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21 articles
Short Notice
Domenico Guidi in Padula: a rediscovered ‘Annunciation’
11/2023 | 1448 | 165
Pages: 1206-1209
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Shorter Notice by:
Ciarlo, Nicola (Ciarlo, Nicola)
Subjects
artists:
Guidi, Domenico / Felici, Vincenzo
buildings:
Charterhouse of San Lorenzo in Padula, Padula, Italy
dates:
1700-1709
subjects:
Busts / Italian sculpture / Mary, Virgin: Annunciation / Attributions / Attributions, former
Illustrations
Attributed works:
1. Detail of The Holy Family, with St Elizabeth, St Zacharias and John the Baptist, by Domenico Guidi. c.1676–85. Marble, 491.5 by 190.7 cm. (S. Agnese in Agone, Rome; photograph Enea Abbaticchio).
Attributed works:
2. The dream of St Joseph, by Domenico Guidi. c.1695–99. Marble, 302 by 190 cm. (Capocaccia Chapel, S. Maria della Vittoria, Rome; Bibliotheca Hertziana, Max Planck- Institut für Kunstgeschichte, Rome; photograph Enrico Fontolan).
Attributed works:
3. Virgin Mary, here attributed to Domenico Guidi. c.1699–1701. Marble, 84 by 65 by 31 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
4. Archangel Gabriel, here attributed to Domenico Guidi. c.1699–1701. Marble, 94 by 81 by 39 cm (with socle). (Charterhouse of S. Lorenzo, Padula; courtesy Ministero della Cultura, Direzione regionale Musei della Campania, Naples; photograph Giuseppe Panza).
Attributed works:
5. Bust of the Virgin annunciate, by Domenico Guidi. c.1670. Marble and red limestone, 89 by 76 cm. (Princely Collections, Lichtenstein, Vaduz-Vienna; photograph Scala, Florence).
Attributed works:
6. Detail of Fig.1, showing the face of the Virgin.
Attributed works:
7. Detail of Fig.3, showing the face of the Virgin.
Book Review
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700
10/2021 | 1423 | 163
Pages: 971-972
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Reviewer:
Hähnle, Mirjam (Hähnle, Mirjam)
Subjects
dates:
1700-1709
subjects:
Topographical views / Travel accounts / Ottoman / Orientalism / Travel / Landscape (environment)
Reviewed Items
subjects:
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700 By Annette Kranen. 384 pp. incl. 13 col. + 173 b. & w. ills. (Brill, Leiden, and Wilhelm Fink Verlag, Paderborn, 2020), €89. ISBN 978–3–7705–6502–3. | :
Illustrations
Attributed works:
4. Frontispiece from J. Spon: Voyagie door Italien, Dalmatien, Grieckenland, en de Levant, Amsterdam 1689, by Jan Luyken. Etching, 18.9 by 14.9 cm. (Abteilung Historische Drucke, Staatsbibliothek zu Berlin, Preußischer Kulturbesitz).
Article
A modello by James Thornhill for Addiscombe House, Surrey
12/2019 | 1401 | 161
Pages: 1028-1033
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Author:
Marandet, François (Marandet, François)
Subjects
artists:
Thornhill, James
buildings:
Addiscombe House, Croydon, Great Britain
dates:
1700-1709
museums and institutions:
Musée des Beaux-Arts de Rouen, Rouen, France
patrons:
Draper, William
subjects:
Ceilings / Modelli / Attributions, former / Iconography / Gods / Apollo / Interiors / Personification / Musicians / Bacchus / Ariadne
subjects:
Allegory / British art
Illustrations
Attributed works:
1. Allegory of the days, here identified as a modello for the ceiling painting of the staircase hall at Addiscombe House, Surrey, by James Thornhill. c.1705. Oil on canvas, diameter 59 cm. (Musée des Beaux-Arts de Rouen).
