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305 articles
Exhibition Review
La seduzione del colore: Andrea Solario e il Rinascimento tra Italia e Francia
06/2025 | 1467 | 167
Pages: 591–594
related names
Reviewer:
Rinaldi, Furio (Rinaldi, Furio)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
La seduzione del colore: Andrea Solario e il Rinascimento tra Italia e Francia Museo Poldi Pezzoli, Milan 26th March–30th June | :
Illustrations
Attributed works:
7. A man holding a carnation, by Andrea Solario. c.1495. Oil on panel, 49.5 by 38.5 cm. (National Gallery, London; exh. Museo Poldi Pezzoli, Milan).
Attributed works:
8. Salome with the head of St John the Baptist, by Andrea Solario. 1507–10. Oil on panel, 58.7 by 57.7 cm. (Kunsthistorisches Museum, Vienna; exh. Museo Poldi Pezzoli, Milan).
Attributed works:
9. Virgin and Child (Madonna of the Green Cushion), by Andrea Solario. c.1510. Oil on panel, 59.5 by 47.5 cm. (Musée du Louvre, Paris; exh. Museo Poldi Pezzoli, Milan).
Exhibition Review
Artemisia: Heroine of Art
06/2025 | 1467 | 167
Pages: 604–607
related names
Reviewer:
Mann, Judith (Mann, Judith)
Subjects
dates:
Reviewed Items
subjects:
Artemisia: Heroine of Art Musée Jacquemart-André, Paris 19th March–3rd August | :
Illustrations
Attributed works:
19. Allegory of inclination, by Artemisia Gentileschi. 1615– 16. Oil on canvas, 152 by 61 cm. (Casa Buonarroti, Florence; exh. Musée Jacquemart- André, Paris).
Attributed works:
20. A gentleman (Antoine de Ville), by Artemisia Gentileschi. c.1626–27. Oil on canvas, 203.2 by 109.2 cm. (Private collection; exh. Musée Jacquemart- André, Paris).
Attributed works:
21. Penitent Magdalene, by Artemisia Gentileschi. c.1625. Oil on canvas, 122.5 by 97.5 cm. (Seville Cathedral; exh. Musée Jacquemart- André, Paris).
Exhibition Review
Maria Lai: A Journey to America
05/2025 | 1466 | 167
Pages: 497–9
related names
Reviewer:
Schirripa, Giulia (Schirripa, Giulia)
Subjects
artists:
dates:
places:
subjects:
Reviewed Items
subjects:
Maria Lai: A Journey to America Magazzino Italian Art, Cold Spring 15th November 2024–28th July 2025 | :
Illustrations
Attributed works:
16. Ovile, by Maria Lai. 1959. Mixed media on canvas, 50 by 70 cm. (© Archivio Maria Lai; Artists Rights Society, New York; Museo d’arte della provincial di Nuoro; exh. Magazzino Italian Art, Cold Spring).
Attributed works:
17. Lenzuolo (Bed sheet), by Maria Lai. 1982. Fabric and thread, 193 by 160 cm. (© Archivio Maria Lai; Artists Rights Society, New York; courtesy Società Italiana degli Autori ed Editori, Rome; exh. Magazzino Italian Art, Cold Spring).
Attributed works:
18. Telaio in sole e mare (Framing the sun and sea), by Maria Lai. 1971. Nails, wood, twine and tempera, 72 by 152 by 15 cm. (© Archivio Maria Lai; Artists Rights Society, New York; Magazzino Italian Art, Cold Spring; courtesy Società Italiana degli Autori ed Editori, Rome).
Article
Cristoforo de Predis at the Sforza Court
03/2025 | 1464 | 167
Pages: 206–11
related names
Author:
Schrader, Jeffrey (Schrader, Jeffrey)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Marriage of the Virgin, from the Borromeo Book of Hours, by Cristoforo de Predis. 1478 or 1486. Gouache on vellum, 10.3 by 7.6 cm. (Biblioteca Ambrosiana, Milan, S.P.42, fol.15v; Mondadori Portfolio; Bridgeman Images).
