1. The Barberini Venus, attributed to Giulio Mazzoni, shortly after
1550 (?) with additions by Carlo Maratti, 1693. Mural in oil with tempera,
163 by 190 cm. Photographed before the restoration of 1999–2000.
(Gallerie Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph
Mauro Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
2. Fig.1, photographed after the restoration of 1999–2000. (Gallerie
Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro
Coen; courtesy Ministero della Cultura, Rome).
Attributed works:
3. Schematic reconstruction of the painting shown in Fig.1. From P.
Iazurlo: ‘La Venere Barberini: un dipinto di Giulio Mazzoni da Palazzo
Capodiferro’, Storia dell’arte 22–23 (2009), p.82.
Attributed works:
4. Detail of Fig.1, showing the face of Venus.
Attributed works:
5. Detail of Fig.2, showing the face of Venus.
Attributed works:
6. Fig.1, photographed during the restoration of 1999–2000. (Gallerie
Nazionali d’Arte Antica, Palazzo Barberini, Rome; photograph Mauro
Coen; courtesy Ministero della Cultura, Rome).
Publication Received
Brought to Life: Eliot Hodgkin Rediscovered. Edited by Adrian Eeles
Brought to Life: Eliot Hodgkin
Rediscovered
Edited by Adrian Eeles. 144 pp. incl. 130 col.
ills. (Rothschild Foundation, Waddesdon, in
association with Paul Holberton Publishing,
2019), 35. ISBN 978–1–911300–57–1. |
:
Illustrations
Attributed works:
10. May, from the Twelve Months of the Year,
by Eliot Hodgkin. 1951. Tempera on board, 26.7
by 22.3 cm. (Ramsbury Manor Foundation;
photograph AJ Photography).
Exhibition Review
Piero della Francesca: Monarch of Painting. State Hermitage Museum, St Petersburg
4. Portrait of a
boy, attributed
to Piero della
Francesca.
c.1480. Tempera
on panel, 41 by
27.5 cm. (Museo
Nacional Thyssen-
Bornemisza,
Madrid; exh.
State Hermitage
Museum, St
Petersburg).
5. Sigismondo
Attributed works:
5. Sigismondo
Malatesta,
by Piero della
Francesca. 1450s.
Oil and tempera
on panel, 44 by
34 cm. (Musée du
Louvre, Paris; exh.
State Hermitage
Museum, St
Petersburg).
Attributed works:
6. The
Annunciation,
by Piero della
Francesca.
1459–68. Oil
and tempera on
panel, 338 by
230 cm. (Galleria
Nazionale
dell’Umbria,
Perugia; exh.
State Hermitage
Museum, St
Petersburg).
Book Review
The Sobieski Hours: A Most Beautiful Manuscript from the British Royal Collection. Facsimile edition. Commentary by Jenny Stratford and Jane Roberts
1. The little peasant, by Amedeo Modigliani. c.1918. Oil and tempera on canvas, 100 by 64.5 cm. (Tate, London).
Attributed works:
10. The Italian woman, by Amedeo Modigliani. c.1918–19. Canvas, 102.6 by 67 cm. (Metropolitan Museum of Art, New York).
Attributed works:
11. Photomicrograph of Fig.1 showing top of split in sitter’s shirt.
Attributed works:
12. Details of Fig.1 showing (a) sleeve of sitter’s right arm; and (b) sitter’s right knee.
Attributed works:
13. Details of signatures from (a) Fig.1; (b) Fig.2; and (c) Fig.10.
Attributed works:
2. Young woman of the people, by Amedeo Modigliani. 1918. Oil (and possibly water-based media) on canvas, 100.3 by 65.1 cm. (Los Angeles County Museum of Art).
Attributed works:
3. Detail from the infra-red reflectogram of Fig.1, showing underdrawing circling the face.
Attributed works:
4. Detail from the infra-red reflectogram of Fig.2, showing underdrawing of a bracelet.
[Appendix. Table showing the results of pigment, media, ground preparation and varnish analyses, and of the canvas thread counts, of Figs.1, 2 and 10.]
Book Review
The Dawn of Christian Art in Panel Paintings and Icons. By Thomas F. Mathews with Norman E. Muller
37. Garden of the slothful, by Margaret Gere. c.1905. Tempera on silk (?) mounted on board, approx. 26 by 26 cm. (Lady Herringham Collection, Royal Holloway, University of London).
Attributed works:
38. Noah's Ark, by Margaret Gere. c.1909. Tempera on silk mounted on board, 26.4 by 26.4 cm. (Tate, London).