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20 articles
Article
Painting on stone in Rome in the sixteenth century
07/2023 | 1444 | 165
Pages: 738–753
related names
Author:
Donati, Andrea Gianluca (Donati, Andrea Gianluca)
Subjects
artists:
places:
Illustrations
Attributed works:
1. Clement VII, by Sebastiano del Piombo. c.1530–34. Oil on slate, 105.4 by 87.6 cm. (J. Paul Getty Museum, Los Angeles).
Attributed works:
10. Design for the retablo of the Descalzas Reales, Madrid, by Gaspar Becerra. 1563. Brown ink, chalk and wash on paper, 87 by 50.5 cm. (Biblioteca Nacional, Madrid).
Attributed works:
11. Lucrezia, by Leonardo Grazia. c.1540–48. Oil on slate, 55 by 43 cm. (Galleria Borghese, Rome).
Attributed works:
12. Portrait of a young man (of the Orsini family?), by Daniele da Volterra. c.1545–50. Oil on slate, 54.5 by 40.5 cm. (Museo e Real Bosco di Capodimonte, Naples).
Attributed works:
13. Conversion of St Paul, by Taddeo Zuccaro. 1566. Oil on slate. (Cappella Frangipane, S. Marcello al Corso, Rome).
Attributed works:
14. Martyrdom of St Catherine of Alexandria, by Girolamo Siciolante da Sermoneta. 1565–66. Oil on slate, 305 by 188 cm. (Cappella Cesi, S. Maria Maggiore, Rome).
Attributed works:
15. Christ on the Mount of the Olives, by Marcello Venusti. After 1550. Oil on slate, 57 by 75 cm. (Gemäldegalerie, Berlin).
Attributed works:
16. St James the Elder, by Marcello Venusti. 1569–70. Oil on slate, 230 by 160 cm. (Cappella Salviati, Arciconfraternitata SS. Annunziata, S. Maria sopra Minerva, Rome).
Attributed works:
17. St Catherine of Alexandria, by Marcello Venusti. After 1566. Oil on slate, 164 by 82 cm. (Cappella Mutini, S. Agostino, Rome).
Attributed works:
18. Cardinal Alessandro Crivelli, by Marcello Venusti. c.1570–74. Oil on oval slate, height 46 cm. (S. Maria in Aracoeli, Rome).
Attributed works:
19. Cappella De Torres, S. Caterina de’ Funari, Rome. (Photograph Paolo Coen).
Attributed works:
2. Deposition, by Luca Penni. After 1542. Oil on slate, 73 by 153 cm. (Auxerre Cathedral).
Attributed works:
20. St John the Baptist, by Marcello Venusti. c.1575. Oil on slate, 260 by 165 cm. (Cappella De Torres, S. Caterina de’ Funari, Rome).
Attributed works:
21. Madonna in glory with the infant Christ, St Peter and St Paul, by Marcello Venusti. 1577. Oil on slate, 243 by 144 cm. (Chapel of Palazzo Senatorio, Rome).
Attributed works:
3. Nativity, by Francesco Salviati. c.1550. Oil on peperino, 176 by 172 cm. (Chapel of the Pallium, Palazzo della Cancellaria, Rome).
Attributed works:
4. Portrait of Roberto Strozzi, by Francesco Salviati. c.1556–57. Oil on Africano marble, diameter 13 cm. (Private collection).
Attributed works:
5. Portrait of a man with a gold coin, by Francesco Salviati. c.1556–57. Oil on slate, 82 by 53.5 cm. (Private collection).
Attributed works:
6. David and Goliath (obverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
7. David and Goliath (reverse), by Daniele da Volterra. c.1550–56. Oil on slate, 133 by 172 cm. (Musée du Louvre, Paris).
Attributed works:
8. David and Goliath, possibly by Daniele da Volterra. After 1556. Oil on slate, 33.3 by 43.7 cm. (Galleria Nazionale d’Arte Antica, Palazzo Barberini, Rome).
Attributed works:
9. Baptism of Christ, by Daniele da Volterra and Michele Alberti. c.1556–74. Oil on slate, 360 by 230 cm. (Cardinal Ricci chapel, S. Pietro in Montorio, Rome).
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Article
Art and festivities in eighteenth-century Rome: letters from a Portuguese priest, 1721–22
05/2018 | 1382 | 160
Pages: 387-393
related names
Author:
Vale, Teresa Leonor M. (Vale, Teresa Leonor M.)
Subjects
dates:
places:
Illustrations
Attributed works:
1. and 2. A mechanism to raise and lower lamps in churches, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.395r and 396v of Jesuitas, Armário Jesuítico, Livro 27; Arquivo Nacional da Torre do Tombo, Lisbon, hereafter ANTT).
