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60 articles
Exhibition Review
Medieval, Renaissance and Baroque galleries
10/2023 | 1447 | 165
Pages: 1130-1133
related names
Reviewer:
Lloyd, Stephen (Lloyd, Stephen)
Subjects
dates:
Reviewed Items
subjects:
Medieval, Renaissance and Baroque galleries Walker Art Gallery, Liverpool From 29th July | :
Illustrations
Attributed works:
10. Room 2 at the Walker Art Gallery, National Museums Liverpool, showing Madonna and Child in glory, by Bartolomé Esteban Murillo. 1673. Oil on canvas, 236 by 169 cm. (Photograph Pete Carr).
Attributed works:
8. Room 4 at the Walker Art Gallery, National Museums Liverpool. (Photograph Pete Carr).
Attributed works:
9. Room 3 at the Walker Art Gallery, National Museums Liverpool, showing Allegory of painting and music, by Giovanni Andrea Sirani. c.1650. Oil on canvas, 94.5 by 124.5 cm. (Photograph Pete Carr).
Exhibition Review
The Tudors: Passion, Power and Politics
08/2022 | 1433 | 164
Pages: 792-794
related names
Reviewer:
Hearn, Karen (Hearn, Karen)
Subjects
Reviewed Items
subjects:
The Tudors: Passion, Power and Politics Walker Art Gallery, Liverpool 21st May–29th August | :
Illustrations
Attributed works:
5. Henry VIII, after Hans Holbein the Younger. c.1537. Oil on panel, 91.5 by 73.5 cm. (Victoria Art Gallery, Bath and North East Somerset Council; exh. Holburne Museum, Bath).
Attributed works:
6. Battle off the Isle of Wight, 4th August 1588. 1589. Pen, ink and watercolour on linen rag paper, 27 by 37 cm. (Courtesy National Museum of the Royal Navy, Portsmouth).
Attributed works:
7. Installation view of The Tudors: Passion, Power and Politics at Walker Art Gallery, Liverpool, 2022, showing the Westminster Tournament Roll, 1511 (The College of Arms, London).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Exhibition Review
Charles Rennie Mackintosh: Making the Glasgow Style. Kelvingrove Art Gallery and Museum, Glasgow
08/2018 | 1385 | 160
Pages: 681-684
related names
Reviewer:
Donnelly, Max (Donnelly, Max)
Subjects
dates:
Illustrations
Attributed works:
22. Book binding for L’Evangile de L’Enfance de Notre Seigneur Jésus Christ, by Jessie M. King. c.1900–01. Tooled vellum with gilding, 30.6 cm by 23.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
23. Stencil card for the decoration of the Hill House, Helensburgh, designed by Charles Rennie Mackintosh and made by Guthrie & Wells. 1904. Card and paint, 54 cm by 41.5 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Attributed works:
24. Water sprite, designed by William Gibson Morton and probably made by William Stewart. 1895– 96. Leaded coloured glass, 72 cm by 64.2 cm. (Glasgow Museums; exh. Kelvingrove Art Gallery and Museum, Glasgow).
Book Review
The Ince Blundell Collection of Classical Sculpture. Volume III – The Ideal Sculpture. By Elizabeth Bartman
01/2018 | 1378 | 160
Pages: 64-65
related names
Reviewer:
Walker, Susan (Walker, Susan)
Subjects
collectors and dealers:
media:
Illustrations
Western art unattributed:
1. Satyr and Hermaphrodite. Roman, 2nd century AD. (Liverpool Museums).
Article
Eliza Macloghlin and Alfred Gilbert’s ‘Mors janua vitae’
11/2017 | 1376 | 159
Pages: 900-905
related names
Author:
Hammerschlag, Keren (Hammerschlag, Keren)
Subjects
artists:
artists:
dates:
media:
styles:
subjects:
Illustrations
Attributed works:
28. Mors janua vitae, by Alfred Gilbert. 1908 (Royal College of Surgeons of England, London).
Attributed works:
29. Mors janua vitae, by Alfred Gilbert, 1906-07 (Walker Art Gallery, Liverpool).
Attributed works:
30. Charity, by Alfred Gilbert. 1899 (Victoria and Albert Museum, London).
Attributed works:
31. 'Take your son, sir', by Ford Madox Brown. 1851-92 (Tate, London).
