By using this website you agree to our Cookie policy

Search

89 articles
Exhibition Review
Rubens a Genova. Palazzo Ducale, Genoa
12/2022 | 1437 | 164
Pages: 1275-1277
related names
Reviewer:
Martin, Gregory (Martin, Gregory)
Subjects
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
Rubens a Genova Palazzo Ducale, Genoa 6th October 2022–22nd January 2023 | :
Illustrations
Attributed works:
15. Claudia Lomellini (?), by Guilliam van Deynen. c.1600. Oil on canvas, 204 by 120 cm. (Musei di Strada Nuova – Palazzo Bianco, Genoa; exh. Palazzo Ducale, Genoa).
Attributed works:
16. Violante Maria Spinola Serra, by Peter Paul Rubens. c.1607. Oil on canvas, 129.5 by 101.6 cm. (Buscot Park, Oxfordshire, and The Farrington Trust; exh. Palazzo Ducale, Genoa).
Attributed works:
17. Circumcision of Christ, by Peter Paul Rubens. 1604– 05. Oil on canvas applied to oak panel, 105 by 73.5 cm. (Akademie der bildenden Künste, Vienna; exh. Palazzo Ducale, Genoa).
Article
Paolo Stella’s Belvedere: a Genoese outpost in Prague
11/2022 | 1436 | 164
Pages: 1088-1103
related names
Author:
Schulz, Anne Markham (Schulz, Anne Markham)
Subjects
dates:
places:
styles:
Illustrations
Attributed works:
1. The west front of the Belvedere, Prague. (Photograph Jan Bazant).
Attributed works:
10. Charles V liberating Christian captives, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [11E]; photograph Prague Castle).
Attributed works:
11. Meeting of King Mulay Hassan and Charles V, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [13E]; photograph Prague Castle).
Attributed works:
12. King Ferdinand and Queen Anna, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [3W]; photograph Prague Castle).
Attributed works:
13. Plexippos and Toxeus, sons of Thestius, carrying the head of the Caledonian Boar, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, south side [5S]; photograph Prague Castle).
Attributed works:
14. Perseus and Atlas, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [4N]; photograph Prague Castle).
Attributed works:
15. Hermes and Battus, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [7W]; photograph Prague Castle).
Attributed works:
16. Cadmus and the dragon, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [13W]; photograph Prague Castle).
Attributed works:
17. Jason and the Golden Fleece, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [2W]; photograph Prague Castle).
Attributed works:
18. Zeus and Ganymede, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [8W]; photograph Prague Castle).
Attributed works:
19. Hannibal and Scipio Africanus, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [2N]; photograph Prague Castle).
Attributed works:
2. Detail from Miracle of the Goblet, by Giammaria Mosca and Paolo Stella. 1520–29. (Cappella del Santo, Basilica di S. Antonio, Padua; photograph Mauro Magliani).
Attributed works:
20. Mago the Carthaginian reaping grain, by an assistant of Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [6W]; photograph Prague Castle).
Attributed works:
21. Leda and the swan, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [11W]; photograph Prague Castle).
Attributed works:
22. Perseus and Andromeda, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, north side [3N]; photograph Prague Castle).
Attributed works:
23. Garden façade of the Villa Doria, Genoa. (Photograph Alinari).
Attributed works:
3. Detail of Fig.2, showing the central kneeling woman. (Photograph Mauro Magliani).
Attributed works:
4. Hope, from the tomb of Lodovico Euffreducci, S. Francesco, Fermo, by Paolo Stella. (Diocesan Museum, Fermo; photograph Mauro Magliani).
Attributed works:
5. St Thomas Aquinas, by Paolo Stella. c.1525. Marble, height 161 cm. (SS. Giovanni e Paolo, Venice; photograph Anne Markham Schulz).
Attributed works:
6. Tomb of Giovanni Battista Bonzio. 1525–26. (SS. Giovanni e Paolo, Venice).
Attributed works:
7. Tomb of Lodovico Euffreducci. c.1528–29. (S. Francesco, Fermo; photograph Mauro Magliani).
Attributed works:
8. Pursuit of fleeing Tunisians by imperial forces, by Giovanni Domenico Stella(?). Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, east side [9E]; photograph Prague Castle).
Attributed works:
9. Danaë, by Paolo Stella. Plaster cast after sandstone original, 70 by 134 cm. (Belvedere, Prague, west side [10W]; photograph Prague Castle).
Exhibition Review
Superbarocco: Arte a Genova da Rubens a Magnasco
06/2022 | 1431 | 164
Pages: 597-600
related names
Reviewer:
Ferri, Davide (Ferri, Davide)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Superbarocco: Arte a Genova da Rubens a Magnasco Scuderie del Quirinale, Rome 26th March–3rd July | :
Illustrations
Attributed works:
7. Elena Grimaldi Cavalleroni Cattaneo, by Anthony van Dyck. 1623. Oil on canvas, 243 by 138.5 cm. (National Gallery of Art, Washington; exh. Scuderie del Quirinale, Rome).
