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8 articles
Article
Architecture and liturgy in the east end of Saint-Urbain, Troyes
04/2021 | 1417 | 163
Pages: 332-343
related names
Author:
Olympios, Michalis (Olympios, Michalis)
Subjects
Illustrations
Attributed works:
2. Plan of Saint-Urbain, Troyes, annotated with the major interior partitions and identification of spaces mentioned in the text. The red rectangles frame the walls and staircase turrets between the apses. Drawing by the author, after F. Salet: ‘Saint-Urbain de Troyes’, Congr s arch ologique de France 113 (1955), p.101; and M.T. Davis and L.E. Neagley: ‘Mechanics and meaning: plan design at Saint-Urbain, Troyes and Saint-Ouen, Rouen’, Gesta 39 (2000), p.163, fig.2.
Attributed works:
7 and 8. Plans of Regensburg Cathedral: (top) wall passage level; and (bottom) ground-floor level. (Repr. A. Hubel and M. Schuller, eds: Der Dom zu Regensburg, Regensburg 2010–16, V, pl.72).
Western art unattributed:
1. The central apse of Saint-Urbain, Troyes (photograph Pierre- Louis Laget).
Western art unattributed:
10. The south apse of Regensburg Cathedral, showing the wall passage between central and south apses (photograph the author).
Western art unattributed:
11. View of the choir of Regensburg Cathedral during the general synod of 1650, by Melchior Küssel. 1650. Engraving, 60.2 by 52.7 cm. (Bisch fliches Zentralarchiv Regensburg, Collectio imaginum).
Western art unattributed:
12. Detail of windows on the north side of the north apse at Saint- Urbain, Troyes (photograph the author).
Western art unattributed:
13. The clerestorey in the central apse of Saint-Urbain, Troyes, as seen from the south apse through the wall passage opening (photograph the author).
Western art unattributed:
3. The central apse of Saint-Urbain, Troyes, looking southeast (photograph the author).
Western art unattributed:
4. The chapel of the Virgin Mary in the south apse at Saint-Urbain, Troyes (photograph the author).
Western art unattributed:
5. The south side of the turning bays in the north apse at Saint-Urbain, Troyes. The ground floor doorway of the staircase turret and the access to the passage between the north and central apses are both visible (photograph the author).
Western art unattributed:
6. The central apse of Regensburg Cathedral (photograph the author).
Western art unattributed:
9. The access from the south apse of Regensburg Cathedral to the adjacent staircase turret, showing (a) the doorway leading to the turret from the central apse; and (b) the turret’s ground floor entrance (photograph the author).
Article
Spatial rhetoric: echoes of Madrid’s Alcázar in palaces overseas
03/2021 | 1416 | 163
Pages: 236-243
related names
Author:
Luengo, Pedro (Luengo, Pedro)
Subjects
places:
places:
Illustrations
Attributed works:
1. The proclamation of Philip V in front of the Alcázar, Madrid, by Filippo Palotta. 1700. Pen, ink and wash, 47.3 by 135 cm. (Museo de Historia de Madrid).
Attributed works:
2. Plan of the first floor of the Alcázar, Madrid, by Juan Gómez de Mora. 1626. Pen, ink and watercolour on paper, 49 by 62 cm. (Library of Congress, Washington).
Attributed works:
3. The tribune in the transept of the chapel, El Escorial, Spain. (Photograph © Patrimonio Nacional, Madrid).
Attributed works:
4. Plan of the chapel in the Alcázar, Madrid, by Juan Gómez de Mora. c.1660. Pen and ink on paper, 19.5 by 28.6 cm. (Madrid, Archivo General de Palacio, Sección Histórica, caja 51 (1), fol.186r; © Patrimonio Nacional, Madrid).
Attributed works:
5. Reconstruction of the plan of a proposed royal palace, Naples, by Domenico Fontana. c.1600. (From P.C. Verde: Domenico Fontana a Napoli. 1592–1607, Naples 2007, p.78).
Attributed works:
6 and 7. Plans of the ground and first floor of the viceregal palace, Mexico City. c.1771. Ink and red gouache on paper, 42.5 by 49 cm; and 40 by 48 cm. (Archivo General de Indias, Mexico City, MP-MEXICO,105).
Attributed works:
8. Detail of a map of Lima, showing the viceregal palace between the fountain and the river. Engraving, 38 by 53 cm. (From J. Mulder: Lima, Ciudad de los Reyes, 1688; photograph National Library of Spain, Madrid).
