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49 articles
Article
‘The abduction of Europa’ by Paulus Potter: a mythological painting rediscovered
07/2024 | 1456 | 166
Pages: 680–88
related names
Author:
Lydon, Muirne (Lydon, Muirne)
Author:
Macro, Natalia (Macro, Natalia)
Author:
Marx, Lizzie (Marx, Lizzie)
Author:
Schilder, Jolijn (Schilder, Jolijn)
Author:
Vandivere, Abbie (Vandivere, Abbie)
Subjects
artists:
dates:
Illustrations
Attributed works:
1. Head of a white bull, by Paulus Potter. c.1647–50. Oil on canvas, 79.4 by 62 cm. (National Gallery of Ireland, Dublin).
Attributed works:
10. Infrared reflectogram of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
11. X-radiograph of Fig.1, revealing the fragmentary Europa figure.
Attributed works:
12. Abduction of Europa, attributed to Jan de Visscher, after Nicolaes Berchem. 1643–92. Etching and engraving, 45.7 by 30.5 cm, shown mirrored horizontally. (Rijksmuseum, Amsterdam).
Attributed works:
2. Portrait of Paulus Potter (1625–1654), by Bartholomeus van der Helst. 1654. Oil on canvas, 99 by 80 cm. (Mauritshuis, The Hague).
Attributed works:
3. The bull (De stier), by Paulus Potter. 1647. Oil on canvas, 236.5 by 341 cm. (Mauritshuis, The Hague).
Attributed works:
4. Proposed location of Fig.1 within the Abduction of Europa, determined from thread angle mapping (Fig.5c).
Attributed works:
5. Computer-assisted thread counting from X-radiographs of Fig.1, showing: a) thread density in the vertical and horizontal directions; b) horizontal thread density of the upper and lower pieces of canvas; c) thread angle deviations in the vertical and horizontal directions. The horizontal join is indicated with an arrow.
Attributed works:
6. Display of Fig.1 in the Grand Gallery, National Gallery of Ireland, Dublin. Photograph, after 1889. (RSAI, Dublin).
Attributed works:
7. Display of Fig.1 in Room 12, Dargan Wing, National Gallery of Ireland, Dublin. Photograph, c.1930–39. (National Gallery of Ireland Archive, Dublin).
Attributed works:
8. MA-XRF map of Fig.1, showing the distribution of mercury (Hg) from vermilion.
Attributed works:
9. MA-XRF map overlaid onto Fig.1, showing the distribution of copper (Cu) in white.
Exhibition Review
Roelant Savery’s Wondrous World
05/2024 | 1454 | 166
Pages: 499–501
related names
Reviewer:
Kotková, Olga (Kotková, Olga)
Subjects
artists:
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Roelant Savery’s Wondrous World Mauritshuis, The Hague 8th February–20th May | :
Illustrations
Attributed works:
4. Vase with flowers in a stone niche, by Roelant Savery. 1615. Oil on panel, 63.5 by 45.1 cm. (Mauritshuis, The Hague).
Attributed works:
5. View of Prague, by Roelant Savery. 1604/08. Black chalk, pen and brown ink on paper, 32 by 48.7 cm. (Rijksmuseum Amsterdam; exh. Mauritshuis, The Hague).
Attributed works:
6. Temptation of St Anthony, by Roelant Savery. c.1610. Oil on panel, 17.5 by 26.7 cm. (Private collection; exh. Mauritshuis, The Hague).
Article
The Loo family of Haarlem in portraits by Hals and Verspronck
02/2023 | 1439 | 165
Pages: 109-119
related names
Author:
Biesboer, Pieter (Biesboer, Pieter)
Subjects
dates:
places:
Illustrations
Attributed works:
1. Detail of Fig.2, showing the face of Johannes Claesz Loo.
Attributed works:
10. The first platoon under Captain Reijnier van Hogensteijn, of the third company of the Calivermen Civic Guard, by Frans Pietersz de Grebber. 1619. Oil on canvas, 208 by 500 cm. (Frans Hals Museum, Haarlem).
