1. Little London bootblack, by Jules Bastien-Lepage. 1882. Oil on canvas,
132.5 by 89.5 cm. (Musée des Arts Décoratifs, Paris; Scala Archives).
Attributed works:
2. A field hand (a woman of the fields), by George Clausen. 1883. Oil on
canvas, 54.5 by 40 cm. (Private collection; photographed prior to the
completion of conservation work).
1. Arrangement in black and gold: Comte Robert de Montesquiou-
Fezensac, by James McNeill Whistler. 1891–92. Oil on canvas, 208.6
by 91.8 cm. (Frick Collection, New York).
Attributed works:
2. Harper Pennington, by James McNeill Whistler. 1880–81. Chalk and
pastel on paper, 21.4 by 13.8 cm. (National Gallery of Art, Washington).
Attributed works:
3. Rose et argent: la jolie mutine, by James McNeill Whistler. 1892–93.
Oil on canvas, 190.5 by 89.5 cm. (Hunterian Art Gallery, University of
Glasgow; Bridgeman Images).
Attributed works:
4. Green and violet: the evening walk, Dieppe, by James McNeill Whistler.
1896. Oil on panel, 12.7 by 21.5 cm. (Crystal Bridges Museum of American
Art, Bentonville AK).
Attributed works:
5. Symphony in white, no.3, by James McNeill Whistler. 1865–67.
Oil on canvas, 52 by 76.5 cm. (Barber Institute of Fine Arts,
Birmingham; Bridgeman Images).
Attributed works:
6. Arrangement in grey and green: portrait of J.J. Cowan, by James
McNeill Whistler. 1893–1900. Oil on canvas, 95.5 by 51 cm. (Scottish
National Gallery, Edinburgh).
Attributed works:
7. Nocturne in black and gold: the falling rocket, by James McNeill
Whistler. 1875. Oil on canvas, 60.3 by 46.6 cm. (Detroit Institute of Arts;
Bridgeman Images).
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).