Tudor Liveliness: Vivid Art in
Post-Reformation England
By Christina J. Faraday. 198 pp. incl. 120 col.
+ 4 b. & w. ills. (Paul Mellon Centre for
Studies in British Art, London, 2023),
£45. ISBN 978–1–913107–37–6. |
:
Illustrations
Attributed works:
4. Unknown man clasping a hand from a
cloud, by Nicholas Hilliard. 1588. Watercolour
on vellum mounted on brown card, height 6
cm. (Victoria and Albert Museum, London;
Bridgeman Images).
Holbein and the Renaissance in the North, Städel Museum,
Frankfurt,(2nd November 2023–18th February 2024) |
:
subjects:
Holbein at the Tudor Court, Queen's Gallery, London, (10th November
2023–14th April 2024) |
:
Illustrations
Attributed works:
1. Portrait of a man with the surname Fischer, by Hans Holbein the
Elder. c.1512. Silverpoint on prepared paper, reworked with brush and
ink, 13.5 by 9.5 cm. (Staatliche Museen zu Berlin, Kupferstichkabinett;
exh. Städel Museum, Frankfurt).
Attributed works:
2. Portrait of a man with the surname Fischer, by Hans Holbein the
Younger (?). 1512. Oil on panel, 35 by 26.5 cm. (Private collection; exh.
Städel Museum, Frankfurt).
Attributed works:
3. The wife of a man with the surname Fischer, by Ambrosius Holbein
(?). 1512. Oil on panel, 35 by 26.6 cm. (Kunstmuseum Basel; Bridgeman
Images; exh. Städel Museum, Frankfurt).
5. Unidentified man, perhaps George Cornwall, by Hans Holbein
the Younger. c.1535–40. Oil and tempera on panel, diameter 32.4 cm.
(Städel Museum, Frankfurt).
10. Angel bearing
a candlestick
(one of a pair),
by Benedetto
da Rovezzano.
1524–29. Bronze,
101 by 50 by 33
cm. (Victoria and
Albert Museum,
London; exh.
Metropolitan
Museum of Art,
New York).
Attributed works:
11. Elizabeth I
(Sieve Portrait),
by Quentin
Metsys the
Younger. 1583.
Oil on canvas,
124.5 by 91.5
cm. (Pinacoteca
Nazionale, Siena;
exh. Metropolitan
Museum of Art,
New York).
Attributed works:
12. Henry VIII, by
Hans Holbein the
Younger. c.1537.
Oil on panel, 28
by 20 cm. (Museo
Nacional Thyssen-
Bornemisza,
Madrid; exh.
Metropolitan
Museum of Art,
New York).
Book Review
London’s ‘Golden Mile’: The Great Houses of the Strand, 1550–1650. By Manolo Guerci.
London’s ‘Golden Mile’: The Great
Houses of the Strand, 1550–1650
By Manolo Guerci. 336 pp. incl. 220 col. ills.
(Paul Mellon Centre for the Study of British Art,
London, 2021), £50. ISBN 978–1–913107–23–9. |
:
Illustrations
Attributed works:
1. Detail from West Central District, by
Wenceslaus Hollar, showing Worcester House,
the Savoy and Somerset House on the south
side of the Strand, and Exeter (otherwise
Burghley) House opposite on the north side.
c.1660. Etching, 34.8 by 45.6 cm. (Folger
Shakespeare Library, Washington).
The Tudors: Passion, Power
and Politics
Walker Art Gallery, Liverpool
21st May–29th August |
:
Illustrations
Attributed works:
5. Henry VIII,
after Hans
Holbein the
Younger. c.1537.
Oil on panel,
91.5 by 73.5
cm. (Victoria
Art Gallery,
Bath and North
East Somerset
Council; exh.
Holburne
Museum, Bath).
Attributed works:
6. Battle off the
Isle of Wight, 4th
August 1588.
1589. Pen, ink
and watercolour
on linen rag
paper, 27 by 37
cm. (Courtesy
National
Museum of the
Royal Navy,
Portsmouth).
Attributed works:
7. Installation
view of The
Tudors:
Passion, Power
and Politics
at Walker
Art Gallery,
Liverpool, 2022,
showing the
Westminster
Tournament
Roll, 1511 (The
College of Arms,
London).
Book Review
Elizabethan Globalism: England, China and the Rainbow Portrait
Elizabethan Globalism: England, China
and the Rainbow Portrait
By Matthew Dimmock. 336 pp. incl. 90 col. +
b. & w. ills. (Paul Mellon Centre for Studies in
British Art, London, and Yale University Press,
New Haven and London, 2019), £50.
ISBN 978–1–913107–03–1. |
:
Tudor Textiles
By Eleri Lynn. 208 pp. incl. 132 col. ills. (Yale
University Press, New Haven and London, in
association with Historic Royal Palaces, London,
2020), £35. ISBN 978–0–300–24412–0. |
:
1. Lady Margaret Beaufort, by Meynnart Wewyck. c.1510. Panel, 180 by
122 cm. (St John’s College, Cambridge; courtesy the Master and Fellows
of St John’s College, Cambridge).
Attributed works:
2. Detail of Fig.1, showing the lower edge of the engaged frame.
(Courtesy National Portrait Gallery, London).
Attributed works:
3. Detail of Fig.6, showing the lower edge of the engaged frame.
(Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
4. Right Reverse of Fig.1. (Courtesy Hamilton Kerr Institute, Cambridge).
Attributed works:
5. Lady Margaret Beaufort, by Rowland Lockey, after Meynnart
Wewyck. 1596. Panel, 180.1 by 115.9 cm. (St John’s College, Cambridge;
courtesy the Master and Fellows of St John’s College, Cambridge).
Attributed works:
6. Henry VII, here attributed to Meynnart Wewyck. c.1501–09. Panel,
38 by 24.5 cm. (Society of Antiquaries, London).
Attributed works:
7. Margaret Beauchamp, Duchess of Somerset [?], installed by
Simon Symondes and Thomas Peghe. c.1510. Stained glass. (Christ’s
College, Cambridge).
Book Review
English Silver before the Civil War: The David Little Collection, by Timothy Schroder