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11 articles
Exhibition Review
Timeless Wonder: Painting on Stone in Rome in the Cinquecento and Seicento
02/2023 | 1439 | 165
Pages: 188-191
related names
Reviewer:
Weston, Giulia Martina (Weston, Giulia Martina)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Timeless Wonder: Painting on Stone in Rome in the Cinquecento and Seicento Galleria Borghese, Rome 25th October 2022– 29th January 2023 | :
Illustrations
Attributed works:
21. Roberto di Filippo Strozzi, by Francesco de’Rossi known as Francesco Salviati. c.1550. Oil on red and black African marble, diameter 16 cm. (Private collection; exh. Galleria Borghese, Rome).
Attributed works:
22. Installation view of Timeless Wonder: Painting on Stone in Rome in the Cinquecento and Seicento showing on the right the Borghese- Windsor Cabinet. Roman, c.1620. Fir, poplar, ebony and chestnut, ivory, semiprecious hardstones, gilt bronze, silver and gilt silver, 178 by 126 by 54 cm. (J. Paul Getty Museum, Los Angeles; exh. Galleria Borghese, Rome; photograph A. Novelli).
Attributed works:
23. Latona turning the Lycian peasants into frogs, by Cornelis van Poelenburgh. c.1620. Oil on lapis lazuli, 23 by 33 cm. (Museo dell’Opificio delle Pietre Dure, Florence; exh. Galleria Borghese, Rome).
Article
The Paston prospective
07/2018 | 1384 | 160
Pages: 536-544
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
collectors and dealers:
dates:
Illustrations
Attributed works:
10. Charles I, Henrietta Maria and Charles II when Prince of Wales, dining in public, by Gerrit Houckgeest. 1635. Panel, 63.2 by 92.4 cm. (The Royal Collection; © H.M. Queen Elizabeth II).
Attributed works:
2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).
Attributed works:
5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).
Attributed works:
6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).
Attributed works:
7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.
Attributed works:
8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).
Western art unattributed:
1. Detail of Fig.4.
Western art unattributed:
3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.
Western art unattributed:
4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).
Western art unattributed:
9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.
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Advertisements March 2017 (front)
03/2017 | 1368 | 159
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Agnews, London. Venus, Cupid and Ceres, by Cornelis Cornelisz van Haarlem (1562-1638). Oil on canvas, 96.7 by 109.2 cm]
Attributed works:
[Agnew’s. 6 St. James Place. London. Matthias Stomer, The Martyrdom of Saint Bartholomew (a detail)]
Attributed works:
[Aktis Gallery, London. Still life with guitar, plates, book, pipes bottles and glasses, by Le Courbusier (1887-1965). Collage, gouache and ink on paper, 74 by 81 cm]
Attributed works:
[Arnoldi-Livie. Galleriest. 2b. Munich. Wilhelm von Kobell (1766-1853). Fox Hunting in Upper Bavaria, 1834 (detail). Watercolor, 19.3 x 24.2 cm. Signed and dated lower right: "W Kobell 1834"]
Attributed works:
[Bijl-Van Urk BV, Alkmaar. A river landscape with angler beyond the Grote Kerk of Naarden, by Jacob van Ruisdael (1628-1682). c. 1649. Oil on canvas, 26.5 by 38 cm]
Attributed works:
[Bonhams. New Bond Street. London. A set of four George III silver candlesticks by Paul Storr. London 1815]
Attributed works:
[Bonhams. New Bond Street. London. Demetre Chiparus (Romanian, 1886-1947). An Art Deco bronze and ivory figure of The Starfish Dancer.]
Attributed works:
[Bonhams. New Bond Street. London. Lord Frederic Leighton (British, 1830-1896). A bronze figure of an Athlete struggling with a Pyton]
Attributed works:
[Brame & Lorenceau, Paris. Coloured Rhytm (project for a large panel exhibited in the Tuileries), by Sonia Delaunay (1885-1979). Gouache and pencil on paper, 39 by 46.5 cm]
Attributed works:
[Burzio, London and Farnham. A royal neoclassical table en commode for King Vittorio Amodeo III, by Giovanni Galletti (1735-1810). Marquetry in precious woods and ivory.]
