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89 articles
Letter
Laguerre’s Painted Hall at Chatsworth
05/2023 | 1442 | 165
Pages: 493
related names
Contributor:
Strunck, Christina (Strunck, Christina)
Subjects
Article
‘An Antiquity of Piety’
11/2022 | 1436 | 164
Pages: 1078-1087
related names
Author:
Marsden, Jonathan (Marsden, Jonathan)
Subjects
collectors and dealers:
places:
subjects:
Illustrations
Attributed works:
6. Cimon and Pero, by Sebald Beham. 1544. Engraving, 7.1 by 4.8 cm. (Metropolitan Museum of Art, New York).
Attributed works:
8. Cleopatra, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1525. Bronze with gilding, height 64.4 cm. (Photograph © 2022 Museum of Fine Arts, Boston).
Attributed works:
9. Ariadne, by Pier Jacopo Alari Bonacolsi, known as Antico. c.1520–22. Bronze with gilding and silver inlays, height 50 cm. (Kunsthistorisches Museum, Vienna; KHM-Museumsverbad).
Western art unattributed:
1. Pietas. North Italian, probably early sixteenth century. Bronze, height 50.8 cm. (Photograph Royal Collection Trust / © His Majesty King Charles III 2022).
Western art unattributed:
10. The back of the bust illustrated in Fig.1.
Western art unattributed:
11. The back of the bust illustrated in Fig.4.
Western art unattributed:
12. Detail of the bust illustrated in Fig.1, showing the top of the head.
Western art unattributed:
13. Detail of the bust illustrated in Fig. 4, showing the top of the head.
Western art unattributed:
2. The bust illustrated in Fig.1 on display in the Privy Chamber, Kensington Palace, London. (© Historic Royal Palaces).
Western art unattributed:
3. Detail of the bust illustrated in Fig.1, showing the flange along the truncation. (Photograph Jonathan Marsden).
Western art unattributed:
4. Cinamon. North Italian, probably early sixteenth century. Bronze, height 57 cm. (Bayerisches Nationalmuseum, Munich; photograph Bastian Krack).
Western art unattributed:
5. Cimon and Pero (Roman Charity). North Italian, sixteenth century. Bronze, diameter 6.35 cm. (Victoria and Albert Museum, London).
Western art unattributed:
7. Detail of the bust illustrated in Fig.1, showing the condition of the surface.
Article
Jan van Belcamp in London: new documents and perspectives
06/2022 | 1431 | 164
Pages: 558-567
related names
Author:
Davies, Justin (Davies, Justin)
Author:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Detail of Fig.6, showing the figures painted by Jan van Belcamp.
Attributed works:
2. Anne of Denmark and a groom, by Paul van Somer. 1617. Oil on canvas, 265.5 by 209 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
3. Anne of Denmark, by Jan van Belcamp after Paul van Somer. 1630–39. Oil on canvas, 247.2 by 144.4 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
4. Henrietta Maria, by an unknown artist, the background by Hendrik van Steenwyck. c.1635. Oil on canvas, 215.9 cm by 135.2 cm. (National Portrait Gallery, London).
Attributed works:
5. Louis XIII, by Jan van Belcamp, 1636. Oil on canvas, 201.6 by 122.6 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
6. A view of Greenwich with Charles I and Henrietta Maria among a group of courtiers, by Adriaen van Stalbemt and Jan van Belcamp. c.1632. Oil on canvas, 83.5 by 107 cm. (Royal Collection Trust; © Her Majesty Queen Elizabeth II, 2022).
Attributed works:
7. Henrietta Maria, by Jan van Belcamp and Hendrick van Steenwyck the Younger. 1637. Oil on panel, 51 by 44.5 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Article
A ‘David and Goliath’ by Artemisia Gentileschi rediscovered
03/2020 | 1404 | 162
Pages: 188-195
related names
Author:
Chaplin, Tracey (Chaplin, Tracey)
Author:
Gillespie, Simon (Gillespie, Simon)
Author:
Papi, Gianni (Papi, Gianni)
Subjects
dates:
Illustrations
Attributed works:
1. David with the head of Goliath, by Artemisia Gentileschi. c.1639. Oil on canvas, 202 by 137 cm. (Private collection).
Attributed works:
10. X-radiograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
11. Fig.1 shown before treatment. 2018.
Attributed works:
12. Infra-red photograph of Fig.1. 2019. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
13–16. Details of Fig.1, photographed in raking light to show the incisions on (clockwise from top left) David’s heel; David’s left foot; David’s right hand; and David’s neck. (Courtesy Simon Gillespie Studio).
Attributed works:
17–20. Cross-section of a paint sample from David’s waistcoat photographed at x200 magnification, fragmented into an upper part, showing evidence of red lake, angular blue/grey smalt, lead white and ochre, shown in reflected white light (top left); and UV light (top right); and a lower part, showing evidence of blue smalt grains from the overlying paint layer, shown in reflected white light (bottom left); and UV light (bottom right). (Courtesy Tracey D. Chaplin).
