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353 articles
Short Notice
‘Victory at San Pietro in Casale’ in the Galleria Doria Pamphilj, Rome
02/2025 | 1463 | 167
Pages: 154–157
related names
Author:
C. Leone, Stephanie (C. Leone, Stephanie)
Author:
Serrani, Alessandro (Serrani, Alessandro)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Victory at San Pietro in Casale, here attributed to Giovanni Andrea Sirani and others. 1649–51. Oil on canvas, 188 by 275 cm. (© ADP s.r.l.; Galleria Doria Pamphilj, Rome).
Attributed works:
3. Supper at the house of Simon the Pharisee, by Giovanni Andrea Sirani. 1652. Oil on canvas, 380 by 490 cm. (S. Girolamo alla Certosa, Bologna; su concessione del Ministero della Cultura – Archivio Fotografico dei Musei Nazionali di Bologna).
Western art unattributed:
2. View of the siege of Castro. 1641 or later. Engraving, 34.6 by 48.5 cm. (© His Majesty King Charles III, 2025; Royal Collection Trust).
Article
Early copies on panel after Anthony van Dyck: new findings
02/2024 | 1451 | 166
Pages: 140–144
related names
Author:
Davies, Justin (Davies, Justin)
Subjects
dates:
Illustrations
Attributed works:
1. Charles I, Henrietta Maria, Charles, Prince of Wales and Princess Elizabeth, attributed to Remigius van Leemput, after Anthony van Dyck. After 1651. Oil on panel, 59.8 by 49.4 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
2. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 26 by 20 cm. (Woburn Abbey Collection, Bedfordshire).
Attributed works:
3. Gaspar Gevartius, after Anthony van Dyck. After 1648. Oil on panel, 25.6 by 20 cm. (Rijksmuseum, Amsterdam).
Attributed works:
4. Prince Frederick Henry of Orange, after Anthony van Dyck. After 1670. Oil on panel, 25.4 by 19.9 cm. (Museum of Fine Arts, Budapest).
Attributed works:
5. Jan van Ravesteyn, after Anthony van Dyck. After 1671. Oil on panel, 25.4 by 20 cm. (Museum of Fine Arts, Budapest) .
Attributed works:
6. Jan van Ravesteyn, by Anthony van Dyck. Oil on panel, 24.8 by 18.1 cm. (Collection of the Duke of Buccleuch and Queensberry, Boughton House, Northamptonshire).
Short Notice
A ‘legacy to Mr Peter Lilly’: new light on the collaboration between Peter Lely and Remigius van Leemput
02/2024 | 1451 | 166
Pages: 163–165
related names
Shorter Notice by:
Innes-Mulraine, James (Innes-Mulraine, James)
Subjects
dates:
Illustrations
Attributed works:
1. Henry Hyde, 2nd Earl of Clarendon (1638– 1709), when Viscount Cornbury, with his first wife, Theodosia Capel (1640–62), by Remigius van Leemput after Peter Lely. c.1661–1710. Oil on panel, 36.8 by 47.4 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Attributed works:
2. Henry Hyde, Viscount Cornbury, later 2nd Earl of Clarendon (1638–1709) and his wife, Theodosia Capel, Viscountess Cornbury, by Peter Lely. Before 1662. Oil on canvas, 143 by 181.5 cm. (Private collection).
Attributed works:
3. Henry VII, Elizabeth of York, Henry VIII and Jane Seymour, by Remigius van Leemput. 1667. Oil on canvas, 88.9 by 99.2 cm. (© His Majesty King Charles III, 2024; Royal Collection Trust).
Book Review
Nicholas Barbon: Developing London, 1667–1698
01/2024 | 1450 | 166
Pages: 97–98
related names
Reviewer:
Stevenson, Christine (Stevenson, Christine)
Subjects
dates:
places:
Reviewed Items
subjects:
Nicholas Barbon: Developing London, 1667–1698 By Frank Kelsall and Timothy Walker. 240 pp. incl. 96 col. + 15 b. & w. ills. (London Topographical Society, 2022), £27 (members), £35 (non-members). ISBN 978–0–902087–73–6. | :
Illustrations
Attributed works:
4. The principal staircase of Gerard House, 34–35 Gerrard Street, London, by John Crowther. 1884. Watercolour on paper, 28 by 23 cm. (London Metropolitan Archives).