Attributed works:
2. Initial ‘A’ with Galeazzo Maria Sforza in prayer, by Cristoforo de Predis. Probably 1477. Gouache on vellum, 22.4 by 18.9 cm. (Wallace Collection, London; Bridgeman Images).
Attributed works:
3. Arms and imprese of Galeazzo Maria Sforza, from the Book of Gioacchino and Anna, by Cristoforo de Predis. 1476. Gouache on parchment, 27.3 by 19.1 cm. (Biblioteca Reale, Turin, Codice Varia 124, fol.2v; Bridgeman Images).
Attributed works:
4. St Martin with the poor and Annunciation, from the Ingressarium of Fabrizio Marliani, by Cristoforo de Predis. 1476. Illumination on parchment, 57.2 by 41.2 cm. (Museo Baroffio e del Santuario del Sacro Monte sopra Varese, inv.1000, fol.1r).
Attributed works:
5. Melanthus Cycionius, Apelles, Protogenes Caunius, Quintus Pedius, Praxiteles Graecus, Mecenas, by Joachim von Sandrart. 1683. Engraving. (From J. von Sandrart and P. Killian: L’Academia todesca della architectura, scultura & pittura, oder, Teutsche Academie der Edlen Bau- Bild- und Mahlerey-Künste, Nuremberg 1683, second part, first book, plate E; New York Public Library).
Attributed works:
6. Details of Figs.4, 3, 2 and 1, showing the various signatures of Cristoforo de Predis.
Exhibition Review
Dans l’atelier de Guido Reni
03/2025 | 1464 | 167
Pages: 276–9
related names
Reviewer:
Puglisi, Catherine R. (Puglisi, Catherine R.; Puglisi, Catherine)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Dans l’atelier de Guido Reni Musée des Beaux-Arts, Orléans 30th November 2024–25th March 2025 | :
Illustrations
Attributed works:
13. David with the head of Goliath, by Guido Reni. c.1610–12. Oil on canvas, 228 by 163 cm. (Musée des Beaux-Arts, Orléans).
Attributed works:
14. David with the head of Goliath, by Guido Reni. c.1610–12. Pen and ink on paper, 14.6 by 11 cm. (Harris Museum and Art Gallery, Preston; exh. Musée des Beaux-Arts, Orléans).
Attributed works:
15. Crucified Christ with St Catherine of Alexandria and St Julius, by Guido Reni and studio(?). 1623. Oil on canvas, 245 by 172 cm. (Museo nazionale di Villa Guinigi, Lucca; exh. Musée des Beaux-Arts, Orléans).
Article
Two paintings by Artemisia Gentileschi in the Potsdam collection of Frederick the Great
02/2025 | 1463 | 167
Pages: 115–125
related names
Author:
Windt, Franziska (Windt, Franziska)
Subjects
Illustrations
Attributed works:
1. Lucretia and Tarquinius, by Artemisia Gentileschi. Second half of the 1620s/1630. Oil on canvas, 261 by 222.5 cm. (© Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg, Potsdam (SPSG); photograph W. Pfauder).
Attributed works:
10. X-ray photograph of Fig.1. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
11. Detail of Fig.10, showing the head of Tarquinius. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
12. Detail of Fig.1, showing the head of Tarquinius.
Attributed works:
13. Detail of Fig.10, showing Tarquinius’ stocking. (© SPSG; photograph A. Steuerlein; processing W. Pfauder).
Attributed works:
14. Madonna and Child, by Artemisia Gentileschi. ?1616–19. Oil on canvas, 116.5 by 86.5 cm. (Galleria Spada, Rome; MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
15. X-ray photograph of Fig.14. (MiC, Direzione Musei Statali della Città di Roma, Photographic Archive).
Attributed works:
16. Madonna with cherries, by Artemisia Gentileschi. ?1610–12. Oil on canvas, 118 by 86 cm. (Galleria Palatina, Palazzo Pitti, Florence; courtesy Gabinetto Fotografico delle Gallerie degli Uffizi).
