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11 articles
Article
Tissot’s wartime sketchbook, 1870–71
07/2020 | 1408 | 162
Pages: 560-569
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
1. Detail of a map of the battlefields surrounding Paris, published by J. Rigal. c.1870–71. 78 by 60 cm. Fort du Mont-Valérien, one of the fifteen forts involved in the defence, is marked with a star. The Battle of Malmaison occurred just southwest of it, near Rueil and La Jonchère. (Historical Library of the City of Paris).
Attributed works:
10. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper 11.5 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
11. Military infirmary, by James Tissot. 1870–71. Grey wash and gouache on buff paper, 31.4 by 39.5 cm. (Private collection).
Attributed works:
12. Dead man lying on his side, by James Tissot. Graphite on paper, 11.3 by 14.6 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
13. The first man killed I saw (Souvenir of the Siege of Paris), by James Tissot. 1870–74. Drypoint and etching (first state), 45.4 by 29.5 cm (Bibliothèque nationale de France).
Attributed works:
14. Tirailleurs de la Seine at the battle of Rueil-Malmaison, 21st October 1870, by Etienne-Prosper Berne-Bellecour. 1875. Oil on canvas, 103 by 203 cm. (Château de Versailles, France; Bridgeman Images).
Attributed works:
15. Transporting the wounded, by James Tissot. Graphite on paper, 11.2 by 18.1 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
2. James Tissot, by Robert Jefferson Bingham. c.1861–70. Albumen silver print, 10.2 by 6.3 cm. (Metropolitan Museum of Art, New York).
Attributed works:
3. The green room of the Comédie-Française during the Siege of Paris, by James Tissot. 1877. Etching, 38.1 by 27.6 cm. (Bibliothèque Nationale de France, Paris).
Attributed works:
4. Wounded man lying reading the newspaper, by James Tissot. Graphite on paper, 10.2 by 18 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
5. Hospital of the Comédie-Francaise, Paris, by Pierre André Brouillet. 1870. (Photograph by Luigi Fiorillo; Wellcome Collection, London).
Attributed works:
6. The American Ambulance at no.36, avenue de l’Impératrice, Paris. c.1870. (University of Pennsylvania Archives, Philadelphia).
Attributed works:
7. Compositional sketch for ‘Military infirmary’, by James Tissot. (1870–71). Graphite on paper. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
8. Study for ‘Military infirmary’, by James Tissot. 1870–71. Graphite on paper, 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Attributed works:
9. Study for Captain Ducos in ‘Military infirmary’, by James Tissot. 1870– 71. Graphite on paper 17.9 by 23.3 cm. (Private collection; photograph courtesy De la Taille Art SAS, Paris).
Article
Hope in time of war: George Clausen’s ‘Renaissance’ rediscovered
11/2018 | 1388 | 160
Pages: 938-945
related names
Author:
McConkey, Kenneth (McConkey, Kenneth)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Renaissance, by George Clausen. 1915. Canvas, 152.4 by 177.8 cm. (Belgian Ministry of Foreign Affairs, on deposit in the Belgian ambassador’s residence, London).
Attributed works:
10. Detail of Fig.1.
Attributed works:
11. Figure study, by George Clausen. 1914–15. Graphite on paper, 24 by 39 cm. (Victoria and Albert Museum, London).
Attributed works:
12. Youth mourning, by George Clausen. 1916. Canvas, 91.4 by 91.4 cm. (Imperial War Museum, London).
Attributed works:
2. Primavera, by George Clausen. 1914. Canvas, 91.4 by 71.7 cm. (Private collection; photo Christie’s, London).
Attributed works:
3. Wounded, London Hospital, by John Lavery. 1915. Canvas, 176 by 201 cm. (Dundee Art Galleries and Museums Collection).
Attributed works:
4. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 25.7 by 18.4 cm. (Royal Academy of Arts, London).
Attributed works:
5. Study for ‘Renaissance’, by George Clausen. 1915. Graphite on paper, 38.1 by 32.3 cm. (Royal Academy of Arts, London).