Short Notice
Dogs, Vergers and Murillo’s ‘El Perdiguero’
12/2023 | 1449 | 165
Pages: 1333–1335
related names
Author:
Pullins, David (Pullins, David)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Don Andrés de Andrade y Cal, by Bartolomé Esteban Murillo. 1665–72. Oil on canvas, 200.7 by 119.4 cm. (Metropolitan Museum of Art, New York).
Attributed works:
2. Detail of Fig.1, showing the dog’s features.
Attributed works:
3. Portrait of a dog, by Domenico Maria Sani. c.1725–45. Oil on canvas, 123.5 by 169 cm. (Pinacoteca Civica, Forlí).
Article
A third self-portrait by Gillis Van Tilborgh
06/2023 | 1443 | 165
Pages: 584–589
related names
Author:
Cauteren, Katharina van (Cauteren, Katharina van)
Author:
Kelchtermans, Leen (Kelchtermans, Leen)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Family portrait, here identified as Self-portrait with his family, by Gillis Van Tilborgh. c.1668–70. Oil on canvas, 81 by 171 cm. (Royal Museums of Fine Arts of Belgium, Brussels).
Attributed works:
2. Self-portrait in the studio, by Gillis Van Tilborgh. c.1645. Oil on panel, 10.8 by 8.9 cm. (National Gallery of Art, Washington).
Attributed works:
3. Detail of Fig.1, showing Gillis Van Tilborgh.
Attributed works:
4. Detail of Fig.5, showing Gillis Van Tilborgh.
Attributed works:
5. Twelve gentlemen in an interior, including a self-portrait of the artist as a connoisseur, by Gillis Van Tilborgh. c.1665. Oil on canvas, 137 by 208 cm. (The Phoebus Foundation, Antwerp).
Attributed works:
6. Peter Snayers, by Cornelis Van Caukercken after Daniel Van Heil. c.1649–61. Engraving, 23.4 by 19 cm. (From C. De Bie: Het Gulden Cabinet vande Edel Vry Schilder-Const, Lier 1661; The Phoebus Foundation, Antwerp).
Attributed works:
7. Detail of Fig.5, showing Peter Snayers.
Attributed works:
8. David II Teniers, by Lucas II Vorsterman after Pieter Thijs. 1659. Engraving, 34.9 by 24 cm. (Rijksmuseum, Amsterdam).
Attributed works:
9. Detail of Fig.5, showing David II Teniers.
Article
The Loo family of Haarlem in portraits by Hals and Verspronck
02/2023 | 1439 | 165
Pages: 109-119
related names
Author:
Biesboer, Pieter (Biesboer, Pieter)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the face of Johannes Claesz Loo.
Attributed works:
10. The first platoon under Captain Reijnier van Hogensteijn, of the third company of the Calivermen Civic Guard, by Frans Pietersz de Grebber. 1619. Oil on canvas, 208 by 500 cm. (Frans Hals Museum, Haarlem).
Attributed works:
11. View of the Drye Lelyen Brewery at Haarlem and Velserend Manor, owned by Johan Claesz Loo, by Jacob Adriaensz Matham. 1627. Pen painting on panel, 71 by 116 cm. (Frans Hals Museum, Haarlem).
Attributed works:
12. Loo and Olycan family tree. Names in bold are people whose portraits are illustrated in this article.
Attributed works:
13. Detail of Fig.7, showing Captain Florens Pietersz van der Houff.
Attributed works:
14. Detail of Fig.7, showing Lieutenant Nicolaas Jansz van Loo.
Attributed works:
15. Jacob Pietersz Olycan (1596–1638), by Frans Hals. 1625. Oil on canvas, 124.6 by 97.3 cm. (Mauritshuis, The Hague).
Attributed works:
16. Aletta Hanemans (1606–53), by Frans Hals. 1625. Oil on canvas, 124.8 by 98.2 cm. (Mauritshuis, The Hague).
Attributed works:
17. Nicolaas Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 68 cm. (Frans Hals Museum, Haarlem).
Attributed works:
18. Cornelis Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 69 cm. (Museum of Fine Arts, Budapest).
Attributed works:
19. Aletta Hanemans, wife of Nicolaes Jansz van Loo, by Johannes Cornelisz Versrpronck. 1650. Oil on canvas, 84 by 67 cm. (Location unknown).
