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03/2018 | 1380 | 160
Pages: n.p.
Subjects
advertisements:
Stephen Ongpin Fine Art, London, Great Britain / Robilant and Voena, London, Great Britain / TEFAF (Maastricht) / Mullany Haute Epoque Fine Art, London, Great Britain / Tomasso Brothers Fine Art, Leeds, Great Britain / Galerie Sanct Lucas, Vienna, Austria / Kollenburg Antiquairs, ZK Oirschot, The Netherlands / De Backker Medieval Art, Hoogstraten, Belgium / Trafalgar Galleries, London, Great Britain / Didier Aaron Ltd, London, Great Britain / Venator & Hanstein KG (auction house), Cologne, Germany / Print Quarterly, London / Brun Fine Art, London / Harvey Miller Publishers, London, Great Britain / Irish Art Review / Rubenshuis, Antwerp, Belgium / Salon du Dessin de Collection, Paris / Artcurial, Paris, France / Charles Ratton & Guy Ladrière, Paris, France / Galleria Stanza del Borgo, Milan, Italy / Museum of Fine Arts, Houston, Houston, United States / Emanuel Von Baeyer, London, Great Britain / Museo Nacional del Prado, Madrid, Spain / Galerie Lowet de Wotrenge, Antwerp, Belgium / Meadows Museum, Dallas, United States / Peter Finer (antique arms), London, Great Britain / Caring for your Collection / Sphinx Fine Art, London, Great Britain / The Art Newspaper, London, Great Britain / Simiolus, Art Journal, The Netherlands / Im Kinsky (auction house), Vienna, Austria / Mauritshuis, The Hague, Netherlands / Dorotheum (auction house), Vienna, Austria / Simon Dickinson, London, Great Britain / Alessandro Cesati, Milan, Italy / Day and Faber, London, Great Britain / Rafael Valls, London, Great Britain / Otto Naumann, New York, United States / Trinity Fine Art Ltd, London, Great Britain / Daniel Katz Ltd (dealers), London, Great Britain / Timothy Newbery (frames), London, Great Britain / The-saleroom.com / London Original Print Fair / Hazlitt Gallery, London, Great Britain / Chanel, firm / Burlington Magazine
subjects:
Illustrations
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of a dog. Black and white chalk]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of an artist. Pastel and black pencil]
Attributed works:
[Artcurial, Paris. Simon Vouet (1590 – 1649). Portrait of the poet Neuf Germain. Pastel and black pencil]
Attributed works:
[Charles Ratton & Guy Ladrière, Paris. Peter Oliver (1594-London-1647). Allegory of Astrology (?). Watercolor and pencil, on paper. Height: 19, 2 cm. Length: 15 cm. Signed lower left, in pen and brown ink: P.Olivier, ft]
Attributed works:
[Chiswick Auctions, London. Orazio Andreoni (Italian,fl. late 19th Century): A life size Carrara Marble figure of a dancing girl, 167 cm high]
Attributed works:
[Dorotheum, London. David Vinckboons (Mechelen 1576-circa 1632). St. George‘s kermesse, oil on panel, 41,5 x 77 cm]
Attributed works:
[Emanuel von Baeyer, London. Ludwig Ferdinand Schnorr von Carolsfeld. 1788 Königsberg –1853 Vienna. St. Cecilia . 1823. Oil on panel. Signed with a monogram and dated.]
Attributed works:
[Galerie Lowet de Wotrenge, Antwerp. Travellers in a landscape with ruins (detail), by Gillis Neyts.]
Attributed works:
[Galerie Sanct Lucas, Vienna. Gerrit van Honthorst. 1592 Utrecht 1656. A Boy Blowing on a Firebrand, canvas, 75.5 x 64.5 cm. Remains of a signature upper right: G . v … . f]
Attributed works:
[Galerie Sismann, Paris. Circle of Leonhard Kern (1588-1622). Andromeda. Germany. First half of the 17th century. H. 45 cm; W. 33 cm; D. 25 cm]
Attributed works:
[Kinsky Auction House, Vienna. Lucas Cranach the Elder. The Virgin and Child with the Infant Saint John. c. 1512, Oil on panel, 76 × 59 cm]
Attributed works:
[Kollenburg Antiquairs. Attributed to the Master of the Female Half-Lengths 1520-1530, oil on panel 26,4 x 21 cm]
Attributed works:
[London Original Print Fair. I'm Blue, James Nares, 2017 (detail). Screenprint printed and published by Durham Press.]