Attributed works:
11. The instruments for the making of the Agnus Dei, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.385r of Jesuitas, Livro 27; ANTT).
Attributed works:
12, 13 and 14. Decorations for the Corpus Domini procession, Rome, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.403r, 403v and 404r of Jesuitas, Livro 27, ANTT).
Attributed works:
3. Piazza del Esquilino and S. Maria Maggiore, Rome, by Alessandro Specchi. 1702. Engraving, 44.5 by 68.1 cm. (Photograph Bridgeman Images).
Attributed works:
4. The altar of St Francis Xavier, Church of the Gesù, Rome, by Pietro da Cortona. 1669. (Fondo Edifici di Culto, Ministero dell’Interno, Florence; photograph Scala, Florence).
Attributed works:
5. The gallery in Palazzo Colonna, after Manuel de Campos. 1721–22. Black ink on paper. (Fol.378v of Jesuitas, Livro 27; ANTT).
Attributed works:
6. Blessed Aloysius Gonzaga in glory, by Pierre Legros. 1697–99. Marble. (S. Ignazio, Rome).
Attributed works:
7. Charlemagne, by Agostino Cornacchini. 1725. Marble. (St Peter’s Basilica, Rome).
Attributed works:
8 and 9. The decoration of the interior of the church of S. Maria in Aracoeli on the occasion of the feast of St Elizabeth of Portugal, after Manuel de Campos. 1721–22. Black ink on paper. (Fols.421v and 422r of Jesuitas, Livro 27 ANTT).
Western art unattributed:
10. The decoration of the interior of the church of S. Maria in Aracoeli for the feast of St Elizabeth of Portugal, July 1722. Black ink on paper, 45 by 60 cm. (Gabinetto Comunale delle Stampe, Rome, GS 3673).
Article
Giovanni Angelo Frumenti and his tomb in S. Maria Maggiore: a proposed new work by Gian Lorenzo Bernini
07/2016 | 1360 | 158
Pages: 518-528
related names
Author:
Ostrow, Steven F. (Ostrow, Steven F.)
Subjects
dates:
Illustrations
Attributed works:
2. Cenotaph of Giovanni Angeli Frumenti, attributed to the workshop of Carlo Maderno (with bust attributed to Gian Lorenzo Bernini). 1621 (S. Maria Maggiore, Rome; photograph: Alessandro Vasari)
Attributed works:
3. Plan of S. Maria Maggiore (the arrow indicates the original location of the Frumenti cenotaph), from P. De Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio Papa I usque ad Paulum V Pont. Max. Descriptio et Delineato, Rome 1621, p.94
Attributed works:
4. Bust of Giovanni Angelo Frumenti, attributed to Gian Lorenzo Bernini. c.1615-17 (S.Maria Maggiore, Rome; photograph: Alessandro Vasari)
Attributed works:
5. Bust of Giovanni Vigevano, by Gian Lorenzo Bernini.c.1620 (S. Maria sopra Minerva, Rome)
Attributed works:
6. Bust of Pedro de Foix Montoya, by Gian Lorenzo Bernini. c.1622 (S. Maria Monserrato, Rome)
Attributed works:
7. Bust of Monsignor Carlo Antonio dal Pozzo, by Gian Lorenzo Bernini. c.1623 (National Galleries of Scotland, Edinburgh)
Attributed works:
8. Bust of Cardinal Alessandro Damasceni Peretti Montalto, by Gian Lorenzo Bernini. c.1623 (Kunsthalle, Hamburg; photograph: bpk, Berlin/Hamburger Kunsthalle/Elke Walford/Art Resource, NY)
Attributed works:
9. Detail of Aeneas and Anchises, by Gian Lorenzo Bernini. 1618-19 (Galleria Borghese, Rome; photograph: Livio Pestilli)
Western art unattributed:
1. Baptistery of S. Maria Maggiore, Rome. (Photograph: Livio Pestilli)
Exhibition Review
Nicola da Guardiagrele. Rome, Chieti, L’Aquila and Florence
04/2009 | 1273 | 151
Pages: 263-264
related names
Reviewer:
Davies, Glyn (Davies, Glyn)
Subjects
dates:
places:
places:
subjects:
Reviewed Items
subjects:
Nicola da Guardiagrele, Orafo tra Medioevo e Rinascimento | institution: Museo dell'Opera del Duomo , institution: Museo Nazionale Archeologico , institution: Museo Nazionale d'Abruzzo , institution: Santa Maria Maggiore
Illustrations
Attributed works:
76. Monstrance, by Nicola da Guardiagrele. 1413. Silver, parcel-gilt, with cloisonné and translucent enamels, 54 cm. high. (S. Franco, Francavilla al Mare, Chieti; exh. Museo dell’Opera del Duomo, Florence).
