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16 articles
Book Review
‘The most beautiful pastel ever seen’: The Chocolate Girl by Jean-Étienne Liotard
04/2019 | 1393 | 161
Pages: 356-357
related names
Reviewer:
Baker, Christopher (Baker, Christopher)
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media:
museums and institutions:
Reviewed Items
works:
‘The most beautiful pastel ever seen’: The Chocolate Girl by Jean-Étienne Liotard Edited by Stephan Koja and Roland Enke. | :
Illustrations
Attributed works:
9. Chocolate girl, Jean-Etienne Liotard. c.1744. Pastel on vellum, 82.5 by 52.5 cm. (Gemäldegalerie Alte Meister, Dresden).
Exhibition Review
The Sistine Madonna. Dresden
08/2012 | 1313 | 154
Pages: 595-596
related names
Reviewer:
Ormond, Leonée (Ormond, Leonée; O., L.)
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Reviewed Items
subjects:
Die Sixtinische Madonna: Raffaels Kultbild wird 500 | institution: Gemäldegalerie
Illustrations
Attributed works:
68. Make room for the great Raphael!, by Adolph von Menzel. 1855–59. Gouache and pastels on paper, mounted on board, 46 by 62 cm. (Germanisches National­museum, Nuremberg; exh. Gemäldegalerie, Dresden).
Attributed works:
69. Virgin and Child with Sts Sixtus and Barbara (The Sistine Madonna), by Raphael. 1512. Canvas, 265 by 196 cm. (Gemäldegalerie, Dresden).
Attributed works:
70. St Luke painting the Virgin, from Raphael’s workshop. c.1525. Canvas, 216 by 160 cm. (Accademia di S. Luca, Rome; exh. Gemäldegalerie, Dresden).
Exhibition Review
Raphael and Grünewald. Dresden
01/2012 | 1306 | 154
Pages: 58-60
related names
Reviewer:
Evans, Mark (Evans, Mark)
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Reviewed Items
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Himmlischer Glanz: Raffael, Dürer und Grünewald malen die Madonna | institution: Gemäldegalerie
Illustrations
Attributed works:
76. The Madonna di Foligno, by Raphael. 1511–12. Canvas, transferred from panel, 301.5 by 198.5 cm. (Musei Vaticani, Vatican City; exh. Gemäldegalerie, Dresden).
Attributed works:
77. The Stuppacher Madonna, by Grünewald. 1516. Panel, 185 by 150 cm. (Kirchgemeinde Maria Krönung, Bad-­Mergentheim-Stuppach; exh. Gemäldegalerie, Dresden).
Attributed works:
78. The Sistine Madonna, by Raphael. 1512–13. Canvas, 269.5 by 201 cm. (Gemäldegalerie, Dresden).
Exhibition Review
Vermeer. The Hague, Dresden and Edinburgh
10/2010 | 1291 | 152
Pages: 697-699
related names
Reviewer:
Weber, Gregor (Weber, Gregor)
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Reviewed Items
subjects:
The Young Vermeer | institution: Gemäldegalerie , institution: Mauritshuis , institution: National Gallery of Scotland
Illustrations
Attributed works:
47. Christ in the house of Martha and Mary, by Johannes Vermeer. c.1654–55. Canvas, 160 by 142 cm. (National Gallery of Scotland, Edinburgh; exh. Gemäldegalerie Alte Meister, Dresden).
Attributed works:
48. The procuress, by Jan van Bijlert. c.1625–30. Canvas, 103.5 by 154.5 cm. (Musée des Beaux-Arts, Lyon).
Attributed works:
49. The procuress, by Johannes Vermeer. 1656. Canvas, 143 by 130 cm. (Gemälde­galerie Alte Meister, Dresden).
Attributed works:
50. Cimon and Pero, by the workshop of Dirck van Baburen. Canvas, 120.5 by 93.5 cm. (Private collection).
Short Notice
Some little-known Venetian views by Canaletto of the 1720s
11/2006 | 1244 | 148
Pages: 772-778
related names
Author:
Beddington, Charles (Beddington, Charles)
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Illustrations
Attributed works:
44. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723–24. Canvas, 142 by 203 cm. (Museo Thyssen-Bornemisza, Madrid).
Attributed works:
45. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).
Attributed works:
46. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1722–23. Canvas, 65.5 by 97.5 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
47. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).
