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21 articles
Article
The fate of the ‘Lawrence Gallery’: Samuel Woodburn and the National Gallery
12/2022 | 1437 | 164
Pages: 1234-1251
related names
Author:
Penny, Nicholas (Penny, Nicholas)
Subjects
collectors and dealers:
dates:
Illustrations
Attributed works:
1. The Virgin with an angel and child, by Parmigianino. c.1525. Pen, ink and wash over black chalk on pink-tinted paper, 20.1 by 16.1 cm. (Albertina, Vienna).
Attributed works:
10. Madonna and Child with St John the Baptist and St Jerome (‘The vision of St Jerome’), by Parmigianino. 1526–27. Oil on poplar panel, 342.9 by 148.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
11. Study for or after the head of St John, perhaps by Parmigianino or Barocci. 1527 or later. Red, black and white chalk on paper, 39.1 by 25.6 cm. (British Museum, London).
Attributed works:
12. Study for the figure of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
13. Raising of Lazarus, by Sebastiano del Piombo. 1517–19. Oil on synthetic panel, transferred from wood, 381 by 289.6 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
14. St Catherine of Alexandria, by Raphael. c.1507–08. Oil on canvas, 71.5 by 55.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
15. ‘Portrait of the sister of Raffaelle’ attributed to Raffaello Sanzio. 1841. Chalk lithograph on paper within a lithographic mount, 40 by 28.2 cm. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.16; © Royal Academy of Arts, London).
Attributed works:
16. ‘The Virgin and the Apostles’ attributed to Raffaello Sanzio. 1841. (From A Series of Fac-Similes of Original Drawings by Raffaelle da Urbino, London 1841, pl.11; © Royal Academy of Arts, London).
Attributed works:
17. The departure of the Argonauts, by Pietro del Donzello. 1487. Oil on panel, 83.8 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
18. The Argonauts in Colchis, by Bartlommeo di Giovanni. 1487. Oil on panel, 83.2 by 163.8 cm. (The Mari-Cha Collection Limited).
Attributed works:
19. Initial letter ‘A’ for a gradual, including a scene of the Annunciation by Lorenzo Monaco. c.1410. Pen, ink and wash over black chalk on vellum, 40 by 32.7 cm. (British Museum, London).
Attributed works:
2. Isabella Hutchinson (Mrs. Wolff), by Thomas Lawrence. 1815. Oil on canvas, 128.2 by 102.4 cm. (Art Institute of Chicago).
Attributed works:
20. Adoration of the Magi, by Baldassare Peruzzi. c.1522–23. Pen, ink and wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
3. Samuel Woodburn, by Thomas Lawrence. c.1823. Oil on canvas, 109.2 by 83.5 cm. (Fitzwilliam Museum, Cambridge; Bridgeman Images).
Attributed works:
4. The woman taken in adultery, attributed to Abraham van Dyck. c.1652. Pen with brown ink and wash with some red chalk and white heightening, 19.3 by 28 cm. (Private collection, courtesy Sotheby’s).
Attributed works:
5. The woman taken in adultery, by Rembrandt. 1644. Oil on oak panel, 83.8 by 65.4 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
6. Rinaldo and Armida, by Anthony van Dyck. 1634–45. Oil on panel, 57 by 41.5 cm. (National Gallery, London).
Attributed works:
7. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. 1648. Oil on canvas, 149.1 by 196.7 cm. (National Gallery, London; Bridgeman Images).
Attributed works:
8. Seaport with the embarkation of the Queen of Sheba, by Claude Lorrain. c.1648. Pen and brown ink over graphite on paper, 27.1 by 42.2 cm. (Kupferstichkabinett, Staatliche Museen, Berlin).
Attributed works:
9. Study for the infant Christ, by Parmigianino. 1526–27. Red chalk on paper, 23.8 by 16.7 cm. (École des Beaux-Arts, Paris).
Article
Designs by John Gibson for the Gibson Gallery at the Royal Academy of Arts
11/2020 | 1412 | 162
Pages: 947-955
related names
Author:
Frasca-Rath, Anna (Frasca-Rath, Anna)
Author:
Wickham, Annette (Wickham, Annette)
Subjects
dates:
Illustrations
Attributed works:
1. Wounded warrior, by John Gibson. 1860s. Marble, 193 by 101 by 66 cm. (Royal Academy of Arts, London).
Attributed works:
10. Detail of an elevation recording the arrangement of casts on the the south and north walls of the smaller room in the Gibson Gallery, attributed to the office of Sydney Smirke. 1874. Pencil with black ink and wash on wove paper, 38.9 by 56.4 cm. (Royal Academy of Arts, London).
Attributed works:
11. Resurrection. Angel, mother and infant (Monument to Lady Leicester), by John Gibson. c.1844. Plaster, 181 by 126.5 cm. (Photograph © Royal Academy of Arts, London / Paul Highnam).
Attributed works:
12. Venus, by John Gibson. 1850s. Plaster, 172 by 50.8 by 46 cm. (Photograph © Royal Academy of Arts, London / Paul Highnam).
Attributed works:
13. The Gibson Gallery and Diploma Gallery, Burlington House, London. Centre right is Gibson’s marble Bacchus (1856–60) and William Theed’s portrait bust of Gibson (1868) on display alongside paintings from the RA collection following a rearrangement of the galleries. (Repr. The Sphere, 23rd February 1929).
Attributed works:
14. Floorplan showing the Gibson Gallery as completed, attributed to Sydney Smirke. June 1874. Pencil with black ink and wash on wove paper, 38.8 by 55.5 cm. (Royal Academy of Arts, London).
Attributed works:
2. The Royal Academy of Arts Library, Burlington House, London, which occupies the space of the Gibson Gallery. The central sculpture is Wounded warrior by John Gibson. Photograph 2011. (Photograph © Royal Academy of Arts, London / Francis Ware).
Attributed works:
3. Design for the layout of the Gibson Gallery, by John Gibson. c.1864. A list on the facing page is inscribed ‘Bassorelievi’ with the heading ‘A list of my models in plaster executed at Rome’. Pen and ink on paper, (Royal Academy of Arts, London).
