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60 articles
Article
A rediscovered ‘Madonna and Child with angels’ by Lorenzo d’Alessandro da San Severino
01/2025 | 1462 | 167
Pages: 4-15
related names
Author:
Hilliam, Amanda (Hilliam, Amanda)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Madonna and Child with angels (after conservation), by Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 70.4 by 40.5 cm. (Private collection; A.R.T & Co., Unicam).
Attributed works:
10. Virgin and Child, by Carlo Crivelli. 1472. Tempera on panel, 98.4 by 43.8 cm. (Metropolitan Museum of Art, New York; Bridgeman Images).
Attributed works:
11. Crucifixion, St Adrian on horseback, Martyrdom of St Bartholomew and Adoration of the Magi, by Luca di Paolo and Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 213 by 244 cm. (Museo Piersanti, Matelica).
Attributed works:
11. Crucifixion, St Adrian on horseback, Martyrdom of St Bartholomew and Adoration of the Magi, by Luca di Paolo and Lorenzo d’Alessandro da San Severino. c.1475. Tempera on panel, 213 by 244 cm. (Museo Piersanti, Matelica).
Attributed works:
12. Detail of Fig.11, showing the Virgin and Child.
Attributed works:
13. Virgin and Child with angels, by Luca di Paolo. c.1470–75. Tempera on panel, 93 by 53.5 cm. (Galleria Nazionale dell’Umbria, Perugia; courtesy the Italian Ministry of Culture; Bridgeman Images).
Attributed works:
2. Madonna and Child with saints, by Vittore Crivelli (painting) and Domenico Indivini (frame). 1489. Tempera on panel, 381 by 253 cm. (Pinacoteca Comunale, San Severino; Alamy Stock Photo).
Attributed works:
3. Madonna and Child with saints, by Lorenzo d’Alessandro da San Severino (painting) and Domenico Indivini (frame). c.1493. Tempera on panel. (Church of San Francesco, Serrapetrona).
Attributed works:
4. Mystic marriage of St Catherine of Siena, by Lorenzo d’Alessandro da San Severino. After 1481. Tempera on panel, 144.8 by 145.4 cm. (National Gallery, London; Alamy Stock Photo).
Attributed works:
5. Detail of Fig.4, showing the Virgin’s mantle clasp.
Attributed works:
6. Detail of Fig.7 showing the underdrawing of the kneeling donors.
Attributed works:
7. Digital infra-red reflectography of Fig.1. (A.R.T & Co., Unicam).
Attributed works:
8. Madonna and Child with saints, by Niccolò di Liberatore da Foligno. 1468. Tempera on panel, 282 by 268 cm. (Pinacoteca Civica, San Severino).
Attributed works:
9. Virgin and Child from the Massa Fermana Altarpiece, by Carlo Crivelli. 1468. Tempera on panel. (Pinacoteca Comunale di Massa Fermana; Bridgeman Images).
Book Review
Jan van Eyck’s ‘Crucifixion’ and ‘Last Judgment’: Solving a Conundrum
07/2023 | 1444 | 165
Pages: 804–806
related names
Reviewer:
Silver, Larry (Silver, Larry)
Subjects
artists:
Illustrations
Attributed works:
3. Crucifixion and Last Judgement, by Jan van Eyck. c.1440–41. Oil on canvas, transferred from wood, each panel 56.5 by 19.7 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Giorgio Vasari: Le livre des dessins. Destinées d’une collection mythique
08/2022 | 1433 | 164
Pages: 800-803
related names
Reviewer:
Gottardo, Ketty (Gottardo, Ketty)
Subjects
collectors and dealers:
dates:
Reviewed Items
subjects:
Giorgio Vasari: Le livre des dessins. Destinées d’une collection mythique Musée du Louvre, Paris 31st March–18th July | :
Illustrations
Attributed works:
14. Adoration of the infant, attributed to an anonymous Florentine artist. c.1470. Pen and brown ink with white highlights on parchment. Ornamental frame, brown ink and wash, 29.6 by 22 cm. (British Museum, London; exh. Musée du Louvre, Paris).
Attributed works:
15. Eight drawings on a sheet from Vasari’s libro, some after Leonardo da Vinci, retouched by Pierre- Jean Mariette. Ornamental frame, brown ink and wash, attributed to Jacopo Zucchi, 40.3 by 37.3 cm. (Albertina, Vienna; exh. Musée du Louvre, Paris).
