Against the Avant-Garde: Pier Paolo
Pasolini, Contemporary Art, and
Neocapitalism
By Ara H. Merjian. 304 pp. incl. 175 col. +
b. & w. ills. (University of Chicago Press, 2020),
£36. ISBN 978–0–226–65527–7. |
:
Illustrations
Attributed works:
8. Intellettuale: ‘Il Vangelo secondo Matteo’ di/
su Pier Paolo Pasolini, by Fabio Mauri. 1975.
Performed at Galleria Comunale, Bologna,
31st May 1975. (Courtesy Stefano Masotti,
Estate of Fabio Mauri and Hauser & Wirth;
photograph Antonio Masotti).
London’s New Scene: Art and Culture
in the 1960s
By Lisa Tickner. 416 pp. incl. 80 col. +
120 b. & w. ills. (Paul Mellon Centre for
Studies in British Art, London, 2020), £35.
ISBN 978–1–913107–10–9. |
:
Book Review
The Painter’s Touch: Boucher, Chardin, Fragonard. By Ewa Lajer-Burcharth
The Painter’s Touch: Boucher,
Chardin, Fragonard
By Ewa Lajer-Burcharth. 312 pp. incl. 154 col. + 104
b. & w. ills. (Princeton University Press, Princeton
NJ, 2018), 54. ISBN 978–0–691–17012–1. |
:
Illustrations
Attributed works:
1. Dead hare with powder flask and game bag,
by Jean Baptiste Sim on Chardin. c.1726–30.
Oil on canvas, 98 by 77 cm. (Mus e du Louvre,
Paris; Bridgeman Images).
Exhibition Review
Pietro Aretino and the Art of the Renaissance. Gallerie degli Uffizi, Florence
Pietro Aretino and the Art
of the Renaissance
Gallerie degli Uffizi, Florence
27th November 2019–1st March |
:
Illustrations
Attributed works:
4. Pietro Aretino,
by Titian. 1545.
Oil on canvas,
96.7 by 77.6 cm.
(Palazzo Pitti,
Florence; exh.
Gallerie degli
Uffizi, Florence).
Attributed works:
5. Thetis, Nereus,
Adria and
Glaucus (from
La Talanta), by
Giorgio Vasari.
Black chalk,
pen and ink and
wash on blue
paper, 25 by 33.8
cm. (Musée du
Louvre, Paris;
exh. Gallerie degli
Uffizi, Florence).
Attributed works:
6. Sonetti
lussuriosi
(Opuscolo
Toscanini), by
Pietro Aretino.
c.1550. Woodcuts
on paper, 15.6 by
9.8 cm. (Private
collection; exh.
Gallerie degli
Uffizi, Florence).
Book Review
Architects and Intellectual Culture in Post-Restoration England. By Matthew Walker
Architects and Intellectual Culture in
Post-Restoration England
By Matthew Walker. 256 pp. incl. 30 b. & w. ills.
(Oxford University Press, Oxford, 2017), |
:
Illustrations
Attributed works:
1. The anatomy theatre, Royal College
of Physicians, Warwick Lane, London,
by David Loggan. 1677. Engraving, 16.9
by 10.4 cm.
6. One hundred fans. Korean, c.1900. Sixpart
screen, pigment and ink on paper,
wood, silk and textile, 139.5 by 327 cm.
(Museum of Ethnology, Hamburg).
Book Review
William Morris and his Palace of Art: Architecture, Interiors and Design at Red House
4. Altar frontal. 1741. Gold, silver and silk threads on silk, 67.5 by 97.5 cm. (Mother See of Holy Etchmiadzin, Armenia; exh. Metropolitan Museum of Art, New York).
Non-western art unattributed:
5. Alexander Romance. Rome, 1538–44 and unknown location, sixteenth century. Tempera and ink on parchment, 24 by 17.8 cm. (‘Matenadaran’ Mesrop Mashtots’ Institute-Museum of Ancient Manuscripts, Yerevan, MS 5472; exh. Metropolitan Museum of Art, New York).
Non-western art unattributed:
6. Khachkar. Lori Berd, twelfth to thirteenth century. Basalt, 182.9 by 98.4 by 22.9 cm. (History Museum of Armenia, Yerevan; exh. Metropolitan Museum of Art, New York).