Attributed works:
11. View of the Drye Lelyen Brewery at Haarlem and Velserend Manor, owned by Johan Claesz Loo, by Jacob Adriaensz Matham. 1627. Pen painting on panel, 71 by 116 cm. (Frans Hals Museum, Haarlem).
Attributed works:
12. Loo and Olycan family tree. Names in bold are people whose portraits are illustrated in this article.
Attributed works:
13. Detail of Fig.7, showing Captain Florens Pietersz van der Houff.
Attributed works:
14. Detail of Fig.7, showing Lieutenant Nicolaas Jansz van Loo.
Attributed works:
15. Jacob Pietersz Olycan (1596–1638), by Frans Hals. 1625. Oil on canvas, 124.6 by 97.3 cm. (Mauritshuis, The Hague).
Attributed works:
16. Aletta Hanemans (1606–53), by Frans Hals. 1625. Oil on canvas, 124.8 by 98.2 cm. (Mauritshuis, The Hague).
Attributed works:
17. Nicolaas Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 68 cm. (Frans Hals Museum, Haarlem).
Attributed works:
18. Cornelis Jansz van Loo, by Johannes Cornelisz Versrpronck. 1641. Oil on canvas, 84 by 69 cm. (Museum of Fine Arts, Budapest).
Attributed works:
19. Aletta Hanemans, wife of Nicolaes Jansz van Loo, by Johannes Cornelisz Versrpronck. 1650. Oil on canvas, 84 by 67 cm. (Location unknown).
Attributed works:
2. Johannes Claesz Loo (1577/78–1660), by Frans Hals. 1653. Oil on canvas, 84.4 by 65.9 cm. (Private collection).
Attributed works:
3. Burgomaster Nicolaes van der Meer, by Frans Hals. 1631. Oil on panel, 128 by 100.5 cm. (Frans Hals Museum, Haarlem).
Attributed works:
4. Portrait of an elderly woman, by Frans Hals. 1650. Oil on canvas, 84.8 by 69.2 cm. (Museum of Fine Arts, Houston).
Attributed works:
5. Officers and Subalterns of the Calivermen of St Hadrian, by Frans Hals. 1633. Oil on canvas, 207 by 337 cm. (Frans Hals Museum, Haarlem).
Attributed works:
6. Detail of Fig.5, showing Colonel Johannes Claesz Loo, seated.
Attributed works:
7. Group portrait of the Officers and Subalterns of the Civic Guard of St George, by Frans Hals. 1639. Oil on canvas, 218 by 421 cm. (Frans Hals Museum, Haarlem).
Attributed works:
8. Detail of Fig.7, showing Colonel Johannes Claesz Loo.
Attributed works:
9. Detail of Fig.10, showing Lieutenant Johannes Claesz Loo, wearing a white doublet.
Article
The Art of Conservation: XVII: Jan Cornelis Traas, paintings restorer of the Van Gogh family collection
02/2022 | 1427 | 164
Pages: 164-177
related names
Author:
Hendriks, Ella (Hendriks, Ella)
Subjects
dates:
subjects:
Illustrations
Attributed works:
1. Jan Cornelis Traas at work on Girl with a pearl earring, by Johannes Vermeer, in the Mauritshuis, The Hague. 1960. Photograph. (Royal Picture Gallery Mauritshuis, The Hague).
Attributed works:
10. Photograph of Fig.9 recording its damaged condition prior to the 1927 restoration by Traas. (Photograph Bernard F. Eilers; from W. Scherjon and W. Jos de Gruyter: Vincent van Gogh’s great period. Arles, St. Rémy and Auvers sur Oise, Amsterdam 1937).
Attributed works:
11. The bedroom at Arles, by Vincent van Gogh. 1888. Oil on canvas, 72.4 by 91.3 cm. Photographed after the 2009–10 treatment when Traas’s old varnish and retouches were removed. The originally pale violet walls and lilac doors described by the artist are now light blue, owing to the fading of a red cochineal lake in the paint mixture used. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
12. Digital visualisation providing an impression of the original colours of Fig.11. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Vishwa R. Mehra making a condition report on the Van Gogh collection. 1984. Photograph. (Van Gogh Museum, Amsterdam, Vincent van Gogh Foundation).
