By using this website you agree to our Cookie policy

Search

16 articles
Article
Turner’s ‘Staffa, Fingal’s Cave’: exporting ‘indistinctness’
04/2025 | 1465 | 167
Pages: 330-341
related names
Author:
Warrell, Ian (Warrell, Ian)
Subjects
dates:
Illustrations
Attributed works:
1. James Lenox, by Francis Grant. 1848. Oil on canvas. (New York Public Library)
Attributed works:
10. Cotopaxi, by Frederic Edwin Church. 1862. Oil on canvas, 121.9 by 215.9 cm. (Detroit Museum of Arts; Bridgeman Images).
Attributed works:
11. Bally-burgh Ness, by J.M.W Turner. c.1835. Watercolour and gouache, with scratching-out, on cream wove paper, 8.3 by 13.5 cm. (© President and Fellows of Harvard College; Fogg Museum, Harvard Art Museums).
Attributed works:
2. Staffa, Fingals' Cave, by J.M.W. Turner. 1832. Oil on canvas, 90.8 x 121.3 cm. (Yale Center for British Art, New Haven).
Attributed works:
3. Van Tromp's Shallop, at the Entrance of the Scheldt (previously mistitled Van Tromp Returning after the Battle off the Dogger Bank) by J.M.W. Turner. 1832 (previously misdated 1833). Oil on canvas, 90.5 x 120.8 cm. (Tate).
Attributed works:
4. Fingal's Cave, by J.M.W. Turner, c.1832. Pencil and watercolour, heightened with white, 29.2 x 21.6 cm. (Private collection).
Attributed works:
5. North wall of the Lenox Library Picture Gallery, Showing Turner's Staffa, Fingal's Cave in its original frame/ c.1882. Photograph. (New York Public Library Archives).
Attributed works:
6. Turner's Watteau Study by Fresnoy's rules (1831) in its original frame. Photograph. (Tate).
Attributed works:
7. The New York and London packet ship 'Victoria'. 1000 tons (entering New York Harbour), by Thomas Goldsworth Dutton. 1843. Hand-coloured lithograph, 26.2 by 40.1 cm. (National Maritime Museum, Greenwich).
Attributed works:
8. Lenox Library, from the west, designed by Richard Morris Hunt, by H.N. Tuimann & Co. 1909. Gelatin silver print. 35.5 x 27.8 cm. (Museum of the City of New York).
Attributed works:
9. Detail of the Lenox Library Picture Gallery Digital Recreation, showing the north and west walls. (From S. Webster and D. Schwittek, eds: ‘A digital recreation of the Lenox Library Picture Gallery: a contribution to the early history of public art museums in the United States’, Nineteenth-Century Art Worldwide 17, no.2 (2018)).
Article
The fate of the ‘Lawrence Gallery’: Samuel Woodburn and the National Gallery
12/2022 | 1437 | 164
Pages: 1234-1251
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. The Virgin with an angel and child, by Parmigianino. c.1525. Pen, ink and wash over black chalk on pink-tinted paper, 20.1 by 16.1 cm. (Albertina, Vienna).
Attributed works:
10. Madonna and Child with St John the Baptist and St Jerome (‘The vision of St Jerome’), by Parmigianino. 1526–27. Oil on poplar panel, 342.9 by 148.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
11. Study for or after the head of St John, perhaps by Parmigianino or Barocci. 1527 or later. Red, black and white chalk on paper, 39.1 by 25.6 cm. (British Museum, London).
Attributed works:
12. Study for the figure of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
13. Raising of Lazarus, by Sebastiano del Piombo. 1517–19. Oil on synthetic panel, transferred from wood, 381 by 289.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
14. St Catherine of Alexandria, by Raphael. c.1507–08. Oil on canvas, 71.5 by 55.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
15. ‘Portrait of the sister of Raffaelle’ attributed to Raffaello Sanzio. 1841. Chalk lithograph on paper within a lithographic mount, 40 by 28.2 cm. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.16; © Royal Academy of Arts, London).
Attributed works:
16. ‘The Virgin and the Apostles’ attributed to Raffaello Sanzio. 1841. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.11; © Royal Academy of Arts, London).