Attributed works:
[Lullo Pampoulides, London. Simon Vouet. Paris, 1590–1649. The Apotheosis of Saint Francis of Paola (detail), c.1625-1626. Oil on canvas, 65 x 48 cm.]
Attributed works:
[Mullany / Haute Epoque Fine Art. Cristo Vivo. Giovanni Battista Bissoni (1600 – Genoa – 1657), called the Veneziano. Ivory, ebonised pear wood silver terminals, Sicilian jasper base. c. 1620. H. 72.5 x W. 49.5 cm; H. 158 cm (overall)]
Attributed works:
[Robert Reinhart and Angus Haldane. Andrea Sacchi (1599–1661). 49 x 41 in. Oil On Canvas. “Daedalus & Icarus"]
Attributed works:
[Robilant + Voena, London. Artemisia Gentileschi. Portrait of a Man, 1630-35, signed with initials in the silver trinkets worn around the sitter’s neck, oil on canvas, 204.5 x 109.2 cm]
Attributed works:
[Rubenshuis, Antwerp. Portrait of a Lady and her Daughter, by Titian. c.1550. Canvas, 88.3 by 80.6 cm. (Metropolitan Museum of Art, New York).]
Attributed works:
[Salon du Dessin, Paris. Figure studies, by Bernadino Poccetti (1548–1612). Red chalk, 21.6 by 29.8 cm. Pandora Old Masters, New York]
Attributed works:
[Salon du Dessin, Paris. Follow the flow, by Alexander Calder (1898–1976). 1960. Gouache and ink, 37.5 by 55 cm. Brame & Lorenceau, Paris]
Attributed works:
[Salon du Dessin, Paris. Head of an old man, by Adolph Friederick Erdmann von Menzel (1815–1905). 1893. Graphite and stumping, 20.6 by 12.9 cm. W.M. Brady & Co., Inc., New York]
Attributed works:
[Salon du Dessin, Paris. Hercules fighting the centaurs, by Edmé Bouchardon (1698–1762). Red chalk, 49 by 59.3 cm. Galerie Eric Coatalem, Paris]
Attributed works:
[Salon du Dessin, Paris. Standing girl, by Georges Valmier (1885–1937). Gouache, 20 by 11.5 cm. Galerie Zlotowski, Paris]
Attributed works:
[Salon du Dessin, Paris. Study for Ave Picardia Nutrix, by Pierre Puvis de Chavannes (1824– 1898). 1865. Charcoal, 53 by 42.5 cm. Didier Aaron & Cie, Paris, New York, London]
Attributed works:
[Salon du Dessin, Paris. The family, by Louis Janmot (1814–1892). 1868. Graphite, 65 by 201.5 cm. Galerie Michel Descours, Lyon]
Attributed works:
[Salon du Dessin, Paris. The prisoner, by Odilon Redon (1840–1916). c.1880. Charcoal, 52 by 37 cm. Musée d’Arts de Nantes (museum loan exhibition)]
Attributed works:
[Salon du Dessin, Paris. The rat and the elephant from ‘The Fables of La Fontaine’, by Jean-Baptiste Oudry (1686–1765). Brush, black ink, grey wash and white highlights on blue paper, 24.5 by 19.1 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[Salon du Dessin, Paris. The reaper, by Henri-Baptiste Lebasque (1865–1937). Charcoal and white chalk, 47.7 by 31.1 cm. Galerie Nathalioe Motte Masselink, Paris.]
Attributed works:
[Salon du Dessin, Paris. Two women, by Frank Dobson (1886–1963). 1943. Mixed media, 31.1 by 40.6 cm. Rosenberg & Co., New York]
Attributed works:
[Sphinx Fine Art, London. A horseman holding a roemer of wine with an ostler tending the horses (detail), by Karel Dujardin.]