Attributed works:
[Carlo Orsi, Milan. Christ as the suffering redeemer, by Giovanni Battiste Benvenuti, called L'Ortolano (1485-1527). Oil on panel, 19.5 by 39.2 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. François Boucher (1703 - Paris - 1770). Jephté se lamentant à la vue de sa fille. Red chalk, 44 x 57 cm]
Attributed works:
[Christie’s. Paris. 9. Avenue Matignon. Francesco GUardi (1712-1793). Piazza San Marco, with the Basilica and the Campanile. oil on canvas. 69.8 x 101.9 cm. (27 1/2 x 40 1/8 in.)]
Attributed works:
[Didier Aaron & Cie, Paris, New York, London. A Bishop destroying idols, by Gabriel-François Doyen (1726-1806). Pen and brown ink and wash, 21.9 by 16 cm]
Attributed works:
[Didier Aaron. Antoine-François Callet. Portrait of Louis XVI]
Attributed works:
[Dorotheum. Palais Dorotheum, Vienna. Paul Bril, Coastal view with a large shipwreck being dismantled, oil on canvas, 128x200 cm (detail).]
Attributed works:
[Dr. Jorn Gunther Rare Books AG, Basel. Compleints de la Foy, by the Master of the Entry of François I. Lyon, c. 1504-1506. Vellum, 28.1 by 18.5 cm]
Attributed works:
[Eric Gillis Fine Art, Brussels. Bretons resting, by Charles Laval (1862-1894). 1889. Gouache, watercolour, chalk and pencil on board, 49 by 63 cm]
Attributed works:
[Galerie Arnoldi-Livie, Munich. Male figures and horses and riders in movement, by Théodore Géricault (1791-1824). c.1817. Pen and brown ink, 18.4 by 25.5 cm]
Attributed works:
[Galerie Berés, Paris. Composition 1948, by Nicolas de Stael (1914-55). Pen, brush and India ink on paper, 28.5 38 cm.]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Wallerant Vaillant (Lille, 1623 - Amsterdam, 1677). Self-Portrait with a Turban. Oil on canvas, 74 x 59,5 cm (29 1/8 x 23 7 /16)]
Attributed works:
[Galerie Eric Coatalem, Paris. People in a forest, or A mysterious conversation, by Odilon Redon (1840-1916). Charcoal on paper, 47.7 by 33.5 cm]
Attributed works:
[Galerie Eric Coatalem. 136 Fbg St. Honoré. Paris. Hyacinthe Rigaud (Perpignan 1659 - Paris 1743). Preparatory sketch for Louis XIV, King of France. Oil on its original canvas, 55 cm x 46 cm]
Attributed works:
[Galerie Karsten Greve AG, St. Moritz. Pregnant woman II, by Louise Bourgeois (1911-2010). 1947-1949. Bronze with polished patina. Height: 40.6 cm]
Attributed works:
[Galerie Michel Descours, Lyon. Study for the triumphal march of Napoleon towards the Temple of Immortality, by Jean-Baptiste Regnault (1754-1829). Black crayon and white chalk on paper, 54.5 by 41 cm]
Attributed works:
[Galerie Nathalie Motte Masselink. 12 rue Jacob. Paris. Charles Eisen (1720-1778). Allégorie de la Créativité Artistique. Plume, encre grise, lavis brun, gouache blanche. 372 x 275 mm]
Attributed works:
[Galerie Paul Prouté, Paris. A country scene with horses and paesants with a large building in the background, by Jean-Jacques de Boissieu (1736-1810). 1783. Pen and ink with grey wash, 14.5 by 22.5 cm]
Attributed works:
[Galerie Zlotowski, Paris. Study for the 1924 'Bal-musette', by Georges Valmier. Gouache on paper, 175 by 20.5 cm]
Attributed works:
[Hammer Galleries, New York. Loses im rot (loosely in red), by Wassily Kandinsky (1866-1944). 1925. Oil on cardboard, 69.2 by 49.5 cm]
Attributed works:
[Helene Bailly Gallery, Paris. Young woman wearing a corset with a blue ribbon, by Marcel Duchamp (1887-1968). India ink, pencil and goauche on paper, 29.5 by 20.5 cm]
Attributed works:
[Irish Arts Review. Sir William Orpen. Self Portrait.]
