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15 articles
Book Review
Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820
10/2022 | 1435 | 164
Pages: 1040-1041
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
Reviewed Items
subjects:
Clothing the New World Church: Liturgical Textiles of Spanish America, 1520–1820 By Maya Stanfield-Mazzi. 408 pp. incl. 186 col. + b. & w. ills. (University of Notre Dame Press, Notre Dame, 2021), £33. ISBN 978–0– 268–10805–2. | :
Illustrations
Non-western art unattributed:
7. Mitre showing the Tree of Jesse. Mexico, c.1550. Feather mosaic, silk. 45.5 by 29 cm. (Weltmuseum Wien, Vienna).
Article
The meanings of Domenico Beccafumi’s ‘Nativity’ in S. Martino, Siena
08/2021 | 1421 | 163
Pages: 706-717
related names
Author:
Medicus, Gustav (Medicus, Gustav)
Subjects
dates:
Illustrations
Attributed works:
1. The Marsili Chapel, S. Martino, Siena, showing the Nativity by Domenico Beccafumi, set in a marble frame by Lorenzo di Mariano (‘Il Marrina’). 1522–23. (Bridgeman Images).
Attributed works:
10. Study for St Joseph in the Nativity, by Domenico Beccafumi. c.1522. Pen and brown ink on paper, 18.6 by 16.3 cm. (Gabinetto Disegni e Stampe, Galleria degli Uffizi, Florence; inv. no.10748 F).
Attributed works:
11. Detail of Fig.1, showing the stemma of the Ugolini family.
Attributed works:
12. Detail of Fig.1, showing the stemma of the Marsili family.
Attributed works:
13. Detail of Fig.3, showing the relief on the triumphal arch.
Attributed works:
14. Drawing of Sodoma’s Nativity on the Porta Pispini, Siena, by Johann Anton Ramboux. 1832–42. Pencil on paper, 19.1 by 14.3 cm. (Städelsches Kunstinstitut, Frankfurt).
Attributed works:
15. Nativity, by Bartolomeo Neroni (Il Riccio) and Arcangelo Salimbeni. 1565–79. Oil on panel, 348 by 215 cm. (S. Niccolò al Carmine, Siena).
Attributed works:
16. Detail of Adoration of the shepherds, by Alessandro Casolani. 1591. Oil on canvas, 414 by 190 cm. (Collegiata dei Santi Simone e Giuda, Radicondoli).
Attributed works:
17. Adoration of the shepherds, by Cosimo Gamberucci. 1618. Oil on canvas, 412 by 294 cm. (S. Maria Maddalena de’Pazzi, Florence).
Attributed works:
18. Adoration of the Magi, by Baldassare Peruzzi. 1522–23. Pen and ink and brown wash on paper, 112.5 by 107 cm. (British Museum, London).
Attributed works:
2. Nativity, by Francesco di Giorgio. 1485–90. Tempera and oil on canvas, 204 by 239 cm., without the lunette by Matteo di Giovanni or the predella by Bernardino Fungai (S. Domenico, Siena; Scala Archives).
Attributed works:
3. Nativity by Domenico Beccafumi. 1522–23. Oil on panel, 390 by 235 cm. (S. Martino, Siena; Scala Archives).
Attributed works:
4. The stigmatisation of St Catherine, by Domenico Beccafumi. c.1515. Oil on panel, 212 by 162 cm. (Pinacoteca Nazionale, Siena; Scala Archives).
Attributed works:
5. Detail of Fig.3, showing the lamb and Christ Child.
Attributed works:
6. Detail of Fig.3, showing shepherds.
Attributed works:
7. Detail of the shepherds in the Portinari Altarpiece, by Hugo van der Goes. 1474–76. Tempera and oil on canvas, 253 by 304 cm. (Galleria degli Uffizi, Florence; Scala Archives).
Attributed works:
8. Madonna of the blue diadem, by Raphael or Gianfrancesco Penni. 1510–12. Oil on panel, 68 by 48.2 cm. (Musée du Louvre, Paris; Bridgeman Images).
Attributed works:
9. Detail of Fig.3, showing the trellis with a vine and sheaves of wheat.
Article
Royal wooden funeral effigies at Westminster Abbey
01/2019 | 1390 | 161
Pages: 26-35
related names
Author:
Blessley, Krista (Blessley, Krista)
Author:
Jenkins, Susan (Jenkins, Susan)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
10. Detail of Fig.8, showing the hip joint. (© The Dean and Chapter of Westminster).
Attributed works:
11. Axonometric diagram showing the jointing of the effigy in Fig.8, by Krista Blessley. (© The Dean and Chapter of Westminster).