Attributed works:
[Stanza del Borgo, Milan. Luca Cambiaso (1527–1585), Apollo and Marsyas, 1547-1548 Pen and brown ink, 389 x 287 mm]
Attributed works:
[Stephen Ongpin Fine Art, London. Gerrit Battem 1636(?)-1684. A Scene of Combat Before a Sacrificial Altar. Pen and black ink and white gouache, on brown prepared paper, en grisaille. Signed Battem at the upper right. 146 x 252 mm. (53/4 x 97/8 in.)]
Attributed works:
[TEFAF Maastricht. A draped female figure, by Francesco Maffei (c.1605–1660). Pen and brown ink and two shades of brown wash, 27.1 by 15.9 cm. Stephen Ongpin Fine Art, London]
Attributed works:
[TEFAF Maastricht. Angelique, by Leopold Burthe (1823–1860). Canvas, 117 by 1823 cm. Galerie Sanct Lucas, Vienna]
Attributed works:
[TEFAF Maastricht. Aurora, by John Gibson (1790–1866). c.1843–1845. Marble, 61 by 39 by 23 cm. Lullo Pampoulides Fine Art, London]
Attributed works:
[TEFAF Maastricht. Calvary, by Bernat Despuig (1383–1451) and Jaume Cirera (active 1418–1449/1450). c.1425–1435. Panel with gold leaf, 116 by 105 cm. Mullany Haute Epoch Fine Art, London]
Attributed works:
[TEFAF Maastricht. German vertical table clock with astrolabe, by Johannes Benner (active 1620–1659). c.1640. Height: 51 cm. Kollenburg Antiquairs, Oirschot, the Netherlands]
Attributed works:
[TEFAF Maastricht. Gods of Olympus, by Giovanni Domenico Ferretti (1692–1768). c.1720. Canvas, 46.5 by 115 cm. Rob Smeets Gallery, Geneva]
Attributed works:
[TEFAF Maastricht. Mothers with children, by François Boucher (1703–1770). Brush and brown wash over black chalk, 15.7 by 22.4 cm. Day and Faber, London]
Attributed works:
[TEFAF Maastricht. Nude with elbow, by Bill Brandt (1904–1983). 1952. Gelatin silver print, 34.2 by 29.7 cm. Galerie Johannes Faber, Vienna]
Attributed works:
[TEFAF Maastricht. Traces ces de pas dans la nuit, by Le Corbusier (1887–1965). Wool tapestry, 226 by 298 cm. Laffanour Galerie Downtown, Paris]
Attributed works:
[TEFAF Maastricht. Uranie, by Georges Braque (1882–1963). c.1942. Canvas, 65 by 91.5 cm. Bailly Gallery, Geneva and Paris]
Attributed works:
[TEFAF Maastricht. Woman with a melon, by Libero Andreotti (1875–1933). 1917. Bronze, 83 by 22 by 27 cm. Cesati Works of Art, Milan]
Attributed works:
[The Museum of Fine Arts, Houston. Achille Laugé, French, 1861–1944, La Route (The Road), 1893, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Baron François Gérard, French, 1770-1837, Portrait of François-Gédéon Reverdin (1772–1828), 1796, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Berthe Morisot, French, 1841–1895, Jeune Femme, 1871, oil on canvas]
Attributed works:
[The Museum of Fine Arts, Houston. Francisco de Goya, Spanish, 1746–1828, Don Vincente Isabel Osorio de Moscoso y Álvarez de Toledo, Conde de Trastámara, c.1787–1788, oil on canvas.]
Attributed works:
[The Museum of Fine Arts, Houston. George Frederick Watts, English, 1817–1904, Clytie, 1868, painted plaster.]
Attributed works:
[The Museum of Fine Arts, Houston. Jacopo da Empoli, Italian, 1551–1640, Madonna and Child with the the Young St. John the Baptist, ca.1575, oil on panel.]
