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40 articles
Exhibition Review
Buffalo AKG Art Museum
01/2024 | 1450 | 166
Pages: 87–91
related names
Reviewer:
Pergam, Elizabeth (Pergam, Elizabeth)
Subjects
dates:
Reviewed Items
subjects:
Buffalo AKG Art Museum From June 2023 | :
Illustrations
Attributed works:
29. Buffalo AKG Art Museum: from left to right, the Jeffrey E. Gundlach Building, the Albright Bridge and the Robert and Elizabeth Wilmers Building. (Photograph Marco Cappelletti).
Attributed works:
30. The Ralph Wilson Town Square at Buffalo AKG Art Museum, showing Common Sky, by Studio Other Spaces (Olafur Eliasson and Sebastian Behmann). 2022. (Photograph Marco Cappelletti).
Attributed works:
31. A gallery in the Robert and Elizabeth Wilmers Building at Buffalo AKG Art Museum with, in the foreground, two sculptures by Auguste Rodin, Eve (After the Fall) (1881), and The Age of Bronze (1875–76, cast 1911). (Photograph Marco Cappelletti).
Attributed works:
32. Installation view of Clyfford Still: A Legacy for Buffalo in the Jeffrey E. Gundlach Building, Buffalo AKG Museum of Art, 2023. (Photograph Marco Cappelletti).
Attributed works:
33. A gallery in the Robert and Elizabeth Wilmers Building at the Buffalo AKG Museum of Art, showing, from left to right, Lovers, by Rosalyn Drexler (1963); Tom Thumb, by Marisol (1997); 100 cans, by Andy Warhol (1962); and Head – Red and Yellow, by Roy Lichtenstein (1962). (Photograph Marco Cappelletti).
Exhibition Review
Andy Warhol Exhibits: A Glittering Alternative
03/2021 | 1416 | 163
Pages: 270-272
related names
Reviewer:
Anfam, David (Anfam, David)
Subjects
dates:
Reviewed Items
subjects:
Andy Warhol Exhibits: A Glittering Alternative Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum Vienna Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 25th September 2020–30th May 2021 Misfitting Together: Serial Formations of Pop Art, Minimal Art, and Conceptual Art Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna 1st July 2020–25th April 2021 | :
Illustrations
Attributed works:
1. Installation view of Defrosting the Icebox. Guesting at mumok: The Hidden Treasures of the Collection of Greek and Roman Antiquities of the Kunsthistorisches Museum and Weltmuseum at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21.
Attributed works:
2. Installation view of Andy Warhol Exhibits: A Glittering Alternative at Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna, 2020–21, showing the Marbled Paper drawings, by Andy Warhol. c.1954. Refabricated by mumok under the supervision of Marianne Dobner. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna).
Attributed works:
3. Nixe’s mate, by Larry Poons. 1961. Acrylic on canvas, 178 by 285 by 4 cm. (Ludwig Foundation, Vienna; exh. Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna)
Attributed works:
4. Ladies and gentlemen, by Andy Warhol. 1975. Acrylic, silkscreen on canvas, 120 by 80 cm. (Museum of Modern Art, Ludwig Foundation (MUMOK), Vienna; © The Andy Warhol Foundation for the Visual Arts, New York / Licensed by Bildrecht Vienna).
Book Review
London’s New Scene: Art and Culture in the 1960s
02/2021 | 1415 | 163
Pages: 191
related names
Reviewer:
Massey, Anne (Massey, Anne)
Subjects
dates:
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Reviewed Items
subjects:
London’s New Scene: Art and Culture in the 1960s By Lisa Tickner. 416 pp. incl. 80 col. + 120 b. & w. ills. (Paul Mellon Centre for Studies in British Art, London, 2020), £35. ISBN 978–1–913107–10–9. | :
Exhibition Review
Andy Warhol
09/2020 | 1410 | 162
Pages: 792-795
related names
Reviewer:
Boaden, James (Boaden, James)
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Reviewed Items
subjects:
Andy Warhol Tate Modern, London 12th March–15th November | :
Illustrations
Attributed works:
1. Helen/Harry Morales, from Ladies and Gentlemen, by Andy Warhol. 1975. Acrylic paint and screenprint on canvas, 35.6 by 27.9 cm. (Private collection; exh. Tate Modern, London).
