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20 articles
Exhibition Review
Lavery: On Location
10/2024 | 1459 | 166
Pages: 1064–6
related names
Reviewer:
Masters, Christopher (Masters, Christopher)
Subjects
artists:
dates:
subjects:
Reviewed Items
subjects:
Lavery: On Location National Galleries of Scotland, Edinburgh | :
Illustrations
Attributed works:
10. On the Loing, an afternoon chat (under the cherry tree), by John Lavery. 1884. Oil on canvas, 150.8 by 150.4 cm. (Ulster Museum, Belfast; exh. National Galleries of Scotland).
Attributed works:
11. Daylight raid (the studio window), by John Lavery. 1917. Oil on canvas, 141.5 by 89.9 cm. (Ulster Museum, Belfast; exh. National Galleries of Scotland).
Attributed works:
12. Hunter class, Dublin Horse Show, by John Lavery. 1926. Oil on canvas, 49.5 by 59 cm. (Royal Dublin Society Collection; exh. National Galleries of Scotland).
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Advertisements
Advertisements March 2016 (front)
03/2016 | 1356 | 158
Pages: s.p.
Subjects
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
advertisements:
subjects:
Illustrations
Attributed works:
[Antoine Laurentin Gallery, Paris. Standing woman, by Auguste Rodin (1840-1917). Graphite with stumping watercolour heightened with pen and brown ink on vellum, 31,5 by 24.5 cm]
Attributed works:
[Art Cuéllar Nathan, Zurich. Backyards with two figures, by Vincent van Gogh (1853-90). 1882. Charcoal on paper, 23.9 by 35.2 cm]
Attributed works:
[Art Cuéllar Nathan. Arturo Cuéllar and Salomon Cuéllar. Zäheingerplatz 11. Zurich. Pierre Bonnard, La Baignoire, Gouache, pastel and colored crayon on paper, 50.2 x 65.4 cm]
Attributed works:
[Charles Beddington, London. The Piazzetta, looking south, by Bernardo Canal (1673-1744). Oil on canvas, 55.8 by 74.3 cm]
Attributed works:
[Charles Ratton & Guy Ladrière. 11, quai Voltaire. Paris. Claudio Ridolfi (Verona 1570 - Corinaldo 1644). The flagellation of Christ. Oil on paper, pen and brown ink, mounted on canvas, mounted on panel, 57 x 27 cm]
Attributed works:
[Christopher Bishop Fine Art. Milford. Connecticut. Alessandro Algardi (Bologna 1598 - 1654 Rome). Design for a Reliquary with the Papal Arms of Pope Innocent X. Pen and Brown ink with grey washes. 375 x 275 mm. Laid down]
Attributed works:
[Day & Faber, London. A half-length study of a male nude, by Giovanni Battista Tiepolo (1696-1770). 1747. Red chalk, heightened with white, on blue paper, 13.2 by 17.8 cm]
Attributed works:
[Didiar Aaron & Cie, Paris. Two Putti, by François Boucher (1703-70). 1747.Three crayon, 22.5 by 28 cm]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Jacopo del Sellaio (1441-1493). The Holy Family with the Infant Saint John the Baptist, tempera on panel, diameter 68 cm.]
Attributed works:
[Dorotheum. Dorotheergasse 17. Vienna. Workshop of Hans Memling, Nativity (detail), oil on panel, 99.2 x 72.5 cm.]
Attributed works:
[Galerie Arnldi-Livie, Munich. A scene from the life of St. Mark, by Domenico Tintoretto (1560-1615). Preparatory study to a composition in the Scuola di San Marco, Venice. Brush in dark brown, grey and white on brown prepared paper, 22.6 by 30.5 cm]
Attributed works:
[Galerie Arnoldi-Livie. Galeriestrasse 2b. D-80539. Munich. Théodore Géricault (1791 - 1824). Chevaux de ferme (detail). Pen and ink in grey and brown wash, 20 x 27.2 cm. Germain Bazain. Catalogue raisonné, no. 2496]
Attributed works:
[Galerie Berès, Paris. An imaginary old town, by Victor Hugo (1802-87). Pen and wash, 11 by 14 cm]
Attributed works:
[Galerie Canesso. 26 rue Laffitte, Paris. Vittore Ghislandi, dit Fra' Galgario. Bergame, 1655-1743. Boy with a Turban. Oil on canvas, 67 x 53 cm (26 3/8 x 20 7/8 in). Signed centrally, under the fictive octagonal frame: "FF.Vet. Ghisland"]
Attributed works:
[Galerie Johannes Faber, Vienna. Hanna Schygulla, by Alfred Eisenstardt (1898-1995). Silverprint, 24.1 by 16.4 cm]
Attributed works:
[Galerie Michel Descours. 44 rue Auguste Comte. Lyon. Joseph Guichard, Autoportrait, 1829, huile sur toile, 68 x 48 cm]
Attributed works:
[Galerie Nathalie Motte Masselink.13 Rue Jacob. Paris. Jacques-Louis David. Académie d'homme en Hercule, sanguigne. 670 x 357 mm. signé: L. David f]
Attributed works:
[Galerie Odermatt-Vedovi, Brussels. Concerto Spaziali, Attesa, by Lucio Fontana (1899-1968). 1963. Water-based paint on canvas, 60 by 46 cm]
Attributed works:
[Galerie Patricia Trigano, Paris. Le lavoir de billancourt, by Alfred Sisley (1839-99). Oil on canvas, 50.3 by 65.6 cm]
Attributed works:
[Galerie Tanakaya, Paris. Asangami (The Moment of Awakening), by Torii Kotondo (1900-1976). Woodblock print, 40.8 by 25.6 cm]
Attributed works:
[Gallerie Canesso, Paris. Still life with a basket of fruit, a bottle, figs and mashrooms, by Simone del Tintore (1630-1708). Oil on canvas 72 by 93 cm]
Attributed works:
[Gana Art Gallery, Seoul. L'image en soi, by René Magritte (1898-1967). Oil on canvas. 56 by 60 cm]
Attributed works:
[Gian Enzo Sperone. Chasa dal Guvernatur. Sent. Switzerland. Domenico Fiasella (Sarzana 1589 - Genova 1669). Alexander the Great and Diogenes, oil on canvas - 175 x 122 cm]
Attributed works:
[H. Blairman & Sons Ltd, London. Armchair, by Thomas Hope (1769-1831). c.1802. Mahogany, the upholstery of later date. Height: 94.5 cm. Width: 61.5 cm. Depth: 59.6 cm]
Attributed works:
[Irish Arts. 15 Harcourt Terrace. Dublin. Ireland. Sir John Lavery. A Bacchante, 1910.]