Attributed works:
[The Museum of Fine Arts, Houston. Vncenzo Gemito, Italian, 1852-1929, Head of a Philosopher, 1890, bronze]
Attributed works:
[Tomasso Brothers Fine Art. Giovanni Battista Cipriani (1727 - 1785) The Houghton Hall Castor and Pollux , 1783 (detail) Oil on canvas 274.9 x 316.2 cm (108¼ x 124½ in.) Signed: 'CIPRIANI.PINT.1783']
Attributed works:
[Torso of a crucifixion, attributed to the ‘Maestro di Sant’Anastasia’, active in Verona, stone with important remnants of the original polychrome. 1st quarter of the 14th century, 51 by 22 cm]
Attributed works:
[Trafalgar Galleries, London. The Emperor Claudius I on a white horse, by Giulio Romano. Oil on panel, 83 by 54 cm.]
Attributed works:
[Venator & Hanstein, Cologne. Charles Darwin. 16 letters to Friedrich Hildebrand. 1862-79.]
Non-western art unattributed:
[TEFAF Maastricht. Fang reliquary figure. Gabon. Wood, 46 cm. Lucas Ratton, Paris]
Non-western art unattributed:
[TEFAF Maastricht. Model of a caparisoned horse. China. Northern Quing dynasty (550–577). Eathenware, 36.5 by 23.5 by 30.8 cm. Ben Janssens Oriental Art, London]
Western art unattributed:
[TEFAF Maastricht. Seated figure of Hygeia. Hellenistic. 3rd–2nd century B.C. Marble. Height: 73 cm. Rupert Wace Ancient Art, London]
Western art unattributed:
[TEFAF Maastricht. The Virgin surrounded by saints. Nuremberg. c.1450–1460. Canvas on wood, 138 by 206 cm. De Backker Medieval Art, Hoogstraten]
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Advertisements September 1974 (Front)
09/1974 | 858 | 116
Pages: i-lx
Subjects
advertisements:
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artists:
Illustrations
Attributed works:
[ 'How', 2-3 Pickering Place, St James's Street, London ] Pair of Boxes with Chinoiserie Decoration. Makers Mark JD in Monogram. London 1682. Weight 42½ ozs.
Attributed works:
[ Albrecht Neuhaus, 9 Heinestrasse, Wurzburg ] Cabinet-Secretaire, Johann Georg Fiedler, Berlin ca. 1780
Attributed works:
[ Baskett & Day, 173 New Bond Street, London ] Pieter Quast. (1606-1647). A Doctor. 202 by 186mm. Plumbago on Vellum
Attributed works:
[ Braghirolli Dell' 800, Via S. Cecilia 2, Fronte San Damiano, Milan ] Carlo Canella "Village Feast". 95 by 125cm
Attributed works:
[ C. G. Boerner, Kasernenstrasse 13, Düsseldorf ] Jan van Goyen. Chalk and Brush. 114 by 202 mm. Signed with Monogram and Dated 1651. Beck I, No. 239. Provenance: Heseltine collection.
Attributed works:
[ Colnaghi's, 14 Old Bond Street, London ] Augustus John. Etching and Dry-Point. Portrait of the Artist in a Black Gown, c.1900
Attributed works:
[ Colnaghi's, 14 Old Bond Street, London ] Euan Uglow. Eve with Her Arms Crossed, 1969
Attributed works:
[ David Geider Gallery, 9 West Halkin Street, Belgravia London ] Joseph Vernet 1714-1789. Oil on Canvas 46 × 64.5 cms
Attributed works:
[ David M. Koetser Gallery, 37 Talstrasse, Zurich ] J. Amigoni. Canvas, 37½ × 29½ ins.
Attributed works:
[ Fischer Fine Art Limited, 30 King Street, St James's, London ] El Lissitzky, Proun 5A, Indian Ink and Gouache, 1919, 11¼ by 10¾ Inches
Attributed works:
[ Galerie G. Paffrath, Koenigsalle 46, Düsseldorf ] Joseph Jansen (1829 Aachen-1905 Dusseldorf) "The Eiger and Mönch Seen from Mürren" 1863. 38 by 56 cm, Oil on Pasteboard; Signed below on the Right: Jos. Jansen, Mürren 1863.
