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47 articles
Article
Portraits of the exiled Stuarts by Scottish painters
02/2023 | 1439 | 165
Pages: 141-152
related names
Author:
Corp, Edward (Corp, Edward)
Subjects
artists:
places:
Illustrations
Attributed works:
1. James III, by Francesco Trevisani. 1719. Oil on canvas, 97.8 by 74.6 cm. (Royal Collection Trust / © His Majesty King Charles III 2023).
Attributed works:
10. Queen Clementina, by William Mosman after Francesco Trevisani. c.1733. Oil on canvas, 72.4 by 60.8 cm. (Private collection).
Attributed works:
11. Prince Charles Edward Stuart, by William Mosman. 1740. Oil on canvas, 76.2 by 63.8 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
12. James III, by Cosmo Alexander after Anton Raphael Mengs. 1752. Oil on canvas. (Private collection).
Attributed works:
13. Prince Charles Edward Stuart, by Cosmo Alexander after Maurice Quentin de La Tour. 1752. Oil on canvas, 77.5 by 74.9 cm. (Drambuie Collection, Edinburgh).
Attributed works:
14. Prince Charles Edward Stuart, by Katherine Read after Maurice Quentin de La Tour. 1748. Oil on canvas, 62.5 by 49 cm. (Private collection; © Christie’s Images; Bridgeman Images).
Attributed works:
2. Queen Clementina and Prince Charles Edward Stuart, by Girolamo Pesci. 1721. Oil on canvas, 157.6 by 116.8 cm. (Private collection).
Attributed works:
3. James III and Queen Clementina, by John Smibert after Girolamo Pesci. 1721. Oil on canvas. (Private collection).
Attributed works:
4. James III, by Antonio David after Martin van Meytens. 1730. Oil on canvas, 73.2 by 61 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
5. James III, possibly by Colin Erskine. 1732 or 1733. Oil on canvas, 76 by 63.5 cm. (Drambuie Collection, Edinburgh).
Attributed works:
6. James III, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Private collection).
Attributed works:
7. Queen Clementina, by William Mosman after Francesco Trevisani. 1733. Oil on canvas, 96 by 73 cm. (Pininski Foundation, Liechtenstein).
Attributed works:
8. Queen Clementina, by Francesco Bertosi after Francesco Trevisani. 1735. Oil on canvas, 98 by 73 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
9. Queen Clementina, here attributed to Antonio David. 1719 or 1720. Oil on copper, 25.8 by 19.4 cm. (Private collection).
Article
Christian VII of Denmark’s lost British portraits
02/2022 | 1427 | 164
Pages: 155-163
related names
Author:
Ayres, Sara (Ayres, Sara)
Subjects
dates:
Illustrations
Attributed works:
1. Christian VII in coronation robes, holding the crown and sceptre, by Alexander Roslin. 1772. Oil on canvas, 129 by 93 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
2. Augusta, Duchess of Brunswick, with her son, by Angelica Kauffmann. 1767. Oil on canvas, 272.1 by 180.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
3. Christian VII, King of Denmark, by Nathaniel Dance Holland. 1768. Oil on canvas, 76.6 by 63 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
4. Christian VII, King of Denmark, by Richard Houston, after Angelica Kauffmann. c.1768–75. Mezzotint, 39.9 by 28.9 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
5. Queen Caroline Matilda, by James Watson, after Francis Cotes. c.1766–71. Mezzotint, 37.6 by 27.6 cm. (Royal Collection Trust; © HM Queen Elizabeth II, 2022).
Attributed works:
6. Christian VII, King of Denmark, after Angelica Kauffmann. 1768. Oil on canvas, 23.5 by 19 cm. (The Museum of National History, Frederiksborg Castle, Hillerød).
Attributed works:
7. Christian VII, King of Denmark, here attributed to Edward Francis Cunningham (Calze). 1768. Pastel on paper, 62.5 by 51.4 cm. (Rosenborg Slot, Copenhagen).
Attributed works:
8. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 71 cm. (Private collection, Darmstadt).
Attributed works:
9. Christian VII, King of Denmark, formerly attributed to Angelica Kauffmann. 1768. Oil on canvas, 91 by 72 cm. (Private collection, Copenhagen).