Attributed works:
16. Dragon biting a snake, attributed to Andrea del Sarto. Red chalk. Portrait of Andrea del Sarto, attributed to Cristoforo Coriolano. Woodcut. Ornamental frame, brown ink and wash, 55.7 by 41.2 cm. (Musée du Louvre, Paris).
Article
A second Paston prospective rediscovered
07/2021 | 1420 | 163
Pages: 569-575
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Author:
Lloyd, Stephen (Lloyd, Stephen)
Subjects
dates:
subjects:
Illustrations
Attributed works:
10. Detail of Fig.2, showing the statue with a heraldic crest.
Attributed works:
2. A Paston prospective: a palace with a lake and gondolas. c.1640. Oil on canvas, 119.4 by 164 cm. (National Trust, Hughenden Manor, Buckinghamshire).
Attributed works:
3. Venetian carnival scene on a terrace, by Pieter de Jode the Elder after Ludovico Pozzoserrato (Lodewijk Toeput). c.1595–98. Line engraving, 37 by 50.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Detail of Fig.3, showing gondolas.
Attributed works:
5. Frontispiece to T. Coryat: Coryats Crudities, London 1611, engraved by William Hole. Engraving, 21.2 by 15.5 cm.
Attributed works:
6. Female novices going to visit their relations by gondola, by Giacomo Franco. c.1610. Engraving, 24.4 by 18.9 cm. (From G. Franco: Habiti d’Huomeni et Donne venetiane, Venice 1610; Bibliothèque nationale de France, Paris).
Attributed works:
7. The doge attending vespers and mass at S. Giorgio Maggiore, Venice, on Christmas day, by Giacomo Franco. c.1610. Engraving, 24.4 by 18.9 cm. (From G. Franco: Habiti d’Huomeni et Donne venetiane, Venice 1610; Bibliothèque nationale de France, Paris).
Attributed works:
8. Detail of Fig.9, showing the coat of arms.
Attributed works:
9. The Most Honourable Sir William Paston, Baronet, by William Faithorne the Elder. 1659. Engraving, 27 by 20.5 cm. (British Museum, London).
Western art unattributed:
1. A Paston prospective: a country house with gardens. c.1640. Oil on canvas, 117 by 164 cm. (Private collection).
Article
For a ‘dear valuable and best friend’: a looking glass by Frederick Kandler at Ickworth House, Suffolk
09/2020 | 1410 | 162
Pages: 766-775
related names
Author:
Brouwer, Louisa (Brouwer, Louisa)
Author:
Rothwell, James (Rothwell, James)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Looking-glass frame, by Frederick Kandler, London. 1777/78. Sterling silver with mahogany backing and later mirror glass, height 69 cm. (Ickworth House, Suffolk; photograph Christie’s).
Attributed works:
10. Detail of The Holbein Chamber at Strawberry Hill, by John Carter, showing a bed with drapery probably of the 1770s. 1788. Watercolour on paper, 33 by 29 cm. (The Lewis Walpole Library, Yale University).
Attributed works:
11. Looking glass from a dressing service, by Johann Jacob Kirstein. c.1786. Silver-gilt, mirrored glass and walnut, 96.5 by 56.6 cm. (Musée des Arts décoratifs, Strasbourg).
Attributed works:
12. Detail of Fig.1, showing the quiver, arrows and bow at the apex of the frame.
Attributed works:
13. Mary Nesbitt as Circe, by Joshua Reynolds. 1781. Oil on canvas, 125 by 100.3 cm. (Smith College Museum of Art, Northampton, MA).
Attributed works:
3. Detail of Fig.1, showing the engraved arms of the 3rd Earl of Bristol at the base of the frame.
Attributed works:
4. Mary Davis, Mrs Alexander Nesbitt, as Innocence, by Joshua Reynolds. 1781. Oil on canvas, 75.5 by 62.5 cm. (Wallace Collection, London; Bridgeman Images).
Attributed works:
5. Commodore the Hon. Augustus Hervey, later Vice-Admiral, and 3rd Earl of Bristol, by Thomas Gainsborough. 1767–68. Oil on canvas, 232 by 152.5 cm. (Ickworth House, Suffolk; photograph National Trust Images).
Attributed works:
6. Dessert dish, subsequently used as an alms dish, by Frederick Kandler. 1758/59. Silver-gilt, diameter 30.5 cm. (Ickworth House, Suffolk; photograph National Trust/Robert Thrift).
