Alexander von Humboldt
and the United States: Art,
Nature, and Culture
By Eleanor Jones Harvey. 448 pp. incl.
215 col. + 22 b. & w. ills. (Smithsonian
American Art Museum, Washington,
and Princeton University Press,
Princeton NJ and Oxford, 2020),
£62. ISBN 978–0–691–20080–4. |
:
Illustrations
Attributed works:
13. Alexander
von Humboldt, by
Friedrich Georg
Weitsch. 1806.
Oil on canvas,
126 by 92.5 cm.
(Nationalgalerie,
Berlin; exh.
Smithsonian
American
Art Museum,
Washington).
Attributed works:
14. Géographie
des plantes
équinoxiales, by
Alexander von
Humboldt and
Aimé Bonpland.
1805. Handcoloured
print,
61 by 91.4 cm.
(Royal Botanic
Gardens, Kew;
exh. Smithsonian,
American
Art Museum,
Washington).
Attributed works:
15. Heart of
the Andes, by
Frederic Edwin
Church. 1859.
Oil on canvas,
168 by 302.9 cm.
(Metropolitan
Museum of Art,
New York; exh.
Smithsonian
American
Art Museum,
Washington).
Book Review
The Painter’s Touch: Boucher, Chardin, Fragonard. By Ewa Lajer-Burcharth
The Painter’s Touch: Boucher,
Chardin, Fragonard
By Ewa Lajer-Burcharth. 312 pp. incl. 154 col. + 104
b. & w. ills. (Princeton University Press, Princeton
NJ, 2018), 54. ISBN 978–0–691–17012–1. |
:
Illustrations
Attributed works:
1. Dead hare with powder flask and game bag,
by Jean Baptiste Sim on Chardin. c.1726–30.
Oil on canvas, 98 by 77 cm. (Mus e du Louvre,
Paris; Bridgeman Images).
Exhibition Review
Peter the Great: Collector, Scholar, Artist. Moscow Kremlin Museums
Peter the Great: Collector,
Scholar, Artist
Moscow Kremlin Museums
29th November 2019–8th March |
:
Illustrations
Attributed works:
20. Compass, by
Peter the Great.
1709. Ivory,
brass, paper,
iron, glass, ink,
paints, diameter
13.5 cm. (Dresden
Armoury, Dresden
State Arts
Collection; exh.
Moscow Kremlin
Museums).
Non-western art unattributed:
22. Tracery belt
plate with dragons.
Siberia, 2nd–1st
centuries BC.
Gold cornelian,
glass, black stone,
casting, inlay,
9 by 15.1 cm.
(State Hermitage
Museum, St
Petersburg; exh.
Moscow Kremlin
Museums).
Western art unattributed:
21. Ceremonial
mace. Turkey,
second half of
the 17th century.
Silver, copper,
jade, turquoise,
wood, forging,
chasing, gilding,
incrustation,
length 73 cm.
(Moscow Kremlin
Museums).
Book Review
De l’expertise artistique à la vulgarisation au siècle des Lumières: Jean-Baptiste Descamps (1715–1791) et la peinture flamande, hollandaise et allemande. By Gaëtane Maës
De l’expertise artistique à la vulgarisation
au siècle des Lumières: Jean-Baptiste
Descamps (1715–1791) et la peinture
flamande, hollandaise et allemande
By Gaëtane Maës. 608 pp. incl. 28 col. + 89
b. & w. ills. (Brepols, Turnhout, 2016), £145.
ISBN 978–2–503–56770–9. |
:
Book Review
Benjamin West and the Struggle to be Modern, by L. Grossman
70. Tampoco, plate 36 from Los Desastres de la Guerra, by Francisco de Goya. c.1810-20, published 1863 (Yale University Art Gallery, New Haven)
Attributed works:
71. A lion attacking a horse, by George Stubbs. 1770 (Yale Center for British Art, New Haven)
Attributed works:
72. Femmes d'Alger, by Eugène Delacroix. 1833 (Yale University Art Gallery, New Haven)
Attributed works:
73. Hadleigh Castle, The Mouth of the Thames - Morning after a Stormy Night, by John Constable. 1829 (Yale Center for British Art, New Haven; exh. Yale University Art Gallery, New Haven)
Book Review
Allan Ramsay. Portraits of the Enlightenment, M. Campbell
80. Exterior view of the National Museum of China, Beijing, renovated by Gerkan, Marg and Partners (gmp) architects, 2011.
Attributed works:
81. Interior view of the National Museum of China, Beijing, renovated by Gerkan, Marg and Partners (gmp) architects, 2011.
Attributed works:
82. Gathering in the open air, by Jean-Antoine Watteau. c.1720. Canvas, 111 by 163 cm. (Staatliche Museen, Berlin; exh. National Museum of China, Beijing).