10. Detail of Fig.2, showing the statue with a heraldic crest.
Attributed works:
2. A Paston prospective: a palace with a lake and gondolas.
c.1640. Oil on canvas, 119.4 by 164 cm. (National Trust, Hughenden
Manor, Buckinghamshire).
Attributed works:
3. Venetian carnival scene on a terrace, by Pieter de Jode the
Elder after Ludovico Pozzoserrato (Lodewijk Toeput). c.1595–98.
Line engraving, 37 by 50.8 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Detail of Fig.3, showing gondolas.
Attributed works:
5. Frontispiece to T. Coryat: Coryats Crudities, London 1611,
engraved by William Hole. Engraving, 21.2 by 15.5 cm.
Attributed works:
6. Female novices going to visit their relations by gondola,
by Giacomo Franco. c.1610. Engraving, 24.4 by 18.9 cm.
(From G. Franco: Habiti d’Huomeni et Donne venetiane,
Venice 1610; Bibliothèque nationale de France, Paris).
Attributed works:
7. The doge attending vespers and mass at S. Giorgio
Maggiore, Venice, on Christmas day, by Giacomo Franco. c.1610.
Engraving, 24.4 by 18.9 cm. (From G. Franco: Habiti d’Huomeni
et Donne venetiane, Venice 1610; Bibliothèque nationale de
France, Paris).
Attributed works:
8. Detail of Fig.9, showing the coat of arms.
Attributed works:
9. The Most Honourable Sir William Paston, Baronet, by
William Faithorne the Elder. 1659. Engraving, 27 by 20.5 cm.
(British Museum, London).
Western art unattributed:
1. A Paston prospective: a country house with gardens.
c.1640. Oil on canvas, 117 by 164 cm. (Private collection).
2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).
Attributed works:
5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).
Attributed works:
6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).
Attributed works:
7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.
Attributed works:
8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).
Western art unattributed:
1. Detail of Fig.4.
Western art unattributed:
3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.
Western art unattributed:
4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).
Western art unattributed:
9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
29. Study for the Monument to Thomas Bodley Illustrated in Fig.30. Vellum, 45 by 29 cm. (Bodleian Library, Oxford). By Permission of the Curators of the Bodleian Library.
Attributed works:
30. Monument to Thomas Bodley, by Nicholas Stone. 1612. (Merton College Chapel, Oxford). Courtesy National Monuments Record.
A-Anne of Denmark; B-James I; C-Henry, Prince of Wales. Stone Carvings by William Cure and John Smythe. 1614-15. (Trinity College, Cambridge). Shorter Notices: William Cure II and His Work at Trinity College, Cambridge
Plate I. A-Catafalque for King James I (Detail), by Inigo Jones. Figures on the Cornice by Hubert Le Sueur. Drawing (Worcester College, Oxford). New Light on Hubert Le Sueur
Attributed works:
Plate I. B-Lord Treasurer Weston, Earl of Portland. Bronze Figure by Hubert Le Sueur. Tomb in Pink And White Marble (Winchester Cathedral). New Light on Hubert Le Sueur
Attributed works:
Plate II. A, B-Busts of Members of the Weston Family, Here Ascribed to John Colt the Younger. Marble (Winchester Cathedral). (The Bar Is the Lord Treasurer's Staff). New Light on Hubert Le Sueur
Attributed works:
Plate II. C-Katherine, Countess of Dysart, by Hubert Le Sueur. Bronze, Larger Than Life-Size (Ham House, Surrey). New Light on Hubert Le Sueur
Attributed works:
Plate II. D-William Godolphin, Here Ascribed to John Colt the Younger. Bronze (Bruton Church). New Light on Hubert Le Sueur
Book Review
The Seventh Volume of the Walpole Society, 1918-19: "The Notebook and Account Book of Nicholas Stone"
The Seventh Volume of the Walpole Society, 1918-19: "The Notebook and Account Book of Nicholas Stone" |
author: Finberg, A. J.
, author: Spiers, Walter L.