Book Review
Allan Ramsay. Portraits of the Enlightenment, M. Campbell
08/2014 | 1337 | 156
Pages: 539
related names
Reviewer:
Postle, Martin (Postle, Martin)
Subjects
artists:
dates:
Illustrations
Attributed works:
40. William Hunter, by Allan Ramsay (Hunterian Museum and Art Gallery, Glasgow)
Book Review
Allan Ramsay and the Search for Horace's Villa
03/2003 | 1200 | 145
Pages: 227
related names
Reviewer:
Salmon, Frank (Salmon, Frank)
Subjects
artists:
Reviewed Items
artists:
Allan Ramsay and the Search for Horace's Villa | author: Brown, Iain Gordon , author: Frischer, Bernard D.
Book Review
Allan Ramsay: A Complete Catalogue of His Paintings
11/2000 | 1172 | 142
Pages: 708-709
related names
Reviewer:
Millar, Oliver (Millar, Oliver; Millar, Mr.; Miller, Oliver)
Subjects
artists:
places:
Reviewed Items
subjects:
Allan Ramsay: A Complete Catalogue of His Paintings | author: Ingamells, John , author: Smart, Alastair
Article
Frame Studies: II. Allan Ramsay and Picture Frames
07/1994 | 1096 | 136
Pages: 444-455
related names
Author:
Simon, Jacob (Simon, Jacob)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
49. Martha, Countess of Elgin, by Allan Ramsay, with Frame. c.1759. 76.2 by 63.5 cm. (The Earl of Elgin and Kincardine).
Attributed works:
50. Lady Helen Wemyss, by Allan Ramsay, with Frame. 1754. 76.2 by 63.5 cm. (The Earl of Wemyss and March).
Attributed works:
51. Detail of the Frame in fig.50. Width 10.5 cm; Depth 7.6 cm.
Attributed works:
52. Detail of the Frame in fig.55. Width 8 cm; Depth 6.3 cm.
Attributed works:
53. Detail of the Frame on Margaret Ramsay, the Artist's Second Wife, by Allan Ramsay. c.1758-60. Frame Width 10.2 cm; Depth 4.5 cm. (National Gallery of Scotland, Edinburgh).
Attributed works:
54. Detail of Frame in fig.56. Width 10.9 cm; Depth 7.6 cm.
Attributed works:
55. Charles, Viscount Mahon, Afterwards 3rd Earl Stanhope, by Allan Ramsay, with Its Frame. 1763. 76 by 63.5 cm. (The Trustees of the Chevening Estate).
Attributed works:
56. Lady Susan Fox-Strangways, by Allan Ramsay, with Frame. 1761. 76 by 63.5 cm. (Private Collection).
Attributed works:
57. Thomas, Lord Mansel of Margam and His Half-Brothers and Half-Sister, by Allan Ramsay, with Frame (Photographed c.1913). 1742. (Tate Gallery, London).
Attributed works:
58. Detail of the Frame in fig.57. Width at Corner 17.8 cm; Depth 6 cm.
Attributed works:
59. Detail of the Frame on Dr Richard Mead, by Allan Ramsay. 1747. Frame Width 6.3 cm; Depth 6.3 cm. (The Thomas Coram Foundation for Children, London).
Attributed works:
60. Anne Chambers, Countess Temple, by Allan Ramsay, with Frame. 1760. (The Trustees of the Chevening Estate).
Attributed works:
61. Detail of the Frame in fig.60. Width 10.9 cm; Depth 6.5 cm.
Attributed works:
62. Detail of Frame Made by Sefferin Alken to a Design by Robert Adam on George Coventry, 6th Earl of Coventry, by Allan Ramsay. 1764. Frame Width 12.3 cm; Depth 8.5 cm. (Croome Estate Trustees).
Attributed works:
63. Frame Design, by Robert Adam. 1764. 25 by 36 cm. (Sir John Soane's Museum, London).
Attributed works:
64. Detail of Frame on Queen Charlotte with Her Two Eldest Children, by Allan Ramsay. Begun c.1764. Frame Width 15.8 cm; Depth 10.8 cm. (Royal Collection).
Attributed works:
65. Queen Charlotte, Studio of Allan Ramsay, with Frame Here Attributed to Isaac Gosset. 1784. Frame Width 15.2 cm; Depth 8.9 cm. (Lord Sackville, Knole).
Attributed works:
66. King George III, by Allan Ramsay and Studio, with Frame Here Attributed to Rene Stone. Frame Width 17.8 cm; Depth 7.6 cm. (Scottish National Portrait Gallery, Edinburgh).