Attributed works:
10. Addiscombe House, Surrey, photographed in 1859, from H.M. Vibart: Addiscombe and its Heroes and Men of Note, London 1894, p.19.
Attributed works:
11. Bacchus and Ariadne, design for the ceiling painting of the Saloon at Addiscombe House, Surrey, by James Thornhill. c.1705. Graphite, ink and wash, 24 by 33 cm. (Yale Center for British Art, New Haven).
Attributed works:
2. Detail of Fig.1, showing the group below the figure of Apollo.
Attributed works:
3. Detail of Fig.1, the group of figures with Diana.
Attributed works:
4. Detail of Fig.1, the group of figures with Mercury.
Attributed works:
5. Detail of Fig.1, the group of figures with Mars.
Attributed works:
6. Detail of Fig.1, the group of figures with Jupiter, Juno and Venus.
Attributed works:
7. Detail of Fig.1, the group of figures with Saturn.
Attributed works:
8. William and Mary presenting the cap of liberty to Europe, by James Thornhill. c.1710. Oil on canvas, 96 by 66 cm. (Victoria and Albert Museum, London).
Attributed works:
9. Allegory of the days, by James Thornhill. c.1705. Ink and black crayon on paper, 35 by 23 cm. (British Museum, London).
Book Review
François Girardon (1628–1715): Le sculpteur de Louis XIV. By Alexandre Maral
06/2018 | 1383 | 160
Pages: 519
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Reviewer:
Maës, Antoine (Maës, Antoine)
Subjects
art literature:
La Fontaine, Jean de, 1621-1695 / Francastel, Pierre
artists:
Girardon, François / Le Brun, Charles / Duquesnoy, François
dates:
1630-1639 / 1640-1649 / 1650-1699 / 1700-1709 / 1710-1719
media:
Sculpture
museums and institutions:
Château de Versailles, Versailles, France / Académie royale de peinture et de sculpture, Paris, France
patrons:
Louis XIV, King of France, 1638-1715
places:
France
subjects:
French sculpture / Monographs / Catalogues / Archives / Literature / Inventories / Patronage / Collecting / Portraits / Funerary art
Illustrations
Attributed works:
4. Detail of the funeral monument to Armand-Jean du Plessis, Cardinal Richelieu, by François Girardon. 1694. Marble, 205 by 460 by 170 cm. (Chapelle de la Sorbonne, Paris; photograph Bridgeman Images).
Book Review
Les Collections de Monsieur, frère de Louis XIV, Orfèvrerie et objets d’art des Orléans sous l’Ancien Régime, P. Micio
01/2016 | 1354 | 158
Pages: 041
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Reviewer:
Baarsen, Reinier (Baarsen, Reinier)
Subjects
dates:
1650-1699 / 1700-1709
patrons:
Philippe I, duc d'Orléans, 1640-1701
subjects:
Collections, Private / Royalty / Art objects / Patronage / Silverwork / Jewellery / Gold
subjects:
Ancien Régime (France)
Article
Amsterdam broadsheets as sources for a painted screen in Mexico City, c.1700
06/2014 | 1335 | 156
Pages: 356-365
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Author:
Hale , Meredith M. (Hale , Meredith M. )
Subjects
artists:
Hooghe, Romeyn de
dates:
1700-1709
subjects:
Visual sources / Screens (furniture) / Mexican / Newspapers / Prints / Published illustrations / Dutch / Spanish Colonial / Hunting / Battles / Iconography
subjects:
Paintings / Furniture
Illustrations
Attributed works:
10. Siege of Belgrade, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Attributed works:
5. Siege of Vienna, by Romeyn de Hooghe. Etching and typeset text (Atlas van Stolk, Rotterdam)
Attributed works:
6. Siege of Vienna, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Attributed works:
8. Taking the Turkish standard, by Romeyn de Hooghe. From IOVI PROPITIO MARTI BIS ULTORI MDCLXXXIII..., Amsterdam 1683 (Koninklijke Bibliotheek, The Hague)