Attributed works:
[Jean-Luc Baroni, London. The game of cards, by Adriaen van der Werff (1659-1722). Oil on panel. 27.5 by 28.2 cm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Giovanni Battista Piranesi (Mogliano 1720 - 1778 Rome). A Sheet of Studies: Three Figures. Pen and brown ink and wash. Bears inscription in a different ink: Goya. 273 x 163 mm]
Attributed works:
[Jean-Luc Baroni. 7/8 Mason’s Yard, Duke Street, St. James’s, London. Mattia Preti (Taverna, Calabria 1613 - 1699 Valletta, Malta). St. Jerome. Oil on canvas, 135,3 x 102,3 cm]
Attributed works:
[Martin Graessale Kunsthandel, Munich. Four actresses in theatrical costume, by Claude Gillot (1673-1722). Pen and black ink, sanguigne wash and traces of pencil. 14.6 by 20 cm]
Attributed works:
[Museo del Prado. Madrid. Exhibition. Georges de La Tour. The Cheat with the Ace of Diamonds. Paris, Musée du Louvre. Départment des Peintures. Aquis en 1972.]
Attributed works:
[Pandora Old Master, New York. Allergy of Time, by Salvatore Rosa (1615- 74). Pen and brown ink, 210 by 17.5 cm]
Attributed works:
[Pushkin State Museum of Fine Arts, Moscow (Loan Exhibition). Composition, by Wassily Kandinsky (1866-1944). Watercolour, pencil and pen and ink on paper, 30.6 by20.8 cm]
Attributed works:
[Robert Funk Fine Art. 1581 Brickwell Avenue, Suite 2303. Miami. Florida. USA. Portrait of Mrs. Johnstone. A painting by Sir Henry Raeburn. Painted circa 1790-1810. h: 35.5 x w: 27 in]
Attributed works:
[Sphinx Fine Art. 125 Kensington Church St. London. Adrian Thomasz Key. Portrait of a Bearded Gentleman, Bust-Length, in a black doublet with a White lace Ruff (detail)]
Attributed works:
[Stair Sainty. 38 Dover Street. London. Francisco de Goya y Lucientes. (Fuendetodos, Spain 1746 - 1828 Bordeaux, France). Portrait of Don Pedro Gil de Tejada, c. 1795. Oil on canvas, 112 x 84 cm]
Attributed works:
[Stephen Ongpin Fine Art, London. Study of a man asleep against a table, by Gustave Courbet (1819-1877). Black chalk heightened with white on blue-grey paper. 24.4 by 22.6 cm]
Attributed works:
[Stephen Ongpin Fine Art. Riverwide House. 6 Mason’s Yard, Duke Street St. James’s. London. Herman Saftleven (1609-1685). A Sticky Nightshade or Litchi Tomato Plant. Watercolour, gouache and gun arabic. Signed and dated HS. f. 1683 den 31 octob: at the lower centre. 354 x 256 mm. (13 7/8 x 10 1/8 in.)]
Attributed works:
[The London Original Print Fair. Royal Academy of Arts. Michael Craig-Martin. Fragments. 2015. A series of six screenprints.]
Attributed works:
[The Royal Academy. Exhibition In the Age of Giorgione. Giorgione (1478-1510). Portrait of a Young Man.]
Attributed works:
[Tomasso Brothers Fine Art, London and Leeds. The Hohenzollern Man, by Giambologna (1529-1608). c. 1580. Bronze. Height: 39.4 cm]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Giovanni Battista Foggini (1652-1725). Bacchus and a Younger Satyr. After Michelangelo Buonarroti (1475-1564). Bronze, with a warm known patina and traces of a red lacquer. 46 cm (18 in.) high.]
Attributed works:
[Tomasso Brothers Fine Art. Bardon Hall. Weetwood Lane. Leeds. 12 Duke Street. London. Massimiliano Soldati-Benzi (1656-1740). Charity, c.1695. After a model by Alessandro Algardi (1598-1654). Bronze with a gold and red patina. 47 cm (181/2 in.) high]
Attributed works:
[Van der Meij Fine Arts. Herengracht 372. Amsterdam. Laurits Andersen Ring (1854-1933). Evening. Oil on canvas, 81 x 123 cm. Signed and dated 1892.]
Attributed works:
[Zlotowski Gallery, Paris. Bull, by Le Corbusier (1887-1965). 1963. Collage of coloured paper and newspaper, white gouache and Indian ink on paper, 55.9 by 70.2 cm]
Western art unattributed:
[Peter Finer, London. A northern Italian armour for the tilt. Milan, c.1580. Steel. Height: 180 cm]
Western art unattributed:
[Peter Finer. 38&39 Duke Street. St. James’s. London. An etched state glaive (Gardekeuse) for the guard of the imperor Maximilian II (R. 1564-1576), South German, dated 1564]
Western art unattributed:
[Rupert Wace Ancient Art Ltd, London. An Egyptian painted wood stele. Third intermediate period, 22nd Dynasty. 945-730 BC. Painted wood. Height: 25 cm]
Western art unattributed:
[Venator & Hanstein. Cacilienstrasse 48. 50667 Cologne. Germany. Ars moriendi. Cologne. N. Goetz. 1475. With 11 woodcuts.]
Letter
Lavery’s ‘The Amazon’
01/2016 | 1354 | 158
Pages: 037
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
museums and institutions:
subjects:
Illustrations
Attributed works:
47. Study for 'The Amazon', by John Lavery. 1911 (Private collection)
Article
Visiting John Lavery in Tangier: photographs from Lady de Grey’s scrapbook
06/2015 | 1347 | 157
Pages: 398-401
related names
Author:
Spies, Martin (Spies, Martin)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
16. The Amazon, by Sir John Lavery (Ulster Museum, Belfast)
Attributed works:
18. Lady Juliet Duff in riding habit, [by Sir John Lavery] (Location unknown, copyright the National Portrait Gallery, London)
Western art unattributed:
13. 'Self'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Western art unattributed:
14. 'Mrs Lavery, Mr Bristow, Mr Lavery'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Western art unattributed:
15. 'Mr & Mrs Lavery in their garden'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Western art unattributed:
17. 'Mr Lavery's portrait of his daughter Eileen'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Western art unattributed:
19. 'Mr Lavery & his portrait of Juliet'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Western art unattributed:
20. 'Juliet by Lavery'. 1911. Photograph from Lady de Grey's scrapbook (Private collection)
Article
John Lavery: an intrepid war artist
09/2014 | 1338 | 156
Pages: 573-579
related names
Author:
Weight, Angela (Weight, Angela)
Subjects
artists:
dates:
museums and institutions:
Illustrations
Attributed works:
1. The first wounded, London Hospital, August 1914, by John Lavery. 1915. Canvas, 175.6 by 200.7 cm. (Dundee Art Galleries and Museum).