Attributed works:
[ Galerie Schmit, 396 Rue St. Honoré, Paris ] Boudin. "Pêcheuses à Berck". Panel. 32 cm. × 46 cm. Signed and Dated at the Bottom Left 81 and Annotated "Berck". (Catalogue BOUDIN: Volume II No 1512)
Attributed works:
[ Galleria Michelucci, Borgo San Jacopo 13, Florence ] Leopoldo Nòvoa. "Variante Plein à 4 Éléments" (1972). Only Example, Signed and Numbered 1/1 Bronze, 33 cm High
Attributed works:
[ Heim Gallery, 59 Jermyn Street, St James's, London ] "Marriage of Joseph and the Virgin" by Michel Corneille the Elder (Orléans 1602-Paris 1664). Canvas. H. 102⅜ ins. (260 cm.) W. 68⅛ ins. (173 cm.)
Attributed works:
[ Herbert E. Feist, 1125 Madison Avenue, New York ] Augustus Jules Bouvier 1837-1881. Watercolour 1869, 12½ by 10 Inches
Attributed works:
[ Howard Ricketts Ltd, 180 New Bond Street, London ] A Matchlock Breechloading Pistol Shield Made by Giovanbattista and Company for Henry VIII's Royal Bodyguard, c. 1544-47.
Attributed works:
[ Ivor and Joan Weiss, 57A Priory St Colchester, Essex ] Petrus van Schendel. Panel 16″ × 20″
Attributed works:
[ Kunsthandel Xaver Scheidwimmer, 3 Ottostrasse, Munich ] Jakob Salomonsz. Van Ruysdael (1630-1681), Panel 85 by 116 cm. Signed and Dated 1665
Attributed works:
[ Kunstveilingen Mak Van Waay B. V., Rokin 102, Amsterdam ] Part of a Meissen Service of Forty-One Pieces, c. 1770
Attributed works:
[ Newhouse Galleries, 19 East 66th Street, New York ] James Donnithorne by Thomas Gainsborough 1727-1788. On Canvas, Size 82 × 62 Inches
Attributed works:
[ Silvano Lodi, 6911 Campione D' Italia, Viale marco d. C. 32 ] Jan van Kessel, 1626-1679. Oil on Panel, Fully Signed 34.5 by 24 cm.
Attributed works:
[ Sotheby Parke Bernet, New York ] A Rare Pair of Ormulu-Mounted Meissen Birds, c.1750, 10½ Inches.
Attributed works:
[ Sotheby Parke Bernet, New York ] Adolphe Alexandre Lesrel, The Proposal, Signed and Dated 1869, 25½ by 21¼ Inches
Attributed works:
[ Sotheby Parke Bernet, New York ] Alberto Pasini, Arabs with a Falcon, Signed and Dated 1867, 25½ by 21¼ Inches
Attributed works:
[ Sotheby Parke Bernet, New York ] Edward Charles Williams, A Flock of Sheep by a Rustic Mill, 25 by 30 Inches
Attributed works:
[ Sotheby Parke Bernet, New York ] Otto Eerelman, Dutch Country Fair, Signed, 35 by 51 Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] A Fine and Rare Pair of Ormolu-Mounted Cut-Glass Vases, Inset with a Coloured Cameo Version of the Collar of the Order of the Garter, 12 Inches. Left/Right: A Fine Pair of St. Louis Vases, 10⅛ Inches. Centre: A Fine St. Louis Overlay Vase, 12 Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] A Large Theodore Deck Earthenware Dish Painted by R. Collin, Impressed Th. Deck Mark, c.1880, 19½ Inches, £400, 31.VII.74
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] A Martin Brothers Bird as an Old Crone, Signed and Dated 12-1888, 10¾ Inches, £1,000, 31.VII.74. A Martin Brothers Mask Jug, Signed and Dated 6-1897 9½ Inches, £340, 31.VII.74
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] A Soochow School Agate Bottle. A Peking Enamel Bottle with Four Character Mark of Ch'ien Lung. A Rare Interior-Painted Bottle by T'ing Ehr-Chung, Signed and Dated 1904. A Rare Interior-Painted Glass Portrait Bottle by Tzu-I-tzu. A Moulded Porcelain Double-Gourd Bottle. A Modern School Interior-Painted Rock Crystal Bottle by Yeh Hsü-yin
