By using this website you agree to our Cookie policy

Search

70 articles
Short Notice
A ‘Morris room’ in Cardiff: Mary Lobb and the National Museum of Wales
04/2023 | 1441 | 165
Pages: 418-421
related names
Author:
Cooper, Thomas (Cooper, Thomas)
Subjects
Illustrations
Attributed works:
11. Mary Lobb. c.1910s. Postcard, 15 by 10.5 cm. (National Library of Wales, Aberystwyth; photograph the author).
Attributed works:
12. Hair ornament, designed and made by May Morris. c.1905. Silver, pearls, opals and garnets, 14.7 by 3.1 by 14.8 cm. (National Museum Cardiff).
Attributed works:
13. Acanthus bedcover, designed by William Morris and embroidered by Jane Morris (and possibly Jenny Morris). c.1890s. Twisted and floss silk on linen, 260 by 200 cm. (National Museum Cardiff).
Attributed works:
14. Section “William Morris”, Exposition Organisée par le Gouvernement Britannique, Palais du Louvre, Pavillion de Marsan. (From exh. cat. Arts Décoratifs de Grande-Bretagne et d’Irelande, London 1914; courtesy Syndics of Cambridge University Library).
Book Review
William Morris and his Palace of Art: Architecture, Interiors and Design at Red House
04/2019 | 1393 | 161
Pages: 353-354
related names
Reviewer:
Cooper, Nicholas (Cooper, Nicholas)
Subjects
Reviewed Items
subjects:
William Morris and his Palace of Art: Architecture, Interiors and Design at Red House By Tessa Wild. | :
Illustrations
Attributed works:
7. A digital reconstruction of the original decoration in the drawing room at Red House, London. (Image John Tredinnick).
Article
‘Opaque with a vengeance’: Burne-Jones’s later watercolours, 1880–98
02/2019 | 1391 | 161
Pages: 128-139
related names
Author:
Mann, Fiona (Mann, Fiona)
Subjects
places:
Illustrations
Attributed works:
1. Detail of Fig.7.
Attributed works:
10. Star of Bethlehem, by Edward Burne-Jones. 1887–91. Watercolour and bodycolour with scraping on ten sheets of J. Whatman Turkey Mill Kent paper dated 1882 or 1883 on stretcher, 256 by 386.8 cm. (Birmingham Museums and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images)
Attributed works:
11. Detail of Sir Edward Burne-Jones, by Barbara Sotheby, printed by Frederick Hollyer. 27th July 1890. Platinum print, 33.3 by 25.7 cm. (National Portrait Gallery, London; Bridgeman Images).
Attributed works:
12. Fall of Lucifer, by Edward Burne-Jones. 1894. Gouache and gold paint and gold leaf on joined sheets of wove paper, laid down on canvas and stretched over wooden panel, 245 by 118 cm. (Private collection).
Attributed works:
2. Preliminary design for the Graham Piano, by Edward Burne-Jones. 1878–79. Metalpoint (probably silverpoint), 10.2 by 17.8 cm. (Victoria and Albert Museum, London).
Attributed works:
3. Study for King Cophetua and the beggar maid, by Edward Burne-Jones. 1883. Black, red and white chalk on pink wove paper, 45.9 by 30.3 cm. (Harvard Art Museums/Fogg Museum; © President and Fellows of Harvard College, Cambridge MA).
Attributed works:
6. Record of Burne-Jones’s order for long Japanese brushes, 30th November 1889, ledger of Charles Roberson. (Roberson Archive, Order Book, Long Acre Branch, Hamilton Kerr Institute, MS 422-1993, p.343, by permission of the Syndics of the Fitzwilliam Museum, University of Cambridge; © Hamilton Kerr Institute; photograph Chris Titmus).
Attributed works:
7. Full-scale cartoon of King Cophetua and the beggar maid, by Edward Burne-Jones. c.1883. Bodycolour, watercolour, coloured chalks and pastel with gold medium on paper, 290 by 132 cm. (Birmingham Museum and Art Gallery; photograph © Birmingham Museums Trust; Bridgeman Images).
Attributed works:
8. Cupid’s hunting fields, by Edward Burne-Jones. 1885. Gouache with watercolour and gold and silver paints on ivory wove paper, laid down on linen canvas, 99.5 by 76.9 cm. (Art Institute of Chicago).
Attributed works:
9. The baleful head, by Edward Burne-Jones. 1885. Watercolour and bodycolour on paper laid on linen canvas, 153.7 by 129 cm. (Southampton City Art Gallery; Bridgeman Images).
Western art unattributed:
4. Pencil leads, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Western art unattributed:
5. Wax crayons or Faber’s Creta Laevis coloured pencil collection in box, from A.W. Faber Price-List, London 1897. (William Jenkins Architecture and Art Library, University of Houston).