Attributed works:
4. Floor plan with layout of sculpture and casts in the Gibson Gallery, by John Gibson. 1864. Black ink over pencil on tracing paper mounted on wove paper, 43.5 by 26.9 cm. (Royal Academy of Arts, London).
Attributed works:
5. Design for the arrangement of the entrance wall of the second room of the Gibson Gallery, by John Gibson, showing seated male portraits. Black ink on laid paper mounted on laid paper, 27 by 20.3 cm. (Royal Academy of Arts, London; see also Fig.6).
Attributed works:
6. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the entrance wall of the second room of the Gibson Gallery, with seated male portraits. Here and in Fig.8 missing reliefs are represented by drawings by Gibson, (Royal Academy of Arts, London).
Attributed works:
7. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the wall opposite the entrance to the second room of the Gibson Gallery, with idealised female figures. (Royal Academy of Arts, London).
Attributed works:
8. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the left-hand wall of the second room of the Gibson Gallery, with reliefs on mythological themes. (Royal Academy of Arts, London).
Attributed works:
9. Reconstruction based on a drawing by John Gibson, showing the arrangement of the casts on the right-hand wall of the second room of the Gibson Gallery, with reliefs on religious themes. (Royal Academy of Arts, London).
Article
The Art of Conservation II: Sir Charles Eastlake and conservation at the National Gallery, London
12/2015 | 1353 | 157
Pages: 846-854
related names
Author:
Avery-Quash, Susanna (Avery-Quash, Susanna; Quash, Susanna Avery-)
Subjects
art literature:
dates:
museums and institutions:
Illustrations
Attributed works:
36. Sir Charles Eastlake, by Francis Grant. 1853 (National Gallery, London)
Attributed works:
38. Ralph Nicholson Wornum, Keeper at the National Gallery during Eastlake's directorship. Portrait photograph taken in the studio of William Green, Northumberland, 1873 (National Gallery, London)
Attributed works:
39. Page from Wornum's Diary: the entry for 17th October 1859 condemns the use of patent parchment to cover the backs of Gallery pictures (National Gallery archive: NGA2/3/2/13. National Gallery, London)
Attributed works:
40. Photograph of An Allegory with Venus and Cupid, by Agnolo Bronzino, showing Raffaele Pinti's overpainting of Venus's tongue and nipple and adding draperies, after the picture's acquisition in 1860. Pinti's changes were removed in 1958 (National Gallery, London)
Attributed works:
41. Eastlake's 'Manuscript Catalogue', showing his entry for Sebastiano del Piombo's Raising of Lazarus (NG1). Under the heading 'On what material painted', Eastlake notes that the picture had been 'Transferred to canvas by Hacquin in 1771' and under 'When repaired', he notes that the picture had been retouched by Benjamin West (National Gallery archive: NG10/1. National Gallery, London)
Western art unattributed:
37. A gallery in the Barry Rooms complex showing National Gallery pictures protected by glass before being put on display. 1876 (National Gallery, London)
Article
German Renaissance art through the eyes of the National Gallery
02/2014 | 1331 | 156
Pages: 76-84
related names
Author:
Nuechterlein, Jeanne (Nuechterlein, Jeanne)
Subjects
collectors and dealers:
museums and institutions:
Illustrations
Attributed works:
1. Christ taking leave of his mother, by Albrecht Altdorfer (National Gallery, London)
Attributed works:
10. The painter's father, attributed to Albrecht Dürer (National Gallery, London)
Attributed works:
2. The four apostles, by Albrecht Dürer (Alte Pinakothek, Munich)
Attributed works:
3. St Veronica with the sudarium, by the Master of St Veronica (National Gallery, London)
Attributed works:
4. The Trinity and mystic pietà, by Hans Baldung (National Gallery, London)
Attributed works:
5. The Meyer Madonna (Darmstadt Madonna), by Hans Holbein the Younger (Würth collection, Johanniterkirche, Schwäbisch Hall)
Attributed works:
6. Portrait of a woman, by Lucas Cranach the Elder (National Gallery, London)
Attributed works:
7. Portrait of a man, by Hans Baldung (National Gallery, London)
Attributed works:
8. Virgin and child with an angel, St George and a donor, by Hans Memling (National Gallery, London)
Attributed works:
9. The ambassadors, by Hans Holbein the Younger (National Gallery, London)
Book Review
Art for the Nation: The Eastlakes and the Victorian Art World
10/2011 | 1303 | 153
Pages: 680-681
related names
Reviewer:
Waterfield, Giles (Waterfield, Giles)
Subjects
collectors and dealers:
dates:
museums and institutions:
subjects:
subjects:
Reviewed Items
subjects:
Art for the Nation: The Eastlakes and the Victorian Art World | author: Avery-Quash, Susanna , author: Sheldon, Julie
Illustrations
Attributed works:
43. Portrait of Charles Lock Eastlake PRA, by John Prescott Knight. 1857. Canvas, 91.9 by 71.5 cm. (Royal Academy of Arts, London).
Western art unattributed:
44. Passport of Sir Charles Lock Eastlake, 1859–65. Red leather, paper and linen. (National Gallery Libraries and Archive, London).
Book Review
The Travel Notebooks of Sir Charles Eastlake
10/2011 | 1303 | 153
Pages: 680-681
related names
Reviewer:
Waterfield, Giles (Waterfield, Giles)
Subjects
collectors and dealers:
dates:
museums and institutions:
places:
subjects:
Reviewed Items
subjects:
The Travel Notebooks of Sir Charles Eastlake | author: Avery-Quash, Susanna
Advertisements
Advertisements June 1990 (Front)
06/1990 | 1047 | 132
Pages: i-lxxii
Subjects
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein at Douwes Fine Art Gallery, 38 Duke Street, London] Iphigenia Jacques Louis David. Black Chalk. 130 × 195 mm. Signed and Dated 'L. David. Brux. 1819'.