Attributed works:
9. Title page of IOVI PROPITIO MARTI BIS ULTORI MDCLXXXIII..., Amsterdam 1683, by Romeyn de Hooghe (Koninklijke Bibliotheek, The Hague)
Non-western art unattributed:
1. Folding screen with the Siege of Vienna (front). Mexico (Museo Nacional del Virreinato, INAH, Tepotzotlán, Mexico)
Non-western art unattributed:
2. Folding screen with a Hunting scene. Back of Fig. 1
Non-western art unattributed:
3. Folding screen with the Siege of Belgrade (front). Mexico (Brooklyn Museum, gift of Lilla Brown in memory of her husband, John W. Brown, by exchange)
Non-western art unattributed:
4. Folding screen with a Hunting scene. Back of Fig. 3
Western art unattributed:
11. Typeset text accompanying Fig. 10
Western art unattributed:
7. Typeset text accompanying Fig. 6
Article
Two eighteenth-century sculpture acquisitions for the Victoria and Albert Museum, London
11/2012 | 1316 | 154
Pages: 773-779
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Author:
Trusted, Marjorie (Trusted, Marjorie)
Subjects
artists:
Nost, Jan van, I, ca. 1655-ca. 1712 / Deare, John
dates:
1700-1709 / 1790-1799
museums and institutions:
Victoria and Albert Museum, London, Great Britain
subjects:
Acquisitions / British sculpture / Dutch sculpture / Reliefs / Marbles / Venus
subjects:
Collections, Public
subjects:
Provenance
Illustrations
Attributed works:
35. Crouching Venus, by John Nost, on its contemporary plinth. Signed and dated 1702. Marble, 122 cm. high; 237 cm. with plinth. (Victoria and Albert Museum, London).
Attributed works:
36. Fig.35 without its contemporary plinth.
Attributed works:
37. Detail of Fig.38.
Attributed works:
38. Julius Caesar invading Britain, by John Deare. Signed and dated 1796. Marble, 87.5 by 164 by 17 cm. (Victoria and Albert Museum, London).
Western art unattributed:
39. Catalogue of pictures hung in Stoke Park, Buckinghamshire. Coloured drawings by an unknown draughtsman. (Historical Society of Pennsylvania, Philadelphia; Bd 16.St.67).
Western art unattributed:
40. Fig.38 set into a painted wood surround above a later chimneypiece in the drawing room at Stoke Park, Buckinghamshire. Photograph dating from c.1930. (English Heritage Archive, Swindon).
Book Review
How to create beauty. De Lairesse on the theory and practice of making art
02/2012 | 1307 | 154
Pages: 129-130
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Reviewer:
Eck, Xander van (Eck, Xander van; Van Eck, Xander)
Subjects
artists:
Lairesse, Gerard de
dates:
1700-1709
print:
Lairesse, Gerard de
subjects:
Treatises / Artists' writings / Art theory / Dutch painting / Manuals / Classicism
Reviewed Items
subjects:
How to create beauty. De Lairesse on the theory and practice of making art | author: Vries, Lyckle de
Article
New documentation for the ‘Tenture des Indes’ tapestries in Malta
07/2011 | 1300 | 153
Pages: 464-469
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Author:
Klatte, Gerlinde (Klatte, Gerlinde)
Subjects
artists:
Eckhout, Albert / Le Blond, Etienne
dates:
1700-1709 / 1710-1719
museums and institutions:
Palace of the Grand Master, Valletta, Malta
patrons:
Perellos de Rocaful, Ramon
places:
Valletta / Malta
print:
Tapestries
subjects:
Tapestries / Textiles / Documentation / Collections, Public / Provenance / Commissions
subjects:
Contracts / Correspondence
Illustrations
Attributed works:
34. Les pêcheurs (in Malta called The Indian hunter), by the workshop of Etienne Le Blond after designs by Albert Eckhout. 1708–10. Wool and silk, 470 by 359 cm. (Council Chamber, Grandmaster’s Palace, Valletta).