Attributed works:
14. Self-portrait with grey felt hat, by Vincent van Gogh. 1887. Oil on canvas, 44.5 by 37.2 cm. Shown after it was vandalised in 1978. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Willem J. Steenhoff in the Van Gogh Gallery of the Rijksmuseum, Amsterdam, with The potato eaters (F82) in the background. 1918. Photograph. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
3. Living room of Jo van Gogh-Bonger’s house in Brachthuyzerstraat, Amsterdam, showing from left to right: The white orchard (F403); The pink peach tree (F404); and The pink orchard (F555). c.1917. Photograph Thijs Quispel. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
4. Diagram of the Dutch method of wax-resin lining; in this case the original and lining canvases are enlarged with paper strips adhered to the edges, rather than the canvas strips sewn on by Traas, enabling the canvases to be stretched on wooden looms during lining. (From S. Cursiter and A.M. de Wild: ‘Picture relining’, in Technical Studies in the Field of Fine Arts 5 (1937)).
Attributed works:
5. Relining of Van Gogh’s Railway bridge over Avenue Montmajour, Arles (F480; whereabouts unknown), showing the preparation of the sawdust bed on which the painting is laid face downwards for lining without a hot table, by ironing, using ‘an elaborate insulation with tin foil and a sawdust bedding’ to protect the high impasto. Photograph, taken probably in Helmut Ruhemann’s studio in Berlin c.1932. (From Manual on the Conservation and Restoration of Paintings, Paris 1940).
Attributed works:
6. Field with irises near Arles, by Vincent van Gogh. May 1888. Oil on canvas, 54 by 65 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
7. Fig.6 photographed in raking light after the removal of the varnish in 2014–15.
Attributed works:
8. Enlarged detail of Fig.6, showing canvas weave impressed in the flattened impasto from rolling and sending the painting to Theo van Gogh.
Attributed works:
9. An old woman of Arles, by Vincent van Gogh. 1888. Oil on canvas, 58 by 42 cm., showing the corners filled with putty and an even tone. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Supplement
Recent acquisitions (2006–20) at the Mauritshuis, The Hague
11/2020 | 1412 | 162
Pages: 1013-1024
Subjects
museums and institutions:
Illustrations
Attributed works:
1. Paintings by Nicolaes Berchem reunited at the Mauritshuis. (Photograph Ivo Hoekstra).
Attributed works:
10. Still life with cheeses, almonds and pretzels, by Clara Peeters (active c.1607–21). c.1615. Oil on panel, 35 by 50 cm.
Attributed works:
11. Transforming still-life painting after Ambrosius Bosschaert the Elder, Vase with flowers in a window, by Nick and Rob Carter. 2009. Video in a frame, 71 by 58 cm.
Attributed works:
12. Roses in a glass vase, by Jacob van Hulsdonck (1582–1647). c.1640–45. Oil on copper, 35 by 28 cm.
Attributed works:
13. Narcissi, periwinkle and violets in an ewer, by Ludger tom Ring the Younger (1522–84). c.1562. Oil on panel, 35 by 16 cm.
Attributed works:
14. Vase of flowers in a stone niche, by Roelant Savery (1576/78–1639). 1615. Oil on panel, 64 by 45 cm.
Attributed works:
15. Bust of Constantijn Huygens surrounded by a garland of flowers, by Daniël Seghers (1590–1661) and Jan Cossiers (1600–71). 1644. Oil on copper, 86 by 63 cm.