Attributed works:
48. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. Probably 1725. Canvas, 125 by 165 cm. (Gemäldegalerie Alte Meister, Dresden).
Attributed works:
49. The Grand Canal, looking west, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 34.5 by 62.7 cm. (Private collection).
Attributed works:
50. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724–25. Canvas, 149 by 203.8 cm. (Private collection, Paris).
Attributed works:
51. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 55.2 by 73 cm. (Whereabouts unknown).
Attributed works:
52. The Grand Canal, looking south-west from the Rialto Bridge to the Palazzo Foscari, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 62.6 by 101 cm.(Whereabouts unknown).
Attributed works:
53. The entrance to the Grand Canal, looking east, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 47.5 by 78.5 cm. (Private collection, England).
Exhibition Review
El Greco, Velázquez, Goya. Hamburg, Dresden and Budapest
04/2006 | 1237 | 148
Pages: 289-291
related names
Reviewer:
Bray, Xavier (Bray, Xavier)
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dates:
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Reviewed Items
subjects:
Greco, Velázquez, Goya: Spanische Malerei in deutschen Sammlungen | institution: Bucerius Kunst Forum , institution: Gemäldegalerie , institution: Szépművészeti Múzeum (Museum of Fine Arts)
Illustrations
Attributed works:
56. St Bonaventure inspired by an angel regarding the election of the future Pope Gregory X, by Francisco de Zurburán. c.1528–29. 239 by 222 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
57. Death of the Virgin, by Bartolomé Bermejo. c.1470–75. 65 by 41 cm. (Gemäldegalerie, Berlin; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
58. Juan Mateos, by Diego Velázquez. c.1633. 108.5 by 90 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Attributed works:
59. Resurrection, attributed to Juan Bautista Maíno. c.1610. Copper, 34.9 by 28.4 cm. (Gemäldegalerie Alte Meister, Dresden; exh. Szépmüvészeti Múzeum, Budapest).
Book Review
The Leiden 'Fijnschilders' from Dresden
10/2001 | 1183 | 143
Pages: 641-642
related names
Reviewer:
Westermann, Mariët (Westermann, Mariët)
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museums and institutions:
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places:
Reviewed Items
subjects:
The Leiden 'Fijnschilders' from Dresden | author: Laabs, Annegret
Illustrations
Attributed works:
60. The Music Lesson, ?by Pieter van Slingelandt. Panel, 60 by 46.4 cm. (Gëmaldegalerie, Dresden).
Article
Dresden and the Italian Art Market in the Eighteenth Century: Ignazio Hugford and Giovanni Ludovico Bianconi
08/1993 | 1085 | 135
Pages: 550-559
related names
Author:
Perini, Giovanna (Perini, Giovanna)
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collectors and dealers:
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Illustrations
Attributed works:
36. Dead Christ Supported by Angels, by Andrea Mantegna. Panel, 83 by 51 cm. (Statens Museum for Kunst, Copenhagen).
Attributed works:
37. Christ and Mary Magdalen in the House of Simon, by Benedetto Luti. 305 by 180 cm. (The National Trust, Kedleston Hall).
Attributed works:
38. Cain and Abel, by Benedetto Luti. 305 by 180 cm. (The National Trust, Kedleston Hall).
Article
The Reconstruction of the Dresden Gemäldegalerie
03/1961 | 696 | 103
Pages: 106-109
related names
Author:
Benesch, Otto (Benesch, Otto)
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art literature:
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Article
Report on the Return of Works of Art from the Soviet Union to Germany
02/1959 | 671 | 101
Pages: 56+58-62
related names
Author:
Grohn, Hans Werner (Grohn, Hans Werner)
Author:
Maison, K. E. (Maison, K. E.)
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dates:
dates:
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museums and institutions:
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Illustrations
Attributed works:
18. Fragments of the Madonna Attributed to Donatello Reproduced in Fig. 19. [Madonna with the Cloak, attributed to Donatello. After Restoration. 90 by 75 cm. (Staatliche Museen, Berlin.)]
Attributed works:
19. Madonna with the Cloak, attributed to Donatello. After Restoration. 90 by 75 cm. (Staatliche Museen, Berlin.)
Attributed works:
20. The Barber, by Augustin de Saint-Aubin. Black Chalk and Pencil, 22.8 by 14.8 cm. (Staatliche Museen, Berlin.)
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