Attributed works:
[Kungstgaleij Albricht BV, Oosterbeek and London. The Nieuve Kerk and old houses in The Hague, by Vincent van Gogh (1853-1890). 1883. Oil on canvas laid down on panel, 35 by 25 cm]
Attributed works:
[Lowell Libson Ltd, London. The city of God and the waters of life, by John Martin (1789-1854). Oil on canvas, 46 by 66 cm]
Attributed works:
[Marty de Cambiaire, Paris. A faun and a nymph, by Jean-Baptiste-Marie Pierre (1714-89). Black and white chalk, with stumping on buff paper, 40 by 46.5 cm]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris Frans Pourbus called the Elder. Bruges 1545 - Antwerp 1581. Self portrait. Oil on canvas. Signed and dated: F. POURBUS 1570 on the palette. 80,5 x 64 cm (31 3/4 x 25 1/4 in.)]
Attributed works:
[Marty de Cambiaire. 16 Place Vendôme. Paris. Giuseppe Cesari, also called the Cavaliere d'Arpino. 1568 Rome or Arpino - Rome 1640. A seated man, seen from behind. Inscribed Caval, Arpino at the lower left. Black chalk, red chalk, 402 x 272 mm (15 7/8 x 10 3/4 in.)]
Attributed works:
[Maurizio Nobile, Bologna, Paris. The Holy Family, by Mauro Gandolfi (1764-1834). Pen , brush, black ink and grey wash on vellum. Diameter 22.5 cm]
Attributed works:
[Maurizio Nobile. 45, Rue de Pethièvre. Paris. Via Santo Stefano, 19/a. Bologna. Théodore Géricault (Rouen, 1791 - Paris, 1824). Studies of hands, horse head and two figures fighting (detail). Pen, brown ink on laid paper. Laid down on white paper, 205 x 272 mm (221 x 290 mm)]
Attributed works:
[Mullany Haute Epoque Fine Art. 16 Carlisle Mansions, Carlisle Place. London. After Nino Pisano (1315 - Pisa - 1368) Madonna and Child. Alabaster, with traces of original polychrome and gilding. Italy, Sicily, c. 1450. H. 59.5 x W. 19.5 x D 15 cm]
Attributed works:
[Nathalie Motte Masselink, Paris. A scene from 'The Marriage of Figaro', by Alexandre-Evariste Fragonard (1780-1850). Pen and brown ink, brown wash, white gouache and pencil, 21.9 by 17.8 cm]
Attributed works:
[Pandora Old Masters, New York. Self-portrait, by Vincenzo Gemito (1852-1939). 1917. Pencil and lithographic pencil on paper, 46.5 by 36.7 cm]
Attributed works:
[Pandora Old Masters. Giacomo Balla]
Attributed works:
[Paul Prouté S.A. 74, rue de Seine, Paris. Louis-Maurice Boutet de Monvel (Orléans 1850 - Paris 1913), Faust and Mephistopheles. Pen and watercolor heightened with gouache, 217 x 350 mm. Signed and dated MB. de Monvel. 1878.]
Attributed works:
[Reginart Collections, Geneva. Woman with flowers, by Pablo Picasso (1881-1973). Pen and pencil on paper, 36.5 by 31.5 cm]
Attributed works:
[Rob Smeets Old Master Paintings, Geneva. The Israelits attacking the Amalekites, by Antonio Tempesta (1555-1630). Oil on marble, 42 by 66.5 cm]
Attributed works:
[Robilant + Voena. Louise Boutellier (Paris 1783-1828). Portrait of Césarine de Houdetot, Baronne de Barante: Les Pamplemousses. oli on convas, 193.5 x 143 cm]
Attributed works:
[Sam Fogg, London. John the Baptist, by Jan Crocq (c. 1450 - 60 - 1510). c. 1500 - 1510. Tonnerre limestone, 16.3 by 59 by 40 cm]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Gerard Hoet. The Head of Cyrus being Presented to Tomyrus (detail)]
Attributed works:
[Stephen Ongpin Fine Art. River Wide House, 6 Mason’s Yard, Duke Street st. James’s, London. Hendrick Sonnius (c. 1615 - c. 1688). An Italianate Landscape with travellers and a Donkey. Pen and brown ink and brown wash on vellum. Inscribed A. v. d. Velde near the lower left. Signed henritio zonius fl. 60 / Roma 1647. on the verso. 346 x 485 mm. ( 13 5/8 x 19 1/8 in.)]
Attributed works:
[Talabardon & Gautier, Paris. Almanacks nouveaux and Argens des glans, from 'Les Cris de Paris', by Pierre Barbiette (1598-1642). Red and black chalk on paper, 24.1 by 22.8 cm]
Attributed works:
[Talabardon & Gautier. 134, rue du Faubourg Saint-Honorè. Paris. Johann Konig (Nuremberg, 1586-1642), Saint Christopher carrying the Infant Christ, oil on copper. 15.3 x 21.2 cm. Signed lower right: Jo: Konig. Fec.]
