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4 articles
Exhibition Review
Andy Warhol—From A to B and Back Again. Whitney Museum of American Art, New York
02/2019 | 1391 | 161
Pages: 158-161
related names
Reviewer:
Kachur, Lewis (Kachur, Lewis)
Subjects
artists:
dates:
Illustrations
Attributed works:
25. Installation view of Andy Warhol—From A to B and Back Again at the Whitney Museum of American Art, New York (Photograph by Ron Amstutz; © 2018 The Andy Warhol Foundation for the Visual Arts).
Attributed works:
26. Mao, by Andy Warhol. 1972. Acrylic, silkscreen ink and graphite on linen, 448 by 347 cm. (Art Institute of Chicago;  © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Attributed works:
27. Christine Jorgenson, by Andy Warhol. 1956. Collaged metal leaf and embossed foil with ink on paper, 32.9 by 40.7 cm. (Sammlung Froehlich, LeinfeldenEchterdingen; © The Andy Warhol Foundation for the Visual Arts; exh. Whitney Museum of American Art, New York).
Article
Camille Pissarro’s ‘Turpitudes sociales’ revisited, part II: anarchism, anti-Semitism and Adolphe Willette
07/2016 | 1360 | 158
Pages: 547-551
related names
Author:
Thomson, Richard (Thomson, Richard)
Subjects
dates:
Illustrations
Attributed works:
28. Cover of Turpitudes sociales, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
29. L'hiver sera dur pour les goymes cette année (Discours de S.M. Rothschild, roi de France), by Adolphe Willette. Published in Le Pierrot 21 (30th August 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
30. Le Capital. Turpitudes sociales, no.1, by Camille Pissarro. 1889 (Collection of Jean Bonna, Geneva)
Attributed works:
31. Les Affaires; Accaparement - Misère!, by Jean-Louis Forain. Published in Le Fifre (30th March 1889). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Attributed works:
32. The Golden Calf, by Camille Pissarro. 1889 (Denver Art Museum)
Attributed works:
33. Detail of Les Juifs et la Semaine Sainte, by Adolphe Willette. Published in Le Courrier français (5th April 1885). (Zimmerli Art Museum, Rutgers University, New Brunswick)
Article
The visual arts in the BBC’s ‘The Listener’, 1929–39
09/2013 | 1326 | 155
Pages: 606-611
related names
Author:
Rose, Sam (Rose, Sam)
Subjects
art literature:
dates:
subjects:
subjects:
Illustrations
Attributed works:
18. 'Round the Art Exhibitions', with illustrations of works by René Magritte, Desmond Harmsworth and Tristram Hillier. The Listener 19 (13th April 1938), p. 801
Attributed works:
19. 'Christopher Wood', article by John Piper. The Listener 7 (20th April 1932), p.571
Attributed works:
20. 'Rehousing in Big Cities - Outwards or Upwards?', article by Walter Gropius. The Listener 11 (16th May 1934), p.814
Attributed works:
21. Front cover illustration for 'Signs', article by Paul Nash. The Listener 16 (11th November 1936)
Attributed works:
22. 'The Meaning of Art: An Introduction for the Plain Man', article by Herbert Read. Supplement No.1, The Listener 2 (25th September 1929), pp.ii-vii
Attributed works:
23. Advertisement for 'Modern Art', by J.E. Barton, a BBC booklet accompanying six broadcast talks by the author. The Listener 7 (16th March 1932), p.vii
Attributed works:
24. 'Artist and his Public: Medium and Craftsmanship', article by Eric Newton, with illustrations of sculpture by Jacob Epstein and Henry Moore. The Listener 13 (6th February 1935), p.241
Western art unattributed:
25. Front cover illustration for Anthony Bertram's 'Design' series of broadcast talks. The Listener 18 (6th October 1937)
Short Notice
Walter Richard Sickert’s ‘Echoes’ from the ‘London Journal’
04/2008 | 1261 | 150
Pages: 256-259
related names
Author:
Daniels, Rebecca (Daniels, Rebecca)
Subjects
print:
Illustrations
Attributed works:
61. La Traviata. Echo of Sir John Gilbert R.A., by Walter Sickert. c.1927–28. Canvas, 42 by 61 cm. (Private collection; photograph courtesy the Belgrave Gallery, London)
Attributed works:
62. ‘Count de Joyeux, M. de Verboix, and Politia de Champvans’, illustration by John Gilbert for Blythe Hall, published as the cover of the London Journal, week ending 19th July 1856. (British Library, London)
Attributed works:
63. Figures in fancy dress at a banquet, by Walter Sickert. Early 1930s. Canvas, 45.7 by 71.1 cm. (Private collection)
Attributed works:
64. ‘The Banquet at the Vatican’, illustration by John Gilbert for Faust, published as the cover of the London Journal, week ending 7th March 1846. (British Library, London)
Attributed works:
65. Collaboration (after John Gilbert), by Walter Sickert. c.1928–30. Canvas, 40.6 by 61 cm. (Private collection)
Attributed works:
66. ‘Interview between Lady Louvane and Nora’, illustration by John Gilbert for The Star in the Dark, published as the cover of the London Journal, week ending 29th March 1856. (British Library, London)
Attributed works:
67. The seducer (after John Gilbert), by Walter Sickert. c.1928–30. Canvas, 42.5 by 62.5 cm. (Tate, London)
Attributed works:
68. ‘The unexpected return of Rigdon Few’, illustration by John Gilbert for Blythe Hall, published as the cover of the London Journal, week ending 14th June 1856. (British Library, London).
Attributed works:
69. Grover’s Island from Richmond Hill (after Francesco Sargent), by Walter Sickert. c.1932–33. Canvas, 57 by 89 cm. (Private collection; photograph courtesy of the Fine Art Society, London)
Attributed works:
70. ‘Richmond Hill’, illustration by Francesco Sargent, published as the cover of the London Journal, week ending 22nd July 1848. (British Library, London)
Attributed works:
71. Dublin, from Phoenix Park (after Francesco Sargent), by Walter Sickert. c.1930. Canvas, 43.8 by 73 cm. (Private collection; photograph courtesy of James Hyman Gallery, London)
Attributed works:
72. ‘Dublin, from Phoenix Park’, illustration by Francesco Sargent, published in the London Journal, week ending 1st September 1849, p.409. (British Library, London)