Attributed works:
16. Portrait of Jacob van Kretschmar, by Jean-Baptiste Perronneau (1715–83). 1754. Pastel, 60 by 45 cm.
Attributed works:
17. Merry company on a terrace, by Willem Buytewech (1591/92–1624). c.1616–17. Oil on canvas, 71 by 94 cm.
Attributed works:
18. St John the Baptist preaching, by Pieter Lastman (1583–1633). 1627. Oil on panel, 60 by 92 cm.
Attributed works:
19. Allegory of spring, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
2. Still life with five apricots, by Adriaen Coorte (active c.1683–1707). 1704. Oil on canvas, 30 by 24 cm. Anonymous gift, 2006 (inv. no.1154).
Attributed works:
20. Allegory of autumn, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
21. Allegory of winter, by Nicolaes Berchem (1621/22–83). c.1670. Oil on canvas, 94 by 89 cm.
Attributed works:
22. The installation of Figs.19, 20 and 21 alongside Allegory of summer. (Photograph Ivo Hoekstra, 2019).
Attributed works:
23. Portrait of Jakob Omphalius (1500–67), by Bartholomäus Bruyn the Elder (1493–1555). c.1538–39. Oil on panel (rounded upper edges), 31 by 22 cm.
Attributed works:
24. Bartholomäus Bruyn the Elder’s portraits of Jakob Omphalius and Elizabeth Bellinghausen in their new frame.
Attributed works:
25. Still life with Chinese lidded jar, hazelnuts and orange, by Simon Luttichuys (1610–61). c.1650–60. Oil on panel, 30 by 23 cm.
Attributed works:
3. Seascape with ships, by Jan van de Cappelle (1626–79). c.1660. Oil on panel, transferred to canvas, 89 by 114 cm.
Attributed works:
4. River landscape, seen through the trees, by Cornelis Vroom (c.1591–1661). c.1638–39. Oil on panel, 50 by 67 cm. Promised gift of Mrs G. de Koster-Burgersdijk, 2007 (inv. no.1156).
Attributed works:
5. Imaginary wooded landscape, by Jacob van Geel (c.1585–in or after 1637). c.1636. Oil on panel, 15 by 25 cm. Gift from the Hertzberger Collection, 2008 (inv. no.1157).
Attributed works:
6. Portrait of a deceased girl, probably Catharina Margaretha van Valkenburg, by Johannes Thopas (c.1630–c.1700). c.1682. Oil on panel, 59 by 71 cm. Purchased by the Friends of the Mauritshuis Foundation, 2008 (inv. no.1159).
Attributed works:
7. Still life with a bouquet in the making, by Dirck de Bray (c.1635–94). 1674. Oil on panel, 41 by 36 cm.
Attributed works:
8. Moses and Pharaoh’s crown, by Jan Steen (1626–79). c.1670. Oil on canvas, 78 by 79 cm.
Attributed works:
9. Mountainous landscape with St Jerome, by Paul Bril (1553/54–1626). 1592. Oil on copper, 26 by 33 cm.
Exhibition Review
Nicolaes Maes: Dutch Master of the Golden Age
07/2020 | 1408 | 162
Pages: 609-611
related names
Reviewer:
Robinson, William W. (Robinson, William W.; Robinson, William)
Subjects
artists:
Reviewed Items
subjects:
Nicolaes Maes: Dutch Master of the Golden Age National Gallery, London 22nd February–31st May (extended: dates to be announced) | :
Illustrations
Attributed works:
10. Sleeping man having his pockets picked, by Nicolaes Maes. c.1656. Oil on panel, 35.6 by 30.5 cm. (Private collection; exh. National Gallery, London).
Attributed works:
11. Portrait of Maria Magdalena van Alphen, by Nicolaes Maes. c.1677. Oil on canvas, 71.5 by 57.2 cm. (Galerie Neuse, Bremen; exh. National Gallery, London).
Attributed works:
9. Young girl threading a needle, by Nicolaes Maes. 1657. Oil on panel, 40.6 by 31.8 cm. (Private collection; exh. National Gallery, London).
