Attributed works:
1. The Bruges Madonna in situ in the Chapel of the Holy Sacrament,
Church of Our Lady, Bruges. (Photograph the author).
Attributed works:
10. Virgin and Child, by Benedetto da Maiano. Before 1497, completed
1575. Marble, height 140 cm. (Oratorio della Misericordia, Florence).
Attributed works:
11. Detail of the Barbadori Altarpiece, by Filippo Lippi. 1438.
Tempera on panel. (Musée du Louvre, Paris).
Attributed works:
12. Detail of Fig.2. (Photograph the author).
Attributed works:
13. Virgin and Child, by Gentile da Fabriano. 1425. Fresco. (Orvieto
Cathedral; photograph Jeff Cotton).
Attributed works:
14. Detail of Fig.13, showing left hands of the Virgin and Child.
(Photograph Jeff Cotton).
Attributed works:
15. Detail of Fig.2, showing the hands of the Virgin and Child.
(Photograph the author).
Attributed works:
16. Virgin and Child, by Tino da Camaino. 1320–21. Marble, height 78 cm.
(Museo Nazionale del Bargello, Florence; Bridgeman Images).
Attributed works:
18. Studies for the Apostles, Battle of Cascina, the Bruges Madonna
and an architectural element, by Michelangelo. c.1503–04. Black chalk,
dark brown ink, pen and lead point on paper, 27.3 by 26.2 cm. (Galleria
degli Uffizi, Florence).
Attributed works:
19. Detail of Fig.18 (top right of sheet), showing a study for the
Bruges Madonna.
Attributed works:
2. Madonna and Child (the Bruges Madonna), by Michelangelo. 1504–05.
Marble, height 128 cm. (Church of Our Lady, Bruges; Bridgeman Images).
Attributed works:
20. Detail of Fig.18 (centre of sheet), showing a study for the
Bruges Madonna.
Attributed works:
21. Detail of Fig.18 (top of left-hand edge), showing a study for the
Bruges Madonna.
Attributed works:
22. Detail of Fig.18 (centre and bottom of left-hand edge), showing
studies for the Bruges Madonna.
Attributed works:
23. Three studies of nude men and the Virgin and Child, by Michelangelo.
c.1504–05. Black chalk, dark and light brown ink, pen and lead point
on paper, 31.5 by 27.7 cm. (British Museum, London).
Attributed works:
24. Tomb of Pieter Moscron. 1829, with original sixteenth-century
brass coats-of-arms. (Chapel of the Holy Sacrament, Church of
Our Lady, Bruges; photograph Brit Vanraepenbusch).
Attributed works:
25. Detail of Fig.23, showing a study for the Bruges Madonna.
Attributed works:
26. Detail of Fig.1, showing the Moscron coat-of-arms, here attributed to
Joost Aerts and Jan de Smet. c.1558–65. (Photograph the author).
Attributed works:
27. Detail of Fig.1, showing the 17th-century swag above the central
niche. (Photograph the author).
Attributed works:
3. Margaret of York and Mary of Burgundy kneeling before a white
statue of St Anne, fol.2v of the Register of the Guild of St Anne, by Circle
of Vienna Master of Mary of Burgundy. c.1476. Gold and bodycolour
on vellum, height 33 cm. (Royal Collection Trust; © Royal Collection
Enterprises Limited, 2024; Bridgeman Images).
Attributed works:
4. White Virgin of Jean de Berry. French, c.1400. Marble, height 146 cm.
(Bourges Cathedral; Alamy Stock Photo).
Attributed works:
5. Detail of a cast of the Bruges Madonna, showing the different
treatment of the front and back of the base. 1871. Plaster.
(Victoria and Albert Museum, London; photograph the author).
Attributed works:
6. Detail of Fig.2, showing the chisel marks on the base.
(Photograph the author).
Attributed works:
7. Detail of Fig.2, seen from the left. (Photograph the author).
Attributed works:
8. Detail of Fig.2. (Photograph the author).
Attributed works:
9. Detail of Judith and Holofernes, by Donatello. c.1456. Bronze. (Palazzo
Vecchio, Florence; Photo Scala, Florence).
Western art unattributed:
17. Our Lady of Leuven. Netherlandish, 13th century (reworked 1442).
Polychromed and gilded wood and rock crystal, height 160 cm. (Church
of St Peter, Leuven).
