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67 articles
Book Review
A Delicate Matter: Art, Fragility, and Consumption in Eighteenth- Century France
12/2024 | 1461 | 166
Pages: 1285–6
related names
Reviewer:
Stammers, Thomas E. (Stammers, Thomas E.)
Subjects
Reviewed Items
subjects:
A Delicate Matter: Art, Fragility, and Consumption in Eighteenth- Century France By Oliver Wunsch. 192 pp. incl. 50 col. + 20 b. & w. ills. (Pennsylvania State University Press, 2024), £83.95. ISBN 978–0–271–09528–8. | :
Illustrations
Attributed works:
7. Model for a proposed monument to commemorate the invention of the balloon, by Clodion. c.1784. Terracotta, 109.5 by 62.9 by 51.8 cm. (Metropolitan Museum of Art, New York).
Exhibition Review
Rosalba Carriera: Perfection in Pastel
09/2023 | 1446 | 165
Pages: 1007-1010
related names
Reviewer:
Vogtherr, Christoph Martin (Vogtherr, Christoph Martin)
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dates:
museums and institutions:
Reviewed Items
subjects:
Rosalba Carriera: Perfection in Pastel Gemäldegalerie Alte Meister, Dresden 9th June–24th September | :
Illustrations
Attributed works:
10. Allegory of Africa, by Rosalba Carriera. Pastel on paper, 33 by 27 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen, Dresden).
Attributed works:
8. A black-haired lady with a thin gold necklace, by Rosalba Carriera. Pastel on paper, 29.5 by 26 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Attributed works:
9. Self-portrait as winter, by Rosalba Carriera. 1730–31. Pastel on paper, 46.5 by 34 cm. (Gemäldegalerie Alte Meister, Staatliche Kunstsammlungen Dresden).
Exhibition Review
Pastels: From Millet to Redon
07/2023 | 1444 | 165
Pages: 790–792
related names
Reviewer:
Jones, Kimberly A. (Jones, Kimberly A.)
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dates:
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museums and institutions:
Reviewed Items
subjects:
Pastels: From Millet to Redon Musée d’Orsay, Paris 14th March–2nd July | :
Illustrations
Attributed works:
14. Portrait of a woman, by Jacques-Émile Blanche. 1887. Pastel on canvas, 129 by 64 cm. (Musée d’Orsay, Paris).
Attributed works:
15. Bouquet of daisies, by Jean-François Millet. c.1871–74. Pastel on beige paper laid on canvas fixed to a strainer, 68 by 83.5 cm. (Musée d’Orsay, Paris).
Attributed works:
16. Going out to fish (Zuiderzee), by Piet Mondrian. c.1900. Pastel, watercolour and charcoal on paper, 60 by 100 cm. (Musée d’Orsay, Paris).
Article
Pastels in the pandemic
08/2022 | 1433 | 164
Pages: 780-787
related names
Author:
Jeffares, Neil (Jeffares, Neil)
Subjects
Reviewed Items
subjects:
The Life and Work of Rosalba Carriera (1673–1757): The Queen of Pastel. By Angela Oberer. 324 pp. incl. 8 col. + 32 b. & w. ills. (Amsterdam University Press, Amsterdam, 2020), £108. ISBN 978–94–6298–899–6. | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
subjects:
Color into Line: Pastels from the Renaissance to the Present at the Fine Arts Museums of San Francisco (9th October 2021–13th February 2022) | :
Illustrations
Attributed works:
1. Diana the huntress, by Rosalba Carriera. c.1720–25. Pastel on blue paper, laid down on canvas, 61.5 by 48.5 cm. (Collection of Phoebe Cowles; photograph Gary Sexton).
Attributed works:
2. Portrait of a man and his dog, attributed to Jean-Étienne Liotard. c.1746–50. Pastel over graphite on five joined sheets of parchment, laid down on canvas, 114 by 86 cm. (Fine Arts Museums of San Francisco; photograph Gary Sexton).
Attributed works:
3. Details of eyes in pastels by Vivien, Carriera, Liotard and La Tour from the Bayerischen Staatsgemäldesammlungen in raking light (left column) and in normal light (right column). (Photograph Ulrike Fischer).