Attributed works:
67. Queen Caroline, by Charles Jervas and Studio, with Frame Here Attributed to Gerrard Howard. c.1727-37. (Art Market, 1970).
Exhibition Review
Allan Ramsay. Edinburgh and London
10/1992 | 1075 | 134
Pages: 677-678
related names
Reviewer:
Allen, Brian (Allen, Brian)
Subjects
artists:
dates:
subjects:
Illustrations
Attributed works:
51. Sir Edward and Lady Turner, by Allan Ramsay, 1740. 108 by 108 cm. (F. A. W. Page-Turner Trust with the National Trust, Canons Ashby; Exh. Scottish National Portrait Gallery, Edinburgh).
Attributed works:
52. Lady Louisa Conolly, by Allan Ramsay, 1759. 233.7 by 142.2 cm. (Private Collection; Exh. Scottish National Portrait Gallery, Edinburgh).
Attributed works:
53. Lady Walpole Wemyss, by Allan Ramsay. 1754. 74.9 by 62.2 cm. (The Earl of Wemyss and March; Exh. Scottish National Portrait Gallery, Edinburgh).
Attributed works:
54. Augusta of Saxe-Gotha, Princess Dowager of Wales, by Allan Ramsay. 1769. 141 by 114.3 cm. (S. K. H. der Prinz von Hannover; Exh. Scottish National Portrait Gallery, Edinburgh).
Supplement
Recent Acquisitions in Edinburgh Museums: Supplement
08/1990 | 1049 | 132
Pages: 609-612
Subjects
artists:
artists:
artists:
artists:
artists:
artists:
dates:
places:
Illustrations
Attributed works:
I. Landscape with Christ and John the Baptist, by Goffredo Wals. Copper, 28.5 cm. diam. Purchased with the Aid of the National Art Collections Fund, 1990. (National Gallery of Scotland).
Attributed works:
II. The Bell Rock lighthouse, by Joseph Mallord William Turner. Water-colour and gouache with scratching out, 30.6 by 45.5 cm. Purchased with major contributions from the National Heritage Memorial Fund and the Pilgrim Trust. (National Gallery of Scotland). Robert Stevenson, who built the Bell Rock lighthouse, wrote an account of its revolutionary design and construction for which he needed an engraved view as illustration, and he asked Sir Walter Scott for an introduction to Turner. The subject of human enterprise against the sublime power of the sea obviously appealed to the artist.
Attributed works:
III. Chesterfield wine cooler, with the maker's mark of Paul Crespin overstriking that of Paul de Lamerie. 1727-28. Silver, 27.2 cm. high. The Victoria and Albert Museum and the National Museums of Scotland succeeded in raising £750,000 to save the two Chesterfield wine coolers from export, and the second is now in the V & A. Major financial assistance was received from the National Heritage Memorial Fund, the National Art Collections Fund, Christie's International, the Pilgrim Trust, the Wolfson Foundation and the Worshipful Company of Goldsmiths, London. (Royal Museum of Scotland). The pair is from the ambassadorial service issued by the Royal Jewel House to Philip Dormer Stanhope, 4th Earl of Chesterfield (1694-1773) for his embassy to The Hague between 1728 and 1732.
Attributed works:
IV. Hew Dalrymple, Lord Drummore, by Allan Ramsay. 1754. 127 by 102.2 cm. Purchased with assistance from the National Heritage Memorial Fund and the National Art Collections Fund, 1989. (Scottish National Portrait Gallery). Ramsay's preliminary drawing for the portrait has been in the National Gallery of Scotland since 1860.
Attributed works:
IX. Pylons, by Tristram Hillier. 1933. 92 by 60.3 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Pylons was exhibited at the 1934 Unit One exhibition held at the Mayor Gallery, London, where it was purchased by Miss Watt. With Fig. VIII, it forms part of her remarkable collection of modern British art bequeathed to the Gallery on her death in 1989.
