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134 articles
Article
Turner’s ‘Staffa, Fingal’s Cave’: exporting ‘indistinctness’
04/2025 | 1465 | 167
Pages: 330-341
related names
Author:
Warrell, Ian (Warrell, Ian)
Subjects
dates:
Illustrations
Attributed works:
1. James Lenox, by Francis Grant. 1848. Oil on canvas. (New York Public Library)
Attributed works:
10. Cotopaxi, by Frederic Edwin Church. 1862. Oil on canvas, 121.9 by 215.9 cm. (Detroit Museum of Arts; Bridgeman Images).
Attributed works:
11. Bally-burgh Ness, by J.M.W Turner. c.1835. Watercolour and gouache, with scratching-out, on cream wove paper, 8.3 by 13.5 cm. (© President and Fellows of Harvard College; Fogg Museum, Harvard Art Museums).
Attributed works:
2. Staffa, Fingals' Cave, by J.M.W. Turner. 1832. Oil on canvas, 90.8 x 121.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
3. Van Tromp's Shallop, at the Entrance of the Scheldt (previously mistitled Van Tromp Returning after the Battle off the Dogger Bank) by J.M.W. Turner. 1832 (previously misdated 1833). Oil on canvas, 90.5 x 120.8 cm. (Tate).
Attributed works:
4. Fingal's Cave, by J.M.W. Turner, c.1832. Pencil and watercolour, heightened with white, 29.2 x 21.6 cm. (Private collection).
Attributed works:
5. North wall of the Lenox Library Picture Gallery, Showing Turner's Staffa, Fingal's Cave in its original frame/ c.1882. Photograph. (New York Public Library Archives).
Attributed works:
6. Turner's Watteau Study by Fresnoy's rules (1831) in its original frame. Photograph. (Tate).
Attributed works:
7. The New York and London packet ship 'Victoria'. 1000 tons (entering New York Harbour), by Thomas Goldsworth Dutton. 1843. Hand-coloured lithograph, 26.2 by 40.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
8. Lenox Library, from the west, designed by Richard Morris Hunt, by H.N. Tuimann & Co. 1909. Gelatin silver print. 35.5 x 27.8 cm. (Museum of the City of New York).
Attributed works:
9. Detail of the Lenox Library Picture Gallery Digital Recreation, showing the north and west walls. (From S. Webster and D. Schwittek, eds: ‘A digital recreation of the Lenox Library Picture Gallery: a contribution to the early history of public art museums in the United States’, Nineteenth-Century Art Worldwide 17, no.2 (2018)).
Exhibition Review
Fracta Doces: Thirteenth-Century Insular Visitors to Rome
03/2025 | 1464 | 167
Pages: 291–2
related names
Reviewer:
de Blaauw, Sible L. (de Blaauw, Sible L.)
Subjects
dates:
Reviewed Items
subjects:
Fracta Doces: Thirteenth-Century Insular Visitors to Rome By Julian Gardner. 140 pp. incl. 35 col. + b. & w. ills. (Viella, Rome, 2022), €29. ISBN 979–1–25469–018–5. | :
Exhibition Review
Leighton and Landscape: Impressions from Nature
03/2025 | 1464 | 167
Pages: 279–81
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Leighton and Landscape: Impressions from Nature Leighton House Museum, London 16th November 2024–27th April 2025 | :
Illustrations
Attributed works:
16. A pool, Findhorn River, N.B., by Frederic Leighton. 1880s. Oil on panel, 12 by 18.5 cm. (Leighton House, London).
Attributed works:
17. A coast scene, Ireland: storm effect, by Frederic Leighton. c.1874. Oil on canvas, 13.5 by 27.6 cm. (Leighton House, London).
Attributed works:
18. Damascus: night, by Frederic Leighton. 1873. Oil on canvas, 31 by 19 cm. (Leighton House, London).
Book Review
Connecting Worlds: Artists and Travel
08/2024 | 1457 | 166
Pages: 870–2
related names
Reviewer:
Pietrabissa, Camilla (Pietrabissa, Camilla )
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Connecting Worlds: Artists and Travel Edited by Stephanie Buck and Anita Viola Sganzerla with the assistance of Jane Boddy. 274 pp. incl. 200 col. ills. (Staatliche Kunstsammlungen Dresden and Paul Holberton Publishing, London, 2023), £45. ISBN 978–1–913645–48–9. | :
Illustrations
Attributed works:
10. The artist sketching while trapped in a crevasse, by Eugène Emmanuel Violletle- Duc. 1870. Watercolour and gouache on paper, 22.9 by 13.3 cm. (Private collection).
Attributed works:
11. The Colosseum seen from the Palatine Hill, Rome, by Carlo Labruzzi. Late 1760s–1780s. Pen and ink, watercolour and graphite on paper, 37.5 by 54 cm. (Private collection).
