Gli affreschi del Settecento nei palazzi
veneziani
By Giuseppe Pavanello. Three vols, 919 pp. incl.
1479 col. + 425 b. & w. ills. (Antiga Edizioni,
Crocetta del Montello, 2022), €490. ISBN
978–88–8435–291–0. |
:
Illustrations
Attributed works:
7. Ballroom of Palazzo Labia, Venice. Frescos
by Giambattista Tiepolo with ornamentation
by Girolamo Mengozzi Colonna. c.1746–47.
(Bridgeman Images).
Louis XV: passions d’un roi
Edited by Yves Carlier and Hélène
Delalex. 496 pp. incl. 458 col. + b. & w.
ills. (In Fine Éditions d’Art, Paris, 2022),
€49. ISBN 978–2–38203–076–9. |
:
Illustrations
Attributed works:
1. Floorplan of
the telescope
pavilion, château
de la Muette.
1756. Pen, ink
and red wash on
paper. (Archives
nationales, Paris).
Attributed works:
2. Louis XV, by
Arnaud Vincent
de Montpetit.
1774. Oil on
canvas, 74 by
61.2 cm. (Musée
national des
châteaux de
Versailles et
de Trianon,
Versailles).
Attributed works:
3. Project for the
throne of Louis
XV, by Sébastien-
Antoine Slodtz
and Paul-Ambroise
Slodtz. 1752. Pen,
ink and wash
highlights over
black pencil,
67.1 by 47.2 cm.
(Bibliothèque
nationale de
France, Paris).
Article
The Medieval Palace of the Commune in Avignon: a forgotten building
1. Map of Avignon. (From Atlas van Loon, Amsterdam 1663, X).
Attributed works:
10. Entrance porch of the cathedral of Notre-Dame-des-Doms,
Avignon. (Photograph the author).
Attributed works:
2. Roman ruins underneath the former consuls’ palace, Avignon.
(Photograph the author).
Attributed works:
3. Plan of consular palace and surrounding structures. (Based on
archaeological survey undertaken by C. Markiéwicz, J.-M. Mignon and
O. Keiser).
Attributed works:
4. Façade of the annex building, Avignon. (Photograph the author).
Attributed works:
5. Detail of Fig.1, showing the consular palace and surrounding
structures.
Attributed works:
6. Detail of De la ville d’Avignon et par dela: Veüe de la Ville d’Avignon et
des environs, by Étienne Martellange. 1608. Pen and brown ink with an
India ink wash. (Bibliothèque nationale de France, Paris).
Attributed works:
7. Tympanum of the entrance portal of the communal tower,
Avignon. Late 12th–early 13th century. Marble. (Musée du Petit
Palais; Archivah and Alamy Stock Photo).
Attributed works:
8. Drawings of consular bullae. (From L. Blanchard: Iconographie
des sceaux et des bulles des archives des bouches du Rhône, Paris
1860, pp.78–79).
Attributed works:
9. Tympanum of the entrance portal of S. Zeno Maggiore, Verona.
c.12th century. (Photograph Frank Buffetrille; Bridgeman Images).
The Art of Tapestry
By Helen Wyld. 256 pp. incl. numerous col. ills.
(Philip Wilson Publishers, London, 2022), £45.
ISBN 978–1–78130–112–8. |
:
Illustrations
Attributed works:
1. The Tapestry Room at Osterley House,
Middlesex, hung with a set of Gobelins
‘Tenture de Boucher’ tapestries, installed
in the 1770s. (National Trust Images).
Attributed works:
2. The High Great Chamber at Hardwick Hall,
Derbyshire, hung with the Story of Ulysses
tapestries, woven in Brussels in the 1560s.
(National Trust Images).
Book Review
London’s ‘Golden Mile’: The Great Houses of the Strand, 1550–1650. By Manolo Guerci.
London’s ‘Golden Mile’: The Great
Houses of the Strand, 1550–1650
By Manolo Guerci. 336 pp. incl. 220 col. ills.
(Paul Mellon Centre for the Study of British Art,
London, 2021), £50. ISBN 978–1–913107–23–9. |
:
Illustrations
Attributed works:
1. Detail from West Central District, by
Wenceslaus Hollar, showing Worcester House,
the Savoy and Somerset House on the south
side of the Strand, and Exeter (otherwise
Burghley) House opposite on the north side.
c.1660. Etching, 34.8 by 45.6 cm. (Folger
Shakespeare Library, Washington).
