29. Buffalo AKG
Art Museum:
from left to
right, the Jeffrey
E. Gundlach
Building, the
Albright Bridge
and the Robert
and Elizabeth
Wilmers Building.
(Photograph
Marco
Cappelletti).
Attributed works:
30. The Ralph
Wilson Town
Square at
Buffalo AKG
Art Museum,
showing Common
Sky, by Studio
Other Spaces
(Olafur Eliasson
and Sebastian
Behmann). 2022.
(Photograph
Marco
Cappelletti).
Attributed works:
31. A gallery in
the Robert and
Elizabeth Wilmers
Building at
Buffalo AKG Art
Museum with, in
the foreground,
two sculptures by
Auguste Rodin,
Eve (After the
Fall) (1881), and
The Age of Bronze
(1875–76, cast
1911). (Photograph
Marco
Cappelletti).
Attributed works:
32. Installation
view of Clyfford
Still: A Legacy
for Buffalo in
the Jeffrey
E. Gundlach
Building, Buffalo
AKG Museum
of Art, 2023.
(Photograph
Marco
Cappelletti).
Attributed works:
33. A gallery
in the Robert
and Elizabeth
Wilmers Building
at the Buffalo
AKG Museum
of Art, showing,
from left to
right, Lovers,
by Rosalyn
Drexler (1963);
Tom Thumb, by
Marisol (1997);
100 cans, by
Andy Warhol
(1962); and
Head – Red and
Yellow, by Roy
Lichtenstein
(1962).
(Photograph
Marco
Cappelletti).
Andy Warhol Exhibits:
A Glittering Alternative
Museum of Modern Art, Ludwig
Foundation (MUMOK), Vienna
25th September 2020–30th May 2021
Defrosting the Icebox. Guesting
at mumok: The Hidden Treasures
of the Collection of Greek
and Roman Antiquities of the
Kunsthistorisches Museum and
Weltmuseum Vienna
Museum of Modern Art, Ludwig
Foundation (MUMOK), Vienna
25th September 2020–30th May 2021
Misfitting Together: Serial
Formations of Pop Art, Minimal
Art, and Conceptual Art
Museum of Modern Art, Ludwig
Foundation (MUMOK), Vienna
1st July 2020–25th April 2021 |
:
Illustrations
Attributed works:
1. Installation view
of Defrosting the
Icebox. Guesting
at mumok: The
Hidden Treasures
of the Collection of
Greek and Roman
Antiquities of the
Kunsthistorisches
Museum and
Weltmuseum
at Museum of
Modern Art,
Ludwig Foundation
(MUMOK), Vienna,
2020–21.
Attributed works:
2. Installation
view of Andy
Warhol Exhibits:
A Glittering
Alternative
at Museum
of Modern
Art, Ludwig
Foundation
(MUMOK),
Vienna, 2020–21,
showing the
Marbled Paper
drawings, by Andy
Warhol. c.1954.
Refabricated by
mumok under
the supervision
of Marianne
Dobner. (Museum
of Modern
Art, Ludwig
Foundation
(MUMOK),
Vienna).
Attributed works:
3. Nixe’s mate,
by Larry Poons.
1961. Acrylic on
canvas, 178 by 285
by 4 cm. (Ludwig
Foundation, Vienna;
exh. Museum
of Modern Art,
Ludwig Foundation
(MUMOK), Vienna)
London’s New Scene: Art and Culture
in the 1960s
By Lisa Tickner. 416 pp. incl. 80 col. +
120 b. & w. ills. (Paul Mellon Centre for
Studies in British Art, London, 2020), £35.
ISBN 978–1–913107–10–9. |
:
Andy Warhol
Tate Modern, London
12th March–15th November |
:
Illustrations
Attributed works:
1. Helen/Harry
Morales, from
Ladies and
Gentlemen, by
Andy Warhol.
1975. Acrylic
paint and
screenprint on
canvas, 35.6 by
27.9 cm. (Private
collection; exh.
Tate Modern,
London).
Attributed works:
2. Marilyn
diptych, by Andy
Warhol. 1962.
Acrylic paint on
two canvases,
each 205.4 by
144.8 cm. (Tate,
London).
Attributed works:
3. Sixty Last
Suppers, by Andy
Warhol. 1986.
Acrylic paint
and screenprint
on canvas,
294.6 by 998.2
cm. (Private
collection; exh.
Tate Modern,
London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
31. Scrapbook,
by Mary Watson.
1821. Cut-up
newspapers,
printed
illustrations and
handwritten
text, sheet
21 by 15 cm.
(Manchester
Metropolitan
University;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
32. Still from
Doll clothes, by
Cindy Sherman.
1975. 16mm film
transferred to
video, 2 mins 22
secs. (Courtesy
the artist and
Metro Pictures,
New York;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Attributed works:
33. Pretty
girl, by Linder.
1977. Magazine
with collage,
24 by 18.5 cm.
(Courtesy
the artist
and Modern
Art, London;
exh. Scottish
National Gallery
of Modern Art,
Edinburgh).
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
8. Donuts, Coffee, and Comics, by Jann Haworth. 1962–63. Stuffed fabric of assorted pattern and colour, approx. 65 by 69 by 54 cm. (Wolverhampton Art Galleries, courtesy the artist).