Exhibition Review
Wanderlust: Dutch Artists Abroad 1800–1900. Dordrechts Museum
12/2022 | 1437 | 164
Pages: 1282-1284
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Wanderlust: Dutch Artists Abroad 1800–1900 Dordrechts Museum 19th June 2022–8th January 2023 | :
Illustrations
Attributed works:
24. Horses in the Meuse near Dinant, by Johannes Tavenraat. 1841. Oil on paper laid on board, 27.5 by 42 cm. (Dordrechts Museum).
Attributed works:
25. Neighbourhood in Brussels, by Jan Theodoor Kruseman. c.1857. Oil on canvas, 30 by 50 cm. (Stedelijk Museum, Amsterdam; exh. Dordrechts Museum).
Attributed works:
26. Courtyard of a house in Cairo, by Willem de Famars Testas. 1881. Oil on canvas, 84 by 62 cm. (Rijksmuseum Amsterdam; exh. Dordrechts Museum).
Exhibition Review
Edward Lear: Moment to Moment
11/2022 | 1436 | 164
Pages: 1130-1132
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
artists:
dates:
museums and institutions:
Reviewed Items
subjects:
Edward Lear: Moment to Moment Ikon Gallery, Birmingham 9th September–13th November | :
Illustrations
Attributed works:
1. Amada, by Edward Lear. 7.25 a.m. 12th February 1867. Watercolour, pen and brown ink and graphite, 9.2 by 17.8 cm. (Yale Center for British Art, New Haven; exh. Ikon Gallery, Birmingham).
Attributed works:
2. Santa Maura, by Edward Lear. 6 p.m. 19th April 1863. Watercolour over pen and ink, 21 by 32 cm. (Private collection; exh. Ikon Gallery, Birmingham).
Attributed works:
3. The Forest of Bavella, Corsica, by Edward Lear. 7.10 a.m. 29th April 1868. Pen and ink and watercolour on buff paper, 63.5 by 80 cm. (Private collection; photograph Woolley and Wallis Salerooms Ltd; exh. Ikon Gallery, Birmingham).
Exhibition Review
Dürer’s Journeys: Travels of a Renaissance Artist
12/2021 | 1425 | 163
Pages: 1180-1184
related names
Reviewer:
Evans, Mark (Evans, Mark)
Subjects
artists:
dates:
Reviewed Items
subjects:
Dürer’s Journeys: Travels of a Renaissance Artist National Gallery, London 20th November 2021–27th February 2022 | :
Illustrations
Attributed works:
11. The port of Antwerp near the Scheldepoort, by Albrecht Dürer. 1520. Pen and brown ink on paper, 21.3 by 28.7 cm. (Albertina, Vienna; exh. Suermondt- Ludwig-Museum, Aachen).
Attributed works:
12. Portrait of a young woman, by Lucas van Leyden. 1521. Black and red chalk with reddish-brown wash on paper, 36.2 by 33 cm. (Klassik Stiftung Weimar, Museen; exh. Suermondt- Ludwig-Museum, Aachen).
Attributed works:
13. St Jerome in his study, by Albrecht Dürer. 1521. Oil on oak panel, 59.9 by 48.5 cm. (Museu Nacional de Arte Antiga, Lisbon; exh. Suermondt- Ludwig-Museum, Aachen).
Book Review
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700
10/2021 | 1423 | 163
Pages: 971-972
related names
Reviewer:
Hähnle, Mirjam (Hähnle, Mirjam)
Subjects
dates:
Reviewed Items
subjects:
Historische Topographien: Bilder europäischer Reisender im Osmanischen Reich um 1700 By Annette Kranen. 384 pp. incl. 13 col. + 173 b. & w. ills. (Brill, Leiden, and Wilhelm Fink Verlag, Paderborn, 2020), €89. ISBN 978–3–7705–6502–3. | :
Illustrations
Attributed works:
4. Frontispiece from J. Spon: Voyagie door Italien, Dalmatien, Grieckenland, en de Levant, Amsterdam 1689, by Jan Luyken. Etching, 18.9 by 14.9 cm. (Abteilung Historische Drucke, Staatsbibliothek zu Berlin, Preußischer Kulturbesitz).
Article
Clérisseau’s journey to Dalmatia: a newly attributed collection of drawings
06/2021 | 1419 | 163
Pages: 492-502
related names
Author:
Sverko, Ana (Sverko, Ana)
Subjects
places:
Illustrations
Attributed works:
10. Ville adriene a Tivoli, by Charles-Louis Clérisseau. Probably 1755 or 1756. Pen, black ink, brown and grey washes and watercolour on paper, 19.6 by 30.3 cm. (Bibliothèque nationale de France, Paris; Appendix no.25).
Attributed works:
11. [The Temple of Apollo at Baia], by Charles-Louis Clérisseau. Probably 1755. Pen, brown ink, grey and brown washes and watercolour on paper, 15.2 by 31 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
12. [Capriccio with elements of Diocletian’s Palace], by Charles-Louis Clérisseau. After 1757. Pen, black and brown ink, brush and grey washes and watercolour on paper, 20.7 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
13. A Venise, by Charles-Louis Clérisseau. Probably 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.4 by 19.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.27).