Attributed works:
6. L’Esperance, by Pierre Puvis de Chavannes. 1872. Canvas, 70.5 by 82 cm. (Musée d’Orsay, Paris).
Attributed works:
7. Sowing new seed (for the Board of Agriculture and Technical Instruction for Ireland), by William Orpen. 1913. Canvas, 137 by 137 cm. (Mildura Arts Centre, Australia).
Attributed works:
8. St Francis at prayer, by Frederick Cayley Robinson and Winifred Dalley, from H.E. Manning: The Little Flowers of St Francis of Asissi, London 1915.
Attributed works:
9. Detail of Victor Rousseau, by George Clausen, c.1915. Graphite on paper, 39.2 by 28.8 cm. (Royal Academy of Arts, London).
Article
‘The big Italian’: Giambologna and his model Bartolommeo di Lionardo Ginori
11/2018 | 1388 | 160
Pages: 912-919
related names
Author:
Avery, Charles (Avery, Charles)
Subjects
art literature:
dates:
museums and institutions:
places:
Illustrations
Attributed works:
1. Rape of the Sabines, by Giambologna. 1582. Marble, height (excluding the base) c.410 cm. (Loggia dei Lanzi, Florence; Bridgeman Images).
Attributed works:
10. Prometheus, cast from a model by Giambologna. c.1590. Gilt bronze, height 23 cm. (Private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
2. Crucified Christ, by Giambologna. 1580s. Bronze, 33.5 by 21.5 cm (Cleveland Museum of Art; Bridgeman Images).
Attributed works:
3. Portrait of Giambologna, with his model for ‘Samson and a Philistine’, by Federigo Zuccaro. 1575. Black and red chalk, 26.1 by 188 cm. (National Galleries of Scotland, Edinburgh).
Attributed works:
4. Rape of the Sabines, by Giambologna. c.1581. Clay with traces of whitewash, height c.410 cm. (Galleria dell’Accademia, Florence).
Attributed works:
5. Mars, by Giambologna. c.1581–87. Gilt bronze, height 39.4 cm. (Staatliche Kunstsammlung, Dresden; photograph Arrigo Coppitz).
Attributed works:
6. Portrait of Bartolommeo di Lionardo Ginori, by Santi di Tito. c.1583. Canvas, height c.250 cm. (Private collection, Florence; photo Galleria dell’Accademia, Florence).
Attributed works:
7. Portrait of Pietro di Cosimo de’ Medici, by Santi di Tito. c.1583. Canvas, 208 by 113 cm. (Galleria degli Uffizi, Florence).
Attributed works:
8. Mars and Prometheus, cast from models by Giambologna. c.1587 and c.1590 respectively. Bronze, heights 39.4 cm. and 23 cm. (Both private collection; photograph courtesy Tomasso Brothers Fine Art, UK).
Attributed works:
9. Man seen from three angles, by Antonio del Pollaiuolo. Fifteenth century. Stylus, pen and ink and wash on paper, 26.5 by 36 cm. (Musée du Louvre, Paris).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
Subjects
dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
Publication Received
Soldiers at Leisure. The Guardroom Scene in Dutch Genre Painting of the Golden Age
02/2012 | 1307 | 154
Pages: 131
related names
Reviewer:
Pouy, Léonard (Pouy, Léonard)
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dates:
places:
subjects:
Reviewed Items
subjects:
Soldiers at Leisure. The Guardroom Scene in Dutch Genre Painting of the Golden Age | author: Rosen, Jochai
Book Review
From Criminal to Courtier: The Soldier in Netherlandish Art 1550-1672.