Attributed works:
17. The departure of the Argonauts, by Pietro del Donzello. 1487. Oil on panel, 83.8 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
18. The Argonauts in Colchis, by Bartlommeo di Giovanni. 1487. Oil on panel, 83.2 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
19. Initial letter ‘A’ for a gradual, including a scene of the Annunciation by Lorenzo Monaco. c.1410. Pen, ink and wash over black chalk on vellum, 40 by 32.7 cm. (British Museum, London).
Attributed works:
2. Isabella Hutchinson (Mrs. Wolff), by Thomas Lawrence. 1815. Oil on canvas, 128.2 by 102.4 cm. (Art Institute of Chicago).
Attributed works:
20. Adoration of the Magi, by Baldassare Peruzzi. c.1522–23. Pen, ink and wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
3. Samuel Woodburn, by Thomas Lawrence. c.1823. Oil on canvas, 109.2 by 83.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. The woman taken in adultery, attributed to Abraham van Dyck. c.1652. Pen with brown ink and wash with some red chalk and white heightening, 19.3 by 28 cm. (Private collection, courtesy Sotheby’s).
Attributed works:
5. The woman taken in adultery, by Rembrandt. 1644. Oil on oak panel, 83.8 by 65.4 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Rinaldo and Armida, by Anthony van Dyck. 1634–45. Oil on panel, 57 by 41.5 cm. (National Gallery, London).
Attributed works:
7. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. 1648. Oil on canvas, 149.1 by 196.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. c.1648. Pen and brown ink over graphite on paper, 27.1 by 42.2 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
9. Study for the infant Christ, by Parmigianino. 1526–27. Red chalk on paper, 23.8 by 16.7 cm. (École des Beaux-Arts, Paris).
Book Review
Time, Media, and Visuality in Post- Revolutionary France
04/2022 | 1429 | 164
Pages: 423-424
related names
Reviewer:
Wrigley, Richard (Wrigley, Richard)
Subjects
dates:
Reviewed Items
subjects:
Time, Media, and Visuality in Post- Revolutionary France Edited by Iris Moon and Richard Taws. 280 pp. incl. 32 col. + 61 b. & w. ills. (Bloomsbury, London, 2021), £85. ISBN 978–1–5013–4839–6. | :
Exhibition Review
Louis-Philippe at Versailles
05/2019 | 1394 | 161
Pages: 402-409
related names
Reviewer:
Lee, Simon (Lee, Simon)
Subjects
artists:
dates:
media:
museums and institutions:
Illustrations
Attributed works:
1. Louis-Philippe with the plan of the Gallery of Battles, Versailles, by F.X. Winterhalter. 1841. Canvas, 284 by 184 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
2. The duc d’Orléans leaving the Palais Royale to go to the Hôtel de Ville, 31st July 1830, by Horace Vernet. 1832. Canvas, 215 by 261.5 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
3. Louis-Philippe and his five sons leaving the Palace of Versailles through the Gate of Honour after having reviewed the troops in the courtyards, 10th June 1837, by Horace Vernet. Canvas, 367 by 394 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
4. Taking of the city of Constantine, 13th October 1837, by Horace Vernet. 1839. Canvas, 512 by 518 cm. (Musée des chateaux de Versailles et de Trianon).
Attributed works:
5. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the duc d’Aumale accepting the surrender, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
6. Detail of Capture of the Smala of Abd el-Kader at Taguin, 16th May 1843, showing the harem women, by Horace Vernet. Canvas, 140 by 450 cm. (Musée des châteaux de Versailles et de Trianon).
Attributed works:
7. Louis-Philippe and the royal family visit the Crusades rooms at Versailles, July 1844, by Prosper Lafaye. 1844. Canvas, 61 by 86.5 cm. (Musée des châteaux de Versailles et de Trianon).
Book Review
British Travellers in Spain, 1766–1849 (the seventy-seventh volume of The Walpole Society). Edited by Hugh Brigstocke
05/2017 | 1370 | 159
Pages: 402-403
related names
Reviewer:
Brooke, Xanthe (Brooke, Xanthe)
Subjects
art literature:
places:
Illustrations
Attributed works:
44. The Christ Child asleep on the Cross, by Bartolomé Esteban Murillo. c.1665-1680 (British Museum, London)
Publication Received
Apprendre à peindre. Les ateliers privés à Paris 1780–1863. Edited by France Nerlich and Alain Bonnet.