Attributed works:
10. Lady Henry's crèche, Woolwich, by John Lavery. 1919. Canvas, 63.5 by 76.2 cm. (Imperial War Museums, London).
Attributed works:
11. A convoy, North Sea. From an N.S.7, by John Lavery. 1918. Canvas, 172.7 by 1989.1 cm. (Imperial War Museums, London).
Attributed works:
12. The cemetery, Etaples, by John Lavery. 1919. Canvas, 52.4 by 72.2 cm. (Imperial War Museums, London).
Attributed works:
2. From a kite balloon, Roehampton, 1917, by John Lavery. 1917. Canvas 25.5 by 35.5 cm. (Private collection).
Attributed works:
3. The Forth Bridge, 1914, by John Lavery. 1914. Canvas, 50.8 by 101.5 cm. (Imperial War Museums, London).
Attributed works:
4. The Naval Base, Granton: Granton: twilight: Booms guarding the Forth are seen in the distance, by John Lavery. 1917. Canvas, 52 by 76.2 cm. (Imperial War Museums, London).
Attributed works:
5. Munitions, Newcastle, by John Lavery. 1917. Canvas, 76.2 by 63.5 cm. (Imperial War Museums, London).
Attributed works:
6. Richborough, the gantries, by John Lavery. 1917. Canvas, 76.2 by 63.5 cm. (Imperial War Museums, London).
Attributed works:
7. Scapa Flow from the signal station, by John Lavery. 1917. Canvas, 63.5 by 76.2 cm. (Imperial War Museums, London).
Attributed works:
8. Southampton Water, 1918, by John Lavery. 1918. Canvas, 63.5 by 76.2 cm. (Imperial War Museums, London).
Attributed works:
9. Monitors, Dover Harbour, by John Lavery. 1918. Canvas, 63.5 by 76.2 cm. (Imperial War Museums, London).
Publication Received
Sir John Lavery
07/1994 | 1096 | 136
Pages: 467
related names
Reviewer:
Skipwith, Peyton (Skipwith, Peyton)
Subjects
artists:
Reviewed Items
artists:
Sir John Lavery | author: McConkey, Kenneth
Advertisements
Advertisements February 1993 (front)
02/1993 | 1079 | 135
Pages: i-xx
Subjects
advertisements:
subjects:
Illustrations
Attributed works:
[ 'Bellezze di Firenze', Florentine drawings from the Musee des Beaux Arts de Lille, Musee de l' Hospice Comtesse 32, rue de la Monnaie, Lille] V. Meucci (1694-1766) Femme tenant une grenade
Attributed works:
[ Arnoldi - Livie, Galeriestr. 2B, Munich ] Bartolomé Esteban Murillo 1617-Seville-1682 The Young Saint John the Baptist with the Lamb. c.1655 Pen and Brown Ink over Black Chalk. 27 × 19 cm.
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf / 61 East 77th Street, New York ] Käthe Kollwitz. Self-Portrait Facing Left. 1901. Colour Lithograph in Black and Light Brown. Hand Printed Proof on Thin China Paper.
Attributed works:
[ Caylus Anticuario S. A., Lagasca 28, Madrid ] Vicente Macip (1475-1550). The Madonna and Child with Saint Anne. Oil on Panel 46.5 × 52 cm.
Attributed works:
[ Charles Ratton & Guy Ladriere, 14 rue de Marignan and 11 quai Voltaire, Paris ] A Terracotta Bust of Denis Diderot by Jean-Baptiste Pigalle (1714-1785) Height: 44 cm.
Attributed works:
[ Colnaghi, 14 Old Bond Street, London / 108-112 Rue du Faubourg St Honore, Paris / 21 East 67th Street, New York ] Angelica Kauffmann, RA Coire 1741 - Rome 1807. A Portrait of Lady Henderson of Fordel. Oil on Canvas: 128 × 103 cms.
Attributed works:
[ Concha Barrios Fine Arts, C / Claudio Coello no 14, Madrid ] Francisco De Zurbarán. (1598-1664). The Holy House of Nazareth. Oil on Canvas, 200 × 208 cms.
Attributed works:
[ cover ] Rape of the Sabines, by Pablo Picasso. 1963. 195.4 by 131 cm. (Museum of Fine Arts, Boston; Exh. Palacio Episcopal, Málaga.
Attributed works:
[ Dover Street Gallery, 13 Dover Street, London ] Jacques Laurent Agasse 1767-1849. Firmin Massot 1766-1849. Adam Töpffer 1766-1847. (Painted by All Three Artists). Portrait of the Baron de Finguerlin and His Family. Oil on Panel 74 × 58.8 cm.
Attributed works:
[ Galerie D' Arenberg, 14 rue aux Laines, Brussels ] Abraham Janssens (Antwerp c. 1575 - 1632), Ceres, c. 1615, Oil on Canvas, 90 × 114.5 cm.
Attributed works:
[ Galerie Koller AG, Hardturmstrasse 102, Zurich ] Louis de Boullogne the Younger (1654 Paris 1733) Attributed to, Venus and Adonis. Oil on Canvas. Rest of Signature at the Bottom Right, Pinxit. 171 × 227 cm.
Attributed works:
[ Hill-Stone, New York exh. at The London Original Print Fair, Royal Academy of Arts, London ] Albrecht Dürer 1471-1528 The Nativity. Engraving; 1504. Meder 2b. A Superb Impression. In Our Experience, the Finest Impression on the Market in Recent Years.
Attributed works:
[ Richard L. Feigen & Company, 6 Ryder Street, St James, London / 49 East 68th Street, New York ] John Lavery, Woman Seated in an Interior, 1883 Oil on Panel, 11 by 8¼ Inches (28 by 21 cm.)
Attributed works:
[ Sabrina Förster, Poststrasse 3, Düsseldorf ] Cornelis Dusart 1660-Haarlem-1704 Fighting Monks Watercolour, Pen and Brown Ink on Vellum, 140 mm., Monogrammed and Dated 'CDS fecit, 1690'.
Attributed works:
[ Sotheby's Peel & Asociados, Plaza de la Independencia 8, Madrid / Pasaje Domingo 2, Barcelona ] Miguel Jacinto Meléndez (1679-1734), Self Portrait, Inscribed on the Reverse, Oil on Canvas, Unlined and on the Original Stretcher, 22×15 cm.