Attributed works:
[Adriano Ribolzi Antiquaire, 6 Avenue des Beaux Arts, Monte Carlo] "Erigone" by Guldo Reni 65 cm × 69 cm
Attributed works:
[Agnew's, 43 Old Bond Street, London] Edward Lear (1812-1888). Corfu from Gastouri. Canvas, 18⅛ × 29¼ in. (46 × 74.3 cm)
Attributed works:
[Arnoldi - Livie, Galeriestraß 2B, Munich] Jacques de Gheyn II. Antwerpen 1565-1629 Den Haag - A Kneeling Shepherd Holding a Lamb. Black Chalk Reinforced with the Pen and Heightened with White on Light-Brown Paper. 19.5×10.3 cm.
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] H. Fragonard - "L'éducation de la Vierge", Circa 1764. Oil on Canvas. 0,90 × 0,72. Mg. Publicite
Attributed works:
[Audap - Godeau - Solanet, 32 rue Drouot, Paris] Mary Cassatt - "La petite fille au chapeau". Watercolor and Gouache, Signed at Lower Left. 0,56 × 0,375.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir D. Wilkie. Queen Adelaide 1836. Watercolour
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf/61 East 77th Street, New York] Jean de Gourmont. Active 1506-1551. Engraving. Bartsch 14. From the Collection of König Friedrich August II. von Sachsen.
Attributed works:
[Christie's, 8 King Street, London] Frederic, Lord Leighton, P. R. A. (1830-1896): The Dance of the Cymbalists, One of a Group of Three, all 86¾ × 46½ in. (220.8 × 118.1 cm.). Estimate: £60,000-90,000 the Set.
Attributed works:
[Christie's, 8 King Street, London] Johann Zoffany, R. A. (1733-1810): A Group Portrait of the Colmore Family, 39½ × 50 in. (100.3 × 127 cm.)
Attributed works:
[Christie's, 8 King Street, London] Joseph Wright of Derby, A. R. A. (1734-1797): Vesuvius from Posillipo, Signed 'IW.pt'. Dated 178(9?), and with Inscription J. Wright fec.t'/Derby 1780,' 40½ × 50½ in. (102.8 × 128.2 cm.)
Attributed works:
[Christie's, 8 King Street, London] Prince William of Gloucester by William Grimaldi (1751-1830), Signed on the Reverse, 4⅛ in. (105 mm.) High. Estimate: £5,000-6,000, Portrait of an Unknown Lady by William Grimaldi (1751-1830), 4 in. (102 mm.) High. (Reduced). Estimate: £3,000-5,000
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Anton Raphael Mengs, Aussig 1728 - Rome 1779. A Portrait of Franz Xavier Orsini-Rosenberg, Oil on Canvas: 61 × 47.5cms.
Attributed works:
[Crane Kalman Gallery, 178 Brompton Road, London] Still Life with Fruit (Pears and Apples) c.1930. Oil on Canvas, 18 × 21 ins, Signed MS bottom Right
Attributed works:
[Entwistle, 37 Old Bond Street, London] Abraham Bloemaert. The Raising of Lazarus. Lent by Manchester City Art Gallery
Attributed works:
[Francis Briest, 24 avenue Matignon, Paris] Raoul Dufy, Les deux modèles, Oil on Canvas, Signed and Dated 1930 on the Lower Centre, 81 × 100 cm (31⅞ × 39⅜ in.)
Attributed works:
[Frederick Cummings, 146 West 57th Street New York] Jean Baptiste Huet (1745-1811). Study of an Acanthus Plant. Red Chalk, Red Chalk Wash with White Heightening on Blue Grey Paper 465 × 335 cm. Verso: Study of the Tip of a Plant with Its Leaves in Red Chalk.
Attributed works:
[Galerie André Candillier, 26 rue de Seine, Paris] Helleu. L'Allaitement. Dry Point, Colour. (Montesquiou '84). 53 by 33 cms.
Attributed works:
[Galerie Charles et Andre Bailly, 25 Quai Voltaire, Paris] "La Conversation". Gouache, 56 × 66 cm.
Attributed works:
[Galerie D'Arenberg, 14 rue aux Laines, Brussells] Simon-Louis Boquet (1751-1817), Le Génie des Arts, Signed and Dated "Boquet 1782", Marble, 33 × 60 × 15 cm, Exhibited at the Salon of 1791
Attributed works:
[Galerie Melki, 55-57 rue de Seine, Paris] Hans Hartung. 1953. Oil on Canvas. 97 by 130 cms.
Attributed works:
[Galerie Odermatt & Cazeau, 85 bis rue du Faubourg-Saint-Honoré, Paris] Henri Laurens. Femme à l'oiseau. White Stone. Signed with the Monogram H. L. on the Base and Dated 1921.
Attributed works:
[Gallery 27, 27 rue de Seine, Paris] Picasso. Femme Debout. Tinplate. Height: 42.5 cm.
Attributed works:
[Groupe Gersaint, 20 rue D.- Casanova, Paris J. Booets, École Flamande du XVIIe, «Allégorie de la vue et de l'odorat», toile signée et datée «J. Booets, 1660, fecit», 135 × 200 cm
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Giovanni Francesco Barbieri Called Il Guercino (1591-1666). The Phrygian Sibyl with a Putto, 1647. Canvas, 114.6 × 96 cm
Attributed works:
[Heim, 59 Jermyn Street, London] Jean François de Troy (Paris 1679-1752 Rome). Allegory of Painting. Oil on Canvas Oval 34¾ by 43 ins 88 by 109 cms
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Blaeu & Visscher etc. "Geographia", 118 Superb 18th Century Double Folio Maps, Fully Coloured and Heightened with Gold Silver. Two Volumes in Folio, in Period Gilt Decorated Binding. Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Stéphane Mallarme. Poésies. Definitive Autographed Manuscript for the Photolithograph Edition of 1887, from the Library of Jules Le Petit (no2059) Mg. Publicite
Attributed works:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Teynard. Egypte et Nubie Sites et Monuments, 1853-1858 160 Large Photographs (83 of Egypt, 77 of Nubia), Period Binding Mg. Publicite
Attributed works:
[Marlborough Fine Art (London), 6 Albemarle Street, London] The Sailor's Bride 1967-70. Oil on Canvas, 99.7×81.2cm.