Attributed works:
77. Detail of inscription, from a processional cross, by Nicola da Guardiagrele. 1431. Silver-gilt and champlevé enamel. (Museo Parrocchiale, S. Maria Maggiore, Guardiagrele, Chieti; exh. Museo dell’Opera del Duomo, Florence).
Attributed works:
78. Detail of Crucified Christ, from a processional cross, by Nicola da Guardiagrele. 1434. Silver, parcel-gilt, with champlevé, cloisonné and translucent enamels, 90 cm. high. (Museo Nazionale d’Abruzzo, L’Aquila; exh. Museo dell’Opera del Duomo, Florence).
Book Review
L'"immagine antica": la Madonna col bambino di Santa Maria Maggiore. Studi e restauro
10/2002 | 1195 | 144
Pages: 626-628
related names
Reviewer:
Strehlke, Carl Brandon (Strehlke, Carl Brandon; S., C. B.; Strehlke, C. B.; Strehlke, Carl Brandos)
Subjects
Reviewed Items
subjects:
L'"immagine antica": la Madonna col bambino di Santa Maria Maggiore. Studi e restauro | author: Ciatti, Marco , author: Frosinini, Cecilia
Illustrations
Attributed works:
39. Virgin and Child Enthroned with Angels, Apostles, the Annunciation, and the Three Marys at the Tomb, Here Attributed to Coppo di Marcovaldo. 1270s. Panel, 221 by 115 cm. (S. Maria Maggiore, Florence).
Attributed works:
40. Detail of Fig.39 with the Virgin and Child.
Short Notice
Giovanni Battista Borghese's Funeral 'Apparato' of 1610 in S. Maria Maggiore, Rome
01/2001 | 1174 | 143
Pages: 23-28
related names
Author:
Schraven, Minou (Schraven, Minou)
Subjects
dates:
patrons:
places:
subjects:
Illustrations
Attributed works:
24. Catafalque for the Funeral Apparato of Ferdinando de'Medici in S. Giovanni dei Fiorentini, Rome. 1609. Detail of Engraving by Antonio Tempesta, 1609 after the Designs of Ludovico Cardi, Il Cigoli (Biblioteca Corsiniana, Rome).
Attributed works:
25. Interior of S. Giovanni dei Fiorentini, Rome, for the Funeral of Ferdinando de' Medici, 1609. Detail of Engraving by Antonio Tempesta. 1609 (Biblioteca Corsiniana, Rome).
Attributed works:
26. Expulsion from Paradise, by Domenico Cresti, il Passignano. 1610. Black Pencil and Brown Wash on White Paper, 27.6 by 38.4 cm. (Uffizi, Florence).
Attributed works:
27. Expulsion from Paradise, by Peter Paul Rubens, 1620-21. Oil on Panel, 49 by 65.5 cm. (National Gallery, Prague).
Attributed works:
28. Catafalque of Paul V Borghese in S. Maria Maggiore, Rome. 1622. Engraving by Theodor Krueger after the Construction Designed and Built by S. Venturi, G. B. Soria and G. L. Bernini (Gabinetto Nazionale delle Stampe, Rome).
Western art unattributed:
23. Plan of S. Maria Maggiore, Rome, with the Funeral Decoration of G. B. Borghese, March 1610 (Author's Reconstruction, Based on P. de Angelis: Basilicae Sanctae Mariae... Delineatio [1621], fol.94).
Short Notice
Domenico Maria Muratori's Last Painting
02/2000 | 1163 | 142
Pages: 108-111
related names
Author:
Bodart, Diane H. (Bodart, Diane H.)
Subjects
dates:
places:
Illustrations
Attributed works:
72. S. Carlo Borromeo Processing during the Plague at Milan, by Domenico Maria Muratori. 1740. 275 by 192 cm. (Sala Capitolare, S. Maria Maggiore, Rome).
Attributed works:
73. Girolamo Crispi, by Giovanni Battista Galli. Etching, 32.5 by 21.1 cm. (Istituto nazionale per la grafica, Rome).
Attributed works:
74. S. Carlo Borromeo's Supplication for the Ending of the Plague, by Etienne Parrocel. 1739. 280 by 210 cm. (S. Prassede, Rome).
Attributed works:
75. A Miracle of St Thomas Aquinas, by Domenico Maria Muratori. c.1720. 350 by 250 cm. (S. Spirito dei Napolitani, Rome).
Attributed works:
76. Madonna and Child. Roman, First Half of the Eighteenth Century. 67 cm. Diameter (S. Giovanni in Laterano, Rome).
Book Review
Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore
12/1997 | 1137 | 139
Pages: 877-878
related names
Reviewer:
Scott, John Beldon (Scott, John Beldon)
Subjects
dates:
places:
subjects:
Reviewed Items
subjects:
Art and Spirituality in Counter-Reformation Rome: The Sistine and Pauline Chapels in S. Maria Maggiore | author: Ostrow, Steven F.