Attributed works:
4. Self-portrait with fur hat, by Joseph Vivien. 1730. Pastel on two sheets of blue laid down on red-brown primed canvas, 80.1 by 64.2 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
5. Mademoiselle Ferrand meditates on Newton, by Maurice-Quentin de La Tour. 1752. Pastel on blue paper, laid down on canvas, 74.2 by 60.7 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
6. Self-portrait, by Rosalba Carriera. c.1739. Pastel on paper, 31 by 25 cm. (Gallerie dell’Accademia, Venice).
Attributed works:
7. The breakfast, by Jean-Étienne Liotard. c.1752. Pastel on parchment, 67.3 by 54 cm. (Alte Pinakothek, Munich; photograph Sibylle Forster).
Attributed works:
8. Nymph from Apollo’s retinue, by Rosalba Carriera. 1721. Pastel on blue paper laid down on canvas, 62.9 by 56.3 cm. (Musée du Louvre, Paris).
Article
A pastel ‘Study for a head’ by Boltraffio in the Biblioteca Ambrosiana, Milan
03/2022 | 1428 | 164
Pages: 266-269
related names
Author:
Allegri, Agostino (Allegri, Agostino)
Author:
Mazzotta, Antonio (Mazzotta, Antonio)
Subjects
dates:
museums and institutions:
Illustrations
Attributed works:
1. Study for the portrait of a poet, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 51.5 by 39.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
2. Detail of St Barbara, by Giovanni Antonio Boltraffio. c.1502. Oil on panel, 172 by 113.5 cm. (Gemäldegalerie, Berlin).
Attributed works:
3. Study for a head, here attributed to Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 25.7 by 25.8 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
4. Study for a female head, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 26.4 by 29.5 cm. (Biblioteca Ambrosiana, Milan).
Attributed works:
5. Studies for a portrait of a woman, by Giovanni Antonio Boltraffio. c.1500–02. Coloured chalk and pastel on prepared paper, 57.3 by 40.7 cm. (Biblioteca Ambrosiana, Milan; Bridgeman Images).
Article
Eugène Boudin’s beach scenes at the Salon during the 1860s
05/2019 | 1394 | 161
Pages: 374-387
related names
Author:
Manoeuvre, Laurent (Manoeuvre, Laurent)
Subjects
dates:
Illustrations
Attributed works:
1. Detail of Fig.23.
Attributed works:
10. Beach scene, by Eugène Boudin, here identified as A meeting on a beach. 1866. Canvas, 73.5 by 104 cm. (Private collection).
Attributed works:
11. Caricature of The beach at Trouville by Eugène Boudin, exhibited at the Salon in 1866, by ‘Bertall’, published in ‘Le Salon de 1866’, Le Journal Amusant, no.545 (9th June 1866).
Attributed works:
12. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 17.4 by 13.7 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
13. Beach scene, by Eugène Boudin. 1865. Pencil and watercolour on paper, 13 by 19.4 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
14. Figures on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 14 by 18.2 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
15. Children on a beach, by Eugène Boudin. 1865. Pencil and watercolour on paper, 10.6 by 14.6 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
16. Bathers, by Eugène Boudin. 1865. Pencil and watercolour on paper, 9.2 by 17.3 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
17. Study of a dog, by Eugène Boudin. 1865. Pencil on paper, 8.2 by 11 cm. (Musée du Louvre and Musée d’Orsay, Paris).
Attributed works:
18. The jetty, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
19. Beach scene, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 7th edition, Paris 1867.
Attributed works:
2. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 67.5 by 104 cm. (Art Gallery of Ontario, Toronto).
Attributed works:
20. The jetty at Le Havre, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
21. Leaving for the pardon, Finistère, by Eugène Boudin, from L’Art à Paris en 1867, Album autographique, 17th edition (Paris 1867).
Attributed works:
22. Beach scene, by Eugène Boudin. 1867. Canvas, 63 by 89 cm. (National Museum of Western Art, Tokyo).
Attributed works:
23. Beach scene, by Eugène Boudin, here identified as Beach near Trouville, painted in 1864 and reworked in 1869. Canvas, 67.3 by 104.1 cm. (Minneapolis Institute of Art).
Attributed works:
24. Reading on the beach, by Eugène Boudin. 1869. Pencil and watercolour on paper, 12.5 by 18.5 cm. (Private collection).
Attributed works:
25 and 26. Beach scenes, by Eugène Boudin (recto and verso of a single sheet). 1868. Pencil and watercolour on paper, 13.2 by 21 cm. (Private collection).