Attributed works:
[ The Manchester Fine Art Fair, 18-21 March, The G - Mex Centre ] Samuel John Peploe, R. S. A. 1871-1935 'Still Life with Roses in a Chinese Vase' Painted Circa 1920, Signed, Oil on Canvas Size: 22 × 18 Inches. Courtesy of Jonathan Clark Ltd. Stand 24
Advertisements
Advertisements November 1985 (Front)
11/1985 | 992 | 127
Pages: i-liv
Subjects
advertisements:
advertisements:
advertisements:
Illustrations
Attributed works:
[Adolphe Stein c/o Vic Pearson & Co Ltd, 7 Munton Road, London] Giovanni Battista Piranesi Title? Boy Standing. Pen and Brown Ink 90 × 108 × 58 mm
Attributed works:
[Agnew, 43 Old Bond Street, London] Giovanni Battista Foggini (1652-1725), Studies of the Mocking of Christ. Pen and Ink and Wash, 295 × 212 mm
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Oil on Canvas. Jan Siberechts, Antwerp 1627-c1703 London. 88 × 130 cms
Attributed works:
[Annamaria Edelstein at Robin Symes, 94 Jermyn Street, London] Ferrau Fenzoni. Faenza 1562-1645 Two Studies of Male Nudes: St Sebastian. Pen and Brown Ink over Black Chalk. 236 by 178 mm
Attributed works:
[Arnoldi-Livie, Maximilianstr. 36, Munich] Giovanni Paolo Schor 1615-1674, "Design for the Back of a Coach for the Spanish Ambassador in Rome with the Arms of Castile and Habsburg." 1673. Pen and Brown Ink with Grey Wash. 29.5 × 20 cm. Inscribed and Dated by the Artist: "facta per il S. marches de Lice Amb. Ventino di Spagna - l'anno 1673"
Attributed works:
[Artemis Fine Arts (UK) Ltd, 15 Duke Street, London] Rembrandt Harmensz. van Rijn, The Entombment, c. 1654, B.86, First State, Etching and Drypoint on Thin Oriental Paper, 212 × 163 mm., ex-colls. K. E. von Liphart, Carl Schlösser, Edward Smith, Paul Davidsohn and E. A. Seasongood.
Attributed works:
[Belle Etage, Mahlerstraße 15, Vienna] Display Cabinet. Height 191 cm, Width 90 cm. Designed by Otto Prutscher and Erwin Puchinger; Manufactured by S. Oppenheim. Exh. Winterausstellung des Österreichischen Landesmuseums 1901. Lit., Das Interieur, 1901.
Attributed works:
[Berko in Art Gallery, Berko-Kustlaan, Belgium] Charles Verlat (1824-1890). Canvas: 118 × 75 cm. Signed
Attributed works:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Easter Egg, Moscow, about 1905, Plique á Jour-Enamel, Made by the Master Iwan Petrowitsch Chlebnikow DM 85.000
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] D. M. Canuti (1620 Bologna-Rome 1684). Red Chalk and Brush in Brown and Rose, Heightened with White. 256: 350 mm.
Attributed works:
[Cailleux, 136 Faubourg Saint Honoré, Paris] François Boucher "Les Grâces au tombeau de Watteau". Red Chalk. 255 mm × 215 mm. Engraved by Boucher in Reverse for the Title Page of Figures de Différents Caractères. (1728)
Attributed works:
[Colnaghi Usa Ltd, 26 East 80th Street, New York] Francesco Solimena 1657-1747, St. Peter. Oil on Canvas 39¼ × 28½ ins.
Attributed works:
[Colnaghi, 14 Old Bond Street, London] Pier Francesco Mola (Rome 1612-1666), Study of a Cellist. Red Chalk and Red Wash. 270 × 190 mm
Attributed works:
[David Jones, 109 rue Cardinet, Paris] Giovanni Maria Morandi Florence 1622-Rome 1717. "Death of the Virgin" Black Chalk with Brown and Grey Wash, Squared in Black Chalk. 28 cm × 41 cm. A Drawing Related to the Painting "Death of the Virgin" in S. Maria della Pace, Rome.
Attributed works:
[David Koester, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[Dorotheum Kunstpalais, Dorotheergasse 11, Vienna] Egon Schiele, 48,2 × 31,8 cm, Rufpreis: öS 800.000,-
Attributed works:
[Electa, via Trentacoste, Milan] Raffaello Architetto by C. L. Frommel - S. Ray M. Tafuri
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Adriaen van de Venne (1589-1662). On Panel, Signed and Dated 1615, 16.5 × 24.5 cm.
Attributed works:
[Etienne Libert-Alain Castor, 3 rue Rossini, Paris] Workshop of Primaticcio: 'Ulysses and the Sirens' Oil on Canvas 151 × 208 cm.
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Govaert Flink (1615-1660)
Attributed works:
[Galerie F. Franco, Avenue Molière, Brussels] Bernard van Orley, Virgin Enthroned, Panel 31.5 × 35 cm.
Attributed works:
[Galerie Gerda Bassenge, Erdener Strasse, Berlin] Andrea Salvatore Aglio (1736-1786, Arzo, Active in Dresden). Prospect of the Hofkirche in Dresden. Pen and Pencil, Grey Wash. 442 × 194mm. Signed. Coll. I. O. Wessner (Lugt 2562a).
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Camille Pissarro (1830-1903), Sur la rivière, c. 1872/75. Oil on Canvas, 19 × 24,5 cm, Signed Bottom Left.
Attributed works:
[Galerie Salis, Goldgasse 13, Salzburg] Gustav Klimt (1862-1918) "Adele Bloch-Bauer" 1903, Brown Coloured Pencil on Paper, 45 × 32 cm, 1903. Provenence: Present of Gustav Klimt to Adele Bloch-Bauer, Since Then in Property of the Family. Literature: Will Be Included in the Forthcoming Catalogue Raisonné by Dr. Alice Strobl, Gustav Klimt "The Drawings".
Attributed works:
[Galleria Gilli, Via Gesù, Milan] Bernadino Campi, Cremona 1522-1590/95. St. Stephen. Black & Red Chalk, Heightened with White, Squared in Red Chalk. 390 × 230 mm. Preparatory Drawing for the Dome of S. Sigismondo, Cremona.
Attributed works:
[Hazlitt, Gooden & Fox, 38 Bury Street, London] Gustave Doré 1832-1883, La France protège ses enfants. Pen and Ink over Pencil and Black Chalk, with Grey and Brown Washes, Heightened with White Gouache, 73.7 × 55.9 cm. Signed and Dated 1871
Attributed works:
[Jacques Fischer - Chantal Kiener 46 rue de Verneuil Paris] Alphonse Perin (1798-1874), D'un ensemble de neuf cartons et sept dessins pour la décoration de la chapelle de l'Eucharistie à Notre-Dame de Lorette à Paris. 1835-1852. Carton de "La Cène". Tympan au-dessus de la porte de la sacristie. Détail. Dimensions du carton: 200 × 400 cm. Dimensions du détail: 58 × 83 cm environ. Fusain, crayon bleu, sanguine, craie blanche et lavis bleu.