Attributed works:
12. Effigy head and bust of Anne of Denmark, by Maximilian Colt. 1619. Probably pine, 47 by 45 by 25 cm. (Westminster Abbey, London; WA 0893; © The Dean and Chapter of Westminster)
Attributed works:
13. Detail of Fig.12, showing the blue vein painted on the left temple. (© The Dean and Chapter of Westminster).
Attributed works:
14. Effigy body of James I, by Maximilian Colt. 1625. Probably pine, 178 by 50 by 29cm. (Westminster Abbey, London; WA 1016; © The Dean and Chapter of Westminster).
Attributed works:
15. Some of the royal funeral effigies at Westminster Abbey in 1949, showing their condition after the Second World War. From R.P. Howgrave-Graham: ‘Royal effigies at Westminster Abbey: modern treatment leads to valuable discoveries’, Country Life, 11th January 1952, pp.82–84.
Attributed works:
2. Installation view of The Queen’s Diamond Jubilee Galleries, Westminster Abbey, London, showing the medieval funeral effigies. (© The Dean and Chapter of Westminster)
Attributed works:
3. The funeral of Anne of Bohemia, a detail from Chroniques, by Jean Froissart. South Netherlands, c.1480. Illumination on parchment. (British Library, London; MS Royal 18 E II, vol.IV, fol.227).
Attributed works:
7. Effigy head and bust of Elizabeth of York, probably by Richard Gibson. 1503. Probably pearwood, 65 by 40 by 39 cm. (Westminster Abbey, London; WA 0889; © The Dean and Chapter of Westminster).
Attributed works:
8. Articulated effigy body of Henry, Prince of Wales, by Richard Norris. 1612. Pine or fir wood with iron nails, loops and screws, 161 by 42.5 by 19 cm. Photograph c.1950. (Westminster Abbey, London; WA 1017; © The Dean and Chapter of Westminster).
Attributed works:
9. Detail of Fig.8, showing carpenters’ marks at joints. (© The Dean and Chapter of Westminster).
Western art unattributed:
1. Front, side and back views of the effigy of Edward III. 1377. Walnut, 176 by 42.8 by 27 cm. (Westminster Abbey, London; WA 0886; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of Fig.1, showing plaster underlayer on head. Photograph c.1950s. (© The Dean and Chapter of Westminster).
Western art unattributed:
5. X-radiograph detail of Fig.1, showing plaster underlayer on head. (© The Dean and Chapter of Westminster).
Western art unattributed:
6. Front, side and back views of the effigy of Catherine de Valois. 1437. Oak, 165 by 42 by 21 cm. (Westminster Abbey, London; WA 0888; © The Dean and Chapter of Westminster).
Article
Royal ceremonies in the missal of Abbot Nicholas Litlyngton
01/2019 | 1390 | 161
Pages: 18-25
related names
Author:
Wackett, Jayne (Wackett, Jayne)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
1. Folio 206r of the Litlyngton Missal. 1383–84. Illumination on parchment, 52.5 by 36 cm. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
2. Detail of Fig.1, showing the coronation of a king.
Western art unattributed:
3. Detail of folio 221v of the Litlyngton Missal, showing the coronation of a queen. 1383–84. Illumination on parchment. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
4. Detail of p.65 of the Liber Regalis, showing the coronation of a queen. c.1382. Illumination on vellum. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
5. Folio 224r of the Litlyngton Missal. 1383–84. Illumination on parchment, 52.5 by 36 cm. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
6. Detail of folio 33v of the Liber Regalis, showing a royal tomb. c.1382. Illumination on vellum. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
7. Detail of folio 326r of the Litlyngton Missal, showing a monk’s funeral. 1383–84. Illumination on parchment. (Westminster Abbey, London; © The Dean and Chapter of Westminster).
Western art unattributed:
8. Detail of Fig.5, showing the exequies for a king.
Book Review
Interactive and Sculptural Printmaking in the Renaissance (Brill’s Studies in Intellectual History 270/21). By Suzanne Karr Schmidt
11/2018 | 1388 | 160
Pages: 980-981
related names
Reviewer:
Savage, Elizabeth (Savage, Elizabeth)
Subjects
dates:
places:
Illustrations
Western art unattributed:
4. Diser Bapst Alexander der Sechst. German, after 1555. Hand-coloured woodcut and letter- press, shown both closed, 33.5 by 17 cm., and open. (Bayerische Staatsbibliothek, Munich, Einbl. VII,23 a; photograph Creative Commons).