Attributed works:
[Michael Simpson Ltd, 11 Savile Row, London] George Henry Harlow (British 1787-1819). "Portrait of a Lady". Oil on Panel: 42cm × 33.5cm
Attributed works:
[Miles d'Agar / N.Gifford-Mead, 533 Kings Road, London] An Important Pair of Lead Lions Attributed to John Van Nost (fl.1679-1710) English, Circa 1700. Ex Bretby. Derbyshire. Ex Elvaston Castle, Derbyshire.
Attributed works:
[Otto Naumann, Ltd, 4 East 74th Street, New York] Anon. Dutch 17th Century. - Panel 4½ × 3½ ins.
Attributed works:
[Palais des Beaux Arts, rue Royale 10, Brussels] Oil on Canvas Signed I. van Kessel, 1666 - 96 × 122cm. Collection of Japanese Porcelain
Attributed works:
[Paul Prouté, 74 rue de Seine, Paris] Eugène Isabey. Faust et Mephistophèles. Gouache. 124 by 175 mm. Signed Lower Left and Dated '82.
Attributed works:
[Phillips, 101 New Bond Street, London] Hendrik Frans van Lint, Called Studio (1684-1763), "An Arcadian Landscape with Classical Figures Dancing", 63cm × 77cm. Estimate: £30,000-£50,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Jansson. Novus Atlas with 56 Hand-Coloured Engraved Maps, Amsterdam 1657. Estimate: £5,000-£6,000.
Attributed works:
[Phillips, 101 New Bond Street, London] Louis Jean Deprez (1743-1804), "A View of the Temple of Segeste," Watercolour with Pen and Ink, 208mm × 345mm.
Attributed works:
[Phillips, 101 New Bond Street, London] Newhouse. The Roadster's Album, Hand-Coloured Title and 16 Hand-Coloured Aquatint Plates, 1845. Estimate: £2,500-£3,000.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Giovanni Benedetto Castiglione (Genova 1609-Mantova 1664). 'The Sacrifice of Noah'. Brush and Red and Brown Oilpaint; 39,3 × 54,2 cm.
Attributed works:
[Richard L. Feigen & Company 6 Ryder Street, London] Orazio Gentileschi, Vision of St. Francis Circa 1603-04. Oil on Canvas, 64 by 45¾ Inches (162.5 by 116 cm)
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jacques Louis David (1748-1825), A Portrait of Baron Jeanin, Signed and Dated 1810, Oil on Canvas, 73 by 59 cm (28¾ by 23¼ in). Estimate: £1,500,000-2,000,000
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Jusepe de Ribera, A Nobleman, His Page Carrying a Halberd behind Him, Drawn with the Brush in Red Ink, 230 by 133 mm. Estimate: £25,000-35,000.
Attributed works:
[Stoppenbach & Delestre, 25 Cork Street, London] Henri Joseph Harpignies (1819-1916). Watercolour and Pencil on Paper. Signed "H. Harpignies" Lower Left. La Seine au Pont du Carrousel, 6⅜ × 10⅞ ins. (16.3 × 25 cm) Inscribed "Paris" Lower Right
Attributed works:
[The Adam Salerooms, 26 St. Stephens Green, Dublin] James Barry (1771-1806) King Lear Weeping over the Body of Cordelia (c.1774) Oil on Canvas 40 × 50½″ Signed. Estimate ir£150,000/200,000.
Attributed works:
[The Grosvenor House Antiques Fair, Grosvenor House, Park Lane, London] Detail From The Arsenal: The Water Entrance by Giovanni Antonio Canale, Called Canaletto (1697-1768). Reproduced by Kind Permission of the Marquess of Tavistock and the Trustees of the Bedford Estates.
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] La Distraction Dangereuse by Augustin Pajou (1730-1809). Signed and Dated 'Pajou 1775'. Terre de Lorraine biscuitée, Height 30 cm (11¾ in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf Limited, The Old Knoll, Eliot Hill, London] Marcantonio Doria, Prince of Angri, by Sir Anthony van Dyck (1599-1641). Oil on Canvas, 125 × 94 cm (49 × 37 in).
Attributed works:
[The Grosvenor House Antiques Fair/Alex Wengraf, The Old Knoll, Eliot Hill, London] David Teniers the Elder (1582-1649) Conversion of St Paul. Oil on Panel. 51 × 64 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] (Left) A Mahogany Wheel Barometer with Thermometer. Signed 'G. Adams, Inst. Maker to His Majesty, London'. Circa 1765. Height 107 cm (42 in). (Right) A Rare Ebonised Wheel Barometer by William Bastard, the Dial Painted with the Coat of Arms of Sir James Howe of Cold Barwick. Circa 1725. Height 127 cm (50 in).
Attributed works:
[The Grosvenor House Antiques Fair/Bobinet, 102 Mount Street, London] A Rare Early Walnut Longcase Clock, by Joseph Knibb. c. 1672. Height 6 ft 6 ins.
Attributed works:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs), 70 South Audley Street, London] Late 18th-Century French Aubusson Tapestry Depicting a Woodland Scene. Signed by the Weaver F. Grellet. Manufacture Royale d'Aubusson. 274 × 223 cm.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques) Limited, 16B Grafton Street, London] An Important Rare Enamel Portrait Miniature of Jean-Baptiste Massé by Jean-Etienne Liotard. Circa 1725.
Attributed works:
[The Grosvenor House Antiques Fair/D S Lavender (Antiques), 16B Grafton Street, London] George Engleheart. A Miniature Portrait of Lucy Engleheart, c. 1785.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Jacob Toorenvliet (1635-1719). Peasants Merry-Making in a Tavern, Signed. Oil on Canvas. 69.8 × 73 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Douwes Fine Art, 38 Duke Street, London] Still Life with Flowers, Fruits, Insects and a Bird's Nest on a Marble Ledge by Paulus-Theodor van Brussel (1754-Amsterdam-1795). Signed and Dated 1794. Oil on Panel, 80 × 62 cm (31½ × 24½ in).
