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7 articles
Exhibition Review
The Chipperfield extension and private collections
03/2022 | 1428 | 164
Pages: 307-309
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Reviewer:
Deltour, Louis (Deltour, Louis)
Subjects
dates:
2020-2030
museums and institutions:
Kunsthaus Zürich, Zürich, Switzerland
subjects:
Architecture / Art museums / Chipperfield, David / Collections, Private / Collectors / Bührle, Emil Georg / Impressionism / Post-Impressionism
Reviewed Items
subjects:
The Chipperfield extension and private collections Kunsthaus Zurich From 9th October 2021 | :
Illustrations
Attributed works:
30. The Kunsthaus Zurich extension, designed by David Chipperfield. (Photograph Juliet Haller, City of Zurich Urban Planning Department).
Attributed works:
31. Milliners, by Paul Signac. 1885–86. Oil on canvas, 116 by 89 cm. (Kunsthaus Zurich).
Attributed works:
32. The conversation, Louveciennes, by Camille Pissarro. 1870. Oil on canvas, 100 by 81 cm. (Kunsthaus Zurich).
Exhibition Review
Near Life: The Gipsformerei – 200 Years of Casting Plaster. James-Simon-Galerie, Berlin
03/2020 | 1404 | 162
Pages: 250-251
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Reviewer:
Marchand, Eckart (Marchand, Eckart)
Subjects
dates:
2010-2019
museums and institutions:
James-Simon-Galerie, Berlin, Germany
subjects:
Chipperfield, David / Gipsformerei (plaster cast workshop), Berlin, Germany / Plaster casts / Copies / Human figure / Drawings / Paintings / Academies / Sculpture / Reproductions
Reviewed Items
subjects:
Near Life: The Gipsformerei – 200 Years of Casting Plaster James-Simon-Galerie, Berlin 30th August 2019–1st March | :
Illustrations
Attributed works:
23. Installation view of Near Life: The Gipsformerei – 200 Years Gipsformerei at James- Simon-Galerie, Berlin, 2019–20 (photograph David von Becker).
Attributed works:
24. Wall in the studio, by Adolph Menzel. 1852. Oil on paper on panel, 61 by 44 cm. (Alte Nationalgalerie, Berlin; photograph J rg P. Anders).
Exhibition Review
The Great Spectacle: 250 Years of the Summer Exhibition. Royal Academy of Arts, London
08/2018 | 1385 | 160
Pages: 678-681
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Reviewer:
Yarker, Jonathan (Yarker, Jonathan)
Subjects
art literature:
Berger, John / Solkin, David H., London, Great Britain
artists:
Rowlandson, Thomas / Cope, Charles West / Kauffmann, Angelica / Wilkie, David / Bigg, William Redmore / Morland, George / Mulready, William, I, 1786-1863 / Wilton, Joseph / Turner, Joseph Mallord William / Constable, John / Sims, Charles / Munnings, Alfred James / Lewis, Wyndham / Piper, Myfanwy / Churchill, Winston / Annigoni, Pietro / Blake, Peter / Bowling, Frank / Nicholson, Ben / Hitchens, Ivon / Chipperfield, David / Barry, James, 1741-1806 / Gibson, John / Reynolds, Joshua / Gainsborough, Thomas / Lawrence, Thomas / Michelangelo / Leonardo da Vinci / Nevay, Giacomo / Blake, William
artists:
Blow, Sandra
buildings:
Burlington House, London, Great Britain / Somerset House, London, Great Britain
dates:
2010-2019
media:
Paintings / Sculpture / Drawings / Watercolours / Frames / Architecture
museums and institutions:
Royal Academy of Arts, London, Great Britain
places:
Great Britain / London
subjects:
British painting / British architecture / Art schools / Academies / Study and teaching / Portraits / Landscapes (visual works) / Genre paintings / Satire / Abstract art / Pre-Raphaelite / Collecting / Casts (sculpture) / Copies / Copying / Internet and art history
Illustrations
Attributed works:
18. The exhibition at the Royal Academy in Pall Mall in 1771, by Richard Earlom after Michel Vincent Brandoin. 1772. Mezzotint, 47.2 by 56.6 cm. (Royal Academy of Arts, London).
Attributed works:
19. Clio and the children, by Charles Sims. 1913–15. Canvas, 114.3 by 182.9 cm. (Royal Academy of Arts, London).
Attributed works:
20. Male nude, after a figure from Michelangelo’s Last Judgment, by James Nevay. 1772. Pencil and white chalk on paper, 51.5 by 39.2 cm. (Royal Academy of Arts, London).
Attributed works:
21. Green and red variations, by Sandra Blow. 1978. Oil and collage on canvas, 137.2 by 121.9 cm. (Royal Academy of Arts, London).
Exhibition Review
New galleries. Margate (Turner Contemporary)
09/2011 | 1302 | 153
Pages: 624-625
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Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Chipperfield, David
dates:
2010-2019
museums and institutions:
Turner Contemporary, Margate, Great Britain
places:
Margate / England
print:
Turner Contemporary, Margate, Great Britain
subjects:
Reviews / Exhibitions / Architecture / Art galleries
Reviewed Items
subjects:
Turner Contemporary, Margate | institution: Turner Contemporary
Illustrations
Attributed works:
82. Turner Contemporary, Margate. 2011.
Attributed works:
85. Arcadia 2011, by Ellen Harvey. 2011. Mixed media installation, dimensions variable. (Courtesy of the artist; exh. Turner Contem­porary, Margate).
Exhibition Review
New galleries. Wakefield (The Hepworth)
09/2011 | 1302 | 153
Pages: 624-625
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related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
artists:
Chipperfield, David
dates:
2010-2019
museums and institutions:
The Hepworth, Wakefield, Great Britain
places:
Wakefield / England
print:
The Hepworth, Wakefield, Great Britain
subjects:
Reviews / Exhibitions / Architecture / Art museums
Reviewed Items
subjects:
The Hepworth, Wakefield | institution: The Hepworth
Illustrations
Attributed works:
83. Horn of plenty, by Eva Rothschild. 2011. Gold leaf, jesmonite and steel stand, 220 by 85 by 80 cm. (Courtesy of the artist and The Hepworth, Wakefield).
Attributed works:
84. The Hepworth, Wakefield. 2011.
Exhibition Review
Museum Folkwang. Essen
08/2010 | 1289 | 152
Pages: 566-567
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related names
Reviewer:
Thomas, Gina (Thomas, Gina)
Subjects
artists:
Chipperfield, David
dates:
2010-2019
museums and institutions:
Museum Folkwang, Essen, Germany
places:
Essen / Germany
print:
Collections, Public / Essen / Museum Folkwang, Essen, Germany
subjects:
Reviews / Exhibitions / Collections, Public / Museums / Museum extensions / Museum history
Reviewed Items
subjects:
‘The Most Beautiful Museum in the World’ | institution: Museum Folkwang
Illustrations
Attributed works:
66. Quarry at Bibémus, by Paul Cézanne. c.1895. Canvas, 65 by 81 cm. (Museum Folkwang, Essen).
Attributed works:
67. The red horses, by Franz Marc. 1911. Canvas, 121 by 182.9 cm. (Promised gift on long-term loan to Harvard Art Museum, Busch-Reisinger Museum, Cambridge MA; exh. Museum Folkwang, Essen).