Attributed works:
8. Sacrifice to Pan, by Giovanni Benedetto Castiglione, called Il Grechetto. c.1640. Oil on canvas, 218 by 316 cm. (Private collection; photograph Luigino Visconti; exh. Scuderie del Quirinale, Rome).
Attributed works:
9. Baptism of Christ, by Anton Maria Maragliano. 1723–25. Painted and gilded wood, 220 by 210 by 135 cm. (Oratorio di S. Giovanni Battista, Pieve di Teco, Imperia; photograph Luigino Visconti; exh. Scuderie del Quirinale, Rome).
Article
The provenance of ‘Het Steen’ and ‘The rainbow landscape’ by Rubens
04/2022 | 1429 | 164
Pages: 333-341
related names
Author:
Davis, Lucy (Davis, Lucy)
Author:
Muñoz-Rojas, Natalia (Muñoz-Rojas, Natalia)
Subjects
places:
subjects:
Illustrations
Attributed works:
1. A view of Het Steen in the early morning, by Peter Paul Rubens. Probably 1636. Oil on oak, 131.2 by 229.2 cm. (National Gallery, London).
Attributed works:
2. The rainbow landscape, by Peter Paul Rubens. Probably 1636. Oil on oak, 135.6 by 235 cm. (Wallace Collection, London).
Attributed works:
3. Cardinal Bandinello Sauli, his secretary and two geographers, by Sebastiano del Piombo. 1516. Oil on panel, 121.8 by 150.4 cm. (National Gallery of Art, Washington).
Attributed works:
4. Courtyard of Palazzo Balbi, by Jean Honoré Fragonard. 1761. Drawing, 20.2 by 29.1 cm. (British Museum, London).
Exhibition Review
Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione
03/2022 | 1428 | 164
Pages: 288-290
related names
Reviewer:
Bätschmann, Oskar (Bätschmann, Oskar)
Subjects
dates:
museums and institutions:
places:
styles:
Reviewed Items
subjects:
Baroque Brilliance: Drawings and Prints by Giovanni Benedetto Castiglione Kunsthaus Zurich 10th December 2021– 6th March 2022 | :
Illustrations
Attributed works:
5. Sacred and profane love, by Giovanni Benedetto Castiglione. c.1635. Brush drawing, brown and red-brown oil paint with red and blue-grey touches, 21.6 by 29.5 cm. (Royal Collection / HM Queen Elizabeth II; exh. Kunsthaus Zurich).
Attributed works:
6. The genius of Castiglione, by Giovanni Benedetto Castiglione. Before 1648. Etching, 37 by 24.9 cm. (Cabinet cantonal des estampes, collection de l’Etat de Vaud – Musée Jenisch Vevey; exh. Kunsthaus Zurich).
Attributed works:
7. Annunciation to the shepherds, by Giovanni Benedetto Castiglione. 1650– 55. Monotype, 37.2 by 24.6 cm. (Albertina, Vienna; exh. Kunsthaus Zurich).
Attributed works:
8. Presumed self-portrait, by Giovanni Benedetto Castiglione. Late 1640s. Etching, 18.8 by 13.8 cm. (Cabinet cantonal des estampes, collection de l’Etat de Vaud – Musée Jenisch Vevey; exh. Kunsthaus Zurich).
Exhibition Review
A Superb Baroque: Art in Genoa, 1600–1750
12/2020 | 1413 | 162
Pages: 1092-1095
related names
Reviewer:
Orlando, Anna (Orlando, Anna )
Subjects
art literature:
places:
styles:
Reviewed Items
styles:
A Superb Baroque: Art in Genoa, 1600–1750 Edited by Jonathan Bober, Piero Boccardo and Franco Boggero. 384 pp. incl. 250 col. ills. (National Gallery of Art, Washington, and Princeton University Press, Princeton NJ, 2020), £54. ISBN 978–0–691–20651–6. | :
Illustrations
Attributed works:
11. Infant Moses with Pharaoh’s crown, by Gregorio de Ferrari. 1675–80. Oil on canvas, 150 by 200 cm. (Collezioni d’Arte Banca Carige, Genoa).
Attributed works:
12. Scenes from the life of Cleopatra, design for a silver basin, by Bernardo Strozzi. c.1618/1620. Oil on canvas, 96 by 96 cm. (Ashmolean Musem, Oxford).