Attributed works:
7. Marriage a-la-mode: the toilette, by William Hogarth. 1743. Oil on canvas, 69.9 by 90.8 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Lady Henrietta Williams-Wynn’s service of dressing plate, by Thomas Heming. 1768/69. Silver-gilt, the looking glass 70.5 by 56 cm. (National Museum Cardiff).
Attributed works:
9. Double-sided looking glass with the Russian imperial arms and crown, by Charles Kandler. c.1735. Silver, silver-gilt, enamel and mirrored glass, height 82 cm. (The State Hermitage Museum, St Petersburg).
Western art unattributed:
2. Norwood House, Surrey. 1786. Engraving, 17.8 by 12.7 cm. (National Trust Images).
Letter
The 3rd Earl of Bute’s ‘Finding of Moses’
09/2020 | 1410 | 162
Pages: 728-729
related names
Contributor:
Penny, Nicholas (Penny, Nicholas)
Subjects
subjects:
Article
Found again in Melbourne: the 3rd Earl of Bute’s ‘Finding of Moses’
07/2020 | 1408 | 162
Pages: 579-583
Subjects
Illustrations
Attributed works:
1. The finding of Moses, by Giambattista Tiepolo. Probably 1730s. Oil on canvas, 202 by 342 cm. (National Galleries of Scotland, Edinburgh; Bridgeman Images).
Attributed works:
2. Halberdier, by Giambattista Tiepolo. Probably 1730s. Oil on canvas, 205 by 132 cm. (Agnelli Collection, Turin).
Attributed works:
3. The finding of Moses, by Giambattista Tiepolo. 1750s. Oil on canvas, 234.5 by 308 cm. (National Gallery of Victoria, Melbourne).
Attributed works:
4. The finding of Moses, by the studio of Paolo Veronese. c.1582. Oil on canvas, 153 by 255 cm. (Walker Art Gallery, Liverpool; Bridgeman Images).
Attributed works:
5. Mystic marriage of St Catherine, by Paolo Veronese. c.1555. Oil on canvas, 97.7 by 161.2 cm (The Bute Collection at Mount Stuart; Isle of Bute).
Attributed works:
6. The finding of Moses, by Benedetto Caliari. Probably late 16th century. Oil on canvas, 148.5 by 239.5 cm. (Private collection; Bridgeman Images).
Book Review
Frame Work: Honour and Ornament in Italian Renaissance Art. By Alison Wright
10/2019 | 1399 | 161
Pages: 878-880
related names
Reviewer:
Williamson, Beth (Williamson, Beth)
Subjects
Reviewed Items
subjects:
Frame Work: Honour and Ornament in Italian Renaissance Art By Alison Wright. 352 pp. incl. 211 col. ills. (Yale University Press, New Haven and London, 2019), £55. ISBN 978–0–300–23884–6. | :
Illustrations
Attributed works:
2. Pala Portuense, by Ercole de’ Roberti. 1479–81. Oil on canvas, 323 by 240 cm. (Pinacoteca di Brera, Milan).
Article
New evidence for the ‘Barberini Apostles’ by Andrea Sacchi and Carlo Maratti
08/2019 | 1397 | 161
Pages: 653-659
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. St Peter, by Andrea Sacchi. 1631/44. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
2. St Matthew, by Carlo Maratti. 1660/61. Canvas, 223 by 151 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Attributed works:
3. St Matthias, by Carlo Maratti. 1696. Canvas, 221 by 152 cm. (Galleria Nazionale di Arte Antica, Palazzo Barberini, Rome; courtesy Ministero per i Beni e le Attività Culturali, Rome).
Short Notice
The first known record of Piero della Francesca’s ‘Flagellation of Christ’ and the question of its inscription
06/2019 | 1395 | 161
Pages: 488-491
related names
Author:
Brüggen Israëls, Machtelt (Brüggen Israëls, Machtelt)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Flagellation of Christ, by Piero della Francesca. c.1456–57. Panel, 67.5 by 91.0 cm. (Galleria Nazionale delle Marche, Urbino; photograph courtesy Ministero dei beni e delle attività culturali e del turismo; Archivio fotografico).
Attributed works:
2. Tracing of the three foregroud figures in Fig.1 by Johann Anton Ramboux. c.1833–43. Pencil on oiled vellum, 57.3 by 36.5 cm. (© Städel Museum, Frankfurt am Main; inv. no.Bib. 2472 VII, Sammlung von Umrissen und Durchzeichnungen, dienend zur Geschichte der bildenden Künste des Mittelalters in Italien, VII, fol.49r).
Attributed works:
3. Detail of Fig.2, showing the inscription.
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