Attributed works:
14. [Roman Amphitheatre in Pula], by Charles-Louis Clérisseau. 1757. Pencil, grey and brown washes with watercolour on paper, 19.6 by 28.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.110).
Attributed works:
15. A Pola, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 16.6 by 31.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.86).
Attributed works:
16. Caorlé sur la route de Pola, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 16.5 by 30.7 cm. (Bibliothèque nationale de France, Paris; Appendix no.108).
Attributed works:
17. Colisé a Rome, by Charles-Louis Clérisseau. 1750s. Pencil, pen, brown ink, grey and brown washes, watercolour on paper, 9 by 31.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.102).
Attributed works:
18. Zara, by Charles-Louis Clérisseau. 1757. Pen, brown ink, grey and brown washes and watercolour on paper, 13.4 by 26.8 cm. (Bibliothèque nationale de France, Paris; Appendix no.119).
Attributed works:
19. Detail of Panorama della Costa e dell Isole di Dalmazia nei viaggi dei Piroscafi del Lloyd Austriaco, by Giuseppe Rieger. 1850. Lithograph, 16.8 by 118.5 cm. (Litografia di B. Linassi, Trieste).
Attributed works:
1a. Detail of inscription by the artist on Zebenigo en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown and grey wash on paper, 16.9 by 30.4 cm. (State Hermitage Museum, St Petersburg). b. Detail of inscription by the artist on Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg). c. Detail of inscription by the artist on Traou en Dalmathie, by Charles- Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
2. Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black and brown ink, grey and brown washes and watercolour on paper, 12.7 by 26.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.120).
Attributed works:
20. Route de Dalmatie, by Charles-Louis Clérisseau. 1757. Pencil, pen, black ink, grey and brown washes and watercolour on paper, 12.6 by 29 cm. (Bibliothèque nationale de France, Paris; Appendix no.114).
Attributed works:
21. A Traou, by Charles-Louis Clérisseau. 1757. Pen, black ink, grey and brown washes and watercolour on paper, 16.2 by 31.1 cm. (Bibliothèque nationale de France, Paris; Appendix no.130).
Attributed works:
22. Pola seen from the Roland Tower, by Louis François Cassas. c.1782 (drawn), 1802 (published). Watercolour on paper, 22.86 by 38.1 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Vue de Traou en Dalmathie, by Charles-Louis Clérisseau. 1757. Pen, ink and brown wash on paper, 17.1 by 26.2 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
4. St Pierre de Rome, by Charles-Louis Clérisseau. c.1755. Pen, black and brown ink, grey and brown washes and watercolour on paper, 34 by 22 cm. (Bibliothèque nationale de France, Paris; Appendix no.66).
Attributed works:
5. [The portico of St Peter’s Basilica in the Vatican], by Charles-Louis Clérisseau. c.1755. Pencil, pen, black and brown ink and grey and brown washes on paper, 28.1 by 25.5 cm. (Bibliothèque nationale de France, Paris; Appendix no.96).
Attributed works:
6. Portique de ville Mad[ame], by Charles-Louis Clérisseau. c.1755. Pencil, pen, grey and brown washes on paper, 28.8 by 66 cm. (Bibliothèque nationale de France, Paris; Appendix no.79).
Attributed works:
7. Interior of the Villa Madama in Rome, by Charles-Louis Clérisseau. c.1750–55. Pen and brown wash, brush and brown and grey wash on paper, 39.5 by 52.5 cm. (State Hermitage Museum, St Petersburg).
Attributed works:
8. View of the ‘Temple of Apollo’ at Baia, by Charles-Louis Clérisseau. Undated, probably 1755. Pencil, brown, blue and grey washes and pencil framing line on paper, 18.5 by 29.6 cm. (Sir John Soane’s Museum, London).
Attributed works:
9. Ruins of the central hall of the large baths at the villa of Emperor Hadrian in Tivoli, by Charles-Louis Clérisseau. 1750s. Gouache on paper, 43.5 by 60.4 cm. (State Hermitage Museum, St Petersburg).
Exhibition Review
Art Deco by the Sea
01/2021 | 1414 | 163
Pages: 72-75
related names
Reviewer:
Fair, Alistair (Fair, Alistair)
Subjects
dates:
styles:
subjects:
Reviewed Items
subjects:
Art Deco by the Sea Laing Art Gallery, Newcastle upon Tyne 17th October 2020– 27th February 2021 | :
Illustrations
Attributed works:
21. Gathering shell fish, St Sevan, by J.W. Tucker. c.1932. Tempera on panel, 25 by 35.5 cm. (Laing Art Gallery, Newcastle upon Tyne).
Attributed works:
22. EKCO AD76 circular radio, designed by Wells Coates. Bakelite, height approx. 41 cm. (Private collection; exh. Laing Art Gallery, Newcastle upon Tyne; photograph John Clark).
Attributed works:
23. North Berwick, design for a poster for the London & North Eastern Railway, by Andrew Johnson. 1930. Bodycolour and pencil on board, 101.6 by 127 cm. (Tyne and Wear Archives and Museums; exh. Laing Art Gallery, Newcastle upon Tyne).
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