Attributed works:
3. Concert at Deauville casino, by Eugène Boudin. 1865. Canvas, 41 by 73 cm. (National Gallery of Art, Washington).
Attributed works:
4. Drawing by Eugène Boudin after Fig.2, illustrated in L’Autographe au Salon et dans les Ateliers (13th May 1865), p.27.
Attributed works:
5. Bathing hour at Trouville beach, by Eugène Boudin. 1864. Canvas, 31.1 by 48.5 cm. (Private collection).
Attributed works:
6. Bathing hour at Trouville beach, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
7. Bathing hour at Trouville beach, by Emile Vernier after Eugène Boudin. c.1865. Lithograph. (Musée Villa Montebello, Trouville).
Attributed works:
8. Beach scene, by Eugène Boudin. c.1865. Pencil on paper, 20 by 30 cm. (Private collection).
Attributed works:
9. Beach scene, by Eugène Boudin. 1866. Watercolour over pencil on paper, 13.5 by 25.7 cm. (Private collection).
Book Review
‘The most beautiful pastel ever seen’: The Chocolate Girl by Jean-Étienne Liotard
04/2019 | 1393 | 161
Pages: 356-357
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
Subjects
media:
museums and institutions:
Reviewed Items
works:
‘The most beautiful pastel ever seen’: The Chocolate Girl by Jean-Étienne Liotard Edited by Stephan Koja and Roland Enke. | :
Illustrations
Attributed works:
9. Chocolate girl, Jean-Etienne Liotard. c.1744. Pastel on vellum, 82.5 by 52.5 cm. (Gemäldegalerie Alte Meister, Dresden).
Exhibition Review
Picasso: Blue and Rose Musée d’Orsay, Paris; The Young Picasso: Blue and Rose Periods. Fondation Beyeler, Basel
02/2019 | 1391 | 161
Pages: 154-156
related names
Reviewer:
Cowling, Elizabeth (Cowling, Elizabeth)
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art literature:
artists:
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places:
Illustrations
Attributed works:
18. Woman in blue, by Pablo Picasso. 1901. Canvas, 133 by 100 cm. (Museo Nacional Centro de Arte Reina Sofía, Madrid; exh. Fondation Beyeler, Basel).
Attributed works:
19. The embrace, by Pablo Picasso. 1903. Pastel on paper, 98 by 57 cm. (Musée de l’Orangerie, Paris; exh. Musée d’Orsay, Paris).
Attributed works:
20. Absinthe drinker, by Pablo Picasso. 1901. Canvas, 81 by 60 cm. (Kunstmuseum, Basel; exh. Fondation Beyeler, Basel).
Attributed works:
21. La coiffure, by Pablo Picasso. 1906. Canvas, 174.9 by 99.7 cm. (Metropolitan Museum of Art, New York; exh. Fondation Beyeler, Basel).
Book Review
Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated Edited by David Fleming, Ruth Kenny and William Laffan
12/2018 | 1389 | 160
Pages: 1077-1078
related names
Reviewer:
McEvansoneya, Philip (McEvansoneya, Philip)
Subjects
museums and institutions:
places:
Illustrations
Attributed works:
6. Installation view of Exhibiting Art in Georgian Ireland: the Society of Artists’ Exhibitions Recreated, City Assembly Room, Dublin (16th June–29th July 2018). (Courtesy Irish Georgian Society).
Exhibition Review
Aftermath: Art in the Wake of World War One. Tate Britain, London
09/2018 | 1386 | 160
Pages: 788-790
related names
Reviewer:
Vaizey, Marina (Vaizey, Marina)
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dates:
museums and institutions:
places:
Illustrations
Attributed works:
22. The floating one, by Ernst Barlach. 1927, cast 1987. Bronze, 213 by 74 by 68 cm. (SchleswigHolsteinische Landesmuseen Schloss Gottorf, Schleswig; exh. Tate Britain, London).
Attributed works:
23. Grey day, by George Grosz. 1921. Canvas, 115 by 80 cm. (Nationalgalerie, Berlin; exh. Tate Britain, London).
Attributed works:
24. Wire, by Paul Nash. 1918–19. Watercolour, chalk and ink on paper, 48.6 by 63.5 cm. (Imperial War Museums, London; exh. Tate Britain, London).
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