Attributed works:
[The London Original Print Fair. London. Brian Eno. Grapefruit, Agate, Eclipse, Sunburnt, 2016. Etchings. 63.5 x 63.5 cm. Each in an edition of 25.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. Portrait of an African woman holding a clock, by Annibale Carracci (1560-1609). Oil on canvas, 60 by 39.5 cm]
Attributed works:
[Tomasso Brothers Fine Arts. Paul Heermann (1673-1732). Saturn and Ops. White marble. 139.5 cm (55in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Albert Anker (1831-1910). Green tiled stove. Dated 1894. Oil on canvas, 23 x 31.5 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. H. Toulouse-Lautrec in: Pan. Complete series of the magazine. 1895-99]
Attributed works:
[W. Agnew & Company Ltd. An Eighteenth-century bronze bust of the English philosopher John Locke (1632-1704), by John Cheere (1709-87). 22 1/2 ins high, 20 1/2 ins. wide]
Attributed works:
[[Galerie Michel Descours. 44 rue Auguste-Comte. Lyon. Pierre Puvis de Chavannes (1824-1898), Man standing, back view, study for "Ludus pro Patria", c. 1880-1883. Black chalk, squared, 67.5 x 25.2 cm]
Non-western art unattributed:
[Daniel Katz Ltd, London. Head of Pharaoh Amenhotep II. Royal workshop, Thebes, c. 1427-1401 BC. Grandiorite. Height: 14.5 cm]
Western art unattributed:
[Bonhams. New Bond Street. London. A George III mahogany serpentine display cabinet. circa 1760]
Western art unattributed:
[Hargesheimer. Friederich-Ebert-Str. 11+12. Dusseldorf. Antwerp School, ca. 1550/1600. Adoration of the Magi.]
Western art unattributed:
[Merrin Gallery, New York. Mask of Silenus. Hellenistic-early Roman, 1st century BC - 1st century AD. Bronze. Height: 19.3 cm]
Western art unattributed:
[Mullanny Haute Epoque FIne Art, London. Virgin and Child Enthroned. Mosan, first half 14th century. Boxwood. Height: 32.5 cm. Width: 15.5 cm. Depth: 9 cm.]
Western art unattributed:
[Peter Finer. 38 & 39 Duke Street. London. A Lloyd's Patriotic FUnd Sword of £50 Value, Presented to R. Torin Esquire, Commander of the Honourable East India Company's Ship Coutts, dated 15th February 1804.]
Western art unattributed:
[Rupert Wace Ancient Art, London. The Gustiniani Aphrodite. Roman, 2nd century AD. Height 107. 5 cm]
Advertisements
Advertisements June 2001 (front)
06/2001 | 1179 | 143
Pages: i-xxviii
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
Trilobed Basin, Urbino Workshop (Fontana?). 1560-80. Maiolica, Maximum Width 47 cm. (Ashmolean Museum, Oxford. Acquired in 2001 with the Help of the Re:source/V. & A. Purchase Grant Fund, the National Art Collections Fund, and Private Donations)
Attributed works:
[Carlton Hobbs, 8 Little College Street, London, UK] A Set of Four Extremely Rare Embroidered Silk Wall Hangings. To Designs by Jean-Baptiste Pillement. Lyon. Circa 1755-60.
Attributed works:
[Chanel advertisement] "Matelassée" Collection "Cosmos" Watch in 18ct White Gold and Diamonds
Attributed works:
[Colnaghi, 15 Old Bond Street, London, UK] Antonio Tempesta (1555-1630). The Death of Absalom. Oil on Dendritic Stone. 31 × 37.5 cm (One of a Pair)
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] A Hilly Landscape with a Fortified Monastery and Figures. by Giuseppe Zocchi. Oil on Canvas. 83 × 53.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Bookcase, Designed by E. W. Godwin, Manufacture Attributed to Reuben Burkitt, 1869. Oak, 220.5 × 124 × 54.5 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Landscape with Figures on a Wooded Path. by Jan Brueghel the Elder. Oil on Copper. 21.5 × 31 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Mother and Child, Crossed feet, by Henry Moore. Bronze, 23 × 11 × 8.3 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Oval Mirror. Attributed to John Linnell. c.1765. Carved Giltwood. 42 × 107 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Quarter-Repeating Spring Table Clock, by Thomas Tompion c.1705. Ebony Veneered Case with Brass dial. ht. 42 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Retour de la pêche à Berck, by Eugène Boudin. Oil on Panel, 14.4 × 25.8 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Still Life of Two Dead Birds, a Dragonfly and Other Insects,. by Jean-Baptiste Oudry, 1713. Oil on Canvas, 32.5 × 25 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Téte penchée, by Julio González. Beaten Copper, 26.7 cm. High
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Through the Trees, South of France, by J. D. Fergusson, c.1924. Oil on Canvas. 55.5 × 61 cm.