Attributed works:
V. Model for the monument to Henry Petty, 1st Earl of Shelburne (1675-1751, attributed to Louis François Roubiliac. Terracotta, 71 by 64 by 21 cm. Acquired in 1989. (Royal Museum of Scotland.)) This rejected proposal for the monument to the 1st Earl of Shelburne was probably made between the Earl's death on 17th April 1751 and 14th August 1751 when Peter Scheemakers apparently received the first payment for the tomb at High Wycombe, Buckinghamshire which is dated 1754. The relief, supported by three allegorial figures, shows the knighting of the Earl's father, Sir William Petty. Along the top of the plinth are traces of missing, sketchily modelled statuettes of the Earl's wife (d.1740) and other members of his family. An article by Malcolm Baker on this commission will appear in a forthcoming issue of this Magazine.
Attributed works:
VI. Self Portrait, by Robert Colquhoun. 41.2 by 33 cm. Purchased with the Help of the National Art Collections Fund (Modern Art Fund) in 1990. (Scottish National Portrait Gallery).
Attributed works:
VII. View of the square in Kastellet looking towards Kastelsvolden, by Christen Ko̵bke. c.1830. 30 by 23.5 cm. Purchased with the aid of the National Art Collections Fund, 1989. (National Gallery of Scotland). This early work by one of the Danish masters of the 'Golden Age' shows the bakery of the Kastellet, the citadel in Copenhagen which then served as a prison. The bakery was owned by Ko̵bke's father who is shown here with Major J. J. Krohn and the prison sergeant, Sporch.
Attributed works:
VIII. The ballet, by William Roberts. c.1933. 40.8 by 45.6 cm. Miss Elizabeth Watt Bequest, 1989. (Scottish National Gallery of Modern Art). Miss Watt purchased the picture from an exhibition of the London Artists Association held at the Cooling Galleries, Bond Street in 1933.
Attributed works:
X. Untitled (figure with raised arm), by Georg Baselitz. 1982-84, Painted wood, 253 by 71 by 46 cm. Purchased with assistance from the National Art Collections Fund, 1989. (Scottish National Gallery of Modern Art).
Attributed works:
XI. Mont Alba, by Charles Rennie Mackintosh. c.1923-27. Water-colour, 38.7 by 43.8 cm. Purchased 1990. (Scottish National Gallery of Modern Art). This is the first water-colour by Mackintosh to be acquired by the Gallery.
Advertisements
Advertisements October 1986 (Front)
10/1986 | 1003 | 128
Pages: i-xxxvi
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
artists:
Illustrations
Attributed works:
May 1955 (Gwithian), by Ben Nicholson. (Yale Center for British Art, New Haven, Connecticut)
Attributed works:
[Agnew, 43 Old Bond Street, London] John Singleton Copley, RA. 1738-1815. Richard Heber. Oil on Canvas. 65¼ × 51¼in. 1782
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, Duke Street, London] Sir Charles Eastlake Pra 1793-1865, A View of Rome. Oil on Canvas, Signed, Inscribed and Dated 1827. 20½ × 26½in.
Attributed works:
[Browse & Darby, 19 Cork Street, London] Duncan Grant, Cyclamen, 1913. Oil on Board, 29¼ × 24 ¾ Inches
Attributed works:
[C.G. Boerner, Kasernenstraße 13, Dusseldorf] Jacques Callot (1592-Nancy-1635) Etching. Meaume 139. Lieure 1416 III (OfV).
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Joseph Wright of Derby A. R. A. 1734-1797. Portrait of Miss Frances Warren. Canvas: 127 × 101.6 cms.
Attributed works:
[Crane Kelman Gallery 178 Brompton Road London] Marino Marini (1901-1980). Henry Moore. Stamped w. Raised Initials M. M. Bronze, Brown Patina. Height 12¼ ins. (31 cms) Cast 1962. Edition ⅔
Attributed works:
[Crane Kelman Gallery, 178 Brompton Road, London] Graham Sutherland. Tethered Cow 1944. Gouache on Two Pieces of Paper (21 × 16 ins.) Signed and dated
Attributed works:
[Donohoe, 1-7 Davies Mews, London] Well Engraved Silver Pumpkin Kettle. on Stand Fully Marked by Eliza Godfrey 1752. Armorial of Style from Wateringbury Place in Kent. 44 Troy ozs (1363 Grams).