Attributed works:
2. Detail of Birth of St John the Baptist, by Artemisia Gentileschi. 1635–36. Oil on canvas, 184 by 258 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
21. Artemisia Gentileschi’s signature as it was discovered during cleaning. (Courtesy Simon Gillespie Studio).
Attributed works:
22. Detail of a false colour rendering of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy Simon Gillespie Studio).
Attributed works:
23. Detail of an infra-red photograph of Fig.1, showing Artemisia’s signature on David’s sword. (Courtesy AAR and Simon Gillespie Studio).
Attributed works:
3. Self-portrait as the Allegory of Painting, by Artemisia Gentileschi. 1626–30. Oil on canvas, 93 by 74.5 cm. (Galleria Nazionale d’Arte Antica in Palazzo Barberini, Rome)
Attributed works:
4. David with the head of Goliath, by Domenico Fetti. 1614–15. Oil on canvas, 160 by 112 cm. (Gemäldegalerie, Dresden).
Attributed works:
5. Detail of Fig.1, showing David’s face.
Attributed works:
6. Detail of Esther before Ahasuerus, by Artemisia Gentileschi. 1627–28. Oil on canvas, 208.3 by 273.7 cm. (Metropolitan Museum of Art, New York).
Attributed works:
7. Bathsheba, by Artemisia Gentileschi. 1635–40. Oil on canvas, 265 by 219 cm. (Formerly Gosford House, East Lothian).
Attributed works:
8. Allegory of painting, by Artemisia Gentileschi. c.1639. Oil on canvas, 98.6 by 75.2 cm. (Hampton Court Palace, Royal Collection Trust; © Her Majesty Queen Elizabeth II 2020).
Attributed works:
9. Black-and-white photograph of Fig.1. 1975. (Courtesy Sotheby’s, London).
Exhibition Review
Rembrandt: Britain’s Discovery of the Master. Scottish National Gallery, Edinburgh
10/2018 | 1387 | 160
Pages: 856-857
related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
dates:
Illustrations
Attributed works:
10. An old woman reading, by Rembrandt. 1655. Canvas, 78.7 by 66 cm. (Buccleuch Collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
11. Unknown pleasures, by Glenn Brown. 2016. Panel, 164 by 105.5 cm. (Courtesy the artist; exh. Scottish National Gallery, Edinburgh).
Attributed works:
12. Copies from Rembrandt, by Eduardo Paolozzi. 1945. Pen and ink on paper, 26.9 by 36.8 cm. (National Galleries of Scotland, Edinburgh; © Paolozzi Foundation, London, and DACS 2017).
Article
The Paston prospective
07/2018 | 1384 | 160
Pages: 536-544
related names
Author:
Jervis, Simon (Jervis, Simon; J., S.; J., S. S.)
Subjects
art literature:
collectors and dealers:
dates:
Illustrations
Attributed works:
10. Charles I, Henrietta Maria and Charles II when Prince of Wales, dining in public, by Gerrit Houckgeest. 1635. Panel, 63.2 by 92.4 cm. (The Royal Collection; © H.M. Queen Elizabeth II).
Attributed works:
2. Oxnead Hall, by John Adey Repton. c.1843. Pen and ink and watercolour, 19.5 by 29 cm. (Nicholas Poole-Wilson).
Attributed works:
5. Frontispiece of Le Jardin de la Noblesse Françoise, by Abraham Bosse. Etching, 14.7 by 9.3 cm. (British Museum, London).
Attributed works:
6. Hortvs Pembrochianvs (The garden of Wilton House, seen from the house), by Isaac de Caus. Etched c.1640, edition of 1654. Etching, 41.7 by 52.3 cm. (British Museum, London).
Attributed works:
7. Fountain formerly at Oxnead, by John Cleghorn after John Adey Repton. 1844. Wood engraving, 7.3 by 7.8 cm., from The Gentleman’s Magazine 21 (1844), p.21.
Attributed works:
8. A Garden and Princely Villa, for Coelum Britannicum, Scene 5, by Inigo Jones and/or Edward Pearce. 1634. Pen and brown ink over graphite, 43.7 by 56.5 cm. (The Trustees of the Chatsworth Settlement; Bridgeman Images).
Western art unattributed:
1. Detail of Fig.4.
Western art unattributed:
3. Detail of Fig.4 showing the escutcheon with the coat of arms of Paston and Hewitt impaled.
Western art unattributed:
4. The Paston prospective. c.1640. Canvas, 117 by 164 cm. (Private collection).
Western art unattributed:
9. Detail of Fig.4, showing figures here identified as William Paston and Margaret Hewitt.
Exhibition Review
Charles I: King and Collector
04/2018 | 1381 | 160
Pages: 277-282
related names
Reviewer:
Penny, Nicholas (Penny, Nicholas)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Charles I in the hunting field, by Anthony van Dyck. c.1636. Canvas, 266 by 207 cm. (Musée du Louvre, Paris).