Attributed works:
17. Suffer the little children to come unto me, by Artemisia Gentileschi. 1625–26. Oil on canvas, 134.6 by 97.7 cm. (Basilica di S. Carlo Borromeo al Corso, La Venerabile Arciconfraternita dei Santi Ambrogio e Carlo, Rome).
Attributed works:
18. Detail of Fig.17, showing the faces of the children.
Attributed works:
19. Detail of Fig.1, showing the face of Lucretia.
Attributed works:
2. Gallery of the New Palace in Sanssouci, Potsdam. Photograph, 1995. (© SPSG; photograph R. Handrick).
Attributed works:
3. Bathsheba in the bath, by Artemisia Gentileschi. Second half of the 1630s. Oil on canvas, 261 by 223 cm. (© SPSG; photograph W. Pfauder).
Attributed works:
4. Display of the paintings in the New Palace, Potsdam, since 1768. From left to right: Suicide of Lucretia, by Guido Reni; Fig.1; Judgment of Paris, by Luca Giordano; Rape of the Sabine Women, by Luca Giordano; Fig.3; and Diogenes in the barrel, attributed to Guido Reni.
Attributed works:
5. Detail of Fig.3, showing Artemisia Gentileschi’s technique with no overlaps of painted features.
Attributed works:
6. Bathsheba in the bath, by Artemisia Gentileschi. c.1635. Oil on canvas, 286 by 219 cm. (Galleria Palatina, Palazzo Pitti, Florence).
Attributed works:
7. Composition of Fig.6, shown in white lines and superimposed over Fig.3. (Drawing by B. Jackisch).
Attributed works:
8. Bathsheba in the bath, by Artemisia Gentileschi. ?.c.1640–45. Oil on canvas, 288 by 228 cm. (Private collection).
Attributed works:
9. Suicide of Lucretia, by Artemisia Gentileschi. 1620s. Oil on canvas, 92.9 by 72.7 cm. (J. Paul Getty Museum, Los Angeles).
Short Notice
Lusieri’s mysterious ‘Wooded lake’ identified
02/2025 | 1463 | 167
Pages: 161–163
related names
Author:
Williams, Dyfri (Williams, Dyfri)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Wooded lake, by Giovanni Battista Lusieri. Watercolour on paper, 57.7 by 69.7 cm. (Broomhall, Fife).
Attributed works:
2. North-west corner of the Parthenon, here attributed to Mary Ruthven. Watercolour on paper, 58 by 95 cm. (Benaki Museum, Athens).
Attributed works:
3. View of the Grand Bendt of Belgrade, by Luigi Mayer. 1788. Watercolour on paper, 44 by 68 cm. (British Museum, London).
Attributed works:
4. Detail of Fig.1, showing the Grand Bendt and Lord Elgin’s summer residence.
Short Notice
‘Victory at San Pietro in Casale’ in the Galleria Doria Pamphilj, Rome
02/2025 | 1463 | 167
Pages: 154–157
related names
Author:
C. Leone, Stephanie (C. Leone, Stephanie)
Author:
Serrani, Alessandro (Serrani, Alessandro)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Victory at San Pietro in Casale, here attributed to Giovanni Andrea Sirani and others. 1649–51. Oil on canvas, 188 by 275 cm. (© ADP s.r.l.; Galleria Doria Pamphilj, Rome).
Attributed works:
3. Supper at the house of Simon the Pharisee, by Giovanni Andrea Sirani. 1652. Oil on canvas, 380 by 490 cm. (S. Girolamo alla Certosa, Bologna; su concessione del Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
2. View of the siege of Castro. 1641 or later. Engraving, 34.6 by 48.5 cm. (© His Majesty King Charles III, 2025; Royal Collection Trust).
