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Article

Cotman’s aqueduct

05/2012 | 1310 | 154

Pages: 316-321

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Author:

Stacey, David (Stacey, David)

Subjects

artists:

Cotman, John Sell

dates:

1800-1809

museums and institutions:

Victoria and Albert Museum, London, Great Britain / Ashmolean Museum, Oxford, Great Britain

places:

Chirk

print:

Cotman, John Sell

subjects:

British painting / Watercolours / Drawings / British / Industrial design / Architecture / Collections, Public

subjects:

Canals / Aqueducts

Illustrations

Attributed works:

10. A river with industrial apparatus on its bank; an aqueduct in course of construction, by J.M.W. Turner. 1798. Pencil on paper, 17 by 26.7 cm. North Wales sketchbook, DO 1391; Finberg number: XXXIX 36. (Tate, London).

Attributed works:

11. No 3, Aqueduct (when building) between Oswestry and Chirk, by Richard Colt Hoare. 1799. Pen and ink with grey and sepia wash on paper, 35.6 by 45.7 cm. (National Library of Wales, Cardiff).

Attributed works:

15. Detail of Fig.8 showing pencil marks on the left pier.

Attributed works:

7. Chirk aqueduct on the Ellesmere Canal over the River Ceriog which separates the counties of Salop and Denbigh. Engraved by E. Turrell after G. Turnbull, 43.5 by 68 cm. From J. Rickman, ed.: Atlas to the Life of Thomas Telford, Civil Engineer . . ., London 1838, pl.XIII. (Institution of Civil Engineers, London).

Attributed works:

8. Crambe Beck Bridge (formerly known as Chirk aqueduct), by John Sell Cotman. c.1805. Watercolour over pencil on laid paper, 31.5 by 23.1 cm. (Victoria and Albert Museum, London).

Attributed works:

9. Aqueduct, called Telford’s aqueduct at Chirk, by John Sell Cotman. c.1805. Pencil and grey wash on wove paper, 20 by 16.1 cm. (Ashmolean Museum, Oxford).

Western art unattributed:

12. Photograph of Chirk aqueduct, August 2010, showing the two southernmost arches of the aqueduct.

Western art unattributed:

13. Plan and Elevation of Crambe Beck Bridge in the Weapontake of Bulmer built 1785. Pen, ink and coloured wash on paper, 53 by 74 cm. From J. Carr: Plans and Elevations of the North Riding Bridges, p.27. (Collection of the North Yorkshire County Record Office, Northallerton).

Western art unattributed:

14. Sketch of assumed as-built details at the north abutment of Chirk aqueduct. (Michael Thomas, 2010).

Western art unattributed:

16. Photograph of Crambe Beck Bridge, Yorkshire, September 2011, showing the central arches of the bridge from the north-west.

Short Notice

Some little-known Venetian views by Canaletto of the 1720s

11/2006 | 1244 | 148

Pages: 772-778

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Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Canaletto

dates:

1720-1729

museums and institutions:

Gemäldegalerie, Dresden, Germany / Villa Vauban, Luxembourg, Luxembourg / Museo Thyssen-Bornemisza, Madrid, Spain

places:

Venice / Italy

print:

Canaletto

subjects:

Italian painting / Topographical views / Canals / Collections, Private / Collections, Public

Illustrations

Attributed works:

44. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723–24. Canvas, 142 by 203 cm. (Museo Thyssen-Bornemisza, Madrid).

Attributed works:

45. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).

Attributed works:

46. The Grand Canal, looking east from the Campo S. Vio, by Giovanni Antonio Canal, called Canaletto. c.1722–23. Canvas, 65.5 by 97.5 cm. (Gemäldegalerie Alte Meister, Dresden).

Attributed works:

47. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. c.1723. Canvas, 82 by 120 cm. (Galerie d’Art de la Ville de Luxembourg, Villa Vauban).

Attributed works:

48. The Campo SS. Giovanni e Paolo, by Giovanni Antonio Canal, called Canaletto. Probably 1725. Canvas, 125 by 165 cm. (Gemäldegalerie Alte Meister, Dresden).

Attributed works:

49. The Grand Canal, looking west, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 34.5 by 62.7 cm. (Private collection).

Attributed works:

50. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724–25. Canvas, 149 by 203.8 cm. (Private collection, Paris).

Attributed works:

51. The Rialto Bridge from the south, by Giovanni Antonio Canal, called Canaletto. c.1724. Canvas, 55.2 by 73 cm. (Whereabouts unknown).