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Adam Frans van der Meulen. 1632-1690. Oil on Canvas 46 × 55 cm. Louis XIV, as Commander in a Cavalry Engagement
Attributed works:
[Frau Theano Staehlin Kunsthandel in co-operation with Saddey & Ellenes Fine Art Ltd, Freiestrasse 110, Zurich] Hans von Aachen. Cologne 1552-Prague 1616. The Martyrdom of St. Catherine. Oil on Copper 42.5 × 29.5 cm.Adam Frans van der Meulen. 1632-1690. Oil on Canvas 45 × 55 cm. Louis XIV and His Generals at the Siege of Lille
Attributed works:
[Galerie d'Art St Honoré, 267 rue Saint Honoré, Paris] Abel Grimmer (Antwerp 1570-1619). 'Summer'. Oil on Panel. 43 by 31 cm. Provenance: Belgian Private Collection.
Attributed works:
[Gallery Lingard, 50 Pall Mall, London] Percy Worthington & Francis Jones, A Design for Manchester Grammar School, 1929. Drawn by J D Harvey. Pencil & Charcoal, 27½ × 32½ Inches. Signed & Dated.
Attributed works:
[John Mitchell & Son, 8 New Bond Street, London] Jane Hamilton by 1713 Allan Ramsay 1784. Signed and Dated 1745 Oil on Canvas. 24 ¾ × 20 Inches.
Attributed works:
[Laurentius, Orangerie Duivenvoorde, Voorschoten, Holland] Herman Naywincx (1624-1651). The Little Bridge near the Rock. Etching. H6, II(3).
Attributed works:
[Lawrence Fine art of Crewkerne, South Street, Crewkerne] Ozias Humphry, R. A. Portrait of Richard, 2nd Earl of Mornington (Later Marquess Wellesley) K. P., Signed with Initials, and Dated 1783, Watercolour. 8½ × 6 ¾ in.
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Avigdor Arikha Young Woman Undressing 1985 Charcoal 38¼ × 25 ⅛ in/97 × 64cm.
Attributed works:
[Martyn Gregory, 34 Bury Street, London] Edward Lear. Near Spartella, Corfu
Attributed works:
[Martyn Gregory, 34 Bury Street, London] Walter Greaves. Portrait of Whistler
Attributed works:
[Mia N. Weiner, 36 East 64th Street, New York] Taddeo Zuccaro. Ca. 1550's. God and Goddess (For a Facade Decoration). Black Chalk Underdrawing, Pen & Brown Ink & Wash. 6 ⅛ times 8 ⅝.
Attributed works:
[N.R. Omell, 6 Duke Street, London] Walter W. May R. I. 1830-1896. Becalmed among the Ice Floes. Provenance: The Edward James Collection. On Canvas: 13 × 20½ Inches. Signed and Dated 1889
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Augustus John, RA, NEAC, 'Portrait of Edith Ashley, 1911'. Pencil on White Paper. 5 × 5 ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward Coley Burne-Jones, Bt., ARA, 'Study for the Medusa Head for the Perseus Series'. Pencil on White Paper. Signed with Initials and Dated 1876 6¼ × 5½ ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir Edward John Poynter, Bt, PRA, RWS, 'Study for Diadumene'. Sanguine Chalk on White Paper. Dated Dec. 20. '81. 14½ × 10 ins
Attributed works:
[Peter Nahum, 5 Ryder Street, London] Sir John Everett Millais, Bt, PRA, 'Study for North West Passage'. Signed, Inscribed and Dated 1874. 6½ × 8¼ ins
Attributed works:
[Philips, 7 Blenheim Street, London] Harold Knight, "The Council," Signed, Oil on Canvas, 150 cm × 183 cm. Estimate: £50,000 - £80,000.
Attributed works:
[Phillips, 7 Blenheim Street, London] Gabriel Deschamps, "Provence - Rue du Village."
Attributed works:
[Richard Green, 44 Dover Street, London] John Wootton (1682-1764). A Huntsman with Hounds in a Landscape. Signed. Canvas: 50 × 40 in/127 × 101.5 cm.
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Richard Wilson, R. A., "On Hounslow Heath," Circa 1765. Oil on Canvas; 37 by 46 cm, Signed with Monogram, Bottom Left
Attributed works:
[Saddey & Ellenes Fine Art Ltd in co-operation with Frau Theano Staehelin Kunsthandel, 7 Redford Avenue, London] Hans von Aachen. Cologne 1552-Prague 1616. The Martyrdom of St. Catherine. Oil on Copper 42.5 × 29.5 cm.
Attributed works:
[Sotheby's, New York] Bronze Head of a Satyr, Attributed to Benvenuto Cellini. Second Third of the 16th Century, Height 9.7cm. Estimate on Request.