Attributed works:
[The Grosvenor House Antiques Fair/H Blairman & Sons Limted, 119 Mount Street, London] Oak Cabinet, Designed by Charles Locke Eastlake. English, Circa 1867. Height 210.8 cm (83 in). Width 149.8 cm (59 in). Depth 63.5 cm (25 in).
Attributed works:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] Bilston Enamel bonbonnières, Circa 1770. Each One Has a Scene Painted on the Lid Relevant to the Particular Animal.
Attributed works:
[The Grosvenor House Antiques Fair/Johnny van Haeften, 13 Duke Street, London] Salomon van Ruysdael (1601-1670). A River Landscape with the Church of Nordosten beyond. Signed in Monogram and Dated 1641. On Panel. 54.3 × 76.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey Limited, 41 Duke Street, London] A Set of Four Very Fine Silver Salvers by Charles Frederick Kandler, 1755. The Crest Is That of Wentworth. Weight 57 oz 1 dwt.
Attributed works:
[The Grosvenor House Antiques Fair/Maurice Asprey, 41 Duke Street, London] A Fine Silver Pedlar's Box Made by John Linnet London, 1823
Attributed works:
[The Grosvenor House Antiques Fair/P & D Colnaghi, 14 Old Bond Street, London] Sebastiano Ricci (1659-1734). Allegory of the Virgin Annunciate with the Archangel Gabriel and Sts Eusebius, Roch and Sebastian. Oil on Canvas. 113.5 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] An Important George III Ormolu-Mounted Collector's Cabinet, the Exquisitely Engraved Brass Inlay, Related to Designs Published by Thomas Chippendale the Younger in 1779. Height 53.5 cm (21 in). Width 101.5 cm (40 in).
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 & 39 Dover Street, London] Jacques-Laurent Agasse (1767-1849). The Important Secret: Georgina and George Booth. Signed with Initials. Painted in 1833. 76.2 × 63.5 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Richard Green, 44 Dover Street, London] The Grand Canal, Venice, with the Rialto Bridge from the North, the Fondaco dei Tedeschi and the Palazzo dei Camerlenghi and The Molo Looking West with the Ducal Palace and the Prison and Santa Maria Della Salute in the Distance, Venice, by Michele Marieschi (1710-43). A Pair. Oil on Canvas, 59 × 87 cm (23¼ × 34¼ in).
Attributed works:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine ArtS) Limited, 1-9 Bruton Place, London] A Roman mosaic panel mounted in a 19th-century gilt metal frame. Inscribed: 'Discovered in the ruins of the Palace of Pope Leo the 12th at the Villa Chichignola, presented by Pope Gregory the 16th to Sir Edward Thomason in the year 1832. This mosaic containing 20,000 silicious pebbles is the work of Sosus Pergami who flourished 320 years before Christ and is mentioned in the writings of Pliny the Elder'. Height 66.7 cm (26¼ in) and Width 56.6 cm (22¼ in) including frame.
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons Ltd, 43 Old Bond Street, London] A Lady of Fashion by Louis-Roland Trinquesse (1746-1800). Study in Red Chalk, 57.2 × 43.2 cm (22½ × 17 in).
Attributed works:
[The Grosvenor House Antiques Fair/Thos. Agnew & Sons, 43 Old Bond Street, London] Louis Ducros. San Lorenzo in Miranda, Rome. Water-Colour. 44.8 × 65.8 cm.
Attributed works:
[The Grosvenor House Antiques Fair/Wartski, 14 Grafton Street, London] A Group of Hardstone Animal Carvings by Carl Fabergé Cockerel 6.3 cm.
Attributed works:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] An Alpine Landscape, by Jean DuBois (Geneva, 1789-1849). Signed 'J. DuBois'. Gouache on Paper. 38 × 63 cm (15 × 24¾ in).
Attributed works:
[The Schuster Gallery, 14 Maddox Street, London] No. 41. Alten Stettin. A Fascinating Presentation of 16th-Century Urban Life. All Plates Are Copper Engravings, with Original Hand Colouring.
Attributed works:
[The Sladmore Gallery, 32 Bruton Place, Berkeley Square, London] Detail of a Rare Bronze Model of War by A. L. Barye (1796-1875), 50cms High, Sculpted in 1855 for the Façade of the New Louvre Palace. Paris, to be Included with Its Companion Model Peace, in an Exhibition of 64 Barye Bronzes together with Other Rare Figurative Works for Which a Fully Illustrated Catalogue Is Available.
Attributed works:
[W. M. Brady & Co, 3 East 76th Street, New York] Annibale Carracci (Bologna 1560-1609 Rome). Saint Mary Magdalene in the Wilderness. Inscribed, Lower Left Anble Caracci. Pen and Brown Ink, 4 × 7¼ Inches (102 × 185 mm)
Attributed works:
[Waddington Galleries, 5, 12 & 34 Cork Street, London] Mirth of Snakes 13.8.89 Acrylic on Cotton Duck 60 × 50ins/152.4 × 127cms.
Attributed works:
[Walpole Gallery, 38 Dover Street, London] Jacopo Amigoni Venice 1680's - Madrid 1752. Venus and Adonis, Oil on Canvas: 103 × 129cms
Non-western art unattributed:
[Eskenazi, Foxglove House, 166 Piccadilly, London] Grey Earthenware Figure of Guanyin Seated on a Rock, Decorated with Red and White Pigments Late Tang-Five Dynasties Period. 9th-10th Century Height: 46.5cm
Non-western art unattributed:
[Michael B. Weisbrod Inc., at the Carlyle, 987 Madison Avenue, New York] Clair de lune - Glazed Hundred Ribbed Jar. Qing Dynasty. 18th Century. Height: 6¾ Inches (34.6 cm). Diameter: 7½ Inches (19.2 cm)
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Exceptional Zapotec Clay Head with Eagle Headdress. Grey Earthenware with Traces of Red Paint. Mexico, 600-900 AD. Height 42 cm (16½ in). Width 45 cm (17¾ in).
Non-western art unattributed:
[The Grosvenor House Antiques Fair/Lin & Emile Deletaille, 12 rue Watteau, Brussels] Mayan Low-Relief Carved Vase Ulua Valley, Western Honduras 600-900 A. D. White Marble. Height 27 cm. Width 30 cm.
