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20 articles
Article
The anxiety of Op: towards a theory of art and the non-visual senses
09/2023 | 1446 | 165
Pages: 988-95
related names
Author:
Díaz, Eva (Díaz, Eva)
Subjects
styles:
subjects:
subjects:
Illustrations
Attributed works:
1. Current, by Bridget Riley. 1964. Synthetic polymer paint on board, 48.1 by 149.3 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
2. Installation view of The Responsive Eye at the Museum of Modern Art, New York, 1965, showing in the far corner Instability through movement of the spectator, by Julio Le Parc. 1962–64. (Museum of Modern Art Archives, New York; Scala, Florence; photograph George Cserna).
Attributed works:
3. The duel, by Julian Stanczak. 1963. Synthetic polymer paint on canvas, 137.2 by 198.1 cm. (Museum of Modern Art, New York; Scala, Florence).
Attributed works:
4. Cover of the exhibition catalogue for The Responsive Eye at the Museum of Modern Art, New York (1965), designed by Joseph Bourke Del Valle.
Attributed works:
5. Bridget Riley standing amongst her 3D painted artwork ‘Continuum, 1963’, in an exhibition at Gallery One, 16 North Audley Street, London, by Tom Picton. 1963. (© Estate of Tom Picton; artwork © Bridget Riley 2023; Tate Images).
Exhibition Review
Magische Spiegelungen: Johann Erdmann Hummel
07/2022 | 1432 | 164
Pages: 707-709
related names
Reviewer:
van der Meij, Lorenz (van der Meij, Lorenz)
Subjects
art literature:
museums and institutions:
subjects:
Reviewed Items
subjects:
Magische Spiegelungen: Johann Erdmann Hummel Edited by Birgit Verwiebe. 352 pp. incl. 288 col. + b. & w. ills. (Nationalgalerie, Staatliche Museen zu Berlin, with Sandstein Verlag, Dresden), €39. ISBN 978–3–95498–640–8. | :
Illustrations
Attributed works:
6. Tribunal (hall of mirrors), by Johann Erdmann Hummel. 1839. Oil on canvas 93 by 105 cm. (Formerly Akademie der Künste, Berlin).
Attributed works:
7. Sanding the granite dish, by Johann Erdmann Hummel. 1831. Oil on canvas, 64.5 by 87 cm. (Stiftung Stadtmuseum Berlin).
Attributed works:
8. At the orangery of Schloss Buch, by Johann Erdmann Hummel. 1836. Oil on canvas, 60.2 by 56.7 cm. (Kunstpalast Düsseldorf).
Book Review
Optics, Ethics and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s Moral Treatise on the Eye’
10/2020 | 1411 | 162
Pages: 901-902
related names
Reviewer:
Palozzi, Luca (Palozzi, Luca)
Subjects
subjects:
Reviewed Items
subjects:
Optics, Ethics and Art in the Thirteenth and Fourteenth Centuries: Looking into Peter of Limoges’s ‘Moral Treatise on the Eye’ Edited by Herbert L. Kessler and Richard G. Newhauser, with Arthur J. Russel. 212 pp. incl. numerous col. + b. & w. ills. (Pontifical Institute of Medieval Studies (PIMS), Toronto, 2018), £106. ISBN 978–0–88844–209–3. | :
Exhibition Review
Bridget Riley. Scottish National Gallery, Edinburgh
09/2019 | 1398 | 161
Pages: 750-753
related names
Reviewer:
Campbell, Anna (Campbell, Anna)
Subjects
dates:
Illustrations
Attributed works:
1. Pink landscape, by Bridget Riley. 1960. Oil on canvas, 101.5 by 101.5 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Attributed works:
2. Over, by Bridget Riley. 1966. Emulsion on board, 101.5 by 101.3 cm. (© Bridget Riley 2019; National Galleries of Scotland, Edinburgh; exh. Scottish National Gallery, Edinburgh).
Attributed works:
3. Ra, by Bridget Riley. 1981. Oil on canvas, 240.7 by 205.1 cm. (© Bridget Riley 2019; Iwaki City Art Museum Japan; exh. Scottish National Gallery, Edinburgh).