Exhibition Review
George Stubbs: The Man, The Horse, The Obsession. Mauritshuis, The Hague
05/2020 | 1406 | 162
Pages: 443-445
related names
Reviewer:
Kidson, Alex (Kidson, Alex)
Subjects
artists:
dates:
Reviewed Items
subjects:
George Stubbs: The Man, The Horse, The Obsession Mauritshuis, The Hague 20th February–1st June | :
Illustrations
Attributed works:
13. Skeleton of Eclipse (1764– 89), 67 by 55 by 246 cm. (Royal Veterinary College, London; exh. Mauritshuis, The Hague).
Attributed works:
14. Two horses communing in a landscape, by George Stubbs. Before 1777. Oil on canvas, 124 by 123 cm. (Weston Park, Shropshire; exh. MK Gallery, Milton Keynes).
Attributed works:
15. Eclipse at Newmarket with groom and jockey, by George Stubbs. c.1794. Oil on canvas, 100.5 by 131.5 cm. (Jockey Club, Newmarket; exh. MK Gallery, Milton Keynes).
Article
All the Rembrandts – and more
10/2019 | 1399 | 161
Pages: 846-851
related names
Author:
Seifert, Tico (Seifert, Tico )
Subjects
dates:
subjects:
Reviewed Items
subjects:
All the Rembrandts (Rijksmuseum, Amsterdam; 15th February–10th June), | :
subjects:
Rembrandt and the Mauritshuis (31st January–15th September) | :
subjects:
Rembrandt: Thinking on Paper (British Museum, London, 7th February–4th August). | :
subjects:
Rembrandt’s Social Network: Family, Friends and Acquaintances (Museum Het Rembrandthuis, Amsterdam,1st February–19th May). | :
subjects:
The Private World of Rembrandt, (Amsterdam City Archives, 7th December 2018–7th April 2019). | :
Illustrations
Attributed works:
1. Portrait of Titus van Rijn, by Rembrandt. c.1660. Oil on canvas, 81.3 by 68.7 cm. (Baltimore Museum of Art; exh. Museum Het Rembrandthuis, Amsterdam).
Attributed works:
2. African woman, by Rembrandt. c.1630. Etching, 11.2 by 8.4 cm. (Rijksmuseum, Amsterdam).
Attributed works:
3. Installation view of All the Rembrandts at the Rijksmuseum, Amsterdam, 2019.
Attributed works:
4. David hearing the news of Uriah’s death, by Rembrandt. c.1650. Pen and brown ink, with brown wash and opaque white on paper, 19.5 by 29.3 cm. (Rijksmuseum, Amsterdam).
Attributed works:
5. Amsterdam Town Hall after the fire, by Rembrandt. 1652. Pen, brown ink and red chalk on paper, 14.9 by 20 cm. (Museum Het Rembrandthuis, Amsterdam; exh. Amsterdam City Archives).
Attributed works:
6. Saul and David, by Rembrandt. c.1651–54 and c.1655–58. Oil on canvas, 130 by 164.5 cm. (Mauritshuis, The Hague).
Attributed works:
7. Young woman sleeping, by Rembrandt. c.1654. Brown wash on paper, 24.6 by 20.3 cm. (British Museum, London).
Exhibition Review
Jan Steen
05/2018 | 1382 | 160
Pages: 412-414
related names
Reviewer:
White, Christopher (White, Christopher; White, Christopher John; White; W., C. J.; White, Christoper)
Subjects
artists:
collectors and dealers:
dates:
media:
Illustrations
Attributed works:
7. The toilet of Bathsheba, by Jan Steen. c.1670–75. Panel, 57.5 by 44.5 cm. (J. Paul Getty Museum, Los Angeles; exh. Mauritshuis, The Hague).
Attributed works:
8. Amnon and Tamar, by Jan Steen. c.1668–70. Panel, 67 by 83 cm. (Wallraf-Richartz Museum and Fondation Corbaud, Cologne; exh. Mauritshuis, The Hague).
Attributed works:
9. Lucelle and Ascagnes, by Jan Steen. c.1668–70. Panel, 38.2 by 32.4 cm. (Bute Collection, Mount Stuart; exh. Mauritshuis, The Hague).
Advertisements
Advertisements (front)
03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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