Attributed works:
35. Tupí-Indian with bow and arrows, by Albert Eckhout. 1643. Canvas, 272 by 143 cm. (Nationalmuseet, Copenhagen).
Attributed works:
36. L’Indien à cheval, by the workshop of Etienne Le Blond after designs by Albert Eckhout. 1708–10. Wool and silk, 470 by 430 cm. (Council Chamber, Grand­master’s Palace, Valletta).
Attributed works:
37. Grandmaster Ramón Perellos y Roccaful, by the workshop of Judocus de Vos, Brussels. Arrived at Malta in 1701. Wool and silk, 670 by 297 cm. (Museum of St John’s Co-Cathedral, Valletta).
Article
The collection of paintings of Abel-Jean Vignier (1639–1700), the elusive marquis d’Hauterive
05/2011 | 1298 | 153
Pages: 296-206
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Author:
Lanoë, Frédérique (Lanoë, Frédérique)
Author:
Lefeuvre, Olivier (Lefeuvre, Olivier)
Subjects
artists:
Platte-Montagne, Nicolas de
collectors and dealers:
Vignier, Abel-Jean, Marquis d'Hauterive
dates:
1650-1699
dates:
1700-1709
print:
Collections
subjects:
Collections, Private / Collectors / Estate inventories / Inventories / Provenance / Biographies
subjects:
French painting / Italian painting
Illustrations
Attributed works:
1. Landscape with three monks, or Solitude, by Nicolas Poussin. c.1648–51. Canvas, 117 by 193 cm. (Presidential Palace of the Republic of Serbia, Belgrade, Ministry of Culture, administrator of HRH Prince Alexander II).
Attributed works:
10. Christ crowned with thorns, by Valentin de Boulogne. c.1624. Canvas, 132 by 96.6 cm. (Alte Pinakothek, Munich).
Attributed works:
11. Portrait of a musician, by Domenico Fetti. Support and dimensions unknown. (Wherabouts unknown; formerly in the collection of Ida Uzielli De Mari, Florence).
Attributed works:
12. Portrait of Ambrogio Spinola, by Peter Paul Rubens. c.1627–28. Canvas, 117.8 by 85.1 cm. (Saint Louis Art Mus­eum).
Attributed works:
2. Coriolanus, by Nicolas Poussin. c.1650–53. Canvas, 112 by 199 cm. (Musée municipal Nicolas Poussin, Les Andelys).
Attributed works:
3. The adoration of the shepherds, by Jean Senelle. 1636. Canvas, 335 by 250 cm. (Saint-Etienne Cathedral, Meaux).
Attributed works:
5. Kermesse, by Peter Paul Rubens. 1635–38. Panel, 149 by 261 cm. (Musée du Louvre, Paris).
Attributed works:
6. Susanna in her bath, by Jacopo Tintoretto. 1550. Canvas, 167 by 238 cm. (Musée du Louvre, Paris).
Attributed works:
7. The wife of Zebedee interceding with Christ over her two sons, by Paolo Veronese. c.1560–70. Canvas, 194 by 337 cm. (Musée du Louvre, Paris; on deposit at the Musée des Beaux-Arts, Grenoble).
Attributed works:
8. The adoration of the shepherds, by Annibale Carracci. c.1597–98. Canvas, 103 by 83 cm. (Musée du Louvre, Paris; on deposit at the Musée des Beaux-Arts, Orléans).
Attributed works:
9. Erminia and the shepherds, by Valentin de Boulogne. c.1629–30. Canvas, 134.6 by 185.6 cm. (Alte Pinakothek, Munich).
Western art unattributed:
4. Detail of a plan of Paris, called the Plan Turgot, showing the Hôtel d’Hauterive in the group of buildings above the inscription F.F. DU BON PASTEUR. 1735–36. Engraving. (Private collection, Paris).
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