Attributed works:
[Sotheby's, New York] Honore Daumier, Un Atelier de Peintre, c. 1860-70, Pen and Ink with Grey Wash over Chalk, 31.1 × 45cm. Auction Estimate. £200,000-£300,000.
Attributed works:
[Sotheby's, New York] Leonardo da Vinci, Recto: Sheet of Studies, Including 3 Sketches of a Child Embracing a Lamb and 3 Lines of Text, in Mirror Writing. Verso: Sheet of Studies - a Child with a Lamb, Head of an Old Man, Studies of Machinery and Several Lines of Explanatory Text, in Mirror Writing, c. 1500-1506, Pen and Brown Ink and Black Chalk; 203 × 138mm. Auction Estimate upon Request.
Attributed works:
[The Fine Art Society, 148 New Bond Street, London] George Vincent 1796-c1836, View of Calton Hill, Edinburgh, Evening. 54″ × 75 ¾
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] John Robert Cozens. Painted Circa 1783. Capri from Sir William Hamilton's Villa. Size: 10 ⅜ times 14 ¾ Inches. Bell and Girtin, No. 236.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Hearne. Painted Circa 1774. Antigua with the English Barracks. Size: 20¼ × 29 Inches.
Attributed works:
[The Weiss Gallery Plc] Daniel Mytens. 'William Herbert. 3rd Earl of Pembroke'. 39½″ × 49½″. Marcus Gheeraerts. Portrait of a Lady. 44″ × 32½″
Attributed works:
[Thomas Le Claire Kunsthandel, Elbchausse 156, Hamburg] Baccio Bandinelli (1493 Florence 1560). "Study of Male Nudes", Pen and Brown Ink, 297 × 209 mm.
Attributed works:
[William Drummond, 2-10 Ryder Street, London] James Ward Royal Academician 1769-1859. Signed with Initials J. W.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] George Stubbs 1724-1806, Haymakers. Etching and Engraving. 1791. 484 × 680mm.
Attributed works:
[William Weston Gallery, 7 Royal Arcade, Albemarle Street, London] Thomas Gainsborough 1727-1788, Wooded Landscape with Carts. Softground Etching. 1779. 294 × 390mm.
Non-western art unattributed:
[F. Dörling, Neuer Wall 40, Hamburg] St. Florus and St. Laurus. Tempera/Wood. Russia, Moscow School. 17th Century. 104: 75 cm.
Non-western art unattributed:
[Lee & Sons, 23 rue de Lille, Paris]'The Walking Buddha'. Sukhothai. Height 32 cm. Beginning of the Fifteenth Century.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] French Louis XIV Frame. Sight Size 36 ⅞ times 26 ⅜ ins Section Width 4 ⅝ ins
Western art unattributed:
[C. John (Rare rugs) Ltd, 70 South Audley Street, London] A Rare English Needlework Rug. Circa 1780. Pastel Colours on a Chocolate Brown Background with a Yellow Ground Border. 11′ by 8′9″
Western art unattributed:
[Nella Longari, via Bigli 15, Milan] High Relief in Wood. "Saint with a Book". Tuscany, 15th Century. Measurements: h. 46 cm. w. 23 cm
Western art unattributed:
[Oscar & Peter Johnson Ltd, Lowndes Lodge Gallery, 27 Lowndes Street, London] A View of the Gate House, St. Osyth, Essex. English School - Circa 1800. Oil Painting; Canvas 26½ × 39 Inches; Framed
Short Notice
Young Allan Ramsay in Edinburgh
12/1984 | 981 | 126
Pages: 778-779+781
related names
Author:
Brown, Iain Gordon (Brown, Iain Gordon; Brown, Iain G.)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
51. John, Lord Mountstuart, by Allan Ramsay. 1759. 236.2 by 147.3 cm. (Private Collection).
Attributed works:
52. Study for John, Lord Mountstuart, by Allan Ramsay. 1759. Black Chalk Heightened with White on Blue Paper, 46.1 by 29.6 cm. (National Gallery of Scotland).
Attributed works:
53. An Archer, by Allan Ramsay, after Salvator Rosa. Pen and Black Ink, 14 by 9 cm. (National Gallery of Scotland).
Attributed works:
54. Putto with Hook and Laurel Wreath. by Allan Ramsay. Pen and Grey Wash, 20.5 by 17 cm. (National Gallery of Scotland).
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