Attributed works:
[Jacques van Rijn Fine Art O.L., Vrouweplein 28, Maastricht] Pieter de Bloot 1602-1658, 'A Village Scene with Drinking and Dancing Peasants'. Panel, 49½ × 74½ cm. Signed with Monogram
Attributed works:
[Jean Willems, rue Ernest Allard, Brussels] Pietro Dandini, Firenze 1646-1712. The Multiplication of the Loaves. Brown Ink and Wash 212 × 388 mm. Provenance: Coll. G. Vallardi (L. 1223).
Attributed works:
[Joanna Booth, 247 Kings Road, London] Attributed to Georg Frederic Wille (1715-1808), Head of a Boy. Red Chalk 458 mm by 322 mm. Provenance: Vallardi (L. 1223)
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] The Jewish Rider 1984-85 Oil on Canvas 60 × 60 in./152.4 × 152.4 cm.
Attributed works:
[Matthiesen in association with Stair Sainty Matthiesen, 7-8 Mason's Yard, Duke Street, London] Giovanni Boldini. The Countess of Rasty
Attributed works:
[Me Hubert Le Blanc, 32 avenue de L'Opera, Paris] Jan Steen, Le souper fin. Canvas, Signed on the Left Towards the Bottom of the Table Base. 48.5 × 64.5cm
Attributed works:
[Mia N. Weiner at Piero Corsini Inc., 162 East 63rd Street, New York] Giulio Romano, Bacchanale. Pen & Brown Ink & Wash. 8¼ × 11¾ ″
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Jean-Honoré Fragonard "Le Verrou". Red Chalk, Pen and Brown Ink, and Brown Wash: 9½ × 14½ Inches
Attributed works:
[Newhouse Galleries Inc, 19 East 66th Street, New York] Joachim Wtewael 1566-1638, Saint Sebastian. On Canvas, 169.5 × 124.8 cm. Signed and Dated 1600
Attributed works:
[Pamela Gordon, 25 rue de Lille, Paris] Simon Vouet, (Paris 1590-1649 Paris). Head of an Old Man. Black and White Chalk on Beige Paper. 5 × $4frac{15}{16}$ in. (128 × 126 mm.). A Preparatory Study for the Figure of Time in the Painting Time, Venus, Mars and Amor in The John and Mabel Ringling Museum, Sarasota
Attributed works:
[Pat Coombs, London] Palma Vecchio (1480?-1528)
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Luca Giordano, "The Penitent Magdalen", Oil on Canvas, 72″ × 71″.
Attributed works:
[Phillips, Blenstock House, 7 Blenstock Street, London] Armand Guillaumin, "Bord de Rivière", Signed, Oil on Canvas, 54 cm. × 65 cm.
Attributed works:
[Pietro Scarpa, Via XXII Marzo, Venice] Parmigianino: St. John the Baptist (Actual Size)
Attributed works:
[Pyms Gallery, 13 Motcomb Street, London] Henry Tonks Neac (1862-1937), A Conversation, Betteshanger Barn. Oil on Canvas 24 × 20 ins. Ins. H. Tonks, 1927-8
Attributed works:
[Richard Green, 4 New Bond Street, London] James Tissot (1836-1902), Jeune Femme chantant à l'Orgue. Signed. Canvas: 42¼ × 28¼ in/105 × 72 cm
Attributed works:
[Richard Green, 4 New Bond Street, London] John Cleveley Snr. (1712-1777). The 'Amazon' with the 'Caroline' at a Distance. Signed, Titled and Dated 1750. Canvas 35¾ × 51 in 91 × 129.5 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Jacques-Louis David, "Cupid and Psyche," 1813 Black, Grey and Sepia Inks with White Gouache over Black Chalk, 16.8 by 22.6 cm. Signed, Lower Right: "L. David 1813"
Attributed works:
[Shaunagh Fitzgerald Ltd at Baskett & Day, 173 New Bond Street, London] Circle of Albrecht Dürer
Attributed works:
[Society Portraits 1850-1939 a joint exhibition held at Colnaghi, 14 Old Bond Street, London and Clarendon Gallery, 8 Viggo Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] An Italian Marble Group of Aeneas and Anchise by Antonio Carra, Signed, Venetian, Late 16th Century, Height 87.6 cm. £15,000-20,000.
Attributed works:
[Sotheby's, 34-35 New Bond Street, London] Christoffer Wilhelm Eckersberg, Sailing Ships, Dated 1825, Oil on Canvas, 38.5 by 54 cm.
Attributed works:
[Spencer A. Samuels 11 East 57th Street New York] Domenico Campagnola, Study of Candlesticks. Pen & Brown Ink, 11¾ × 7¼″
Attributed works:
[Spink & Son Ltd, King Street, London] Walter Richard Sickert, R. A., 1860-1942. The Hat Shop. Oils on Canvas. 13 × 16 Inches. Signed.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York] Louis de Boullongne II, Rinaldo and Armida. Oil on Canvas. 38 × 51½ Inches. Signed: L. de Boullogne 1704. Exhibited: Paris. Salon. 1704.
Attributed works:
[Stanze del Borgo, via Puccini 5, Milan] Bernardo Strozzi - Genoa 1581 - Venice 1644, "Testa di Fanciullo". Charcoal, White Touches on Chamois Paper - 144 x 131 mm. From the S. Varni Collection The Drawing is Dated ca. 1610, during the Artist's Genoa Period.
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Thomas Shotter Boys. A View of Paris near the Jardin des Tuileries. Size: 14 × 10 Inches. Signed and Dated 1832
Attributed works:
[Thomas le Claire Adickesstraße 40 Hamburg] Cornelis Saftleven (1607 Gorkum - Rotterdam 1681): "Landscape with Shepherd and Cattle", Black Chalk, Grey Washes; Monogrammed and Dated > 1659 <; 159: 197 mm.
Attributed works:
[Wiener Kunst und Antiquitatenmesse] Belle Etage Left: Table. Height 75cm, diameter 115cm. Design attributed to Adolf Loos. Vienna c. 1900. Below left: Brass Lamp. Design attributed to Josef Hoffmann. Vienna 1903. Galerie bei der Albertina Below: Garden bench. 1906-1908. Softwood painted white. Larger variant of the bench, which was exhibited at the "Kunstschau 1908" and in the Austrian pavilion in Rome 1911. Provenance: Dr Hugo Koller House. Height: 105cm, length 200cm, width 54cm. Right: Dancer. Painted plaster. 53cm high. On a highly polished wooden pedestal, 141cm high. Attributed to Richard Teschner, Vienna c. 1909.