Book Review
Palaces of Revolution: Life, Death and Art at the Stuart Court
Palaces of Revolution: Life, Death
and Art at the Stuart Court
By Simon Thurley. 560 pp. incl. 25 col. + 138
b. & w. ills. (William Collins, Glasgow, 2021),
£10.99. ISBN 978–0–00–838996–3 |
:
Book Review
The Art Collector in Early Modern Italy: Andrea Odoni and his Venetian Palace
The Art Collector in Early Modern Italy:
Andrea Odoni and his Venetian Palace
By Monika Schmitter. 340 pp. incl. 143 col. +
b. & w. ills. (Cambridge University Press,
Cambridge and New York, 2021), £75.
ISBN 978–1–108–84408–6. |
:
Article
Colossal orders and a Classical fa ade: Hoefnagel and Nonsuch revisited
1. Nonsuch Palace, Surrey, by Joducus Hondius
after John Speed. 1610. Engraving, 28.5 by 51
cm. (From J. Speed: Theatre of the Empire
of Great Britain, London 1611).
Attributed works:
2. Detail of Fig.3, showing the the west end
of the south front.
Attributed works:
3. Nonsuch Palace from the south, by Joris
Hoefnagel. 1568. Black chalk, pen and brown
and black ink and watercolour, heightened
with white and gold, on paper, 24.2 by 26.3
cm. (Victoria and Albert Museum, London;
Bridgeman Images).
Attributed works:
4. A triumphal arch, by Sebastiano Serlio.
(From S. Serlio: Regole generali di architetura
sopra le cinque maniere de gli edifici, Venice
1537; Avery Architectural and Fine Arts
Library, Columbia University, New York).
Article
Spatial rhetoric: echoes of Madrid’s Alcázar in palaces overseas
1. The proclamation of Philip V in front of the Alcázar, Madrid,
by Filippo Palotta. 1700. Pen, ink and wash, 47.3 by 135 cm. (Museo
de Historia de Madrid).
Attributed works:
2. Plan of the first floor of the Alcázar, Madrid, by Juan Gómez de
Mora. 1626. Pen, ink and watercolour on paper, 49 by 62 cm. (Library
of Congress, Washington).
5. Reconstruction of the plan of a proposed royal palace, Naples, by
Domenico Fontana. c.1600. (From P.C. Verde: Domenico Fontana a
Napoli. 1592–1607, Naples 2007, p.78).
Attributed works:
6 and 7. Plans of the ground and first floor of the viceregal palace,
Mexico City. c.1771. Ink and red gouache on paper, 42.5 by 49 cm; and 40
by 48 cm. (Archivo General de Indias, Mexico City, MP-MEXICO,105).
Attributed works:
8. Detail of a map of Lima, showing the viceregal palace between the
fountain and the river. Engraving, 38 by 53 cm. (From J. Mulder: Lima,
Ciudad de los Reyes, 1688; photograph National Library of Spain, Madrid).
Attributed works:
9. Plan of the top floor of the viceregal palace, Bogotá, by Juan Jimenez
Donoso. 1781. Coloured manuscript on paper, 54 by 54 cm. (Archivo
General Militar, Madrid).
Article
Battening spalliera paintings: reflections on twenty-five years of research
1. Story of Virginia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 86 by 165 cm. (Accademia Carrara, Bergamo).
Attributed works:
10. Fight between the Lapiths and centaurs, by Piero di Cosimo.
c.1500–15. Oil on panel, 71 by 260 cm. (National Gallery, London).
Attributed works:
2. Story of Lucretia, by Sandro Botticelli. c.1500. Oil and tempera on
panel, 83.8 cm by 176.8 cm. (Isabella Stewart Gardner Museum, Boston).
Attributed works:
3. Episodes from the life of Alexander the Great, by the workshop
of Ghirlandaio. 1493–94. Tempera on panel, 76 by 229.5 cm. (Victoria
and Albert Museum, London).
Attributed works:
4. Julius Caesar and the crossing of the Rubicon, by the workshop
of Ghirlandaio. 1493–94. Tempera and gold on panel, 73.5 by 170 cm.
(Victoria and Albert Museum, London).
Attributed works:
5. The story of Griselda: Part one, marriage, by the Master of the
Story of Griselda. c.1494. Oil and tempera on panel, 61.6 by 154.3 cm.
(National Gallery, London).
Attributed works:
6. The back of the panel illustrated in Fig.5, showing vertical battens
used to stabilise the panel and/or attach it to its setting. (National
Gallery, London).
Attributed works:
7. Alexander the Great, by the Master of the Story of Griselda. c.1500.
Tempera on panel, 105.4 by 50.8 cm. (The Barber Institute of Fine Arts,
University of Birmingham).
Attributed works:
8. Claudia Quinta, by Neroccio de’ Landi and the Master of the Story of
Griselda. c.1493–94. Tempera on panel, 104 by 46 cm. (National Gallery
of Art, Washington).
Attributed works:
9. Detail of Fig.10, showing Hylonome and Cylarus.