Attributed works:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Travellers Passing a Village, by Thomas Gainsborough. Pen and Ink with Black Chalk and Water-Colour, Heightened with White Paint. 21.9 × 30.8 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Alexander the Great Receiving the Keys of a City, Brussels, c.1560. Tapestry, 274 × 224 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dante Gabriel Rossetti (1828-1882) Fair Rosamund, Oil, 1868, National Museum of Wales
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Dessert Stand and Cover, by Paul Storr, London, 1808. Silver, ht. 29.5 cm. Weight 4014 Grams.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] George IV when Prince of Wales, by Richard Cosway, c.1804. Watercolour on Ivory, ht. 6.9 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Spring and Winter, Meissen, Models by F. Meyer, c.1755. Porcelain, ht. 21 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Trompe l'oeil of the Back of a Cradled Painting with a Framed Engraving, Feather etc., by Gabriel-Germain Joncherie, 1842. Oil on Canvas, 65,5 × 81.2 cm.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Urn, Probably by Joseph Bancroft, Derby, c.1810. Porcelain.
Attributed works:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Vase, Attributed to Thomas Hope, c.1800, from the Collections of the Earl of Warwick. Black basalt.
Attributed works:
[Hall & Knight Ltd., 43 New Bond Street, London, UK] Antoine Watteau (Valenciennes 1684 - 1721 Nogent-sur-Marne) Le Conteur ("The Romancer"). Oil on Panel, 34.3 × 27.3 cm (13½ × 10 3/4 ins). Engraved: C.-N. Cochin, December 1727
Attributed works:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Highly Important 18th Century George III Serpentine Commode, Circa 1765, Attributed to the Royal Cabinetmaker John Cobb.
Attributed works:
[Johnny Van Haeften Ltd., 13 Duke Street, London, UK] Gerard ter Borch. (Zwolle 1617 - 1681 Deventer). Portrait of a Lady, Three Quarter Length Seated, Wearing Black and Holding a Tortoise-Shell Fan in Her Left Hand. Oil on Panel. 14¼ × 11¼ in. (36.2 × 30 cm)
Attributed works:
[Katrin Bellinger Kunsthandel, Ismaninger Strasse 73, Munich, Germany] Taddeo Zuccaro. S. Angelo in Vado 1529 - 1566 Rome. Adoration of the Magi. Pen and Brown Ink, Brown Wash, over Red Chalk; Indented for Transfer; inscribed on the Verso: SR 119. 385 × 274 mm.
Attributed works:
[Lestranger, 3 Place Jean-de-Renaud, St-Remy-de-Provance, France] Louis-François Cassas (1756 - 1827) Capriccio («Colonnacce» in the Forum of Nerva), ca. 1787-97 Pen and Black Ink, Watercolour, 42 × 31.5 cm.
Attributed works:
[Neumeister Fine Art Auctioneers, Barer Str. 37, D-80799, Muchen, Germany] A Fine Regency Patented Dining Table by B. P. Titter. First Half of 19th Century. Mahogany, Extendible, Length Maximally about 146 in. On Centre of Both Short Sides an Engraved Brass Plate »B. P. Titter & Co. Inventors & Manufacturers Norwich«. 28 3/4 × 44½ × 58 4/16 in.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] A 19th Century French Bronze Model of a Woman, Cast from a Model by Aimé Jules Dalou.
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Giovanni Francesco Barbieri, Called Guercino (1591-1666). Rest on the Flight into Egypt. Red Chalk, 277 × 415 mm
Attributed works:
[Phillips International, 101 New Bond Street, London, UK] Jan Brueghel the Younger (Antwerp 1601-1678). Landscape with Travellers on a Path, a Town beyond. Signed and Dated 1623. Oil on Panel, 37.5 × 52 cm (14 3/4 × 20 ½ in). Estimate: £400,000-600,000.
