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11 articles
Short Notice
Parmigianino, Damiano Pieti and the beauty of architecture in the ‘Madonna of the long neck’
09/2024 | 1458 | 166
Pages: 932-37
related names
Shorter Notice by:
Vaccaro, Mary (Vaccaro, Mary)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the unfinished colonnade.
Attributed works:
2. Madonna of the long neck, by Parmigianino. c.1534–40. Oil on panel, 216.5 by 132.5 cm. (Galleria degli Uffizi, Florence; Bridgeman Images).
Attributed works:
3. Leo Baptista de Albertis Florentinus de Architectura, by Damiano Pieti. 1538. (Biblioteca Panizzi, Reggio Emilia, MSS Rari G3, fol.240r)
Attributed works:
4. Study for Madonna of the long neck, by Parmigianino. 1530s. Red chalk heightened with white on paper, 20 by 12 cm. (Musée du Louvre, Paris).
Article
Colossal orders and a Classical fa ade: Hoefnagel and Nonsuch revisited
02/2022 | 1427 | 164
Pages: 178-183
related names
Author:
Biddle, Martin (Biddle, Martin)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Nonsuch Palace, Surrey, by Joducus Hondius after John Speed. 1610. Engraving, 28.5 by 51 cm. (From J. Speed: Theatre of the Empire of Great Britain, London 1611).
Attributed works:
2. Detail of Fig.3, showing the the west end of the south front.
Attributed works:
3. Nonsuch Palace from the south, by Joris Hoefnagel. 1568. Black chalk, pen and brown and black ink and watercolour, heightened with white and gold, on paper, 24.2 by 26.3 cm. (Victoria and Albert Museum, London; Bridgeman Images).
Attributed works:
4. A triumphal arch, by Sebastiano Serlio. (From S. Serlio: Regole generali di architetura sopra le cinque maniere de gli edifici, Venice 1537; Avery Architectural and Fine Arts Library, Columbia University, New York).
Exhibition Review
The Birth of Gothic Sculpture: Saint-Denis, Paris, Chartres 1135–1150. Musée de Cluny – Musée national du Moyen Âge, Paris
12/2018 | 1389 | 160
Pages: 1042-1044
related names
Reviewer:
Stratford, Neil (Stratford, Neil)
Subjects
dates:
places:
Illustrations
Western art unattributed:
5. Initial T to St Jerome’s prologue to the Book of Joshua, c.1145–50. Parchment, 53 by 36.5 cm. (Bibliothèque Nationale de France, Paris; MS Lat. 55, fol.78; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
6. Detail of colonnette from the south door, right jamb of the west façade of Saint-Denis. c.1135–40, Limestone, (Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
7. Voussoir with two headless figures from the portal of Saint-Pierre, Lagny-sur-Marne. Midtwelfth century. Limestone, 50 by 47 by 30 cm. (Église paroissiale Notre-Dame-des-Ardents-et-Saint-Pierre, Lagny-sur-Marne; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Western art unattributed:
8. Signum Tau, medallion from stained-glass window with scenes of the Passion in the ambulatory of Saint-Denis. 1140–1144. Diameter 57 cm. (Dépôt de Champs-sur-Marne, basilique-cathédrale, Saint-Denis; exh. Musée de Cluny, Paris; photograph Philippe Plagnieux).
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Article
A bronze Bacchus wearing a Silenus mask, made for Antonio Londonio
01/2011 | 1294 | 153
Pages: 13-21
related names
Author:
Wengraf, Patricia (Wengraf, Patricia)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
14. Bacchus/Silenus, possibly by Adriaen de Vries(?). c.1579–80. Bronze, 89.5 cm. high. (Mr and Mrs J. Tomilson Hill, New York). Photograph: Maggie Nimkin, New York.
Attributed works:
18. The nymphaeum of Villa Litta (Weil-Weiss), Lainate, by Carlo Bossoli. 1852–53. Photograph of a now lost watercolour. (Civico Archivio Fotographfico, Milan).
Attributed works:
19. Detail of the south pulpit frontal, cast by Andrea Pellizzone. 1586. Thin repoussé copper sheets mounted onto a wood backing. (Milan Cathedral).
Attributed works:
20. Self-portrait, by Giovanni Paolo Lomazzo. c.1568–70. Canvas, 55 by 43 cm. (Pinacoteca di Brera, Milan).
Attributed works:
21. Detail of Fig.20 showing the hat badge worn by Giovanni Paolo Lomazzo.
Attributed works:
22. Detail of Fig.14 showing the beard of Bacchus beneath the Silenus mask.
Attributed works:
23. Compà Digliagor, by Aurelio Luini. c.1568. Ink on paper, 12 by 8.5 cm. (Musée du Louvre, Paris).
Western art unattributed:
15. Photograph of c.1910 showing the bronze Bacchus/Silenus on a marble column in the nymphaeum, known as the cortino delle piogge, at Villa Visconti Borromeo Litta di Lainate, near Milan. (Photograph: Civico Archivo Fotografico, Collection Lissoni 4972D, Castello Sforzesco, Milan).
Western art unattributed:
16. Detail of Fig.15 showing the inverted ‘umbrella’ apparatus emerging from the head of the bronze Bacchus/Silenus
Western art unattributed:
17. Cast in lead from the Bacchus/Silenus in Fig.14. c.1920s. (Uffici Comunali di Lainate). Photograph: Patricia Wengraf.
Short Notice
A copperplate for Hieronymus Cock
02/2007 | 1247 | 149
Pages: 96-99
related names
Author:
Heuer, Christopher P. (Heuer, Christopher P.)