Book Review
A Soul’s Journey: Franciscan Art, Theology, and Devotion in the ‘Supplicationes variae'
06/2020 | 1407 | 162
Pages: 542-543
related names
Reviewer:
Renner, John (Renner, John )
Subjects
dates:
places:
Reviewed Items
subjects:
A Soul’s Journey: Franciscan Art, Theology, and Devotion in the ‘Supplicationes variae’ By Amy Neff. 354 pp. incl. 245 col. ills. (Pontifical Institute of Mediaeval Studies (PIMS), Toronto, 2019),  150. ISBN 978–0–88844–210–9. | :
Illustrations
Western art unattributed:
1. Christ’s ascent to the Cross, from the Supplicationes variae, by the Life of Christ Atelier. 1293. Tinted drawing on parchment, 27 by 19.5 cm. (Biblioteca Medicea Laurenziana, Florence, MS Plut.25.3, fol.376r).
Article
Edward Burne-Jones’s 1871 Italian sketchbook reconsidered
04/2020 | 1405 | 162
Pages: 306-315
related names
Author:
Stocker, Mark (Stocker, Mark)
Subjects
dates:
Illustrations
Attributed works:
1. Botticelli at Turin: picture of Tobit, by Edward Burne-Jones. 1871. Pencil on paper, each page 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
10. Baths of Caracalla, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
11. Capitoline Museum: tomb of a girl, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
12. 68 New St Assisi, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
13. Bonfigli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
14. An angel playing a flageolet, by Edward Burne-Jones. 1878. Watercolour, gouache and gold paint on paper, 74.9 by 61.2 cm. (Sudley House, Liverpool; Bridgeman Images).
Attributed works:
15. Piero della Francesca in Arezzo, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 23.6 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
16. Olive, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
17. The beguiling of Merlin, by Edward Burne-Jones. 1873–74. Oil on canvas, 186 by 111 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
2. A dream between Monte Fiascone and Viterbo of the nine muses on Helicon, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
3. A dream of nine muses, by Edward Burne-Jones. Watercolour and body colour on canvas, 27 by 35.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. Road between Sestri and Spezzia, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
5. Gimignano, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
6. St Nicholas, by Edward Burne-Jones. c.1872. Oil on canvas, 141 by 56 cm. (Astley Cheetham Art Gallery, Tameside Metropolitan Borough Council; Bridgeman Images).
Attributed works:
7. Annunciation, by Edward Burne-Jones. 1876–79. Oil on canvas, 250 by 104.5 cm. (Lady Lever Art Gallery, Port Sunlight; Bridgeman Images).
Attributed works:
8. Orvieto, by Edward Burne Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Attributed works:
9. The Damned cast into Hell, after Luca Signorelli, by Edward Burne-Jones. 1871. Pencil on paper, 18.5 by 11.8 cm. (Museum of New Zealand Te Papa Tongarewa, Wellington).
Book Review
Caravaggio e i Genovesi. Committenti, Collezionisti, Pittori. Edited by Anna Orlando
01/2020 | 1402 | 162
Pages: 78-79
related names
Reviewer:
Cappelletti, Francesca (Cappelletti, Francesca)
Subjects
art literature:
dates:
places:
Reviewed Items
subjects:
Caravaggio e i Genovesi. Committenti, Collezionisti, Pittori Edited by Anna Orlando, with contributions by Lauro Magnani, Raffaella Besta, Cristina Bonavera et al. 324 pp. incl. numerous col. + b. & w. ills. (Sagep Editori, Genoa, 2018), £45. ISBN 978–88–6373–621–2. | :
Illustrations
Attributed works:
4. Ecce homo, by Caravaggio. c.1605(?). Oil on canvas, 128 by 103 cm. (Palazzo Bianco, Genoa; Bridgeman Images).
Exhibition Review
Bernardo Strozzi (1582–1644): The Conquest of Colour. Palazzo Nicolosio Lomellino, Genoa
01/2020 | 1402 | 162
Pages: 52-54
related names
Reviewer:
Barcham, William L. (Barcham, William L.)
Subjects
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Bernardo Strozzi (1582–1644): The Conquest of Colour Palazzo Nicolosio Lomellino, Genoa 11th October 2019–12th January | :
Illustrations
Attributed works:
1. Christ and the Samaritan woman, by Bernardo Strozzi. c.1613–15. Oil on canvas, 95 by 112 cm. (Private collection; photograph Luigino Visconti; exh. Palazzo Nicolosio Lomellino, Genoa).
Attributed works:
3. Bust of a king, study for Parable of the great banquet, by Bernardo Strozzi. 1635. Oil on canvas, 68 by 49 cm. (Private collection; photograph Studio Paolo Vandrasch, Milan; exh. Palazzo Nicolosio Lomellino, Genoa).
Attributed works:
Opposite 2. Allegory of Faith that reaches the New World, by Bernardo Strozzi and collaborators. 1623–25. Fresco. (Palazzo Nicolosio Lomellino, Genoa).
load more