Non-western art unattributed:
[The Grosvenor House Antiques Fair/William Drummond, 8 St. James's Chambers, Ryder Street, London] Modun Mistry c. 1850. Horse, Groom and Dog in a Landscape. Calcutta School. Oil on Panel. 34 × 45 cm.
Western art unattributed:
[Bernard Quaritch Ltd, 5-8 Lower John Street, London] The Barningham Psalter. Illuminated Manuscript on Vellum. England, c. 1460-80
Western art unattributed:
[Galerie Camoin, 9 Quai Voltaire, Paris] "Deux bustes en terre cuite, Hauteur 74 cm. Italie XVIIIe siècle. Ancienne Collection Hannibal Visconti. Château de Carrare." Photo Serge Carrié
Western art unattributed:
[Glennie's Wensum Hall, Wensum Street, Norwich] A Louis XVI Fauteuil en Cabriolet and Four Chaises a la Reine. Late 18th Century
Western art unattributed:
[Judith Falk-Mazák, Friedrich Falk, Kirchgasse 38, Zurich] Scheuchzer, J. J. Kupfer=Bibel/In welcher Die Physica Sacra, Oder/Geheiligte/Natur=Wissenschafft/... Deutlich erklärt und bewährt/... 4 vols. in 3. Augsburg and Ulm, Christian Ulrich Wagner, 1733-1735. Folio. First Edition.
Western art unattributed:
[Laurin - Guilloux - Buffetaud - Tailleur, 12 rue Drouot, Paris] Dialogue des Créatures. 15th Century Bruges Manuscript (1482), with 2 Larges and 119 Small Miniatures Execuded for Louis de Bruges, Seigneur de la Gruthuyse, Comte de Steenhuyse, Chambellain of Charles le Téméraire, Created Duke of Winchester by the Grace of King Edouard IV of England. Mg. Publicite
Western art unattributed:
[Philippe Farley, 157 East 64th Street, New York/7 rue d'Aguesseau, Paris] Highly Important George II Giltwood Console with Marble top. England. Circa 1740 36″ High × 70″ Wide × 28 1 2″ Deep
Western art unattributed:
[Sam Fogg, 14 Old Bond Street, London] Christ's Entry into Jerusalem North-East Italy. Second Half of the 13th Century.
Western art unattributed:
[The Grosvenor House Antiques Fair/Asprey, 165-169 New Bond Street, London] A George III Commode in the French Taste. English. c.1785 Length 110.5 cm. Depth 59 cm. Height 31.5 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/C. John (Rare Rugs) Limited, 70 South Audley Street, London] Rare Italian Silk Needlework Table Carpet. Circa 1730. Dimensions 287 × 165 cm (113 × 65 in).
Western art unattributed:
[The Grosvenor House Antiques Fair/H Blairman & Sons, 119 Mount Street, London] Copy of The Warwick Vase. English. c.1820 Bronze: Gilt-Lacquered Height 11 ins.: Width 14½ ins.
Western art unattributed:
[The Grosvenor House Antiques Fair/Halcyon Days, 14 Brook Street, London] A Fine Miniature Queen Anne Walnut Bureau Cabinet with Bevelled Mirror and Inlaid Marquetry Borders, c.1710. Height 54.4 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Jacob Stodel, 116 Kensington Church Street, London] An Important Rococo Burr-Walnut Veneered Dutch Cabinet, Mid-18th Century. Height: 245 cm. Width: 197 cm. Purchased by the Rijksmuseum
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros, 50 Berkeley Square, London] Large Illuminated Leaf on Vellum, from a Noted Antiphonal. Bologna. c. 1350. Size of Leaf: 51 × 39 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Maggs Bros. Limited, 50 Berkeley Square, London] Four Gouache Paintings on Vellum, from an Album of 26 National Costumes, Principally of Greeks and Turks. German, 18th Century. Each Measuring 15.5 × 11 cm (6 × 4⅓ in).
Western art unattributed:
[The Grosvenor House Antiques Fair/Pelham Galleries, 163 & 165 Fulham Road, London] A Very Rare Scale Model of a Coach and Horses. Naples c. 1740. Height 55 cm. Width 33 cm. Length 145 cm.
Western art unattributed:
[The Grosvenor House Antiques Fair/Ronald A Lee (Fine Arts), 1-9 Bruton Place, London] Walnut and Cane Armchair with the Royal Arms; Carved with the Date February 20 1687/88 and the Initials 'GL' (For George Lewis, Elector of Hanover, Who in 1714 Became George I).
Western art unattributed:
[The Grosvenor House Antiques Fair/Wartski Limited, 14 Grafton Street, London] A Profane Reliquary. An oval gold boîte à portrait with a pendant pearl and suspension loop, set with rectangular faceted and rose-cut diamonds, enamelled opaque white overall and decorated with painted enamel lilies and fritillaries and scrolling foliage, the hinged cover applied with a diamond-set sword surmounted by an electoral crown enamelled translucent scarlet. The interior of the pendant (centre) is painted with the miniature likeness of Friedrich Wilhelm, Elector of Brandenburg (1640-1688) in armour and wearing a lace collar and an embroidered sash; the interior of the cover is enamelled with a ducal coronet and the initials F W C for Friedrich Wilhelm Churfürst. The portrait is based upon an engraving by Jeremy Farlett which is dated 1647. Friedrich Wilhelm is traditionally credited with having laid the foundation for the subsequent strength of Prussia. This boîte à portrait exactly follows the tradition of such Royal pendant jewels notably exemplified by those in the Kunsthistorishes Museum in Vienna of circa 1572 attributed to Dujardin with miniature portraits by François Clouet of Catherine de Medici and Charles IX of France and that in the Victoria and Albert Museum in London of circa 1600 by Daniel Mignot containing the painting of Queen Elizabeth by Nicholas Hilliard. The boîte à portrait in general, has been aptly specified by Torben H. Colding as a profane reliquary. North German, circa 1647. Overall height 6 cm ($2frac{3}{8}$ in).