Book Review
The Letters of Philip Webb (1864–1914), edited by John Aplin
12/2016 | 1365 | 158
Pages: 982-983
related names
Reviewer:
Miele, Chris (Miele, Chris)
Subjects
art literature:
dates:
Article
Edward Burne-Jones, William Morris, Dante Gabriel ­Rossetti, Harry Ward and illuminated manuscripts
09/2015 | 1350 | 157
Pages: 599-601
related names
Author:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
dates:
Illustrations
Attributed works:
1. Jane Morris's jewel box, by Dante Gabriel Rossetti, Eizabeth Siddall and Philip Webb. Before 1862 (Society of Antiquaries of London, Kelmscott Manor)
Attributed works:
2. Collected Works of Christine de Pizan ('The Book of the Queen'), by the Master of the Cité des Dames. c.1410-c.1414 (British Library, London, Harleian MS 4431, fol.376r, detail)
Exhibition Review
William Morris, London
01/2015 | 1342 | 157
Pages: 42-44
related names
Reviewer:
Harrod, Tanya (Harrod, Tanya)
Subjects
artists:
dates:
places:
subjects:
Illustrations
Attributed works:
41. William Morris, by George Frederick Watts (National Portrait Gallery, London)
Attributed works:
42. Daisy wallpaper, by William Morris (William Morris Gallery, Borough of Waltham Forest, London; exh. National Portrait Gallery, London)
Attributed works:
43. May Morris in the Tapestry Room at Kelmscott Manor, by Mary Sloane (William Morris Gallery, Borough of Waltham Forest, London; exh. National Portrait Gallery, London)
Attributed works:
44. Terence Conran in his cone chair, by Ray Williams (Estate of Ray Williams; exh. National Portrait Gallery, London)
Book Review
The Collected Letters of Jane Morris
04/2013 | 1321 | 155
Pages: 265
related names
Reviewer:
Payne, Christiana (Payne, Christiana)
Subjects
Publication Received
The Kelmscott Chaucer
01/2009 | 1270 | 151
Pages: 42
related names
Reviewer:
Ackroyd, Peter (Ackroyd, Peter)
Subjects
art literature:
artists:
Reviewed Items
subjects:
The Kelmscott Chaucer | author: Chaucer, Geoffrey , author: Morris, William
Article
Symbolism and politics in Morris & Co. tapestries from Melsetter House, Orkney
06/2005 | 1227 | 147
Pages: 383-389
related names
Author:
Carruthers, Annette (Carruthers, Annette)
Subjects
dates:
subjects:
Illustrations
Attributed works:
28. Design by W. R. Lethaby for the garden elevation of Melsetter House, Hoy, Orkney. 1898. Ink on waxed linen, 42 by 45 cm. (Orkney Archives, Kirkwall, inv. no. D34/A/11/3/2).
Attributed works:
29. The ship, designed by Edward Burne-Jones and made by Morris & Co. 1900. Tapestry, 239 by 104 cm. (Birmingham Museums and Art Gallery).
Attributed works:
31. Verdure with deer and shields or The shields in the wood, designed by Edward Burne-Jones and J. H. Dearle and made by Morris & Co. 1900. Tapestry, 155 by 315 cm. (Birmingham Museums and Art Gallery).
Attributed works:
35. Pheasant, designed by J. H. Dearle and woven during the 1916 Arts and Crafts Exhibition Society exhibition, London, by Morris & Co. 1916. Tapestry, 122 by 77.5 cm. (Birmingham Museums and Art Gallery).
Attributed works:
36. Hen pheasant, designed by J. H. Dearle and woven by Morris & Co. 1917. Tapestry, 122 by 77 cm. (Birmingham Museums and Art Gallery).
Western art unattributed:
27. Photograph of Melsetter House, Hoy, Orkney, c.1900-05. (Private collection).
Western art unattributed:
30. The ship as made for Stanmore Hall and illustrated in Studio 3, no. 16 (July 1894), p. 99.
Western art unattributed:
32. The drawing room, Melsetter House, Hoy, Orkney, photographed during the Second World War, with the Verdure tapestry at left. (Private collection).
Western art unattributed:
33. The dining room at Stanmore Hall hung with the tapestry of The Knights of the Round Table Summoned to the Quest by a Strange Damsel, illustrated in Studio 15, no.68 (November 1898), p.102.
Western art unattributed:
34. A corner of the dining room at Stanmore Hall with the tapestry of The Arming and Departure of the Knights, as illustrated in Studio 15, no.68 (November 1898), p.99.
Book Review
Outsiders Looking In: the Rossettis Then and Now.
04/2005 | 1225 | 147
Pages: 262-263
related names
Reviewer:
Cruise, Colin (Cruise, Colin)
Subjects
artists:
dates:
Reviewed Items
subjects:
Outsiders Looking In: the Rossettis Then and Now. | editor: Clifford, David , editor: Roussillon, Laurence
load more