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Charles Meryon Le Stryge, (L. D.23), Etching, Fifth State of Eight from the Dowdeswell Collection, 170 by 130 mm. David Lucas, after John Constable, R. A., Salisbury Cathedral, Large Plate (S.39), Mezzotint, Progress Proof G, 546 by 684 mm. Sir Edward Coley Burne-Jones, R. A., a Plate from The Works of Edward Burne-Jones, 91 Photogravures, Published by Berlin Photographic Company, 335 by 500 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Domenico Maria Canuti, Seated Prophet and Another Study of His Head, Pen and Brown Ink and Pink Wash over Red Chalk, 210 by 169 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Elliott Seabrooke, Tilling the Fields, Signed and Dated 1932, Unframed, 25 by 33 Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] F. Trevisani, Female Flagellation, Red Chalk, 218 by 199 mm. Circle of Parmigianino, Group of Nude Figures, Pen and Brown Ink, 158 by 74 mm. Giovanni Battista Cipriani, Study of a Horse, after the Antique, Red Chalk, Heightened with White, 367 by 222 mm. Donato Creti, Head of an Old Man, Pen and Brown Ink, 158 by 126 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Gaspare Diziani, Christ in the Garden of Gethsemane, Pen and Brown Ink and Grey Wash over Red Chalk, 198 by 170 mm. Giuseppe Niccolo Nasini, Ceiling Design, Pen and Brown and Grey Wash, 403 by 240 mm. Domenico Cresti Called Il Passignano, Seated Bishop Blessing a Kneeling General, Pen and Brown Ink and Wash over Black Chalk, 413 by 311 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] John Sell Cotman, The Hotel de Ville, Brussels, Signed and Dated 1829, 16¼ by 11¼ Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Monday 21st October, at 11 am. A Late Seventeenth Century Dutch Arabesque Marquetry Longcase Clock, Signed Huygens Amsterdam, 6 Feet 2 Inches High. Thursday, 3rd October, at 11 am. A Victorian Diamond Heart-Shaped Pendant. Thursday, 10th October, at 10.30 am and 2 pm. A Pendant Badge of the Eighteenth Century, 'Gormogon Society', Rivals to the Freemasons
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Petrus van Schendel, The Forge by Night, 20¼ by 24 Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Rosso Fiorentino (After) Mercury, Pen and Black Ink and Wash, Heightened with White on Paper Washed Lilac, 207 by 122 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Sir Alfred Munnings, P. R. A., Shrimp Riding on Ringland Hills, Signed, Painted c.1911, Unframed, 14 by 18 Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Sir William Russell Flint, P. R. W. S., R. A., Figures in a Lochside Meadow, Watercolour, Signed, 19¾ by 26¼ Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Thomas Fearnley, An Extensive Norwegian River Landscape, Signed and Dated 1840, Unframed, 41¼ by 60¼ Inches
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Thomas Shotter Boys, a Plate from Original Views of London as it is, Coloured Lithograph. William Nicholson, The Old Woman, Coloured Woodcut, 244 by 194 mm. Jean François Millet, Le Paysan Rentrant du Fumier (D.11) Etching, First State of Four, 165 by 133 mm
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Thursday, 17th October, at 11 am. A Beaker, 1638, 3¾ Inches High. Tuesday, 1st October, at 11 am. A Flight Barr and Barr Inkwell, Painted with Binstead Cottage, Isle of Wight 5¾ Inches Wide
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] Thursday, 17th October, at 11 am. A Mug, Probably George Garthorne, 1693, 4¼ Inches High. Thursday, 17th October, at 11 am. A Centre-Piece by Matthew Bolton, Birmingham, 1810 Friday, 18th October, at 11 am.