Attributed works:
9. Plan of the top floor of the viceregal palace, Bogotá, by Juan Jimenez Donoso. 1781. Coloured manuscript on paper, 54 by 54 cm. (Archivo General Militar, Madrid).
Article
The design of New Court at St John’s College, Cambridge
10/2018 | 1387 | 160
Pages: 840-849
related names
Author:
Salmon, Frank (Salmon, Frank)
Subjects
Illustrations
Attributed works:
10. Detail of a design for the south elevation of New Court, by Thomas Rickman and Henry Hutchinson. November 1826. Pen and ink on paper, 62 by 108 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC4/4)
Attributed works:
11. The Bridge of Sighs, viewed westward from the Third Court loggia, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle)
Attributed works:
12. Detail of Fig.10, showing the design for an iron Bridge of Sighs.
Attributed works:
13. The New Court ‘Bridge Passage’, St John’s College, Cambridge, viewed westward towards the cloister with the entrance to A Staircase on the right, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph Tim Rawle).
Attributed works:
14. Detail of Fig.2, digitally rendered to show the building as it would have appeared if built in red brick.
Attributed works:
2. South front of New Court, St John’s College, Cambridge, by Thomas Rickman and Henry Hutchinson. 1827–31. (Photograph © Tim Rawle).
Attributed works:
3. Perspective view of a design for New Court from the south-east, by John Clement Mead. October 1824. Pen, ink and wash on paper, 68 by 124 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/10).
Attributed works:
4. Detail of a design for the east elevation of New Court, by John Clement Mead. October 1824. Pen, ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/5).
Attributed works:
5. The Shrewsbury Tower gatehouse in Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
6. Detail of a design for the south elevation of New Court, by John Clement Mead. October 1824. Ink and wash on paper, 70 by 98 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC2/2).
Attributed works:
7. South side of Second Court, St John’s College, Cambridge, by Ralph Symons and Gilbert Wigge. 1598–1602. (Photograph © Tim Rawle).
Attributed works:
8. Detail of a design for the south elevation of New Court, St John’s College, Cambridge, by Arthur Browne. April–September 1825. Pen, ink and grey wash on card, 22 by 55 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/3).
Attributed works:
9. Detail of a plan of a design for New Court, by Arthur Browne. April–September 1825. Pen, ink and wash on card, 22 by 56 cm. (By permission of the Master and Fellows of St John’s College, Cambridge, SJCA/MPSC3/2).
Western art unattributed:
1. New Court and the Bridge of Sighs, St John’s College, Cambridge, viewed from the Kitchen Bridge to the south-east. Mid-nineteenth century. Engraving, 8.5 by 13.5 cm. (Private collection).
Article
Ferdinando Fuga’s proposals for displaying relics in S. Maria Maggiore, Rome
08/2018 | 1385 | 160
Pages: 646-653
related names
Author:
Spila, Alessandro (Spila, Alessandro)
Subjects
places:
Illustrations
Attributed works:
1. Design for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 37.6 by 22.7 cm. (Instituto Nazionale di Archeologia e Storia dell’Arte (INASA) Rome, Roma XI 38, II.2).
Attributed works:
10. Elevation of the façade of the Sforza Chapel, S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with light blue and grey watercolour on paper, 25.7 by 32.5 cm. (Cooper Hewitt Smithsonian Design Museum, New York, 1901-39-2140).
Attributed works:
11. The Chapel of the Crucifix, S. Maria Maggiore, Rome. (Photograph the author).
Attributed works:
2. Designs for a reliquary platform for the nave of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Pen with pink and grey watercolour on paper, 48.5 by 36.5 cm. (INASA, Rome, Roma XI 38, II.5).
Attributed works:
3. Elevation of the south aisle of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with blue and grey watercolour on paper, 48.3 by 74.1 cm. (INASA, Rome, Roma XI 46, II.7).
Attributed works:
4. Cross-section of the nave and aisles of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.99. Etching, 38.4 by 25.2 cm.
Attributed works:
5. Reliquary altar in the choir of S. Maria Maggiore, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.85. Etching, 38.4 by 25.2 cm.
Attributed works:
6. Plan of S. Maria Maggiore, Rome, from P. de Angelis: Basilicae S. Mariae Maioris de Urbe a Liberio papa I usque ad Paulum V. Pont. Max., Rome 1621, p.56. Etching, 56.5 by 37.5 cm.
Attributed works:
7. S. Maria Maggiore, Rome, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
8. Interior of S. Maria Maggiore, Rome, looking west, photographed in 1925. (Photograph Ludwig Preiss; private collection; © Look and Learn / Bridgeman Images).
