By using this website you agree to our Cookie policy

Search

319 articles
Book Review
Restoration as Fabrication of Origins: A Material and Political History of Italian Renaissance Art
09/2024 | 1458 | 166
Pages: 988-9
related names
Reviewer:
Ventra, Stefania (Ventra, Stefania)
Subjects
Reviewed Items
subjects:
Restoration as Fabrication of Origins: A Material and Political History of Italian Renaissance Art Edited by Henri de Riedmatten, Fabio Gaffo and Mathilde Jaccard. 190 pp. incl. 92 col. ills. (De Gruyter, Berlin, 2023), £44.50. ISBN 978–3–11–107227–2. | :
Exhibition Review
Gertrude Stein and Pablo Picasso: The Invention of Language
01/2024 | 1450 | 166
Pages: 84–87
related names
Reviewer:
Loreti, Silvia (Loreti, Silvia)
Subjects
dates:
museums and institutions:
Reviewed Items
subjects:
Gertrude Stein and Pablo Picasso: The Invention of Language Musée du Luxembourg, Paris 13th September 2023– 28th January 2024 | :
Illustrations
Attributed works:
26. Gertrude Stein, by Andy Warhol. 1980. Acrylic and screen print on canvas, 101.9 by 101.9 cm. (Andy Warhol Foundation for the Visual Arts, New York, and ADAGP, Paris; Whitney Museum of American Art, New York; exh. Musée du Luxembourg, Paris).
Attributed works:
27. Gertrude Stein, by Nam June Paik. 1990. Antique television monitors, mixed media and video, 248.9 by 195.9 by 94 cm. (Nam June Paik Estate; courtesy James Cohan Gallery, New York; exh. Musée du Luxembourg, Paris).
Attributed works:
28. “Untitled” (Alice B. Toklas’ and Gertrude Stein’s Grave, Paris), by Felix Gonzalez- Torres. 1992. Chromogenic print pasted on cardboard, 12 by 17.8 cm. (Estate of Felix Gonzalez- Torres; private collection; photograph Suzanne Nagy).
Article
The anxiety of Op: towards a theory of art and the non-visual senses
09/2023 | 1446 | 165
Pages: 988-95
related names
Author:
Díaz, Eva (Díaz, Eva)
Subjects
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Current, by Bridget Riley. 1964. Synthetic polymer paint on board, 48.1 by 149.3 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
2. Installation view of The Responsive Eye at the Museum of Modern Art, New York, 1965, showing in the far corner Instability through movement of the spectator, by Julio Le Parc. 1962–64. (Museum of Modern Art Archives, New York; Scala, Florence; photograph George Cserna).
Attributed works:
3. The duel, by Julian Stanczak. 1963. Synthetic polymer paint on canvas, 137.2 by 198.1 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
4. Cover of the exhibition catalogue for The Responsive Eye at the Museum of Modern Art, New York (1965), designed by Joseph Bourke Del Valle.
Attributed works:
5. Bridget Riley standing amongst her 3D painted artwork ‘Continuum, 1963’, in an exhibition at Gallery One, 16 North Audley Street, London, by Tom Picton. 1963. (© Estate of Tom Picton; artwork © Bridget Riley 2023; Tate Images).
Article
Landscape as grid in Stephen Shore’s ‘American surfaces’
05/2023 | 1442 | 165
Pages: 522-529
related names
Author:
Cornelius, Thomas (Cornelius, Thomas)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. Paraphernalia Opening. Rene Ricard, Susan Bottomly, Eric Emerson, Mary Woronov, Andy Warhol, Ronnie Cutrone, Paul Morrissey, Pepper Davis, by Stephen Shore. 1965–67. Gelatin silver print, 32.4 by 48.3 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
10. Detail from Variable piece #70: 1971 (in process) global 633, by Douglas Huebler. 1978. Gelatin silver prints and chromogenic prints. (J. Paul Getty Museum, Los Angeles; © DACS, London).
Attributed works:
11. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
2. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
3. Amarillo, Texas, from the series American surfaces (1972–73), by Stephen Shore. 2nd July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
4. Oklahoma City, Oklahoma, from the series American surfaces (1972–73), by Stephen Shore. 9th July 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
5. Ed Ruscha holding his book ‘Every Building on the Sunset Strip’ (1966), by Jerry McMillan. 1967. (© Ed Ruscha and Jerry McMillan; courtesy Craig Krull Gallery, Santa Monica).
Attributed works:
6. Installation view of Stephen Shore at the Museum of Modern Art, New York, 2017–18, showing the series American surfaces (1972–73). (Courtesy Museum of Modern Art, New York; photograph Robert Gerhardt).