Attributed works:
2. Johannes Claesz Loo (1577/78–1660), by Frans Hals. 1653. Oil on canvas, 84.4 by 65.9 cm. (Private collection).
Attributed works:
3. Burgomaster Nicolaes van der Meer, by Frans Hals. 1631. Oil on panel, 128 by 100.5 cm. (Frans Hals Museum, Haarlem).
Attributed works:
4. Portrait of an elderly woman, by Frans Hals. 1650. Oil on canvas, 84.8 by 69.2 cm. (Museum of Fine Arts, Houston).
Attributed works:
5. Officers and Subalterns of the Calivermen of St Hadrian, by Frans Hals. 1633. Oil on canvas, 207 by 337 cm. (Frans Hals Museum, Haarlem).
Attributed works:
6. Detail of Fig.5, showing Colonel Johannes Claesz Loo, seated.
Attributed works:
7. Group portrait of the Officers and Subalterns of the Civic Guard of St George, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Museum, Haarlem).
Attributed works:
8. Detail of Fig.7, showing Colonel Johannes Claesz Loo.
Attributed works:
9. Detail of Fig.10, showing Lieutenant Johannes Claesz Loo, wearing a white doublet.
Article
The floral marquetry floor at Burghley House
08/2022 | 1433 | 164
Pages: 752-759
related names
Author:
Bowett, Adam (Bowett, Adam)
Subjects
artists:
dates:
styles:
subjects:
Illustrations
Attributed works:
10. Detail of the table illustrated in Fig.6.
Attributed works:
12. Scriptor. c.1685. Walnut and marquetry of various woods on an oak carcase, 263 by 119.5 by 51 cm. (Birmingham Museums Trust).
Attributed works:
13. A marquetry tulip from a cabinet attributed to Jan van Mekeren. c.1700–10. (Metropolitan Museum of Art, New York).
Attributed works:
14. Detail of the cabinet illustrated in Fig.18, showing the same marquetry tulip.
Attributed works:
15. Butterflies from the commode illustrated in Fig.4 (a and b); the table illustrated in Fig.6 (c); the cabinet illustrated in Fig.18 (d).
Attributed works:
16 and 17. Details from J. Jonston: Historiae Naturalis de Insectis Libri III, Amsterdam 1657, pls.viii and vi, showing the sources for the butterflies shown in Fig.15.
Attributed works:
18. Cabinet, attributed to Jan van Mekeren. c.1695–1710. Walnut and marquetry of various woods on an oak carcase, 205.5 by 174 by 61 cm. (Rijksmuseum, Amsterdam).
Attributed works:
2. Table, here attributed to Mayhew and Ince. c.1767. Oak and other woods, the top made from the centre of a 17th-century marquetry floor, 76.5 by 149 by 125.5 cm. (Burghley House, Stamford).
Attributed works:
3. Corner commode, one of a pair, supplied by Mayhew and Ince. 1767. Mahogany and other woods with gilt brass, incorporating 17th-century marquetry, 97 by 100 by 61.5 cm. (Burghley House, Stamford).
Attributed works:
4. Commode, one of a pair, supplied by Mayhew and Ince. 1767. Mahogany and other woods with gilt brass, incorporating 17th-century marquetry, 97.5 by 145 by 72 cm. (Burghley House, Stamford).
Attributed works:
5. Folding writing table, attributed to Gerrit Jensen. c.1685. Walnut and other woods and bone, 75 by 86.5 by 29.5 cm. (Burghley House, Stamford).
Attributed works:
6. Top of a table, attributed to Gerrit Jensen. c.1686. Walnut and other woods and bone, 73 by 106 by 83.5 cm. (Windsor Castle; Royal Collection Trust; © Her Majesty Queen Elizabeth II 2022).
Attributed works:
7. Top of the writing table illustrated in in Fig.5.
Attributed works:
8. Top of a candlestand, one of a pair, attributed to Gerrit Jensen. c.1686. Walnut and other woods with bone, diameter 43cm. (Hampton Court Palace; Royal Collection Trust; © Her Majesty Queen Elizabeth II 2022; photograph the author).