Attributed works:
[William H. Schab Gallery, 11 East 57th Street, New York] Carletto Caliari, Study of Hands
Attributed works:
[Yvonne Tan Bunzl, London] Carlo Dolci. Red and Black Chalk 255 × 190 mm
Western art unattributed:
[Berlinghof Kunstauktionshaus GmbH, Zwingerstr. 18, Heidelberg] Lion-Gilded-Aquamanile, Hildesheim, 14./15. Century 13 × 11,5 cm
Western art unattributed:
[Glassgallery Michael Kovacek, Vienna] Bohemian Goblets c. 1840-50. Left: Colourless Glass with White and Blue Overlays, Painted in Gold and Silver. Height 14.5 cm. Centre: Colourless Glass, Gold-Ruby Overlay on Interior. Painted in Gold, Silver and Enamels. Height 24.5 cm. Right: Colourless Glass, Gold-Ruby Overlay, Painted in Gold, Silver and Enamels. Height 15.3 cm
Western art unattributed:
[Phillips, Blenstock House, 7 Blenheim Street, London] An Important Roman Figure of Hercules, 2nd Century AD., 176 cm. High. Estimate: Refer to Department.
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10/1985 | 991 | 127
Pages: i-lxii
Subjects
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Illustrations
Attributed works:
Detail from View of the South Front, Chiswick House, by Jacques Rigaud. Pen and Wash. (Chatsworth Settlement Trustees).
Attributed works:
[Ab Stockholms Auktionsverk, Jakobsgatan 10, Stockholm] Anders Zorn: Interior with Mrs Weguelin and Son, Signed 1889, Oil on Canvas, 130 × 88 cm.
Attributed works:
[Alan Jacobs Gallery, 8 Duke Street, London] Daniel Vertangen. The Hague 1598-1684 Amsterdam. "Kitchen Interior". Oil on Canvas, 66 × 63.5 cms. Signed
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Art'antica Rovati 01-491 2327. Pair of Dresden Vases. c.1730. Vinci Antiques 01-499 1041. Rare George II Silver. Cake Basket by Edward Aldridge. London 1746
Attributed works:
[Bond Street Antique Centre, 124 New Bond Street, London] Claudia Beck 01-409 2854. Frederick Walter Lee, RMS (fl. 1894-1938). 'Westminster Hall at Sunset'. Signed & Dated September 1897. Watercolour 15¾ × 26½ Inches.
Attributed works:
[Bourne Fine Art, 14 Mason's Yard, London & 4 Dundas Street, Edinburgh] An exhibition of furniture, stained glass and watercolours to be shown at out London gallery during November and at our Edinburgh gallery during December] E.A. Taylor 1874-1952 Artist and designer.
Attributed works:
[Browse & Danby, 19 Cork Street, London] P.W. Steer 1860-1942 Girl on a Sofa, 1891. Oil on Canvas 22½ × 24½ Inches
Attributed works:
[C.G. Boerner, Kasernenstrasse 13, Dusseldorf] Adriaen van Ostade. B. 32, Davidsohn und Godefroy IV (von X bzw. XII). Wm. Phoenix.
Attributed works:
[Christopher Wood Gallery, 15 Motcomb Street, London] Sir Robert Smirke, RA. Windsor Castle, Berkshire. Signed and Dated 1824. Watercolour 10½ × 13¾ Inches
Attributed works:
[Colnaghi & Clarendon Gallery, 14 Old Bond Street, London] Sir John Lavery, Lady Wimbourne. Oil on Canvas, 78″ × 40″
Attributed works:
[Colnaghi USA Ltd, 26 East 80th Street, New York] Eustache le Sueur 1617-1665. Judas Remonstrating with Christ over Magdalen and the Pot of Alabaster. Canvas 154 × 132 cms.
Attributed works:
[David Koetser Gallery, 37 Talstrasse, Zurich] David Teniers, the Younger. Signed. Panel, 21 × 16 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Edouard Vuillard: "Vue d'un parc avec bonnes d'enfant" (1900). Pastel - Stamp of the Artist - 28.5 × 20.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Honoré Daumier: "l'Avocat". Bronze - Dark Brown Patination - Monogram - Foundry Valsuani - cire perdue - ex. nr. 28/30 - H25 L10.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] James Ensor: "BreakWater at Ostend". Canvas - Signed 1878 - 36.5 × 46.5 cm
Attributed works:
[De Vuyst, Kerkstraat 24-52, Lokeren] Maurice Utrillo: "Le moulin de la Galette à Montmartre". Canvas - Signed - 46 × 54 cm
Attributed works:
[Edition PVA, Postfach 1950, Landau/Pflaz] Professor Dr. Werner Sumowski, University of Stuttgart, has attended to the art of Rembrandt, his pupils and his precursors for thirty years now. He enjoys an international reputation as a Rembrandt research worker of rank and as leading expert on the Rembrandt School. Besides books, his bibliography comprises numerous publications in specialized journals at home and abroad. Successive publication of the twelve volumes of his edition of drawings by the Rembrandt School began in 1979.
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] John Ruskin HRWS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Peter De Wint OWCS
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Philip Wilson Steer OM
Attributed works:
[Fry Gallery, 58 Jermyn Street, London] Sir Alfred Munnings PPRA
Attributed works:
[Galerie Bruno Meissner, Bahnhofstrasse, Zurich] Jan Hackaert. (Amsterdam 1629-1699), "Avenue of Silver Birch beside a River". Öl/Lwd., 52 × 49 cm
Attributed works:
[Galerie d'Arenberg, rue aux laines 14-1000, Brussels] François Rude (1784-1855). Bust of David, s. and d. "Brux. 1826". Plaster, h.: 80,5 cm
Attributed works:
[Galerie de La Scala, 68 rue La Boétie, Paris] Van Loo Carle (1705-1765), "Saint-François"
Attributed works:
[Gallery Antiques Limited, 6 Peter Street, Winchester] An important Chippendale period carved giltwood mirror c.1760. A pair of fine George II giltwood oval mirrors illustrated in 'English Looking Glasses' by Geoffrey Wills, p.85. An important pair of Regency mahogany writing tables, probably by Gillows. Two fine Empire encriers. An unusual pair of satyr candlesticks, French c.1785. A pair of Charles X steel and ormolu candlesticks. A fine French mantel clock with porcelain flowers by 'Angevin a Paris'. A good pair of chestnut urns with their original decoration c.1790. One from a pair of fine and important Paktong fire grate fronts and fenders from Battle Abbey by Robert Adam c.1775. See P.11 & 12 of 'Paktong' by W. D. John & K. Coombes. A pair of marble pedestals c.1810 and two marble busts.