Attributed works:
33. Mrs Macloghlin, by Alfred Gilbert. 1906-07 (Tate, London).
Western art unattributed:
32. Eliza (Millard) Macloghlin. 1904. Photograph (Greater Manchester County Record Office, GB124.DPA/2374/3).
Exhibition Review
Pre-Raphaelites: Beauty and Rebellion. Liverpool
05/2016 | 1358 | 158
Pages: 390–91
related names
Reviewer:
Sloan, Rachel (Sloan, Rachel)
Subjects
dates:
places:
Illustrations
Attributed works:
61. Isabella, by John Everett Millais. 1849 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)
Attributed works:
62. The rainbow, by William Davis. c.1858 (National Museums Liverpool; exh. Walker Art Gallery, Liverpool)
Publication Received
The Walker Art Gallery Liverpool 1873–2000. By Edward Morris and Timothy Stevens.
05/2015 | 1346 | 157
Pages: 358
related names
Reviewer:
Waterfield, Giles (Waterfield, Giles)
Subjects
Book Review
Earlier British Paintings in the Walker Art Gallery and Sudley House
04/2013 | 1321 | 155
Pages: 262
Advertisements
Advertisements September 2011 (front)
09/2011 | 1302 | 153
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
[Agnew's, London. Metamorphic Venus 4, by William Turnbull (b.1922). 1982. Edition of six. Bronze on stone base. Height: 56.6 cm. Width: 23.5 cm]
Attributed works:
[Austin/Desmon, London. Standing figure, by Keith Vaughan (1912-77), 1948. Signed and dated: Vaughan /48. Gouache, wax crayon and black chalk on paper, 72 by 55.5 cm]
Attributed works:
[Beaux Arts, London. Fawley I, by John Piper (1903-92), 1989. Oil on canvas, 91 by 121. 5 cm]
Attributed works:
[Bonhams. 101 New Bond Street. London. Henry Moore O.M., C.M. (British, 1898-1986). Shelter Drawing. Seated Mother]
Attributed works:
[Charly Bailly. 10 rue de l’Hotel-de-Ville. Geneva. Wolfgang-Adam Topffer (Geneva 1766-1847 Geneva). Scène de village avec montreur d'images (Village scene with image show). Circa 1830. Oil on canvas, 55.5 x 76 cm. (22 by 30 in)]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jan Brueghel I (1569 - 1625), Rape of Proserpine, oil on copper, 18.7 x 26 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Simone di Filippo. Simone dei Crocefissi (1355.1399). The Coronation of Mary, tempera on panel, 90 x 56 cm]
Attributed works:
[Dr. Fischer, Fine Art Auctions. Trappenseeschlosschen – 74074 Heilbronn – Germany. Augsburg, circa 1680 / Max Pechstein, 1927 / Juan Pantoja de la Cruz, 1605 / Sèvres, A.-V. Poupart, 1836/37 / Facon de Venise, circa 1600 / Wilhelm Lehmbruck, 1912/14 / Emile Gallé, Nancy, 1902.]
Attributed works:
[Enrico Frascione, Florence. The Horse Gallicus, by Jan van Straet (1523-1605). Pencil on paper, 21 by 30 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Francesco Montelatici, called Cecco Bravo. Florence, 1601 - Innsbruck, 1661. Ulysses and Nausicaa. Oil on canvas, 97 x 135 cm (38 3/16 x 53 1/8 in)]
Attributed works:
[Galerie Gloggner Luzern. Hochbuhlstrasse 1. CH-6003. Luzern. Pierre Bonnard (1867 - 1947). "Nature morte et paysage". Gouache and watercolour, 49 x 32 cm]
Attributed works:
[Galleria Il Quadrifoglio, Milan. Portrait of a man, by Jacopo Folchi (1502-6). Oil on wood, 114.3 by 85 cm]
Attributed works:
[Jonathan Clark, London. Your physique, by Eduardo Paolozzi (1924-2005). Signed and dated lower right. Collage on paper, 35.5 by 22.8 cm]
Attributed works:
[Koller. Hardturmstrasse 102. CH-8031, Zurich. Frans Francken II (detail)]
Attributed works:
[MOMA, New York. Willem de Kooning. Excavation, 1950. Oil and enamel on canvas.]