Western art unattributed:
[Zeus Trust c/o Daniel Katz, 27 Lansdowne Walk, London] (Self-) Portrait of a Painter Oil on (Herring-Bone-) Canvas 85 cm by 72 cm 33½″ by 28½″
Advertisements
Advertisements October 1986 (Front)
10/1986 | 1003 | 128
Pages: i-xxxvi
Subjects
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artists:
Illustrations
Attributed works:
May 1955 (Gwithian), by Ben Nicholson. (Yale Center for British Art, New Haven, Connecticut)
Attributed works:
[Agnew, 43 Old Bond Street, London] John Singleton Copley, RA. 1738-1815. Richard Heber. Oil on Canvas. 65¼ × 51¼in. 1782
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir Charles Eastlake Pra 1793-1865, A View of Rome. Oil on Canvas, Signed, Inscribed and Dated 1827. 20½ × 26½in.
Attributed works:
[Browse & Darby, 19 Cork Street, London] Duncan Grant, Cyclamen, 1913. Oil on Board, 29¼ × 24 ¾ Inches
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Jacques Callot (1592-Nancy-1635) Etching. Meaume 139. Lieure 1416 III (OfV).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Joseph Wright of Derby A. R. A. 1734-1797. Portrait of Miss Frances Warren. Canvas: 127 × 101.6 cms.
Attributed works:
[Crane Kelman Gallery 178 Brompton Road London] Marino Marini (1901-1980). Henry Moore. Stamped w. Raised Initials M. M. Bronze, Brown Patina. Height 12¼ ins. (31 cms) Cast 1962. Edition ⅔
Attributed works:
[Crane Kelman Gallery, 178 Brompton Road, London] Graham Sutherland. Tethered Cow 1944. Gouache on Two Pieces of Paper (21 × 16 ins.) Signed and dated
Attributed works:
[Donohoe, 1-7 Davies Mews, London] Well Engraved Silver Pumpkin Kettle. on Stand Fully Marked by Eliza Godfrey 1752. Armorial of Style from Wateringbury Place in Kent. 44 Troy ozs (1363 Grams).
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Adam Frans van der Meulen. 1632-1690. Oil on Canvas 46 × 55 cm. Louis XIV, as Commander in a Cavalry Engagement
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Hans von Aachen. Cologne 1552-Prague 1616. The Martyrdom of St. Catherine. Oil on Copper 42.5 × 29.5 cm.Adam Frans van der Meulen. 1632-1690. Oil on Canvas 45 × 55 cm. Louis XIV and His Generals at the Siege of Lille
Attributed works:
[Galerie d'Art St Honoré, 267 rue Saint Honoré, Paris] Abel Grimmer (Antwerp 1570-1619). 'Summer'. Oil on Panel. 43 by 31 cm. Provenance: Belgian Private Collection.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Percy Worthington & Francis Jones, A Design for Manchester Grammar School, 1929. Drawn by J D Harvey. Pencil & Charcoal, 27½ × 32½ Inches. Signed & Dated.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Jane Hamilton by 1713 Allan Ramsay 1784. Signed and Dated 1745 Oil on Canvas. 24 ¾ × 20 Inches.
Attributed works:
[Laurentius, Orangerie Duivenvoorde, Voorschoten, Holland] Herman Naywincx (1624-1651). The Little Bridge near the Rock. Etching. H6, II(3).
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Ozias Humphry, R. A. Portrait of Richard, 2nd Earl of Mornington (Later Marquess Wellesley) K. P., Signed with Initials, and Dated 1783, Watercolour. 8½ × 6 ¾ in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Avigdor Arikha Young Woman Undressing 1985 Charcoal 38¼ × 25 ⅛ in/97 × 64cm.
Attributed works:
[Martyn Gregory, 34 Bury Street, London] Edward Lear. Near Spartella, Corfu
Attributed works:
[Martyn Gregory, 34 Bury Street, London] Walter Greaves. Portrait of Whistler
Attributed works:
[Mia N. Weiner, 36 East 64th Street, New York] Taddeo Zuccaro. Ca. 1550's. God and Goddess (For a Facade Decoration). Black Chalk Underdrawing, Pen & Brown Ink & Wash. 6 ⅛ times 8 ⅝.
Attributed works:
[N.R. Omell, 6 Duke Street, London] Walter W. May R. I. 1830-1896. Becalmed among the Ice Floes. Provenance: The Edward James Collection. On Canvas: 13 × 20½ Inches. Signed and Dated 1889
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Augustus John, RA, NEAC, 'Portrait of Edith Ashley, 1911'. Pencil on White Paper. 5 × 5 ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones, Bt., ARA, 'Study for the Medusa Head for the Perseus Series'. Pencil on White Paper. Signed with Initials and Dated 1876 6¼ × 5½ ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward John Poynter, Bt, PRA, RWS, 'Study for Diadumene'. Sanguine Chalk on White Paper. Dated Dec. 20. '81. 14½ × 10 ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir John Everett Millais, Bt, PRA, 'Study for North West Passage'. Signed, Inscribed and Dated 1874. 6½ × 8¼ ins
Attributed works:
[Philips, 7 Blenheim Street, London] Harold Knight, "The Council," Signed, Oil on Canvas, 150 cm × 183 cm. Estimate: £50,000 - £80,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Gabriel Deschamps, "Provence - Rue du Village."
Attributed works:
[Richard Green, 44 Dover Street, London] John Wootton (1682-1764). A Huntsman with Hounds in a Landscape. Signed. Canvas: 50 × 40 in/127 × 101.5 cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Richard Wilson, R. A., "On Hounslow Heath," Circa 1765. Oil on Canvas; 37 by 46 cm, Signed with Monogram, Bottom Left
Attributed works:
[Saddey & Ellenes Fine Art Ltd in co-operation with Frau Theano Staehelin Kunsthandel, 7 Redford Avenue, London] Hans von Aachen. Cologne 1552-Prague 1616. The Martyrdom of St. Catherine. Oil on Copper 42.5 × 29.5 cm.
Attributed works:
[Sotheby's, New York] Bronze Head of a Satyr, Attributed to Benvenuto Cellini. Second Third of the 16th Century, Height 9.7cm. Estimate on Request.