Attributed works:
3. The miraculous draft of fi shes, Mortlake tapestry after Raphael, with borders designed by Francis Cleyn. c.1639–40. Wool, silk and gilt thread, 530 by 580 cm. (Mobilier national, Paris).
Attributed works:
4. Detail of Fig.3.
Attributed works:
5. The conversion of St Paul, by Palma Giovane. c.1590–95. Canvas, 207 by 337 cm. (Museo Nacional del Prado, Madrid).
Attributed works:
6. St George and the Dragon, by Peter Oliver (after Raphael). 1628. Bodycolour and gold paint on vellum, 22 by 16.5 cm. (Royal Collection / © HM Queen Elizabeth II).
Attributed works:
7. The toilet of Venus, by Guido Reni. c.1620–25. Canvas, 281.9 by 205.7 cm. (National Gallery, London).
Attributed works:
9. Installation view of Charles I: King and Collector at the Royal Academy of Arts, London, showing Charles I, by François Dieussart (1636; Arundel Castle) and Charles I in three positions, by Anthony van Dyck (1635–36; The Royal Collection; photograph Royal Academy of Arts, London).
Western art unattributed:
2. Claudius, Roman, AD43–45. Sardonyx cameo, 20.5 by 16 cm. (Royal Collection / © HM Queen Elizabeth II).
Western art unattributed:
8. Aphrodite (‘The crouching Venus’). Roman, second century AD. Marble, height 119 cm. (The Royal Collection / © HM Queen Elizabeth II.)
Article
‘Qualis vita, finis ita’: The life and death of Margaret Lemon, mistress of Van Dyck
02/2018 | 1379 | 160
Pages: 92-100
related names
Author:
Maddicott, Hilary (Maddicott, Hilary)
Subjects
dates:
Illustrations
Attributed works:
1. Marguerite Lemon Angloise, by Wenceslas Hollar after Anthony Van Dyck. 1646. Etching and engraving, 26.1 by 18.1 cm. (National Portrait Gallery, London).
Attributed works:
2. Margaret Lemon, by Anthony van Dyck. c.1636. Canvas, 59.5 by 49.5 cm. (Private collection, New York).
Attributed works:
3. Margaret Lemon, attributed to Peter Lely after Anthony van Dyck. Brush and grey ink on paper, 24.8 by 14.5 cm. (Fondation Custodia, Paris).
Attributed works:
4. Margaret Lemon, by Anthony van Dyck. c.1638. Canvas, 93.3. by 77.8 cm. (Royal Collection Trust / © H.M. Queen Elizabeth II 2018).
Attributed works:
5. Margaret Lemon as Erminia, by Anthony van Dyck. Late 1630s. Canvas, 109.2 by 129.5 cm. (Blenheim Palace, Oxfordshire).
Attributed works:
6. Margaret Lemon, by Samuel Cooper. ?1635–37. Watercolour on vellum, height 12.1 cm. (Fondation Custodia, Paris).
Book Review
The Age of Rubens: Diplomacy, Dynastic Politics and the Visual Arts in Early Seventeenth-century Europe. Edited by Luc Duerloo and Malcolm Smuts
02/2018 | 1379 | 160
Pages: 163-164
related names
Reviewer:
Martin, Gregory (Martin, Gregory)
Subjects
dates:
media:
places:
Illustrations
Attributed works:
4. Minerva protects Pax from Mars, by Peter Paul Rubens. 1629–30. Canvas, 203.5 by 298 cm. (National Gallery, London).
Article
Anthony van Dyck and George Gage in Rome
01/2018 | 1378 | 160
Pages: 4-9
related names
Author:
Rangoni, Fiorenza (Rangoni, Fiorenza)
Subjects
dates:
media:
places:
subjects:
Illustrations
Attributed works:
1. George Gage with two men, by Anthony van Dyck. 1622. (National Gallery, London).
Attributed works:
4. Lamentation over the dead Christ, by Lucas Vorsterman after Anthony van Dyck. c.1634. Engraving. (British Museum, London).
Attributed works:
5. Detail from Matthäus Merian’s panoramic map of Rome. 1642. Engraving. Strada di Corte Savella runs left to right into the lower-left corner of Piazza del Duca (today Piazza Farnese).
Western art unattributed:
2. Detail of Fig.3.
Western art unattributed:
3. Entry in the Liber status animarum of S. Lorenzo in Damaso, Rome, 1620–22, recording the presence in a house in strada di Corte Savella of George Gage, Anthony van Dyck, William Smith and Gio. Domenico Silenzi. (Archivio Storico Diocesano, Rome).
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