Attributed works:
[ Sotheby's 34-5 New Bond Street, London ] William James Muller, The Grand Canal and the Rialto, Venice, Signed and Dated 1835, 17¾ by 29½ Inches
Attributed works:
[ Sotheby's Belgravia London ] Tuesday, 17th September, at 11 am. Frederick Landseer Griggs, Sellenger, (C.18), Etching, Third State of Six, a Trial Proof with Many Pencil Alterations, Formerly in the Collection of Sir Frank Short, 123 by 107 mm. Wednesday, 4th September, at 11 am. A Walnut Side Chair, Part of a Suite of Eight, Scottish, c.1860. Thursday, 5th September, at 11 am. A Good and Large. Wedgwood 'Candlemas' Fairyland Lustre Vase and Cover, 1920's, 10 Inches
Attributed works:
[ Sotheby's Belgravia London ] Tuesday, 24th September, at 11 am. John Absolon, The Artist Painting a Group at the Seaside, Watercolour Heightened with Bodycolour, 12 by 28 Inches. Wednesday, 2nd October, at 11 am. A Good Pair of Gilt Bronze and Agate Candle Holders, Probably Russian, Mid-Nineteenth Century, 9¾ Inches High
Attributed works:
[ Studio 'A. G.' Via Farini 35, Bologna ] Rosalba Carriera (Venice 1675-1757). "Allegoria dell'Estate". Pastel, 61 by 45 cm
Attributed works:
[ Studio 'A. G.' Via Farini 35, Bologna ] Sebastiano Ricci (Belluno 1659-Venice 1734). "Madonna delle Rose". Oil on Canvas, 96 by 80 cm
Attributed works:
[ The Fine Art Society Ltd, 148 New Bond Street, London ] "Woman, Flowers and Fruit" 1910. Canvas 44⅛ by 38⅜ Inches (112 by 97.4 cms.)
Attributed works:
[ Waterloo Fine Art 4A The Arcade Britannia Hotel, Grosvenor Square, London ] "Dorothea", Red Chalk, 11¼ by 9 Inches
Non-western art unattributed:
[ Sotheby Parke Bernet, Hong Kong ] A Finely Painted and Attractive Chinese Porcelain Plaque with Five Ponies, Early Nineteenth Century, 26 by 15½ Inches
Non-western art unattributed:
[ Sotheby Parke Bernet, Hong Kong ] An Early Ming Blue and White Saucer Dish Decorated with the Three Friends, Six Character Mark and Period of Hsüan Tê, 7 Inches
Non-western art unattributed:
[ Sotheby Parke Bernet, New York ] A Bakongo Wooden Figure, 6 Inches High. A Bakuba Wooden Cup, Congo, 7¼ Inches High. A Bamum Wooden Mask, Cameroons, 17 Inches High. A Mayan Pottery Figure of a Priest, Jaina, 550-950 A. D., 10½ Inches High
Non-western art unattributed:
[ Sotheby Parke Bernet, New York ] A Zapotec Pottery Urn, Oaxaca, Monte Alban III, Sixth Century A. D., 29½ Inches High
Non-western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] A Benin Bronze Figure of a Flute Player, Nigeria, 25 Inches, £185,000, 8.VII.74. A Bakongo Carved Wood Female Nail Fetish Figure, Congo, 29½ Inches, £5,000, 8.VII.74
Non-western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] A Biscuit Figure of Kuan Ti, K'ang Hsi, 9 Inches. One of a Pair of Biscuit Figures of Buddhist Lions, K'ang Hsi, 6 Inches. One of a Pair of Small 'Famille-Rose' Figures of Hawks, Ch'ien Lung, 6½ Inches. One of a Pair of 'Famille-Rose' Dishes, Yung Chêng/Early Ch'ien Lung, 16¾ Inches. A 'Famille-Verte' Vase, K'ang Hsi, 17½ Inches
Non-western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] A Russian Icon of the Birth of St. John the Baptist, Palekh School, Nineteenth Century, 14 by 12¼ Inches. A Russian Icon of St. Mary of Egypt and St. Zosima, Early Seventeenth Century, 11 by 8¾ Inches. A Central Russian Icon of the Mother of God of Vladimir, Sixteenth Century, 26½ by 19½ Inches. A Russian Icon of the Resurrection, Palekh School, Late Eighteenth Century, 21¼ by 17¼ Inches
Non-western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] One of a Pair of Bowls and Stands in Translucent Pale Green Jade, 9¾ Inches Wide. A Carved Pale Green Jade Vase, Ch'ien Lung, 10⅜ Inches. A Jadeite Figure, 19¾ Inches
Non-western art unattributed:
[ Spink & Son Ltd, King Street, St James's, London ] A Porcelain Saucer Decorated in Underglaze Blue. The Unglazed Base with Impurities and the Underglaze Blue Fired Dark Grey; The Glaze a Greyish White. Chinese, Late 14th Century. Diameter: 6¼″ (15.9 cms).