Attributed works:
9. Plan of part of the nave and aisles of S. Maria Maggiore, Rome, by the workshop of Ferdinando Fuga. c.1745. Brown ink with pink and grey watercolour on paper. 49 by 73.5 cm. (INASA, Rome, Roma XI 46, II.4).
Article
New light on a staircase of 1699–1700 in Museum Boijmans Van Beuningen, Rotterdam
02/2016 | 1355 | 158
Pages: 103-109
related names
Author:
Wit, Ada de (Wit, Ada de)
Subjects
dates:
places:
Illustrations
Attributed works:
21. Alternative view of the staircase in Fig.24 (Photograph by Jannes Linders)
Attributed works:
22. Detail of balustrade on the first floor of the staircase in Fig.24
Attributed works:
23. Detail of carved panel with band-work and snake of the staircase in Fig.24
Attributed works:
24. Staircase originally in 11 Lange Vijverberg, The Hague, with carving here identified as by Willem van Sundert. 1699-1700 (Museum Boijmans Van Beuningen, Rotterdam. Photography by Jannes Linders)
Attributed works:
25. Staircase in 11 Lange Vijverberg, The Hague. Photograph, c.1927 (Reproduced in R. van Oven: 'Een Patricische Woning aan den Vijverberg', Buiten, 21/28 (9th July 1927), p.335)
Attributed works:
26. Staircase originally at Cassiobury Park, Hertfordshire, with carving attributed to Edward Pearce. 1677-80 (Metropolitan Museum of Art, New York)
Attributed works:
27. Lange Vijverberg, by Daniel Marot the Younger. 1719 (Haags Gemeentearchief, The Hague)
Attributed works:
28. Coat of arms made for the Water Board of Kennemerland and West Friesland, carved by Willem van Sundert. 1699 (Collection Hoogheemraadschap Hollands Noorderkwartier, Heerhugowaard)
Attributed works:
29. Staircase originally in 28 Buitenhof, The Hague, with carving here attributed to the workshop of Willem van Sundert. 1698 (Gemeentemuseum, The Hague)
Attributed works:
30. Staircase in 28 Buitenhof, The Hague. Photograph, 1922 (Collection Rijksdienst voor het Cultureel Erfgoed, Amersfoort, inv. no.6.115)
Attributed works:
31. Detail of balustrade of the staircase in Fig.24
Attributed works:
32. Detail of balustrade of the staircase in Fig.29
Attributed works:
33. Detail of balustrade of the staircase in Fig.24
Attributed works:
34. Detail of balustrade of the staircase in Fig.29
Attributed works:
36. Staircase at Sudbury Hall, Derbyshire, carved by Edward Pearce. 1676 (© National Trust Images / Andreas von Einsiedel)
Western art unattributed:
35. Staircase at the Castle of Middachten, Gelderland. c.1698
Book Review
L'Escalier dans l'architecture de la Renaissance. Actes du colloque tenu a Tours du 22 au 26 mai 1979
10/1987 | 1015 | 129
Pages: 672
related names
Reviewer:
Howard, Maurice (Howard, Maurice)
Subjects
dates:
Reviewed Items
subjects:
L'Escalier dans l'architecture de la Renaissance. Actes du colloque tenu a Tours du 22 au 26 mai 1979 | author: Chastel, André , author: Guillaume, Jean
Article
Some English Staircases and Wainscot
01/1929 | 310 | 54
Pages: 32-35
related names
Author:
Neville, H. K. (Neville, H. K.)
Subjects
dates:
dates:
places:
subjects:
subjects:
Illustrations
Western art unattributed:
Plate I. A-Oak Staircase from Lyvedon Manor. Some English Staircases and Wainscot
Western art unattributed:
Plate I. B-Oak Room from Hawstead House, Essex. Some English Staircases and Wainscot
Western art unattributed:
Plate II. A-Chimney Piece of Carved Pine; Mid-Eighteenth Century, from Spettisbury, Dorset. Some English Staircases and Wainscot
Western art unattributed:
Plate II. B-Chimney Piece of Carved Pine from Harewood House, London; Late Eighteenth-Century C-Detail of Central Panel. (All from Messrs. Robertson's, Ltd.). Some English Staircases and Wainscot
Book Review
Spirals in Nature and Art
04/1903 | 2 | 1
Pages: 265
Subjects
Reviewed Items
subjects:
Spirals in nature and art; a study of spiral formations based on the manuscripts of Leonardo da Vinci, with special reference to the architecture of the open staircase at Blois, in Touraine, now for the first time shown to be from his designs | author: Cook, Theodore Andrea