Attributed works:

52. The Grand Canal, looking south-west from the Rialto Bridge to the Palazzo Foscari, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 62.6 by 101 cm.(Whereabouts unknown).

Attributed works:

53. The entrance to the Grand Canal, looking east, with the church of S. Maria della Salute, by Giovanni Antonio Canal, called Canaletto. c.1726. Canvas, 47.5 by 78.5 cm. (Private collection, England).

Article

Bernardo Bellotto and his circle in Italy. Part II: the Lyon Master and Pietro Bellotti

01/2005 | 1222 | 147

Pages: 16-25

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related names

Author:

Beddington, Charles (Beddington, Charles)

Subjects

artists:

Bellotto, Bernardo / Bellotti di Canaleti, Pietro, act. 1748-1768 / Lyon Master

dates:

1740-1749 / 1750-1759

places:

Venice

subjects:

Italian painting / Attribution / Attributions / Copies / Topographical views / Canals / Biographies

subjects:

Identification

Illustrations

Attributed works:

S. Cristoforo, S. Michele and Murano from the Fondamenta Nuove, here attributed to Pietro Bellotti. c.1742–48. 128.7 by 134.6 cm. (Present whereabouts unknown).

Attributed works:

S. Giorgio Maggiore, here attributed to the Lyon Master. c.1740. 66.6 by 81.5 cm. (Present whereabouts unknown).

Attributed works:

The entrance to the Grand Canal, looking east from the Campo S. Maria del Giglio, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1743–44. 56.5 by 84.5 cm. (Art market, London).

Attributed works:

The entrance to the Grand Canal, looking east from the Campo S. Maria del Giglio, with S. Maria della Salute, here attributed to the Lyon Master. c.1743–44. 47.3 by 73.5 cm. (Art market, London).

Attributed works:

The entrance to the Grand Canal, looking east, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1742–48. 130.2 by 134.6 cm. (Present whereabouts unknown).

Attributed works:

The entrance to the Grand Canal, looking east, with S. Maria della Salute, here attributed to Pietro Bellotti. c.1742–48. 43 by 57.6 cm. (Private collection, London).

Attributed works:

The Grand Canal at the entrance to the Cannaregio with S. Geremia and the Palazzo Labia, here attributed to Pietro Bellotti. c.1742–48. 112 by 136.5 cm. (Private collection, UK).

Attributed works:

The Grand Canal, looking north from the Palazzo Rezzonico to the Palazzo Balbi, here attributed to the Lyon Master. c.1743. 79 by 121 cm. (Musée des Beaux-Arts, Lyon).

Attributed works:

The Molo from the Bacino di S. Marco, here attributed to the Lyon Master. c.1740. 67 by 81.5 cm. (Present whereabouts unknown).

Attributed works:

The Molo, looking west from the Bacino di S. Marco towards the entrance to the Grand Canal, here attributed to the Lyon Master. c.1743–44. 47 by 72.5 cm. (Art market, London).

Attributed works:

The Piazza S. Marco, looking south, here attributed to Pietro Bellotti. ?1741. 63 by 76.5 cm. (Present whereabouts unknown).

Attributed works:

The Piazza S. Marco, looking west, here attributed to the Lyon Master. Before 1742. 68 by 91 cm. (Musée des Augustins, Toulouse).

Short Notice

The New Panels in the Brussels Townhall

10/1903 | 7 | 3

Pages: 93-95+97+99

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related names

Author:

Petrucci, Raphael (Petrucci, Raphael)

Subjects

artists:

Gilsoul, Victor

buildings:

Hôtel de Ville, Brussels, Belgium

dates:

1800-1899

media:

Paintings

subjects:

City halls / Landscapes (visual works) / Views / Rivers / Canals / Destruction

Illustrations

Attributed works:

Bassin de Commerce, Brussels, Now Being Destroyed by the Ship Canal Works; From the Panel by Victor Gilsoul in the Hôtel de Ville, Brussels

Attributed works:

The Canal at Cappelle-au-Bois, Now Being Destroyed by the Ship Canal Works; From the Panel by Victor Gilsoul in the Hôtel de Ville, Brussels

Attributed works:

The Canal at Trois Fontaines, Now Being Destroyed by the Ship Canal Works; From the Panel by Victor Gilsoul in the Hôtel de Ville, Brussels

Attributed works:

The Lock at Willebroeck, now Being Destroyed by the Ship Canal Works; from the Panel by Victor Gilsoul in the Hôtel de Ville, Brussels

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