Attributed works:
[Moretti Fine Art, Florence, London and New York. A bishop St and St Bartholomew, by Andrea Bonaiuti (c.1345 - 50 - 79). 157 by 75 cm]
Attributed works:
[Offer Waterman & Co. 11 Langton Street. London. Sir Eduardo Paolozzi, R.A. 1924-2005, A.G.5, 1958, bronze, 40 by 15 ins]
Attributed works:
[Offer Waterman, London. Untitled (lemon), by Diarmuid Kelley (b. 1972). 2011. Oil on linen. 35.6 by 27.9 cm]
Attributed works:
[Osborne Samuel, London. Six forms in a circle, by Barbara Hepworth (1903-73). 1967. Edition of 7. Polished bronze, 33.7 by 60 cm]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Giacomo GUARDI (1764-1835), "Venice, Piazza San Marco", "Venice, Rialto Bridge". Pair of panels, 18 x 30,5 cm.]
Attributed works:
[P.E. Audap and F. Mirabaud. 42 Boulevard Malesherbes. Paris. Lucas CRANACH the Elder (1472-1553), "The Nymph of the Spring". Oil on panel, signed with the folded wings flying serpent, 48,5 x 74,2 cm]
Attributed works:
[Piano Nobile, London. Linked figures, by Kenneth Armitage (1916-2002). Signed and dated 1949/84. Bronze with brown green patination, 99 by 83 by 28 cm]
Attributed works:
[Redfern Gallery, London. The June of youth, by Leon Underwood (1890-1975). 1933). Signed, dated, titled and numbered II, from an edition of four. Terracotta, 60 by 38 by 26 cm]
Attributed works:
[Robilant + Voena, London and Milan. View of the Arno with the Ponte Santa Trinita, by Tomas Patch (1725-82). Oil on canvas, 85 by 170.5 cm]
Attributed works:
[Salamon & Co. Palazzo Cicogna. Via San Damiano 2. Milano. Luca Cambiaso (Moneglia 1527 - 1585 El Escorial. Saint Jerome in the Desert. Pen and Brown ink. 242 x 270 mm (9 1/2 x 10 5/8 in)]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. Dove Walk. 107b Pimlico. London. Giovanni Battista Foggini (1652-1725). Il Posquino (Menelaus with the body of Patroclus). Bronze, rich warm brown patina with golden red lacquer]
Attributed works:
[Trinity Fine Art. 29 Bruton Street. London W1J 6QP. Alessandro Algardi (Bologna 1598 - Rome 1654). Christ Resurrected. Terracotta. Height: 52 cm]
Attributed works:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Charles Baudelaire, Les fleures du mal, Paris, 1857. Presentation copy for Edmond Texier.]
Attributed works:
[Walker Art Gallery. Liverpool. Paul Sérusier, La pluie sur la route (detail), 1893, private collection]
Attributed works:
[Whitford Fine Art, London. Chariot, by Clive Barker (b. 1940). 1974. Edition of 7. Chrome plated brass and bronze, 19 by 23 cm]
Attributed works:
[William Westan Gallery, London. Fruit and bowl, by Patrick Caulfield (1936-2005). 1979/80. Signed in pencil. Screenprint, 83.9 by 59.6 cm]
Western art unattributed:
[Galerie Neuse, Kunsthandel GmbH. Contrescarpe 14. D-28203, Bremen, Germany. Early Italian Bowl. Silver, parcel-gilt. Naples ca. 1500. Diameter: 28 cm, weight 270 g. A similar bowl in the painting Sacred and Profane Love by Titian 1515. Galleria Borghese, Rome]
Western art unattributed:
[Guido Bartolozzi Antichità, Florence. Two sculptures of dogs. Tuscany, the first half of the nineteenth century, Marble, Height: 93 cm. Bases: 85 by 40 cm]
Western art unattributed:
[Piva & Cie, Milan. A pair of carved walnut tables, with Verona marble tops. Each, 81 by 99 by 54.5 cm]
Western art unattributed:
[Wannenes. Palazzo Gianfigliazzi. Lungarno Corsini 4. Florence. Palazzo del Melograno. Piazza Campetto 2. Genoa. L'arte del Vasajo. Important Italian maiolica from a private collection]
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