04/2015 | 1345 | 157
Pages: 277
related names
Reviewer:
Duffy, Stephen (Duffy, Stephen)
Subjects
places:
Article
A ‘higher style’ of looking: Thomas Cole and popular media
06/2014 | 1335 | 156
Pages: 385-390
related names
Author:
Ikemoto , Wendy (Ikemoto , Wendy)
Subjects
dates:
Illustrations
Attributed works:
46. Diorama, Park Square, Regents Park: Plan of the principal story, designed by A. Pugin and built by J. Morgan, J. Britton and A. Pugin: Illustrations of the Public Buildings of London. With historical and descriptive accounts of each edifice, London 1825
Attributed works:
47. Past, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)
Attributed works:
48. Present, by Thomas Cole (Mead Art Museum, Amherst College, Amherst MA)
Attributed works:
49. View of Schroon Mountain, Essex County, New York, after a storm, by Thomas Cole (Cleveland Museum of Art)
Attributed works:
50. Expulsion from the Garden of Eden, by Thomas Cole (Museum of Fine Arts, Boston)
Attributed works:
51. The Cross and the world: study for Two youths enter upon a pilgrimage - one to the Cross, the other to the world, by Thomas Cole (Edwin A. Ulrich Museum of Art, Wichita State University Endowment Association Art Collection)
Attributed works:
52. Departure, by Thomas Cole (Corcoran Gallery of Art, Washington)
Attributed works:
53. Return, by Thomas Cole (Corcoran Gallery of Art, Washington)
Attributed works:
54. Diagram showing the landscapes depicted in Departure and Return
Attributed works:
55. Section of the Rotunda, Leicester Square, in which is exhibited the panorama, by Robert Mitchell (British Museum, London). From R. Mitchell: Plans and Views in Perspective, with Descriptions of Buildings Erected in England Wales, London 1801
Book Review
Mysterious Wisdom. The Life and Work of Samuel Palmer
05/2012 | 1310 | 154
Pages: 352-353
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
artists:
Reviewed Items
subjects:
Mysterious Wisdom. The Life and Work of Samuel Palmer | author: Campbell-Johnston, Rachel
Article
A new catalogue of Friedrich’s drawings and watercolours
02/2012 | 1307 | 154
Pages: 107-111
related names
Reviewer:
Kunz, Armin (Kunz, Armin)
Subjects
dates:
subjects:
Reviewed Items
subjects:
Caspar David Friedrich. Die Zeichnungen. Das gesamte Werk | author: Grummt, Christina
Illustrations
Attributed works:
22. View of the Feldstein near Rathen, by Caspar David Friedrich. c.1828. Watercolour with pen and ink over pencil on wove paper, 26.4 by 23.1 cm. (Germanisches Nationalmuseum, Nuremberg).
Attributed works:
23. Tree studies, by Caspar David Friedrich. From the Loseblattsammlung of 1809. April/June 1809. Pencil on wove paper, 36 by 26 cm. (Nasjonalgalleriet, Oslo).
Attributed works:
24. A moonlit landscape with lovers and a church, by Caspar David Friedrich. c.1797–98. Pen and dark brown ink with brown, grey and blue washes, heightened with white and touched with yellow and pink chalks over graphite, 8.9 by 12.7 cm. (Private collection).
Attributed works:
25. Tree studies, by Caspar David Friedrich. From the Loseblattsammlung of 1809. June 1819. Pencil on wove paper, 35.8 by 25.7 cm. (Kunsthalle, Bremen).
Book Review
The Origins of American Photography: From Daguerreotype to Dry-Plate
07/2009 | 1276 | 151
Pages: 481
related names
Reviewer:
Silberman, Robert (Silberman, Robert; Silberman, Robert B.)
Subjects
dates:
print:
Reviewed Items
subjects:
The Origins of American Photography: From Daguerreotype to Dry-Plate | contributor: Aspinwall, Jane L. , author: Davis, Keith F.
load more