Western art unattributed:
[ Nella Longari, Via Bigli 15, Milan ] Bust of Orator. Wooden Polichrome Sculpture. Tuscany, 2nd Half of XVth Century. Height with Base, 51 cm.
Western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] A Composite Suit of German Armour, Second Quarter of the Sixteenth Century. A Complete Horse Armour in German Maximilian Style
Western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] A Rare and Attractive Early Worcester Cream Jug, 3¼ Inches. A Fine Barr, Flight and Barr Theatrical Subject Vase, Fully Marked, 7½ Inches. One of a Fine Pair of Barr, Flight and Barr Vases of Compana Shape, Script Marks in Puce Enamel. A Rare Worcester 'Eloping Bride' Pattern Sucrier and Cover, Pseudo-Character Mark within Double-line Circle, 5 Inches. A Rare Worcester 'Shagreen' Ground Plate, 7½ Inches. A Rare 'Yellow-Scale' Worcester Teacup and Saucer, Crossed Swords and 9 Marks
Western art unattributed:
[ Sotheby's 34-5 New Bond Street, London ] Friday, 18th October, at 11 am. A Fine and Rare Early George III Mahogany Display Cabinet, 8 Feet 1 Inch High by 4 Feet 1 Inch Wide
Article
Mortimer, Pine and Some Political Aspects of English History Painting
06/1974 | 855 | 116
Pages: 317-318+320-326
related names
Author:
Sunderland, John (Sunderland, John)
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dates:
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sources:
subjects:
Illustrations
Attributed works:
40. Here Identified as a Study for The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross, by John Hamilton Mortimer. Pen and Black ink with Water-Colour, 18 by 18 cm. (Department of Prints and Drawings, National Gallery of Scotland, Edinburgh.)
Attributed works:
42. The Discovery of Prince Arthur's Tomb by the Inscription on the Leaden Cross. Engraving in Stipple by J. Ogborne after John Hamilton Mortimer, Published 1797.
Attributed works:
43. Study for The Discovery of Prince Arthur's Tomb, by John Hamilton Mortimer Pen and Ink, 40.3 by 32.1 cm. (Department of Prints and Drawings, Victoria and Albert Museum.)
Attributed works:
44. Male Study, Here Identified as by G. B. Cipriani. Pen and Grey Ink, Brown Wash on Grey Paper, 20.9 by 15.5 cm. (Sale, Christie's, 15th February 1972 (109) as by J. H. Mortimer.)
Attributed works:
45. The Surrender of Calais to Edward III. Engraving by F. Aliamet after the Painting by Robert Edge Pine, Published 1762.
Attributed works:
46. Sheet of Studies, by John Hamilton Mortimer. Pen and Ink and Pencil, 17.8 by 14 cm. (Collection Benedict Nicolson.)
Attributed works:
47. Portrait of John Wilkes, by Robert Edge Pine. Canvas, 127 by 101.6 cm. (House of Commons, Palace of Westminster.)
Attributed works:
48. Copy after Canute the Great Reproving His Courtiers for Their Impious Flattery. (Original Painting by Robert Edge Pine.) Canvas, 45 by 61 cm. (Collection John Sunderland.)
Attributed works:
49. Earl Warren, Making Reply to the Writ Commonly Called 'Quo Warranto' in the Reign of Edward I, Here Identified as by Robert Edge Pine. Canvas, 160 by 208.2 cm. (Sudbury Hall, Derbyshire.)
Western art unattributed:
41. Illustration of Arthur's Leaden Cross in John Speed's The History of Great Britaine... [1611].