Attributed works:
2. Marilyn diptych, by Andy Warhol. 1962. Acrylic paint on two canvases, each 205.4 by 144.8 cm. (Tate, London).
Attributed works:
3. Sixty Last Suppers, by Andy Warhol. 1986. Acrylic paint and screenprint on canvas, 294.6 by 998.2 cm. (Private collection; exh. Tate Modern, London).
Exhibition Review
Cut and Paste: 400 Years of Collage Scottish National Gallery of Modern Art (Modern Two), Edinburgh
09/2019 | 1398 | 161
Pages: 776-779
related names
Reviewer:
Thompson, Susannah (Thompson, Susannah)
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artists:
subjects:
Illustrations
Attributed works:
31. Scrapbook, by Mary Watson. 1821. Cut-up newspapers, printed illustrations and handwritten text, sheet 21 by 15 cm. (Manchester Metropolitan University; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
32. Still from Doll clothes, by Cindy Sherman. 1975. 16mm film transferred to video, 2 mins 22 secs. (Courtesy the artist and Metro Pictures, New York; exh. Scottish National Gallery of Modern Art, Edinburgh).
Attributed works:
33. Pretty girl, by Linder. 1977. Magazine with collage, 24 by 18.5 cm. (Courtesy the artist and Modern Art, London; exh. Scottish National Gallery of Modern Art, Edinburgh).
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
02/2019 | 1391 | 161
Pages: 158-161
related names
Reviewer:
Kachur, Lewis (Kachur, Lewis)
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Illustrations
Attributed works:
25. Installation view of Andy Warhol—From A to B and Back Again at the Whitney Museum of American Art, New York (Photograph by Ron Amstutz; © 2018 The Andy Warhol Foundation for the Visual Arts).
Attributed works:
26. Mao, by Andy Warhol. 1972. Acrylic, silkscreen ink and graphite on linen, 448 by 347 cm. (Art Institute of Chicago;  © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Attributed works:
27. Christine Jorgenson, by Andy Warhol. 1956. Collaged metal leaf and embossed foil with ink on paper, 32.9 by 40.7 cm. (Sammlung Froehlich, LeinfeldenEchterdingen; © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Publication Received
This Was Tomorrow: Pop Art in Great Britain. Edited by Ralf Beil and Uta Ruhkamp.
06/2018 | 1383 | 160
Pages: 526-527
related names
Reviewer:
Stratton, Rachel (Stratton, Rachel)
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museums and institutions:
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places:
Illustrations
Attributed works:
8. Donuts, Coffee, and Comics, by Jann Haworth. 1962–63. Stuffed fabric of assorted pattern and colour, approx. 65 by 69 by 54 cm. (Wolverhampton Art Galleries, courtesy the artist).
Exhibition Review
Stephen Shore
04/2018 | 1381 | 160
Pages: 341-342
related names
Reviewer:
Raz-Russo, Michal (Raz-Russo, Michal)
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Illustrations
Attributed works:
22. Verso and recto of American National Bank Building, 7th & Tyler from Greetings from Amarillo, ‘Tall in Texas’, by Stephen Shore. 1971. Offset lithograph (postcard), 8.9 by 14 cm. (Museum of Modern Art, New York; © Stephen Shore).
Attributed works:
23. Installation view showing All the Meat You Can Eat, by Stephen Shore. 147 prints, postcards and posters, dimensions variable, at the Museum of Modern Art, New York. (© Stephen Shore).
Attributed works:
24. Holden Street, North Adams, Massachusetts, July 13, 1974, by Stephen Shore. 1974. Chromogenic print, printed 2013, 42.8 by 54 cm. (Museum of Modern Art, New York; © Stephen Shore).
Book Review
The Art of Brutalism: Rescuing Hope from Catastrophe in 1950s Britain. By Ben Highmore
04/2018 | 1381 | 160
Pages: 353-354
related names
Reviewer:
Massey, Anne (Massey, Anne)
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Illustrations
Attributed works:
7. Machine Made America II, by John McHale. 1956. Collage reproduced on the cover of The Architectural Review, May 1957.
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