Attributed works:
4. High sky, by Bridget Riley. 1991. Oil on canvas, 165 by 227 cm. (© Bridget Riley 2019; private collection; exh. Scottish National Gallery, Edinburgh).
Book Review
Lorenzo Ghiberti’s Gates of Paradise: Humanism, History, and Artistic Philosophy in the Italian Renaissance. By Amy R. Bloch; Il Paradiso ritrovato: Il restauro della Porta del Ghiberti. Edited by Annamaria Giusti
11/2018 | 1388 | 160
Pages: 979-980
related names
Reviewer:
Palozzi, Luca (Palozzi, Luca)
Subjects
dates:
places:
Illustrations
Attributed works:
3. Genesis, from the east door of the Baptistery, Florence, by Lorenzo Ghiberti. 1425–52. Gilded bronze, 79.4 by 79.4 cm. (Museo dell’Opera del Duomo, Florence).
Article
Nicolas Poussin and the King’s mathematician
10/2017 | 1375 | 159
Pages: 772-777
related names
Author:
Batalla-Lagleyre, Gabriel (Batalla-Lagleyre, Gabriel)
Subjects
Illustrations
Attributed works:
1. St Dionysus the Areopagite, by Nicolas Poussin. 1610s (Musée des beaux-arts de Rouen).
Attributed works:
2. Detail of Fig. 1.
Attributed works:
3. Frontispiece of the Plans des villes frontières de Picardie, by Jacques Aleaume. c. 1610 (Bibliothèque nationale de France, Paris).
Book Review
Material, Technik, Ästhetik und ­Wissenschaft der Farbe 1750–1850, A. Pietsch
09/2015 | 1350 | 157
Pages: 634
related names
Reviewer:
Kern, Ulrike (Kern, Ulrike)
Subjects
dates:
subjects:
Book Review
Vision, Reflection, and Desire in Western Painting
12/2009 | 1281 | 151
Pages: 840
related names
Reviewer:
Nethersole, Scott (Nethersole, Scott)
Subjects
places:
places:
Reviewed Items
subjects:
Vision, Reflection, and Desire in Western Painting | author: Summers, David
Article
Ottaviano Jannella: micro-sculptor in the age of the microscope
07/2002 | 1192 | 144
Pages: 420-428
related names
Author:
Levy, Evonne (Levy, Evonne)
Subjects
dates:
places:
Illustrations
Attributed works:
29. Portrait of Ottaviano Jannella, by Bernardino Consorti. 1819. Engraving, 13.6 by 9.2 cm. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
30. 'Monumentino' to Ottaviano Jannella. Boxwood Carvings and Tools, with Spectacles and a Portrait Engraving in a Glass Case, 17 by 34.1 by 13.5 cm. (Collection of Kenneth Thomson; On Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
32. Battle Scene with Furies, by Ottaviano Jannella. Boxwood, 3.8 cm. High without Turned Base. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
33. Detail of Fig.32.
Attributed works:
34. Hunting Scene, by Ottaviano Jannella. Boxwood, 5.9 by 8.3 by 2.2 cm. with Frame. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
35. Detail of Fig.36.
Attributed works:
36. Amorino Bearing Juno, Neptune and Venus in a Shell, by Ottaviano Jannella. Boxwood, 13 cm. High. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
37. Detail of Fig.36.
Attributed works:
38. Crowning of Christ with Thorns, by Ottaviano Jannella. Boxwood, Diameter, 2.8 cm. without Frame. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
39. Arabesque Relief, by Ottaviano Jannella. ?Boxwood, 2.8 by 5.5 cm. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Attributed works:
40. Unfinished Relief, by Ottaviano Jannella. ?Boxwood, 3.3 by 5.3 cm. (Collection of Kenneth Thomson, on Loan to the Art Gallery of Ontario, Toronto).
Western art unattributed:
31. Tools of Ottaviano Jannella. (Collection of Kenneth Thomson; On Loan to the Art Gallery of Ontario, Toronto).
Article
The Use of Colour and Its Effect: The How and the Why
07/1994 | 1096 | 136
Pages: 427-429
related names
Author:
Gombrich, E. H. (Gombrich, E. H.; Gombrich, Ernst Hans Josef; Gombrich, Ernst)
Author:
Riley, Bridget (Riley, Bridget)
Subjects
dates:
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