Attributed works:
[Rafael Valls Limited, 11 Duke Street and 6 Ryder Street, London, UK] Melchior D'Hondecoeter (1636-1695). Dutch School. Bantams and Pigeons in a Classical Landscape. Oil on Canvas. 32 × 31 Inches (81.5 × 78.8 cms). Signed.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Attributed to the Circle of Germain Pilon. French, Circa 1590 Bronze Figures of the Virgin and St. John from a Crucifixion Group 17 and 18cm.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London, UK] Michelangelo Buonarroti (Caprese 1475 - 1564 Rome) A Mourning Woman. Pen and Two Shades of Brown Ink, Heightened with White 26 by 16.4cm. Estimate on Request
Non-western art unattributed:
[British Museum, Great Russell Street, London, UK] Contemporary Black Basalt Statue of Cleopatra c. 51-30 BC. The Three Cobras on Her Headdress are a Sign of Royalty Unique to Cleopatra. Courtesy of The Hermitage Museum, St. Petersburg
Non-western art unattributed:
[Exh. Grosvenor House Art & Antique Fair, Park Lane, London, UK] Table Fountain Incorporating a Chinese Famille verte Covered Vase Flanked by Vincennes Bullfinches. Porcelain with Ormolu Mounts, 30.5 × 30 cm.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Throne, Indian c.1885. Gilt and Silvered Metal.
Non-western art unattributed:
[Exh. The Olympia Fine Art and Antiques Fair, London, UK] Triangular Plate with Four Bodhicharmas on Lotus Thrones, Early Ming Dynasty (14th Century). Bronze, ht. 56.3 cm.
Western art unattributed:
[Chanel advertisement] "Comètes" Collection "Nuit Étoilée" Ring and Bracelet in 18ct White Gold, Sapphires and Diamonds
Western art unattributed:
[Charles Ratton & Guy Ladriere, 14, rue de Marignan and 11, quai Voltaire, Paris, France] Portrait of Louis de Buurbon, 'Le Grand Dauphin' (1661-1711). French, Louis XIV (r. 1643-1715). White Marble against an Oval in Grey 'Sainte Anne' Marble Height: 56 cm. Width: 46 cm.
Western art unattributed:
[Hotspur Ltd., 14 Lowndes Street, London, UK] A Very Rare Set of Three George III torchères in Yew Wood and Padouk, Based upon Plate CXX in Thomas Chippendale's, 'The Gentleman & Cabinetmaker's Director', 1st edition
Western art unattributed:
[Norman Adams, 8-10 Hans Road, London, UK] An Extremely Rare and Fine Quality Pembroke Table in Beautifully Figured Mahogany. Circa 1775. Width 39 3/4 ins (101 cms). Depth 27½ ins (70 cms). Height 28 3/4 ins (73 cms).
Western art unattributed:
[Phillips International, 101 New Bond Street, London, UK] A Fine Serpentine Side Table, in the Chinese Chippendale Manner.
Short Notice
Poussin's Purloined Letter
01/2000 | 1162 | 142
Pages: 35-39
related names
Author:
Unglaub, Jonathan (Unglaub, Jonathan)
Subjects
artists:
artists:
dates:
places:
sources:
Illustrations
Attributed works:
54. Frontispiece to Publii Virgilii Maronis Opera, by Claude Mellan after Nicolas Poussin. 1641. Engraving, 26.1 by 23.5 cm. (Metropolitan Museum of Art, New York).
Attributed works:
55. Dedication to Don Taddeo Barberini, by Antonio Tempesta. c.1623-25. Etching, 14.2 by 18.2 cm. (British Museum, London).
Attributed works:
56. Victory of Godfrey of Bouillon (Detail), by Nicolas Poussin. c.1625-30. Pen, Ink and Wash, 19.6 by 55.4 cm. (Royal Library, Windsor Castle, The Royal Collection © Her Majesty the Queen).
Attributed works:
57. Illustration to Canto XX of Tasso, La Gerusalemme liberata, by Antonio Tempesta. Before 1630. Etching, 27 by 20.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
58. Illustration to Canto XV of Tasso, La Gerusalemme liberata, by Antonio Tempesta. Before 1630. Etching, 27 by 20.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
59. Companions of Rinaldo, by Nicolas Poussin. c.1634. 118.1 by 102.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
60. Illustration to Canto XV of Tasso, La Gerusalemme liberata, by Antonio Tempesta. c.1617-25. Etching, 12.8 by 18.2 cm. (British Museum, London).