Attributed works:
9. Marquetry tulips from (a) the oval table illustrated in Fig.2; (b) the writing table illustrated in Figs.5 and 7; (c) the commode illustrated in Fig.4); and (d) the table illustrated in Fig.6.
Western art unattributed:
1. The Inlaid Closet, Drayton House, Northamptonshire. c.1685–90. Veneers of walnut and other woods on an oak substrate. (Courtesy Drayton House, Northamptonshire).
Western art unattributed:
11. Detail of the scriptor illustrated in Fig.12.
Article
Carlo Maratti’s additions to the ‘Barberini Venus’
03/2022 | 1428 | 164
Pages: 260-265
related names
Author:
Fidanza, Giovan Battista (Fidanza, Giovan Battista)
Subjects
dates:
Illustrations
Attributed works:
1. The Barberini Venus, attributed to Giulio Mazzoni, shortly after 1550 (?) with additions by Carlo Maratti, 1693. Mural in oil with tempera, 163 by 190 cm. Photographed before the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
2. Fig.1, photographed after the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
3. Schematic reconstruction of the painting shown in Fig.1. From P. Iazurlo: ‘La Venere Barberini: un dipinto di Giulio Mazzoni da Palazzo Capodiferro’, Storia dell’arte 22–23 (2009), p.82.
Attributed works:
4. Detail of Fig.1, showing the face of Venus.
Attributed works:
5. Detail of Fig.2, showing the face of Venus.
Attributed works:
6. Fig.1, photographed during the restoration of 1999–2000. (Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro Coen; courtesy Ministero della Cultura, Rome).
Article
Anthonie Palamedes’s paintings for the Delft Surgeons’ Guildhall
02/2021 | 1415 | 163
Pages: 119-127
related names
Author:
Rosen, Jochai (Rosen, Jochai)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Portrait of a group of surgeons supervising the amputation of a leg, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
10. Title page of J. Veslingius: Konstige ontleding des menschelijken lichaems, Amsterdam 1661. (National Museum Boerhaave, Leiden).
Attributed works:
11. Deceased conjoined twins, by Anthonie Palamedes. 1669. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
12. Two dead foetuses, by Anthonie Palamedes. 1658. Oil on canvas. (Anatomical Museum, Leiden University Medical Center).
Attributed works:
13. Deathbed portrait of conjoined twins, by Evert van der Maes. c.1628. Oil on canvas, 54 by 65.5 cm. (Haags Historisch Museum, The Hague).
Attributed works:
2. Portrait of a group of surgeons supervising a trepanation, by Anthonie Palamedes. c.1658. Oil on panel, 95 by 65 cm. (Photograph RKD, Netherlands Institute for Art History, The Hague).
Attributed works:
3. Detail of Caring for the sick, by Domenico di Bartolo, showing a man being washed before an operation. 1440. Fresco, height approx. 450 cm. (Pellegrinaio, Spedale di S. Maria della Scala, Siena; Bridgeman Images).
Attributed works:
4. Frontispiece of Franciscus Arcaeus: De recta curandorum vulnerum atque febrium ratione tractatus brevis & succinctus, Amsterdam 1658. (Leiden University, Special Collections).
Attributed works:
5. Serratura, by Hans Wechtlin, from H. von Gersdorf: Feldbuch der Wundartznei, Strasbourg 1528. Woodcut, 30 by 20 cm.
Attributed works:
6. Amputation scene. After a design for the frontispiece of P. Barbette: Opera chirurgico-anatomica, ad circularem sanguinis motum, aliaque recentiorum inventa, accommodata, Leiden 1672.
Attributed works:
7. Amputation scene, from W. Hildanus: De Gangraena et Sphacelo, Tractatus Methodicus, 1617.
Attributed works:
8. Acts of medicine and surgery including the amputation of a leg below the knee, by Jost Amman. c.1565. Woodcut. (National Library of Medicine, Bethesda MD).
Attributed works:
9. The physician as God, from a series of four engravings, Allegories of the medical profession, by the workshop of Hendrick Goltzius. c.1587. Engraving, 17.8 by 22.8 cm. (Rijksmuseum, Amsterdam).
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