Cassatt–McNicoll: Impressionists
Between Worlds
Edited by Caroline Shields. 151 pp.
incl. 122 col. + 8 b. & w. ills. (Goose Lane
Editions, Fredericton, and Art Gallery
of Ontario, Toronto, 2023), $45.
ISBN 978–1–77310–317–4. |
:
Illustrations
Attributed works:
12. Madame J
(young woman in
black), by Mary
Cassatt. 1883.
Oil on canvas,
80 by 63.5 cm.
(Maryland State
Archives).
Attributed works:
13. Farmyard, by
Helen McNicoll.
c.1908. Oil on
canvas, 71 by
85.5 cm. (New
Brunswick
Museum, Saint
John).
Attributed works:
14. The Chintz
sofa, by Helen
McNicoll. 1913. Oil
on canvas, 81.3 by
99.1 cm. (Private
collection).
Book Review
British Art for Australia, 1860–1953: The Acquisition of Artworks from the United Kingdom by Australian National Galleries. By Matthew C. Potter
British Art for Australia, 1860–1953:
The Acquisition of Artworks from
the United Kingdom by Australian
National Galleries
By Matthew C. Potter. 262 pp. incl. 12 col. + 38
b. & w. ills. (Routledge, London and New York,
2019), £115. ISBN 978–1–4724–2636–9. |
:
Publication Received
Spectacle and Leisure in Paris: Degas to Mucha. Edited by Elizabeth C. Childs
Klimt persönlich: Bilder – Briefe – Einblicke |
institution: Leopold Museum
subjects:
Klimt. Die Sammlung des Wien Museums |
institution: Wien Museum
Illustrations
Attributed works:
41. The auditorium at the Altes Burgtheater, by Gustav Klimt. 1888/89. Watercolour and gouache with gold highlighting on paper, 91.2 by 103 cm. (Wien Museum, Vienna).
Attributed works:
42. Portrait of a lady in cape and hat, by Gustav Klimt. 1897/98. Black and red chalk on paper, 44.6 by 31.8 cm. (Albertina, Vienna).
Attributed works:
43. Standing dancer in profile with head turned to the left, by Gustav Klimt. 1916/17. Graphite on paper, 49.6 by 32.4 cm. (Albertina, Vienna).
Attributed works:
45. The park at Schönbrunn, by Gustav Klimt. 1916. Canvas, 110 by 110 cm. (Private collection, Graz; exh. Leopold Museum, Vienna).
Attributed works:
46. Hermann Bahr in his study with Klimt’s ‘Nuda Veritas’, by Aura Hertwig. 1906. Silver gelatin print on cardboard, 16.5 by 10.5 cm. (Österreichisches Theatermuseum, Vienna).
Attributed works:
47. Rosebush and butterflies, by Gustav Klimt. One of seven segments of the cartoon for the mosaic frieze for the western wall of the dining room of the Palais Stoclet, Brussels. 1910–11. Black chalk, graphite, red crayon, gouache, platinum, gold, silver and bronze leaf, gold, silver and bronze powder and zinc white on tracing paper, 195 by 120 cm. (MAK – Museum für angewandte Kunst/Gegenwartskunst, Vienna).
Western art unattributed:
44. Postcard showing interior of the basilica of S. Vitale, Ravenna, with message in pencil, sent by Gustav Klimt to Emilie Flöge, 2nd December 1903. 14 by 9 cm. (Private collection; exh. Leopold Museum, Vienna).
Publication Received
Il metodo e il talento: Igino Benvenuto Supino, primo Direttore del Bargello (1896–1906)