Short Notice
Tempesta at the Capitoline
10/1999 | 1159 | 141
Pages: 618-621
related names
Author:
Leuschner, Eckhard (Leuschner, Eckhard)
Subjects
artists:
dates:
museums and institutions:
patrons:
places:
Illustrations
Attributed works:
32. Preparatory Study for the Colonna Relief in the Capitoline, by Antonio Tempesta. Pen and Brown Ink with Brown Wash and Traces of Black Chalk, 19.9 by 17.4 cm. (Musée du Louvre, Paris).
Attributed works:
33. Battle Scene, by Antonio Tempesta. Pen and Ink with Wash, 30 by 28.2 cm. (Private Collection; Photo Courtesy Christie's).
Attributed works:
34. Monumental Relief Honouring Marcantonio Colonna, Designed by Antonio Tempesta, Executed by Meo Bassi. 1590. Marble. (Sala dei Fasti Consulari, Palazzo dei Conservatori, Rome).
Attributed works:
36. 'Conclusione' with an Allegory Dedicated to Ascanio Colonna, by Luca Ciamberlano after Antonio Tempesta. 1607. Engraving, 83 by 56.7 cm. (Biblioteca Angelica, Rome).
Attributed works:
37. Design for the Stucco Decorations of the Cappella Benozzi in S. Giovanni dei Fiorentini, Rome, by Antonio Tempesta. 1597. Pen and Brown Ink with Brown Wash, 19.9 by 17.4 cm. (Musée du Louvre, Paris).
Western art unattributed:
35. Relief Honouring Alessandro Farnese, by an Unidentified Sculptor. 1588. (Sala dei Fasti Consulari, Palazzo dei Conservatori, Rome).
Article
Daniele da Volterra and the Equestrian Monument to Henry II of France
12/1995 | 1113 | 137
Pages: 809-820
related names
Author:
Boström, Antonia (Boström, Antonia)
Subjects
dates:
places:
Illustrations
Attributed works:
29. Print Showing the Equestrian Statue of Louis XIII in Place Royale, Paris; The Horse by Daniele da Volterra and the Statue by Pierre II Biard. French, Seventeenth Century. (Bibliothèque Nationale, Paris).
Attributed works:
30. Henry II of France on Horseback, by Antonio Tempesta. c.1591-1608. Etching, 50.9 by 33.5 cm.
Attributed works:
31. Marcus Aurelius, by Antonio Tempesta. Etching, 46.6 by 33.7 cm.
Attributed works:
32. Project for the Equestrian Monument of Henry II of France, by Michelangelo. c.1560 61. Black Chalk Heightened with White, 12.8 by 12 cm. (Rijksmuseum, Amsterdam).
Attributed works:
33. Equestrian Statue of Cosimo I, by Giambologna. c.1587 93. Bronze, c.700 cm. High (Piazza della Signoria, Florence).
Attributed works:
34. Henry II on Horseback, by François Clouet and Studio. 1559. Panel. (National Trust, Bearsted Collection, Upton House, Warks.).
Attributed works:
35. Michelangelo, by Daniele da Volterra. c.1565. Bronze. (Museo Nazionale del Bargello, Florence).
Western art unattributed:
28. Marcus Aurelius. Roman, 2nd Century A. D. Bronze, 424 cm. High (Piazza del Campidoglio, Rome).
Book Review
Iconclass Indexes. Vol.1: Italian Prints. Early Italian Engraving (An Iconographic Index to A. M. Hind: 'Early Italian Engraving', London 1938-48 [and: Antonio Tempesta and his time]
03/1989 | 1032 | 131
Pages: 226-227
related names
Reviewer:
Hourihane, Colum (Hourihane, Colum)
Subjects
dates:
dates:
subjects:
Reviewed Items
subjects:
Iconclass Indexes. Vol.1: Italian Prints. Early Italian Engraving (An Iconographic Index to A. M. Hind: 'Early Italian Engraving', London 1938-48 | author: Straten, Roelof van , author: Straten, Roelof van
Short Notice
Mentmore Silver-Mounted Cabinet
05/1978 | 902 | 120
Pages: 308-314
related names
Author:
Cocks, Anna Somers (Cocks, Anna Somers; Koks, Anna Somers; Cocks, A. Somers)
Subjects
collectors and dealers:
dates:
dates:
places:
sources:
subjects:
Illustrations
Attributed works:
76. Engraving from Antonio Tempesta's Metamorphoses, p.21, from Which Fig.69 Is Derived.
Attributed works:
77. [Engraving from Antonio Tempesta's Metamorphoses] Page 71 in Tempesta, from Which Fig.70 Is Derived.