Article
Artistic Co-Operation in Late Sixteenth-Century Rome: The Sistine Chapel in S. Maria Maggiore and the Scala Santa
07/1997 | 1132 | 139
Pages: 452-462
related names
Author:
Eitel-Porter, Rhoda (Eitel-Porter, Rhoda; Eitel, Rhoda; Porter, Rhoda Eitel-)
Subjects
artists:
artists:
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
10. Jacob and His Sons, Here Attributed to Cesare Nebbia. c.1586. Pen and Brown Ink and Wash, Heightened with White, over Black Chalk, Squared in Red Chalk, 24.5 by 19 cm. (Museum der Bildenden Künste, Leipzig).
Attributed works:
11. Jacob and His Sons, Painted by Giacomo Stella According to a Design by Cesare Nebbia. c.1586. Fresco. (Sistine Chapel, S. Maria Maggiore, Rome).
Attributed works:
12. Massacre of the Innocents, Here Attributed to Cesare Nebbia, c.1586. Pen and Brown Ink and Wash, over Black Chalk, Squared in Black Chalk, 38.1 by 25.2 cm. (Kunsthalle, Bremen).
Attributed works:
13. Massacre of the Innocents, Here Attributed to Cesare Nebbia, c.1586. Red Chalk, Contours Indented; On Three Pieces of Paper, 40.3 by 25.3 cm. (Flavia Ormond Fine Art, London).
Attributed works:
14. Massacre of the Innocents, Painted by Giovanni Battista Pozzo following a Design by Cesare Nebbia. c.1586. Fresco. (Sistine Chapel, S. Maria Maggiore, Rome).
Attributed works:
15. Christ Crowned with Thorns, by Cesare Nebbia. c.1573/75. Red Chalk, Squared for Transfer, 40.7 by 27.1 cm. (Biblioteca Nacional, Madrid).
Attributed works:
16. Massacre of the Innocents (Detail from a Design for the Decoration of a Wall, Lower Right), by Cesare Nebbia. Pen and Brown Ink and Wash. (Museo dell'Opera del Duomo, Orvieto).
Attributed works:
17. St Jerome Washing the Feet of a Pilgrim, Here Attributed to Andrea Lilio. c.1586. Pen and Brown Ink, over Black Chalk, 19.3 by 12.7 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
18. St Jerome Washing the Feet of a Pilgrim, Here Attributed to Cesare Nebbia. c.1586. Pen and Brown Ink and Wash, 35.5 by 23.2 cm. (Louvre, Paris).
Attributed works:
19. St Jerome Washing the Feet of a Pilgrim, by Andrea Lilio. c.1586. Fresco. (Sistine Chapel, S. Maria Maggiore, Rome).
Attributed works:
20. Study for Moses and the Brazen Serpent, by Ferraù Fenzoni. c.1588. Red Chalk, 26 by 34.5 cm. (Formerly Archibald Russell Collection, Lancaster Herald).
Attributed works:
21. Moses and the Brazen Serpent, by Ferraù Fenzoni. c.1588. Red Chalk, 40.7 by 29 cm. (Uffizi, Florence).
Attributed works:
22. Moses and the Brazen Serpent, Painted by Ferraú Fenzoni According to a Joint Design by Cesare Nebbia and Himself. c.1588. Fresco. (Scala Santa, Rome).
Attributed works:
23. Moses and the Brazen Serpent, Here Attributed to Cesare Nebbia, c.1588. Pen and Brown Ink and Wash, over Red and Black Chalk, 35.5 by 26.5 mm. (Private Collection).
Attributed works:
5. St Peter and Another Apostle, Here Attributed to Cesare Nebbia. c.1586. Pen and Brown Ink and Wash, over Black Chalk, 21.1 by 12cm. (Kupferstichkabinett, Dresden).
Attributed works:
6. St Peter Entering Rome, Painted by Giovanni Battista Pozzo Following a Design by Cesare Nebbia. c.1586. Fresco. (Sistine Chapel, S. Maria Maggiore, Rome).
Attributed works:
7. Mary and Joseph Paying the Census Tax, Attributed to Cesare Nebbia. c.1586. Pen and Brown Ink and Wash, 22.5 by 19.5 cm. (Uffizi, Florence).
Attributed works:
8. Sheet of Studies with Sts Matthew and Mark, Here Attributed to Cesare Nebbia. c.1586. Pen and Brown Ink and Wash. (Biblioteca Comunale degli Intronati, Siena).
Attributed works:
9. Solomon and Roboam, by Cesare Nebbia. c.1586. Pen and Brown Ink and Wash, 18.5 by 10.9 cm. (Auction, New York).
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