Article
The Art of Conservation XV. The conservation history of the Ghent Altarpiece
09/2018 | 1386 | 160
Pages: 754-765
related names
Author:
Dubois, Hélène (Dubois, Hélène)
Subjects
collectors and dealers:
Illustrations
Attributed works:
1. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown open, 375 by 514 cm. Before restora- tion. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
2. Diagram showing the extent of mid-sixteenth century overpaint on the outside wings of the polyptych. (©KIK-IRPA, Brussels).
Attributed works:
3. Detail of Fig.4, showing Joos Vijd’s right eye after varnish removal. The pink scumbles around the eyes, which cover the original eyelashes, are typical of the mid-sixteenth-century overpainting campaign. (©KIKIRPA, Brussels).
Attributed works:
4. The adoration of the Mystic Lamb, by Hubert and Jan van Eyck. Completed by 1432. Panel, shown closed, 375 by 257 cm. Photographed after restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
5. Detail of Fig.4, showing Elisabeth Borluut’s drapery before the removal of varnish and overpaint. (Cathedral of St Bavo, Ghent).
Attributed works:
6. Fig.5 after the removal of overpaint and restoration. (Cathedral of St Bavo, Ghent; © lukasweb.be – Art in Flanders vzw).
Attributed works:
7. The Virgin Annunciate and Angel musicians (recto and verso of the same panel), by Hubert and Jan van Eyck. Photographs taken in Berlin before the restoration of 1894. Original hinges are present on the left side of the frame of the Virgin’s panel. Metal reinforcements were added to the extremities of the crossbar. Later, wrought metal hinged braces were attached by large screws fitted through the frame and visible on the front of the Angels panel. (Deutsches Dokumentationszentrum für Kunstgeschichte – Bildarchiv Foto Marburg).
Attributed works:
8. The prophet Micah, detail of Fig.4, shown in the frame designed by Karl Friedrich Schinkel with a hatch covering the inscription beneath the prophet. Photograph, before 1878. (RKD, Netherlands Institute for Art History, M.J. Friedländer Archive, The Hague).
Attributed works:
9. The Ghent Altarpiece as installed in the Vijd chapel between 1865 and 1920. It comprises Eyckian central panels, Lagye’s fur-clothed Adam and Eve and Coxcie’s copies of the other shutters. Photograph, c.1910–13. (© Stadsarchief, Ghent).
Western art unattributed:
10. Jef Van der Veken in his studio in Brussels. Photograph, before 1929. (RKD, Netherlands Institute for Art History, Jef Van der Veken Archive, The Hague).
Western art unattributed:
11. Albert Philipott applies wax to the surface of Eve in order to consolidate the paint layers. Photograph, 1951. (© KIK-IRPA, Brussels).
Western art unattributed:
12. Albert Philipott removes the overpainted clouds around the dove in The Adoration of the Lamb. Photograph, 1951. (© KIK-IRPA, Brussels).
Book Review
Die textilen Geschenke Papst Bonifaz’ VIII. (1294–1303) an die Kathedrale von Anagni: Päpstliche Paramente des späten Mittelalters als Medien der Repräsentation, Gaben und Erinnerungsträger. By Christiane Elster
07/2018 | 1384 | 160
Pages: 603-604
related names
Reviewer:
Monnas, Lisa (Monnas, Lisa)
Subjects
dates:
museums and institutions:
places:
Illustrations
Western art unattributed:
2. Detail of a cope given by Boniface VIII to Anagni Cathedral. Thirteenth century. Gold embroidery (opus cyprense) on red samite. (Museo della Cattedrale di Anagni).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Book Review
The Art of Painting in Colonial Bolivia / El arte de la pintura en Bolivia colonial. Edited by Suzanne L. Stratton-Pruitt
04/2018 | 1381 | 160
Pages: 351
related names
Reviewer:
Bailey, Gauvin Alexander (Bailey, Gauvin Alexander)
Subjects
media:
places:
Book Review
Art, Ritual, and Civic Identity in Medieval Southern Italy, by Nino Zchomelidse
07/2016 | 1360 | 158
Pages: 564-564
related names
Reviewer:
Pace, Valentino (Pace, Valentino)
Subjects
places:
subjects:
Illustrations
Western art unattributed:
47. Detail from the paschal candlestick. Late twelfth century (Salerno Cathedral)
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