.
Jahrhunderts
By Michael Bollé and Maria Ocón Fernández.
592 pp. incl. 160 b. & w. ills. (Gebr. Mann Verlag,
Berlin, 2019), €79. ISBN 978–3–7861–2791–8. |
:
Exhibition Review
Near Life: The Gipsformerei – 200 Years of Casting Plaster. James-Simon-Galerie, Berlin
Near Life: The Gipsformerei –
200 Years of Casting Plaster
James-Simon-Galerie, Berlin
30th August 2019–1st March |
:
Illustrations
Attributed works:
23. Installation
view of Near Life:
The Gipsformerei
– 200 Years
Gipsformerei
at James-
Simon-Galerie,
Berlin, 2019–20
(photograph David
von Becker).
Attributed works:
24. Wall in
the studio,
by Adolph
Menzel. 1852.
Oil on paper
on panel, 61 by
44 cm. (Alte
Nationalgalerie,
Berlin; photograph
J rg P.
Anders).
Book Review
De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps (1715–1791) et la peinture flamande, hollandaise et allemande. By Gaëtane Maës
De l’expertise artistique à la vulgarisation
au siècle des Lumières: Jean-Baptiste
Descamps (1715–1791) et la peinture
flamande, hollandaise et allemande
By Gaëtane Maës. 608 pp. incl. 28 col. + 89
b. & w. ills. (Brepols, Turnhout, 2016), £145.
ISBN 978–2–503–56770–9. |
:
Book Review
The Royal Academy of Arts: History and Collections. Edited by Robin Simon and MaryAnne Stevens; and Burlington House: Home of the Royal Academy of Arts. By Nicholas Savage
The Royal Academy of Arts: History
and Collections
Edited by Robin Simon and MaryAnne Stevens.
676 pp. incl. 554 col. + b. & w. ills. (Royal Academy
of Arts and Paul Mellon Centre for British Art,
London, and Yale University Press, New Haven and
London, 2018), £75. ISBN 978–0–300–23207–3.
Burlington House: Home of the Royal
Academy of Arts
By Nicholas Savage. 368 pp. incl. 295 col. + b. & w.
ills. (Royal Academy of Arts, London, 2018), £60.
ISBN 978–1–910350–80–5. |
:
Illustrations
Attributed works:
1. Standing headless male ecorché figure,
after Edmé Bouchardon. Mid-18th century.
Plaster, 147 by 68 by 60 cm. (Royal Academy
of Arts, London).
Attributed works:
2. The Great Staircase, Burlington House, as
executed, elevation looking west, by Samuel
Ware. 27th March 1817. Pencil, pen and black
ink and grey, light brown and dark brown
washes, 77.5 by 68.5 cm. (Royal Academy of
Arts, London).
Book Review
Seen from Behind: Perspectives on the Male Body and Renaissance Art. By Patricia Lee Rubin