Attributed works:
[Gavina Ewart, 60 High Street, Worcestershire] A Fine Pair of Minton Porcelain Figures Set in Ormolu Candelabra Stands. Circa 1840. 33 cm High. A Rare Minton Figure of the Burlesque Sculptor c. 1835.
Attributed works:
[Gebr. Douwes Fine Art, Rokin 46, Amsterdam] Jules Héreau (1839-1879) "Monsieur La Fontaine." Panel: 45 × 35 cm. 17¾ × 13¾ Inches. Signed and Inscribed: "a mon ami La Fontaine, Barbizon, Sept 1859"
Attributed works:
[Hennell, 12 New Bond Street, London] Robert Hennell III 1837. 13″ Long overall (Loaded). Weight, 8 oz (Jugs only)
Attributed works:
[Howard Antiques, 8 Davies Street, Berkeley Square, London] An Exceptional 17th Century Chinese Black Lacquer Cabinet with the Original Fitted Interior, Supported on Its Contemporary English Silvered Carved Wood Stand, in the Manner of Daniel Marot, Centred with Stags. Circa 1690. Height 70″ Width 40″ Depth 21″
Attributed works:
[John Noott, Picton House Gallery, Highstreet, Worcestershire] William Shayer. A Halt by the Way. Oil on Panel. 18″ × 24″
Attributed works:
[Johnny van Haeften, 13 Duke Street, London] On Canvas. Jacob Isaacksz. van Ruisdael, (c. 1628 - Haarlem - 1682). 31 × 38 ins.
Attributed works:
[Lawrence Fine Art, South Street, Crewkerne] Alfred Grenfell Haigh. Lt. Col. Sir Denis f. Boles, Bart., on His Hunter Sligo, Leading out His Favourite Hounds, on the Quantocks. Signed and Dated 1925, 48in. × 59½in.
Attributed works:
[Leslie Smith Gallery, Hertelaan 15, Wassenaar, Netherlands] Panel: 50 × 70 cm. Signed and Dated 1858. B. J. van Hove (1790-1880). Town View of Delft. Price: $36,000
Attributed works:
[Marlborough Fine Art Ltd, 6 Albemarle Street, London] Der Traum 1 1984 Oil on Canvas 78¾ times 78¾ in./200 × 200 cm.
Attributed works:
[Morton Morris & Company, 32 Bury Street, London] Portrait of Sotiri. Dragoman of Mr. Colquhom
Attributed works:
[Oscar & Peter Johnson Ltd, Lowndes Lodge, Gallery 27, Lownes Street, London] Ballymacad - 1936. This Bronze by the American Sculptress, Pauline Boumphrey (1886-1959) Was Not Started Until the Horse, Belonging to Her Husband - Joe, Was at Least Sixteen Years Old.
Attributed works:
[Phaidon] Pompeo Batoni. Holbein. Chardin
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Ossip Zadkine (1890-1967), "Garden Statue," Bronze, Edition 6, 1943, 53.3 cm. × 134.6 cm. × 63.5 cm.
Attributed works:
[Phillips Son & Neale Inc., 406 East 79th Street, New York] Pablo Picasso (1881-1973), "La Ballerine," Pencil and Gouache on Paper, 32 cm. x 22 cm.
Attributed works:
[Phillips, Blenstock House, 7 Blenheim Street, London] Ford Madox Brown, "An English Fireside of 1854-55", Signed and Dated '55, Oil on Panel, 31 × 20 cm.
Attributed works:
[R. Polak Gallery, 85 Parkstraat, The Hague] H. W. Mesdag 1831-1915. 'Return of the Fishing Fleet'
Attributed works:
[Raffety Huber, 34 Kensington Church Street, London] A Fine English Musical Bracket Clock by S. & C. Joyce, London, the Movement Playing a Selection of Seven Scottish Tunes, with Original Wall Bracket, Circa 1820.
Attributed works:
[Richard Green, 44 Dover Street, London] Sir Francis Grant PRA (1803-1878). Lady Louisa and Lady Beatrix Legge with Their Pony. Signed and Inscribed. Canvas: 90 × 66 in/229 × 168 cm
Attributed works:
[Richard L. Feigen & Company, 113 East 79th Street, New York] Nicolaes Berchem, "Childhood of Jupiter on Mt. Ida," 1646. Oil on Panel, 72 by 95.5 cm
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] Made Circa 1659 This Historical Timepiece by Ahasuerus Fromanteel Was the First Fusee-Regulated Pendulum Movement and the First Architect Designed Ebony Case with Gilt Metal Mounts. Height 27 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Early George III Mahogany Bookcase, Formerly at Haddo House, Aberdeenshire, Attributed to William Vile the Royal Cabinetmaker. Circa 1760. Height 11 ft 6 ins.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The George III Mahogany Hanging Cabinet Similar in Style to the Lanterns Made by William Vile in 1763 for the Hall at Buckingham (House) Palace Now in Kensington Palace.
Attributed works:
[Ronald A. Lee, 1-9 Bruton Place, London] The Royal Family at the Academy. 1787. Pencil, Pen and Grey Ink and Watercolour by Johann Heinrich Ramberg (1763-1840) King George III and Queen Charlotte Accompanied by Members of the Royal Family at Somerset House. Formerly in the Collection of the Earls of Harewood.
Attributed works:
[S.J.Shrubsole, 43 Museum Street, London] 3 pairs of Wine Coasters from Our Current Selection of Fine Table Silver. Top: By William Bateman, London 1820 Middle: By Henry Chawner, London 1791 Bottom: By S. C. Youngs & Co., Sheffield 1817
Attributed works:
[Salons Independants des Antiquaires et de la Haute Joaillerie, Marseille] Jean Louis Bouzou Armchair. Louis XV, estampillé Meunier. With Its Original Upholstery. Jean Sarfati Pair of Busts in Classical Costume. Venice. Gilt and Silvered Wood. Seventeenth Century. Dario Boccara Detail from La Chasse à l'ours (Brussels) Studio of Cornelius Matteus. 3.55m by 3.77m c. 1575. Antiquaire du Paradou. Lion Resting. Marble. Venice. Thirteenth Century.
Attributed works:
[Sotheby's, 1334 York Avenue, New York] A Florentine Bronze Figure of Flora, Giambologna, Susini Workshops, c. 1600, Height 31.8 cm.