Attributed works:
7. Dallas, Texas, from the series American surfaces (1972–73), by Stephen Shore. June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Attributed works:
8. Stone, by Agnes Martin. 1964. Ink on paper, 27.7 by 27.7 cm. (Museum of Modern Art, New York; © DACS, London).
Attributed works:
9. Kanab, Utah, from the series American surfaces (1972–73), by Stephen Shore. 25th June 1972. Chromogenic print, 8.9 by 12.7 cm. (© Stephen Shore; courtesy 303 Gallery, New York).
Exhibition Review
Ludwig Wittgenstein: Fotografie als analytische Praxis / Photography as Analytical Practice
11/2022 | 1436 | 164
Pages: 1154-1156
related names
Reviewer:
Stein, Lisa (Stein, Lisa)
Subjects
art literature:
museums and institutions:
Reviewed Items
subjects:
Ludwig Wittgenstein: Fotografie als analytische Praxis / Photography as Analytical Practice Edited by Verena Gamper and Hans-Peter Wipplinger. 304 pp. incl. approx. 580 col. + b. & w. ills. (Verlag der Buchhandlung Walther König, Cologne, 2021), £29. ISBN 978–3–7533–0049–8. | :
Illustrations
Attributed works:
15. Photo booth portrait of Ludwig Wittgenstein. c.1930. Gelatin silver print, 5.4 by 3.8 cm. (Collection Mila Palm, Vienna).
Attributed works:
16. Margarete Stonborough- Wittgenstein and Ludwig Wittgenstein, from the photo album of Ludwig Wittgenstein. c.1931. Gelatin silver prints, album page 16 by 9.8 cm. (Wittgenstein Archive, Cambridge).
Attributed works:
17. Composite portrait of the Wittgenstein siblings, attributed to Moritz Nähr and Ludwig Wittgenstein. Early 1920s. Gelatin silver print, 11.1 by 8.2 cm. (Wittgenstein Archive, Cambridge).
Book Review
The Aesthetics of Marble: From Late Antiquity to the Present
09/2022 | 1434 | 164
Pages: 934
related names
Reviewer:
Varela Braga, Ariane (Varela Braga, Ariane)
Subjects
media:
Reviewed Items
subjects:
The Aesthetics of Marble: From Late Antiquity to the Present Edited by Dario Gamboni, Jessica N. Richardson and Gerhard Wolf. 380 pp. incl. 258 col. ills. (Hirmer, Munich, 2021), £55. ISBN 978–3–7774–3448–3. | :
Book Review
The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914
06/2022 | 1431 | 164
Pages: 635
related names
Reviewer:
Coombes, Rachel (Coombes, Rachel)
Subjects
Reviewed Items
subjects:
The Aesthetics of Reaction: Tradition, Faith, Identity, and the Visual Arts in France, 1900–1914 By Neil McWilliam. 376 pp. incl. 80 col. + 7 b. & w. ills. (Brepols, Turnhout, 2021), €135. ISBN 978–2–503–59157–5. | :
Illustrations
Attributed works:
8. Nymphs after bathing, by Émile Bernard. 1908. Oil on canvas, 121 by 151 cm. (Musée des Beaux-Arts, Lille; © RMN Grand Palais / Art Resource, New York; photograph Thierry Le Mage).
Book Review
Painting as a Modern Art in Early Renaissance Italy
06/2022 | 1431 | 164
Pages: 623-624
related names
Reviewer:
Dalvit, Giulio (Dalvit, Giulio)
Subjects
artists:
Reviewed Items
subjects:
Painting as a Modern Art in Early Renaissance Italy By Robert Brennan. 366 pp. incl. 115 col. ills. (Harvey Miller, Turnhout, 2019), €125. ISBN 978–1–912554–00–3. | :
Book Review
Johann Joachim Winckelmann (1717–1768): Ein Europ isches Rezeptionsph nomen / Fenomeno Europeo della Ricezione
02/2022 | 1427 | 164
Pages: 217-218
related names
Reviewer:
Hornsby, Clare (Hornsby, Clare)
Subjects
art literature:
subjects:
Reviewed Items
subjects:
Johann Joachim Winckelmann (1717–1768): Ein Europäisches Rezeptionsphänomen / Fenomeno Europeo della Ricezione Edited by Ortwin Dally, Maria Gazzetti and Arnold Nesselrath. 200 pp. incl. 39 col. + 2 b. & w. ills. (Michael Imhof Verlag, Petersberg, 2021), €42. ISBN 978–3–7319–1115–9. | :
Book Review
Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images
01/2022 | 1426 | 164
Pages: 85-87
related names
Reviewer:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
artists:
Reviewed Items
subjects:
Andrea Mantegna: Humanist Aesthetics, Faith, and the Force of Images By Stephen J. Campbell. 308 pp. incl. 150 col. ills. (Harvey Miller, Turnhout, 2020), £85. ISBN 978–1–912554–34–8. | :
Illustrations
Attributed works:
3. St Mark, by Andrea Mantegna. c.1448. Tempera on canvas, 81.1 by 63.6 cm. (Städel Museum, Frankfurt; Bridgeman Images).
load more