Attributed works:
[Sotheby's, New York] Honore Daumier, Un Atelier de Peintre, c. 1860-70, Pen and Ink with Grey Wash over Chalk, 31.1 × 45cm. Auction Estimate. £200,000-£300,000.
Attributed works:
[Sotheby's, New York] Leonardo da Vinci, Recto: Sheet of Studies, Including 3 Sketches of a Child Embracing a Lamb and 3 Lines of Text, in Mirror Writing. Verso: Sheet of Studies - a Child with a Lamb, Head of an Old Man, Studies of Machinery and Several Lines of Explanatory Text, in Mirror Writing, c. 1500-1506, Pen and Brown Ink and Black Chalk; 203 × 138mm. Auction Estimate upon Request.
Attributed works:
[The Fine Art Society, 148 New Bond Street, London] George Vincent 1796-c1836, View of Calton Hill, Edinburgh, Evening. 54″ × 75 ¾
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] John Robert Cozens. Painted Circa 1783. Capri from Sir William Hamilton's Villa. Size: 10 ⅜ times 14 ¾ Inches. Bell and Girtin, No. 236.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Hearne. Painted Circa 1774. Antigua with the English Barracks. Size: 20¼ × 29 Inches.
Attributed works:
[The Weiss Gallery Plc] Daniel Mytens. 'William Herbert. 3rd Earl of Pembroke'. 39½″ × 49½″. Marcus Gheeraerts. Portrait of a Lady. 44″ × 32½″
Attributed works:
[Thomas Le Claire Kunsthandel, Elbchausse 156, Hamburg] Baccio Bandinelli (1493 Florence 1560). "Study of Male Nudes", Pen and Brown Ink, 297 × 209 mm.
Attributed works:
[William Drummond, 2-10 Ryder Street, London] James Ward Royal Academician 1769-1859. Signed with Initials J. W.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] George Stubbs 1724-1806, Haymakers. Etching and Engraving. 1791. 484 × 680mm.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Thomas Gainsborough 1727-1788, Wooded Landscape with Carts. Softground Etching. 1779. 294 × 390mm.
Non-western art unattributed:
[F. Dörling, Neuer Wall 40, Hamburg] St. Florus and St. Laurus. Tempera/Wood. Russia, Moscow School. 17th Century. 104: 75 cm.
Non-western art unattributed:
[Lee & Sons, 23 rue de Lille, Paris]'The Walking Buddha'. Sukhothai. Height 32 cm. Beginning of the Fifteenth Century.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] French Louis XIV Frame. Sight Size 36 ⅞ times 26 ⅜ ins Section Width 4 ⅝ ins
Western art unattributed:
[C. John (Rare rugs) Ltd, 70 South Audley Street, London] A Rare English Needlework Rug. Circa 1780. Pastel Colours on a Chocolate Brown Background with a Yellow Ground Border. 11′ by 8′9″
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] High Relief in Wood. "Saint with a Book". Tuscany, 15th Century. Measurements: h. 46 cm. w. 23 cm
Western art unattributed:
[Oscar & Peter Johnson Ltd, Lowndes Lodge Gallery, 27 Lowndes Street, London] A View of the Gate House, St. Osyth, Essex. English School - Circa 1800. Oil Painting; Canvas 26½ × 39 Inches; Framed
Book Review
Sir Charles Eastlake and the Victorian Art World
04/1979 | 913 | 121
Pages: 266
related names
Reviewer:
Herrmann, Luke (Herrmann, Luke; H., L.)
Subjects
dates:
museums and institutions:
places:
Reviewed Items
subjects:
Sir Charles Eastlake and the Victorian Art World | author: Robertson, David
Short Notice
Vittore Crivelli's Altar-Piece from the Vinci Collection
02/1975 | 863 | 117
Pages: 98-104
related names
Author:
Sloman , Susan (Sloman , Susan; Legouix, Susan; Sloman, Susan Legouix; Sloman, Susan)
Subjects
art literature:
art literature:
art literature:
collectors and dealers:
dates:
places:
Illustrations
Attributed works:
41. Centre: Madonna and Child with Angels, 141.6 by 76.2 cm. Left: St Bonaventura, 126.7 by 38.7 cm., and St John the Baptist, 127 by 38.4 cm. Right: St Louis of Toulouse, 126.7 by 38.7 cm., and St Francis, 126.7 by 39 cm., All by Vittore Crivelli. Tempera on Panel. (Philadelphia Museum of Art, Wilstach Collection.)
Attributed works:
42. Centre: Dead Christ with Two Angels, 58.9 by 27.6 cm. Left: Virgin Mary, 56.6 by 23.7 cm. Right: St John the Evangelist, 56.4 by 23.8 cm., All by Vittore Crivelli. Tempera on Panel. (University of Arizona, Tucson, Samuel H. Kress Collection.)
Attributed works:
43. Left: St Anthony of Padua, 61 by 38 cm. Right: St Bernardino of Siena, 61 by 38 cm., Both by Vittore Crivelli. Tempera on Panel. (Van Heek Collection, s'Heerenberg, Arnhem, Netherlands.)
Attributed works:
44. Risen Christ. Tempera on Panel. (Formerly Van Diemen Collection, New York; Present Whereabouts Unknown.)
Attributed works:
45. St Jerome Doing Penance in the Desert, by Vittore Crivelli. Tempera on Panel. (Formerly Spiridon Collection, Paris; Sold Berlin, 1929; Present Whereabouts Unknown.)
Attributed works:
46. Apostle with a Scroll. Tempera on Panel. (Formerly Van Diemen Collection, New York; Present Whereabouts Unknown.)
Attributed works:
47. Apostle Reading, by Vittore Crivelli. Tempera on Panel, 24 by 17.2 cm. (Staatliches Lindenau Museum, Altenburg.)
Attributed works:
48. Left: St Jerome, 61.3 by 38.4 cm. Right: St Catherine, 61.3 by 38.4 cm., Both by Vittore Crivelli. Tempera on Panel. (Victoria and Albert Museum.)
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