Attributed works:
[Stair Sainty Matthiesen, 141 East 69 Street, New York, New Orleans Museum of Ar, Columbus Museum of Art] Francois Boucher. Leda and the Swan. Oil on Canvas, 23⅜ × 29¼ Inches. Signed: f Boucher. Exhibited: Paris, Salon, 1742, no. 21 bis.
Attributed works:
[T. Crowther & Son Ltd, 282 North End Road, Fulham] A Fine and Important Carved Pinewood Painted Chimney-Piece of Chippendale Period, Complete with Its Original Marble Slips. English Circa 1750.
Attributed works:
[The Belgrave Gallery, 22 Mason's Yard, Duke Street, London] Alfred Wolmark. A Painted Sign. Oil on Panel.
Attributed works:
[The Fine Art Society, 148 New Bond Street, London] Thomas Hartley Cromek 1809-1873. The Arch of Titus with the Colosseum, Rome. Watercolour 30″ × 21½″ (76.2 × 54.6)
Attributed works:
[The Leger Galleries Ltd, 13 Old Bond Street, London] Francis Towne. Lake Maggiore at Evening. Size: 6⅛ × 8¼ Inches. Signed and Dated, 1781.
Attributed works:
[Trevor Trevor House, 110 High Street, Lewes] A Very Important Secretaire Bookcase in Mahogany of Beautiful Colour and Patination, Having Floral Marquetry. In the Manner of Hepplewhite in the French Taste. England. George III. Circa 1780 Height: 6′ 11″ 211cms. Width: 2′ 11″ 89cms. Depth: 1′ 8″ 51cms.
Attributed works:
[William Tillman, Crouch Lane, Borough Green, Kent] An Important Sheraton Style Oval Breakfast Table in Mahogany Inlaid with Rosewood and Satinwood. Length 74½″/189.2 cm. Width 49½″/125.7 cm. Height 28″/71 cm. This Table Will Seat Eight People.
Attributed works:
[Winifred Williams, 3 Bury Street, London] Capodimonte. Painted by Giovanni Caselli. Blue fleur de lys mark. Height 21 cm. Circa 1750
Non-western art unattributed:
[John Sparks, 128 Mount Street, London] A Pair of Chinese Porcelain Vases Copying a Delft Model and Decorated in 'famille verte' Enamels. Height: 11¾. K'ang Hsi (1662-1722)
Western art unattributed:
[A.V. & M.R. Santos 1 Campden Street London] Very Rare "Famille Rose". Teapot c. 1775 the Decoration is Intended to Commemorate the Electoral Struggles of 1768 and 1772 in the House of Commons, between John Wilkes, a Liberal MP, and William Murray, Lord Chief of Justice from 1766 Until 1778, and a Pillar of the Establishment. John Wilkes Was a Noted Champion of Personal Liberty and Supporter of the American Revolution Cause. Illustrated in Page 232 of "Oriental Export Market Porcelain" by G. Godden.
Western art unattributed:
[Arnold Wiggins & Sons Limited, 30-34 Woodfield Place, Harrow Road, London] English, c. 1780 Sight 49¼ × 39¼ ins, Width 6½ ins. Provenance: Ashridge; Welbeck Abbey
Western art unattributed:
[Aubrey Brocklehurst, 124 Cromwell Road, London] A Louis XV Ormolu-Mounted Kingwood Longcase Clock by an Anonymous French Maker. The 8-Day Movement Has Steel Dead-Beat Pallets, Hour and Halfhour Striking, and a Vitreous Enamel Dial. Height to Top of Case Excluding Father Time, 7′ 0″. Maximum Height 7′ 9½″, (240 cms).
Western art unattributed:
[Brockbank & Atkins, 17 Ryder Street, London] A High Quality Early 19th Century Longcase Regulator c1830. The 8 Day Substantial Movement with Dead Beat Escapement. Harrisons Maintaining Power, Jewelled Pallets and End Stops Throughout the Train The Mercury Compensated Pendulum Suspended from the Backboard of the Fine Tapering Mahogany Case.
Western art unattributed:
[C. John, 70 South Audley Street, London] An Extremely Rare and Exceptional English Soho Tapestry. Circa 1780. Size: 9′ 11″ (302 cm) Wide × 8′ 1″ (246 cm) High.
Western art unattributed:
[Gallery Lingard, Old Registry Office, 250 Kings Road, Chelsea] 19th Century Belgian School. Design for a Chamber of Commerce, Antwerp, c. 1880
Western art unattributed:
[H.W. Keil Limited, Tudor House, Worcestershire] 2 of an Excellent Set of 6 Late Seventeenth Century Oak Single Chairs of the Cromwellian Period Covered in Red Velvet. c. 1680. An Excellent Late Seventeenth Century William and Mary Walnut and Padouk One Drawer Table with Barley Sugar Twist Legs and Parquetry Top. c. 1690.
Western art unattributed:
[Howard Phillips, 11a Henrietta Place, London] A Rare Set of 'Colour Twists' c. 1760
Western art unattributed:
[John Murray in association with Britoil] The Glasgow Boys. The Glasgow School of painting 1875-1895. Roger Billcliffe
Western art unattributed:
[Paul Mitchell Limited, 99 New Bond Street, London] English Rococo c. 1745, Sight 49¼ × 39½ ins, Width 5½ ins
Western art unattributed:
[Priests, 60 North Street, Thame] A Fine Quality Sheraton Period Burr Yew Ladies Work Table. c. 1790.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] 16th Century Latticino Glass Goblet Supported on an English Silver Base of Circa 1595-1605. The Glass of Venetian Origin. Engraved with an Earl's Coronet, the Letter T under, within a Foliated Wreath. Height: 8¼ ins. Formerly in the Collection of John Girdwood.
Western art unattributed:
[Ronald A. Lee, 1-9 Bruton Place, London] This William and Mary Red, Green and Black Lacquer Chair is Part of a Suite. Associated with the Furnishings at the Palaviccini Palace in Rome (See Hans Huth: Lacquer of the West Plate 84 pp 76). Circa 1700.
Western art unattributed:
[Samarcande, 13 rue des Saint-Pères, Paris] Head of a Young Woman. Terracotta. Magna Graecia, Taranto. Second Century BC. Height 12 cm
Western art unattributed:
[Stair & Company Ltd, 120 Mount Street, London] A Rare Secretaire Cabinet with an Extending Writing Surface. Fine 'verre églomisé' Panels to the Door and Well-Figured Mahogany Veneers to the Drawer Fronts. Fitted with Various Compartments. English. Circa 1745. Size: 33½″ Wide 22″ Deep 72″ High
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