The Language of Architectural
Classicism: From Looking to Seeing
By Edward McParland. 288 pp. incl. 253 col.
+ 48 b. & w. ills. (Lund Humphries, London,
2024), £35. ISBN 978–1–84822–659–3. |
:
Book Review
The Presence of the Past in French Art, 1870–1905: Modernity and Continuity
The Presence of the Past in French Art,
1870–1905: Modernity and Continuity
By Richard Thomson. 288 pp. incl. 257 col. +
b. & w. ills. (Yale University Press, New Haven
and London, 2021), $70. ISBN 978–0–300–
25710–6. |
:
Maurice Denis: Love
Musée cantonal des Beaux-Arts,
Lausanne
12th February–16th May |
:
Illustrations
Attributed works:
10. Sunlight on
the terrace,
by Maurice
Denis. 1890. Oil
on cardboard,
23.5 by 20.5 cm.
(Musée d’Orsay,
Paris; photograph
RMN-Grand
Palais / Patrice
Schmidt; exh.
Musée cantonal
des Beaux-Arts de
Lausanne).
Attributed works:
11. Bathers,
beach with a
small temple, by
Maurice Denis.
1906. Oil on
canvas, 114 by
196 cm. (Musée
cantonal des
Beaux-Arts de
Lausanne).
Attributed works:
12. April,
decoration for
a ceiling, by
Maurice Denis.
1894. Oil on
canvas, diameter
182 cm. (Private
collection; exh.
Musée cantonal
des beaux-arts
de Lausanne).
1. Philip Rubens, by Peter Paul Rubens. c.1610–11. Panel, 68.6 by 52.7 cm. (Detroit Institute of Arts).
Attributed works:
2. Laocoön and his sons, by Peter Paul Rubens. Black chalk and bistre on paper, 47.5 by 47.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
3. Bust of Seneca, by Cornelis Galle after Peter Paul Rubens. Engraving, 30.9 by 19 cm. From L. Annaei Senecae philosophi opera by Justus Lipsius, 2nd ed., Antwerp 1615. (The British Museum, London).
Attributed works:
4. The crowning with thorns, by Peter Paul Rubens. 1602. Panel, 224 by 180 cm. (Cathedral of Notre-Dame-du-Puy, Grasse, Bridgeman Images).
Attributed works:
5. Archduke Albert VII of Austria, by Peter Paul Rubens. c.1618. Canvas, 105 by 74 cm. (Kunsthistorisches Museum, Vienna).
Attributed works:
6. Opposite Peter Paul Rubens, Philip Rubens, Justus Lipsius and Joannes Woverius (‘The Four Philosophers’), by Peter Paul Rubens. c.1611–12. Panel, 164 by 139 cm. (Palazzo Pitti, Florence).
Book Review
Pliny the Elder and the Emergence of Renaissance Architecture. By Peter Fane-Saunders
7. A cottage on fire, by Joseph Wright of Derby. 1793. Canvas, 63.5 by 76.2 cm. (Derby Museums; exh. Groninger Museum, Groningen).
Attributed works:
8. Winter landscape, by Caspar David Friedrich. 1811. Canvas, 33 by 46 cm. (Staatliches Museum, Schwerin; exh. Groninger Museum, Groningen).
Attributed works:
9. View of the Roman Campagna, by Martinus Rørbye. 1835. Oil on paper, 32 by 41 cm. (Göteborgs Konstmuseum, Göteborg; exh. Groninger Museum, Groningen).
53. The Labyrinth, by John Armstrong. 1927 (Private collection, USA; exh. Pallant House Gallery, Chichester)
Attributed works:
54. Still life, by Meredith Frampton. 1932 (Royal Academy of Arts, London; exh. Pallant House Gallery, Chichester)
Attributed works:
55. Eight studies for murals at John Maynard Keynes's Rooms, Webb's Court, King's College, Cambridge; The Muses of Arts and Sciences, by Duncan Grant and Vanessa Bell. 1920 (Private collection; exh. Pallant House Gallery, Chichester)
Publication Received
Modern Antiquity: Picasso, de Chirico, Léger, Picabia.