Subjects
dates:
subjects:
Illustrations
Attributed works:
30. Copperplate for Architectural details of columns with the Corinthian and Composite orders, by Jan and Lucas van Doetecum. c.1558. Etched and engraved copper with wax and ink residue, 37.5 by 53.4 cm. (Centre Canadien d’Architecture, Montréal).
Attributed works:
31. Architectural details of columns with the Corinthian and Composite orders, by Jan and Lucas van Doetecum after Sebastiaan van Noyen. 1558. Etching and engraving, 36.2 by 51.8 cm. (Prentenkabinet, Leiden).
Attributed works:
32. View of the Baths of Caracalla, after Hieronymus Cock. 1550. Etching, 22.3 by 30.2 cm. (Albertina, Vienna).
Attributed works:
33. Reverse of Fig.30, with the Last Supper, by an anonymous Flemish artist after Pieter Coecke van Aelst. 1602.
Article
The Baseless Roman Doric Column in Mid-Eighteenth-Century English Architecture: A Study in Neo-Classicism
05/1986 | 998 | 128
Pages: 328+331-337+339
related names
Author:
Worsley, Giles (Worsley, Giles)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
14. The South Front of West Wycombe Park, Buckinghamshire.
Attributed works:
15. The Portico on the South Front of Rokeby Park, North Yorkshire.
Attributed works:
16. Early Elevation Design for the Palazzo Chiericati, Vicenza, by Andrea Palladio, 39.6 by 56.3 cm. (R. I. B. A., London).
Attributed works:
18. The Temple of Piety at Studley Royal, North Yorkshire.
Attributed works:
19. Elevation for a Hexastyle Baseless Doric Temple by Andrea Palladio, 32.3 by 27.3 cm. (R. I. B. A., London).
Attributed works:
20. The Temple of Piety, from Libro d'Antonio Labacco, 1552.
Attributed works:
21. Detail from View in the Park at Shugborough by Nicholas Dall (Shugborough, National Trust).
Attributed works:
22. The Samson Hall, Hovingham Hall, North Yorkshire.
Attributed works:
23. The Riding School, Hovingham Hall, North Yorkshire.
Attributed works:
24. The Doric Rotunda at the Rievaulx Terraces, North Yorkshire.
Attributed works:
25. Interior of Mereworth Church, Kent.
Attributed works:
26. The Drawing Room Chimneypiece, Hovingham Hall, North Yorkshire.
Attributed works:
27. Interior Elevation of a Basilica, from Daniele Barbaro's Edition of Vitruvius, 1556.
Western art unattributed:
17. A Nineteenth-Century Drawing Showing Proposed Alterations to the East Façade of the West Wing at Castle Howard, North Yorkshire (Castle Howard Archives).
Article
The Lost Colonnade of Shah Jahan's Bath in the Red Fort of Agra
06/1982 | 951 | 124
Pages: 331-339
related names
Author:
Koch, Ebba (Koch, Ebba)
Subjects
dates:
places:
subjects:
Illustrations
Non-western art unattributed:
10. The Colonnade as Exhibited in the North Western Provinces Court of the Indian and Colonial Exhibition, Held in London in 1886.
Non-western art unattributed:
11. Panel with Cypresses Entwined with Flowering Trees, from I'timad al Daulat's Tomb. 1036-37 A. H. (1626-27 A. D.).
Non-western art unattributed:
12. Detail of the Colonnade.
Non-western art unattributed:
13. Corner Headpiece of a Capital with Two Brackets, Now in Jahanara's Quarters, Red Fort, Agra.
Non-western art unattributed:
14. Outer Side of Corner Headpiece (Fig.13).
Non-western art unattributed:
5. The Shah Burj of the Red Fort. Agra. Seen from the River Side.
Non-western art unattributed:
6. Colonnade from the Bath of Shah Jahan. White Marble with Polychrome Stone Intarsia, Height of Column Shafts 2.7 m. (Victoria and Albert Museum No.167, Indian Section). Photograph Taken in 1956 in the Old Indian Museum, before Demolition of the Building.
Non-western art unattributed:
7. Half Capital Lying in South West Corner of the Court of the Diwan-i 'Amm, Agra Fort.
Non-western art unattributed:
8. Two Columns from the Portico of Shah Jahan's Bath. Height of Column Shafts, Which Are Slightly Broken off at the Ends and Set Deeper in the New Bases, 2.63 m. (Taj Museum, Agra).
Non-western art unattributed:
9. Porch of the Circuit House of Agra. c. 1900. Height of Column Shafts, Which Are Slightly Broken off at the Ends and Set Deeper in New Bases, 2.65 m.
Western art unattributed:
2. Terrace East of the Machchi Bhawan with the Diwan-i Khass to the Right and the Bath of Shah Jahan to the Left, Seen from the Roof of the West Wing of the Machchi Bhawan, Red Fort, Agra.
Western art unattributed:
3. River front of the Red Fort, Agra, Showing from Left to Right the Shah Burj, the Diwan-i Khass and the Bath of Shah Jahan. Water-Colour. c. 1808 (1803 Watermark). (India Office Library and Records, Add. Or. 929).
Western art unattributed:
4. Interior Hall of the Shah Burj. Completed 1637. Red Fort, Agra.
Short Notice
An Early Project by Nicola Michetti for the Trevi Fountain
12/1977 | 897 | 119
Pages: 853-857
related names
Author:
Pinto, John A. (Pinto, John A.; Pinto, John)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
65. Project for the Trevi Fountain, by Nicola Michetti. Plan. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
66. Project for the Trevi Fountain, by Nicola Michetti. Section. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
Attributed works:
67. Project for the Trevi Fountain, by Nicola Michetti. Elevation. (Royal Library, Windsor Castle). Reproduced by Gracious Permission of H. M. the Queen.
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