Rinascimento in bianco
e nero. L’arte dell’incisione a Venezia
(1495–1615). Edited by Giovanni Maria Fara
and David Landau. 347 pp. incl. 342 col. +
b. & w. ills. (Scripta Edizioni, Verona, 2024),
€38. ISBN 979–12–80581–86–0. |
:
subjects:
Rinascimento in bianco e nero:
L’arte dell’incisione a Venezia
(1494–1615)
Museo Civico, Bassano del Grappa
2nd March–23rd June
Ca’ Rezzonico, Venice
8th March–3rd June |
:
Illustrations
Attributed works:
12. Judith with
the head of
Holofernes,
by Jacopo de’
Barbari. 1496–97.
Engraving, 18.7
by 12 cm. (Museo
Civico, Bassano
del Grappa).
Attributed works:
13. The
martyrdom of St
Giustina of Padua,
by Agostino
Carracci, after
Paolo Veronese.
1582. Engraving on
two sheets, 89.5
by 59 cm. (Museo
Civico, Bassano
del Grappa).
Attributed works:
14. The abduction
of Proserpina, by
Giuseppe Scolari.
c.1592–1607.
Woodcut, 45 by
35 cm. (Museo
Civico, Bassano
del Grappa).
Handbook of the Colour Print
in China, 1600–1800
Edited by Anne Farrer and Kevin McLoughlin.
328 pp. incl. 142 col. + b. & w. ills. (Brill, Leiden,
2021), £175. ISBN 978–90–04–47189–4. |
:
Illustrations
Attributed works:
1. Folio 9 from The Story of the Western
Wing, by Min Qiji. 1640. Woodblock print, ink
and polychrome pigments on paper, 25.5 by
32.2 cm. (Rheinisches Bildarchiv, Cologne;
Museum für Ostasiatische Kunst, Cologne;
photograph Sabrina Walz).
Vor Dürer: Kupferstich
wird Kunst
Städel Museum, Frankfurt
28th September 2022–
22nd January 2023 |
:
Illustrations
Attributed works:
4. Samson and
Delilah, by Mair
von Landshut.
c.1500. Engraving
with heightening
in various
colours on
prepared paper,
22.8 by 27.1 cm.
(Städel Museum,
Frankfurt).
Attributed works:
5. A bishop’s
crozier, by
Israhel van
Meckenem.
c.1485–95.
Engraving,
78.8 by 23 cm.
(Städel Museum,
Frankfurt).
Attributed works:
6. Judgement
of Solomon,
by Master BM.
c.1480–1500.
Engraving, 29.4
by 42.1 cm.
(Städel Museum,
Frankfurt).
Exhibition Review
Single-Leaf Woodcuts of the 15th Century. Pinakothek der Moderne, Munich
9. Christ on a
T-cross with the
Virgin and John
the Evangelist,
copy after
Master h w.
c.1490. Woodcut
made from two
plates, grey
print, colouring,
damaged
parchment,
approx. 28 by 21.5
cm. (Staatliche
Graphische
Sammlung
München, inv.
no.209349 D).
Western art unattributed:
10. Christ Child
within the Sacred
Heart, probably
Nuremberg.
c.1450–65.
Woodcut,
black print and
colouring, 18.5 by
13.1 cm. (Staatliche
Graphische
Sammlung
München, inv.
no.118290 D).
Western art unattributed:
Opposite
8. Annunciation,
Lake Constance
or Augsburg.
c.1440. Woodcut,
with calcite and
metal powder,
26.7 by 18.9
cm. (Staatliche
Graphische
Sammlung
München, inv.
no.118166 D).
Book Review
‘Gold und Bücher lieb ich sehr…’: 480 Jahre Staats- und Stadtbibliothek Augsburg. Edited by Karl-Georg Pfändtner
2. Initial D at beginning of psalm 22 Dixit Insipiens, a tavern with men drinking and gaming, from the psalter of Abbot Johannes von Giltlingen. 1495. Parchment, 57.5 by 42 cm. (Augsburg Staats- und Stadtbibliothek; 2° Cod 49a, Cim 63).
Book Review
Interactive and Sculptural Printmaking in the Renaissance (Brill’s Studies in Intellectual History 270/21). By Suzanne Karr Schmidt
4. Diser Bapst Alexander der Sechst. German, after 1555. Hand-coloured woodcut and letter- press, shown both closed, 33.5 by 17 cm., and open. (Bayerische Staatsbibliothek, Munich, Einbl. VII,23 a; photograph Creative Commons).
Exhibition Review
The Chiaroscuro Woodcut in Renaissance Italy. National Gallery of Art, Washington
4. Diogenes, by Ugo da Carpi, after Parmigianino. c.1527–30. Woodcut, 48.4 by 34.8 cm. (Los Angeles County Museum of Art; exh. National Gallery of Art, Washington).
Attributed works:
5. St Philip, by Domenico Beccafumi. c.1540. Woodcut, 28.2 by 17 cm. (Library of Congress Prints and Photographs Division, Washington; exh. National Gallery of Art, Washington).
Attributed works:
6. A skull, by Andrea Andreani, after Giovanni Fortuna (?). c.1588. Woodcut, 28.1 by 33.7 cm. (The British Museum, London; exh. National Gallery of Art, Washington).
Publication Received
Louise Bourgeois, An Unfolding Portrait: Prints, Books and the Creative Process. By Deborah Wye
4. Fallen Germania, by Julius Hübner. 1850. Etching in black and gold with white heightening over lithograph in olive green, 21 by 30 cm. (The Philadelphia Museum of Art).
Book Review
The Cotman Collection: John Sell Cotman at Leeds Art Gallery. By David Hill and Theodore Wilkins
5. Portrait of ?Mrs Parr, sister of Mrs John Sell Cotman, Called ‘Portrait of Mrs J S Cotman’, by John Sell Cotman. c.1815. Graphite and white chalk on wove paper, 30.4 by 23 cm. (Leeds Art Gallery; Bridgeman Images).