02/2005 | 1223 | 147
Pages: 121
related names
Reviewer:
Honig, Elizabeth Alice (Honig, Elizabeth Alice)
Subjects
dates:
print:
Reviewed Items
subjects:
From Criminal to Courtier: The Soldier in Netherlandish Art 1550-1672 | author: Kunzle, David
Article
John Hamilton Mortimer and Salvator Rosa
08/1970 | 809 | 112
Pages: 520-528+531
related names
Author:
Sunderland, John (Sunderland, John)
Subjects
artists:
dates:
places:
subjects:
subjects:
subjects:
subjects:
Illustrations
Attributed works:
35. Sheet of Studies, by John Hamilton Mortimer. Pen and Ink, 22.9 by 18.2 cm. (Collection Leonard Baskin.)
Attributed works:
36. Etching, by Salvator Rosa. From the Carlo de'Rossi Series. Bartsch, XX.280.35.
Attributed works:
37. Man at Arms, by John Hamilton Mortimer. Pen and Ink, 17.8 by 15.3 cm. (British Museum.)
Attributed works:
38. Etching, by Salvator Rosa. From the Carlo de'Rossi Series. Bartsch, XX.281.41.
Attributed works:
39. Etching by Joseph Haynes after a Drawing by Mortimer. Published 25th January 1780.
Attributed works:
40. Etching, by Salvator Rosa. From the Carlo de'Rossi Series. Bartsch, XX.283.50.
Attributed works:
41. Etching, by Samuel Ireland after a Drawing by Mortimer. [British Museum.]
Attributed works:
42. Etching, by Salvator Rosa. From the Carlo de'Rossi Series. Bartsch, XX.282.47.
Attributed works:
43. Belisarius, by Salvator Rosa. Canvas, 255 by 185 cm. (Until 1969 in the Collection of Sir Osbert Sitwell.)
Attributed works:
44. Etching, by Salvator Rosa. From the Carlo de'Rossi Series. Bartsch, XX.280.37.
Attributed works:
45. Glaucus and Scylla. Etching by Joseph Goupy after the Painting by Salvator Rosa.
Attributed works:
46. Successful Monster, by John Hamilton Mortimer. Etching from the Series of Fifteen Prints Dedicated to Reynolds in 1778. Published 8th December 1778.
Attributed works:
47. Belisarius, by John Hamilton Mortimer. Canvas. (Collection Major J. W. Chandos Pole, Radburne Hall.)
Attributed works:
48. Salvator Rosa, by John Hamilton Mortimer. Etching from the Series of Fifteen Prints Dedicated to Reynolds in 1778. Published 8th December 1778.
Attributed works:
49. Portrait of a Poet, by Salvator Rosa. Canvas, 138 by 97 cm. (Ringling Museum of Art, Sarasota, Florida.)
Attributed works:
50. Idealised Self Portrait, by John Hamilton Mortimer. Pen and Ink, 47 by 41.2 cm. (National Portrait Gallery.)
Article
Four Studies of Soldiers by Watteau An Essay on the Chronology of Military Subjects
10/1959 | 678/679 | 101
Pages: [nil]
related names
Author:
Cailleux, Jean (Cailleux, Jean; Cailleaux, Jean; Cailleux, J.)
Subjects
artists:
dates:
places:
Illustrations
Attributed works:
1. Three Recruits, by Antoine Watteau. Red Chalk on White Paper, 15 by 19.8 cm. (M. Frits Lugt, Paris.)
Attributed works:
10. Engraving by J. Audran (In reverse) for F.d.D.C., No.43.
Attributed works:
11. Three Drummers, by Antoine Watteau. Red Chalk on White Paper, 15.3 by 19.6 cm. (Mr John S. Newberry, New York City.)
Attributed works:
12. Detail from Engraving by Crépy after Watteau of Retour de Campagne. (D. & V.216.)
Attributed works:
13. Detail from Engraving by Crépy after Watteau of Départ de Garnison. (D. & V.276.)
Attributed works:
14. Engraving by J. Audran (In reverse) for F.d.D.C., No.240.
Attributed works:
15. Engraving by J. Audran (In reverse) for F.d.D.C., No.60.
Attributed works:
16. Engraving by J. Audran (In reverse) for F.d.D.C., No.111
Attributed works:
17. Engraving by J. Audran (In reverse) for F.d.D.C., No.242.
Attributed works:
18. Two Recruits, by Antoine Watteau. Red Chalk on White Paper, 16 by 15.4 cm. (Messrs Cailleux, Paris.)
Attributed works:
2. Engraving by Desplaces for F.d.D.C., No.59.
Attributed works:
3. Engraving by Desplaces for F.d.D.C., No.13.
Attributed works:
4. Engraving by Desplaces for F.d.D.C., No.290.
Attributed works:
5. Detail from Engraving by Thomassin after Watteau of Recrue allant rejoindre le Régiment. (D. & V.178.)
Attributed works:
6. Three Soldiers, by Antoine Watteau. Red Chalk on White Paper, 17.1 by 21.4 cm. (Private Collection, Paris.)
Attributed works:
7. Detail from Recrue Allant Rejoindre le Régiment, by Antoine Watteau. (H.A.34.)
Attributed works:
8. Engraving by J. Audran (In reverse) for F.d.D.C., No.258.
Attributed works:
9. Engraving by J. Audran (In Reverse) for F.d.D.C., No.113.
Article
Some Unknown Sketches for the 'Wounded Cuirassier' and a Subject Identified
03/1955 | 624 | 97
Pages: 78+80-81+83
related names
Author:
Johnson, Lee (Johnson, Lee)
Subjects
dates:
places:
subjects:
subjects:
Illustrations
Attributed works:
21. Sketches for the Wounded Cuirassier, by Théodore Géricault. 1814. Pencil, Pen, and Bistre, 20.5 by 16.5 cm. (Aimé Azam Collection, Paris.)
Attributed works:
22. Man and Woman Mourning over Their Dead Son, by Théodore Géricault. September 1819. Pencil, Pen, Bistre, and Water-Colour, 16.5 by 12.4 cm. (Fogg Museum of Art, Cambridge, Mass.)
Attributed works:
23. Carabinier Leaning against a Rock (Sketch for the Wounded Cuirassier), by Théodore Géricault. 1814. Pen and Bistre with Water-Colour, 19 by 12 cm. (Louvre R. F. 04, 619, Recto.)
Attributed works:
24. Seated Soldier Holding an Infant (Sketch for the Wounded Cuirassier), and Crouching Male, by Théodore Géricault. 1814. Pencil. (Louvre R. F. 04, 619, Verso.)
Article
Géricault's 'Wounded Cuirassier'
08/1954 | 617 | 96
Pages: 236-241
related names
Author:
Eitner, Lorenz (Eitner, Lorenz; Eitner, Lorenz E. A.)
Subjects
dates:
places:
subjects:
Illustrations
Attributed works:
10. Charging Chasseur ('Equestrian Portrait of M. Dieudonné'), by Théodore Géricault. 1812. Canvas, 292 by 194 cm. (Louvre).
Attributed works:
11. Signboard of a Hoofsmith, by Théodore Géricault. Panel, 120 by 100 cm. (Private Collection, Paris.)
Attributed works:
12. Sketches for the Wounded Cuirassier, by Théodore Géricault. 1814. Pencil, 14.3 by 19 cm. (From a Sketch-Book in the Louvre, p.81.)
Attributed works:
13. Sketches for the Wounded Cuirassier, by Théodore Géricault. 1814. Pencil, 14.3 by 19 cm. (From a Sketch-Book in the Louvre, p.90.)
Attributed works:
5. Wounded Cuirassier Leaving the Field of Battle, by Théodore Géricault. 1814. Canvas, 292 by 227 cm. (Louvre.)
Attributed works:
6. Study for the Wounded Cuirassier, by Théodore Géricault 1814 Canvas, 54 by 44 cm. (Brooklyn Museum, New York.)
Attributed works:
7. Cuirassier Seated on a Mound of Earth (Study for the Wounded Cuirassier), by Théodore Géricault. 1814. Canvas, 45 by 38 cm. (Louvre.)
Attributed works:
8. Carabinier Seated on a Mound of Earth (Sketch for the Wounded Cuirassier), by Théodore Géricault. 1814. Pen and Bistre, 20.5 by 16.5 cm. (Aimé Azam Collection, Paris.)
Attributed works:
9. Sketches for the Signboard of a Hoofsmith, by Théodore Géricault. Pencil, 17.5 by 23.2 cm. (From an Album of Sketches, fol.39 recto, in Art Institute, Chicago, Tiffany and Blake Bequest.)
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