Exhibition Review
Expérience Raphaël
02/2025 | 1463 | 167
Pages: 169–172
related names
Reviewer:
Couilleaux, Benjamin (Couilleaux, Benjamin)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Expérience Raphaël Palais des Beaux-Arts, Lille 18th October 2024–17th February 2025 | :
Illustrations
Attributed works:
7. Study for the Alba Madonna, by Raphael. c.1511– 12. Incised lines and red chalk, 42.5 by 27.6 cm. (Palais des Beaux- Arts, Lille).
Attributed works:
8. Study for Holy Family with a pomegranate, by Raphael. c.1507– 08. Graphite, pen, brown ink and red chalk, 36.9 by 24.8 cm. (Palais des Beaux-Arts, Lille).
Attributed works:
9. Study for the drapery of Christ in the Disputa, by Raphael. c.1510. Compass, incised lines, graphite, brown wash and white gouache, 41.6 by 27.3 cm. (Palais des Beaux-Arts, Lille).
Article
Raphael in 1503: new findings on the ‘Virgin and Child with a book’ and other contemporaneous drawings
01/2025 | 1462 | 167
Pages: 16-25
related names
Author:
Aceto, Angelamaria (Aceto, Angelamaria)
Subjects
dates:
Illustrations
Attributed works:
1. Virgin and Child, by Benedetto da Maiano. c.1485–90. Marble with polychromy, 71.1 by 54.6 by 15.2 cm. (Metropolitan Museum of Art, New York).
Attributed works:
10. Detail of Fig.2, showing the cushion and the drapery.
Attributed works:
11. Detail of Fig.1, showing the cushion and the drapery.
Attributed works:
12. Studies of ornamental details, by Raphael. c.1503. Pen and brown ink with black chalk and leadpoint on paper, 37.7 by 21.9 cm. (Ashmolean Museum, Oxford).
Attributed works:
13. Detail of the ceiling in Piccolomini Library, Siena, by Pintoricchio and workshop. c.1503–07. Fresco. (Bridgeman Images).
Attributed works:
14. Detail of Fig.12, showing the Virgin and Child with St Anne.
Attributed works:
15. The Virgin and Child with St Anne (reversed left to right), by Leonardo da Vinci. c.1510. Oil on panel, 168 by 113 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
16. Holy Family with a lamb, by Raphael. 1507. Oil on panel, 28 by 21.5 cm. (Museo del Prado, Madrid).
Attributed works:
2. Virgin and Child with a book, by Raphael. c.1503. Oil on panel, 55.2 by 40 cm. (Norton Simon Museum, Pasadena; Bridgeman Images).
Attributed works:
3. Studies for Virgin and Child with a book, by Raphael. Mounted in the 20th century. Pen and brown ink over blind stylus on paper, 11.4 by 13 cm. (top: Parker 508a recto, felt side) and 11.5 by 13.2 cm. (bottom: Parker 508b recto, mould side). (Ashmolean Museum, Oxford).
Attributed works:
4. Parker 508a verso, mould side, shown in raking light.
Attributed works:
5. Parker 508b verso, felt side, shown in raking light.
Attributed works:
6. Facsimile of Figs.3–5. 1841. Lithograph, 26.6 by 27.9 cm. (From A series of Fac-similes of Original Drawings by Raffaelle da Urbino Selected from the Matchless Collection formed by Sir Thomas Lawrence, Published by S. and A. Woodburn, London 1841).
Attributed works:
7. The mould side of the drawings shown in Fig.3 superimposed onto Fig.6 to highlight the extent of the loss and the continuity in the landscape. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
8. The felt side of the drawings shown in Fig.3 superimposed on Fig.6 to highlight the extent of the loss. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
Attributed works:
9. The drawings shown in Fig.3 seen in transmitted light. (Author’s reconstruction rendered by Mauro Mussolin and Leonardo Pili).
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