museums and institutions:
Attributed works:
II. Figure of a bearded man, by the Master of the Arenberg Lamentation. 1470-80. Baltic oak (Detroit Institute of Arts)
Attributed works:
IV. Plate showing Hercules and Omphale, by Nicola di Gabriele Sbraghe, called Nicola da Urbino, and an associate, possibly Guido Durantino. c.1528-35. Maiolica (Detroit Institute of Arts)
Attributed works:
IX. Tota Pulchra Es, by Fray Eugenio Gutiérrez de Torices. Signed and dated, lower left: 'Fr. Eugio. ft 1690'. Wax relief (Detroit Institute of Arts)
Attributed works:
V. Plate with broad border (tondino) depicting the Dream of Astyages, by Francesco Xanto Avelli da Rovigo, lustred by Vincenzo Andreoli (Maestro Cencio). Marks on reverse: the centre is inscribed in blackL 1535/Dil vecchio Astiage Re l'alta/visione (The exalted vision of old king Astyages)/FXR (F[ra] X[anto] [Avelli da] R[ovigo]; in ruby lustre: N (the monogram of Vincenzo Andreoli, also called Maestro Cencio). Maiolica (Detroit Institute of Arts)
Attributed works:
VI. Nautilus cup with wild men, by Hans Clauss I. Nuremberg, c.1645-51 (Detroit Institute of Arts)
Attributed works:
VII. St Francis of Assisi, by José de Mora. 1680-1700 (Detroit Institute of Arts)
Attributed works:
VIII. Arion rescued by a dolphin, by Artus Quellinus. c.1655. Terracotta (Detroit Institute of Arts)
Attributed works:
X. Amber casket with ivory reliefs, attributed to Gottfried Wolffram. c.1695 (Detroit Institute of Arts)
Attributed works:
XI. Small box from the Cadaval toilet service, by Etienne Pollet. 1738-39. Silver (Detroit Institute of Arts)
Attributed works:
XII. Bleu persan vase jassemin. Nevers manufactory, c.1665-85. Tin-glazed earthenware (Detroit Institute of Arts)
Attributed works:
XIII. Tea and coffee service ('Déjeuner Chinois Réticule'). Sèvres manufactory, designed by Hyacinthe Régnier, painted by Pierre Huard. 1842-43 (Detroit Institute of Arts)
Attributed works:
XIV. Mahogany pier table with sphinx monopod, designed by Antoine-Léonard Dupasquier and Martin-Eloy Lignereux, executed by Adam Weisweiler, Antoine-Léonard Dupasquier and Pierre-Philippe Thomire. c.1796-1800 (Detroit Institute of Arts)
Attributed works:
XIX. Le Silence, by Antoine Augustin Préault. 1842-43. Patinated original plaster relief, cast from the tomb of Jacob Roblès (Detroit Institute of Arts)
Attributed works:
XV. Hall chair, designed by Augustus Welby Northcroft Pugin, manufacture attributed to the Crace firm under John Gregory Crace. c.1845 (Detroit Institute of Arts)
Attributed works:
XVI. Textile ('Sutherland' design), designed by Owen Jones, manufactured by Warner, Sillett & Ramm. c.1872 (Detroit Institute of Arts)
Attributed works:
XVII. Mauresque noire, by Charles Cordier. Signed and dated: 'ALGER/1856/CH. CORDIER'. Bronze (Detroit Institute of Arts)
Attributed works:
XVIII. The Statue of Liberty, by Frédéric Auguste Bartholdi. Signed 'Bartholdi', dated '1876', and inscribed 'Registered FB Washington 31 August 1876 No 9939 G'. Foundry mark of C. Avoiron, Paris, 1876 (Detroit Institute of Arts)
Attributed works:
XX. Cabinet, designed by Christopher Dresser, manufactured by W. Booty, Notting Hill, London. c.1880 (Detroit Institute of Arts)
Attributed works:
XXI. Chair for the Argyle Tea Rooms, designed by Charles Rennie Mackintosh. c.1897 (Detroit Institute of Arts)
Attributed works:
XXII. Bottle with stopper, by Taxile Doat. Marks: 'T/D/oat Sevres'. c.1899-1902. Hard-paste porcelain (Detroit Institute of Arts)
Attributed works:
XXIII. Charger with putti on a ship with dolphins and fish, designed by William de Morgan, made by the Cantagalli manufactory, Florence, the painting attributed to Ulderigo Grillanti. Marks: on the reverse, in brown: a device resembling an upturned anchor surmounted by what has been described as a crown but is more probably the Florentine fleur-de-lis; the shaft is flanked by the letters D and M and crossed below by a C., called the Acrosticon mark. c.1901 (Detroit Institute of Arts)
Attributed works:
XXIV. Ewer, designed by Emile Belet, modelled by Paul Milet. 1902/03. Stoneware (Detroit Institute of Arts)
Attributed works:
XXV. Teapot, by Christopher Dresser, manufactured by James Dixon & Sons. c.1880. Marks: design registration 'kite' for 25th November 1880; 'Chr Dresser' (facsimile signature); 'EP J D & S [trumpet]; '2278' and [one letter, illegible] - all stamped under base. Silver plate and ebony (Detroit Institute of Arts)
Attributed works:
XXVI. Vase, designed by Georges de Feure, for L'Art Nouveau Bing, made by the Gerard, Dufraisseix & Abbot manufactory, Limoges. c.1903. Porcelain (Detroit Institute of Arts)
Western art unattributed:
I. Lion aquamanile. Nuremberg, second quarter of the fifteenth century. Copper alloy (Detroit Institute of Arts)
Western art unattributed:
III. St Adrian of Nicomedia. German (Lower Rhenish), 1510-25. Pot metal glass, transparent glass, vitreous paint, silver stain and lead (Detroit Institute of Arts)
