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7 articles
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Exhibition Review
British watercolours. London, Manchester and Norwich
06/2005 | 1227 | 147
Pages: 420-421
related names
Reviewer:
Green, Richard (Green, Richard)
Subjects
dates:
print:
Reviewed Items
subjects:
Face to Face: Portraits of Artists of the Norwich School | institution: Norwich Castle Museum and Art Gallery
subjects:
The Triumph of Watercolour: the early years of the Royal Watercolour Society 1805-55, Face to Face: Portraits of Artists of the Norwich School, Cotman in the British Museum: The James Reeve Collection, The Golden Age of Watercolours and john Sell Cotman and the Norwich School. | institution: Dulwich Picture Gallery , institution: Whitworth Art Gallery
Illustrations
Attributed works:
72. Suburbs of an ancient city, by John Varley. 1808. Watercolour, 61.2 by 91.2 cm. (Tate London; exh. Whitworth Art Gallery, Manchester).
Attributed works:
73. Exhibition of watercoloured drawings, Old Bond Street, by Augustus Charles Pugin, Thomas Rowlandson and Joseph Stadler. 1808. Aquatint with watercolour, 23.6 by 28.6 cm. (Private collection; ex. Whitworth Art Gallery, Manchester).
Attributed works:
74. Alby, Norfolk, by John Middleton. 1847. Watercolour, 31.7 by 48.2 cm. (Norwich Castle Museum).
Attributed works:
75. Drop gate, Duncombe Park, by John Sell Cotman. 1805. Watercolour, 33 by 23.1 cm. (British Museum, London; exh. Norwich Castle Museum).
Book Review
The Emergence of the Professional Watercolourist. Contentions and Alliances in the Artistic Domain, 1760-1824
02/2003 | 1199 | 145
Pages: 105
related names
Reviewer:
Wilcox, Timothy (Wilcox, Timothy; Wilcox, Tim)
Subjects
dates:
Reviewed Items
subjects:
The Emergence of the Professional Watercolourist. Contentions and Alliances in the Artistic Domain, 1760-1824 | author: Smith, Greg
Short Notice
Royal Society of Painters in Water-Colours. 175th Exhibition
12/1920 | 213 | 37
Pages: 326
related names
Author:
Constable, W. G. (Constable, W. G.; C., W. G.; Zwollo, An)
Subjects
places:
Editorial
The Painter as Critic
04/1908 | 61 | 13
Pages: 3
Article
The Water Colour Method of Mr. William Callow
06/1907 | 51 | 11
Pages: 160-161
Article
The Case for Modern Painting III-The Royal Water-Colour Society
06/1907 | 51 | 11
Pages: 156+159