Attributed works:
78. [Engraving from Antonio Tempesta's Metamorphoses] Page 95 in Tempesta, from Which Fig.75 Is Derived.
Attributed works:
79. [Engraving from Antonio Tempesta's Metamorphoses] Page 98 in Tempesta, from Which Fig.74 Is Derived.
Western art unattributed:
67. Mentmore Silver-Mounted Cabinet, Closed, Showing the Additions Made to It, Probably for Baron Mayer.(Victoria and Albert Museum).
Western art unattributed:
68. Cabinet, Closely Related to the One Illustrated in Fig.67. (Sale, Christie's, 11th December 1975. Lot 88).
Western art unattributed:
69. Detail from the Mentmore Cabinet Illustrated in Fig.67, Showing Embossed Silver Plaque of the Rape of Europa.
Western art unattributed:
70. Detail from the Mentmore Cabinet Illustrated in Fig.67, Showing Plaque with Cephalus and Procris.
Western art unattributed:
71. Detail from the Mentmore Cabinet Illustrated in Fig.67.
Western art unattributed:
72. Detail from the Mentmore Cabinet Illustrated in Fig.67.
Western art unattributed:
73. The Mentmore Cabinet with Doors Open.
Western art unattributed:
74. Detail from the Mentmore Cabinet Showing Plaque with the Death of Adonis.
Western art unattributed:
75. Detail from the Mentmore Cabinet Showing Plaque with Apollo and Coronis.
Article
A Silver Basin Designed by Strozzi
01/1971 | 814 | 113
Pages: 2+4-11+13
related names
Author:
MacAndrew, Hugh (MacAndrew, Hugh; Magandrew, Hugh)
Subjects
dates:
museums and institutions:
places:
places:
places:
sources:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
1. Design for a Silver Basin, by Bernardo Strozzi. Canvas, 74.3 cm. in diam. (Ashmolean Museum, Oxford.)
Attributed works:
10. Detail from An Allegory of Vanity, by Bernardo Strozzi. Canvas. (Formerly Modiano Collection, Bologna.)
Attributed works:
11. Detail from The Cook, by Bernardo Strozzi. Canvas. (Palazzo Rosso, Genoa.)
Attributed works:
12. Detail from St Lawrence Distributing the Treasures of the Church, by Bernardo Strozzi. Canvas. (Portland Art Museum, Samuel H. Kress Collection.)
Attributed works:
13. Detail from St Lawrence Distributing the Treasures of the Church, by Bernardo Strozzi. Canvas. (City Art Museum of St Louis.)
Attributed works:
14. Design for the Bowl of a Tazza, by Antonio Tempesta. Pen and Brown Wash over Black Chalk, 50 cm. in diam. (Gabinetto dei disegni degli Uffizi, Florence - Inv.940 E.)
Attributed works:
15. Adoration of the Shepherds (? After a Lost Jacopo Bassano Altar-Piece), by Bernardo Strozzi. Copper, 79 by 42 cm. (Ashmolean Museum, Oxford.)
Attributed works:
16. Adoration of the Shepherds (? After a Lost Jacopo Bassano Altar-Piece), by a Veronese Artist, c.1600-10 (Most Probably Alessandro Turchi). Copper, 47.4 by 23.4 cm. (Private Collection.)
Attributed works:
6. Detail of Painting Reproduced in Fig.1. [Design for a Silver Basin, by Bernardo Strozzi]
Attributed works:
7. A Battle. Engraving by Antonio Tempesta. (British Museum.)
Attributed works:
8. Scene from 'Historia Septem infantium de Lara' (Antwerp 1612). Engraving by Antonio Tempesta, after Otto van Veen. (British Museum.)
Attributed works:
9. Scene from 'Historia Septem Infantium de Lara' (Antwerp 1612). Engraving by Antonio Tempesta, after Otto van Veen. (British Museum.)
Western art unattributed:
2. Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625. Silver, 75.5 cm. in diam. (Italian Private Collection.)
Western art unattributed:
3. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]
Western art unattributed:
4. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]
Western art unattributed:
5. Detail of Silver Basin Reproduced in Fig.2. [Basin, Here Attributed to a Northern, Perhaps Flemish, Goldsmith, c.1625]
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