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6 articles
Book Review
Jo van Gogh-Bonger: The Woman Who Made Vincent Famous
07/2023 | 1444 | 165
Pages: 808–809
related names
Reviewer:
Homburg , Cornelia (Homburg , Cornelia)
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Reviewed Items
subjects:
Jo van Gogh-Bonger: The Woman Who Made Vincent Famous By Hans Luijten, translated by Lynne Richards. 544 pp. incl. 63 col. + 67 b. & w. ills. (Bloomsbury Visual Arts, London, 2023), £20. ISBN 978–1–350–29958–0. | :
Illustrations
Attributed works:
5. Jo van Gogh-Bonger in the living room at 77 Koninginneweg in Amsterdam. 1909 or later. On the wall behind the desk are Henri Fantin-Latour’s Flowers (1877) and Vincent van Gogh’s Vase of honesty (1884) and Landscape at twilight (1890). (Van Gogh Museum, Amsterdam).
Article
The Art of Conservation: XVII: Jan Cornelis Traas, paintings restorer of the Van Gogh family collection
02/2022 | 1427 | 164
Pages: 164-177
related names
Author:
Hendriks, Ella (Hendriks, Ella)
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dates:
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Illustrations
Attributed works:
1. Jan Cornelis Traas at work on Girl with a pearl earring, by Johannes Vermeer, in the Mauritshuis, The Hague. 1960. Photograph. (Royal Picture Gallery Mauritshuis, The Hague).
Attributed works:
10. Photograph of Fig.9 recording its damaged condition prior to the 1927 restoration by Traas. (Photograph Bernard F. Eilers; from W. Scherjon and W. Jos de Gruyter: Vincent van Gogh’s great period. Arles, St. Rémy and Auvers sur Oise, Amsterdam 1937).
Attributed works:
11. The bedroom at Arles, by Vincent van Gogh. 1888. Oil on canvas, 72.4 by 91.3 cm. Photographed after the 2009–10 treatment when Traas’s old varnish and retouches were removed. The originally pale violet walls and lilac doors described by the artist are now light blue, owing to the fading of a red cochineal lake in the paint mixture used. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
12. Digital visualisation providing an impression of the original colours of Fig.11. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
13. Vishwa R. Mehra making a condition report on the Van Gogh collection. 1984. Photograph. (Van Gogh Museum, Amsterdam, Vincent van Gogh Foundation).
Attributed works:
14. Self-portrait with grey felt hat, by Vincent van Gogh. 1887. Oil on canvas, 44.5 by 37.2 cm. Shown after it was vandalised in 1978. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
2. Willem J. Steenhoff in the Van Gogh Gallery of the Rijksmuseum, Amsterdam, with The potato eaters (F82) in the background. 1918. Photograph. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
3. Living room of Jo van Gogh-Bonger’s house in Brachthuyzerstraat, Amsterdam, showing from left to right: The white orchard (F403); The pink peach tree (F404); and The pink orchard (F555). c.1917. Photograph Thijs Quispel. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
4. Diagram of the Dutch method of wax-resin lining; in this case the original and lining canvases are enlarged with paper strips adhered to the edges, rather than the canvas strips sewn on by Traas, enabling the canvases to be stretched on wooden looms during lining. (From S. Cursiter and A.M. de Wild: ‘Picture relining’, in Technical Studies in the Field of Fine Arts 5 (1937)).
Attributed works:
5. Relining of Van Gogh’s Railway bridge over Avenue Montmajour, Arles (F480; whereabouts unknown), showing the preparation of the sawdust bed on which the painting is laid face downwards for lining without a hot table, by ironing, using ‘an elaborate insulation with tin foil and a sawdust bedding’ to protect the high impasto. Photograph, taken probably in Helmut Ruhemann’s studio in Berlin c.1932. (From Manual on the Conservation and Restoration of Paintings, Paris 1940).
Attributed works:
6. Field with irises near Arles, by Vincent van Gogh. May 1888. Oil on canvas, 54 by 65 cm. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Attributed works:
7. Fig.6 photographed in raking light after the removal of the varnish in 2014–15.
Attributed works:
8. Enlarged detail of Fig.6, showing canvas weave impressed in the flattened impasto from rolling and sending the painting to Theo van Gogh.
Attributed works:
9. An old woman of Arles, by Vincent van Gogh. 1888. Oil on canvas, 58 by 42 cm., showing the corners filled with putty and an even tone. (Van Gogh Museum, Amsterdam; Vincent van Gogh Foundation).
Article
‘Sunset at Montmajour’: a newly discovered painting by Vincent van Gogh
10/2013 | 1327 | 155
Pages: 696-705
related names
Author:
Meedendorp, Teio (Meedendorp, Teio)
Author:
Tilborgh, Louis van (Tilborgh, Louis van)
Author:
van Maanen, Oda (van Maanen, Oda)
Subjects
collectors and dealers:
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Illustrations
Attributed works:
55. La Bruyère, by Vincent van Gogh (Van Gogh Museum, Amsterdam, Vincent van Gogh Foundation)
Attributed works:
56. Sunset at Montmajour, by Vincent van Gogh (Private collection)
Attributed works:
58. Under the pines: evening, by Claude Monet (Philadelphia Museum of Art)
Attributed works:
59. Tree on a rock at Ganagobie, by Adolphe Monticelli (Tanimoto Hiroaki Collection, Japan)
Attributed works:
60. The rocks, by Vincent van Gogh (Museum of Fine Arts, Houston, gift of Audrey Jones Beck)
Attributed works:
61. The public garden ('The poet's garden'), by Vincent van Gogh (Art Institute of Chicago, Mr and Mrs Lewis Larned Coburn Memorial Collection)
Attributed works:
62. Photomicrograph of Fig. 56 showing the lay-in of the composition with diluted washes of green paint
Attributed works:
63. Photomicrograph of Fig. 56 showing the wet-in-wet mixing of the green paint with the paint of the sky and final touches of green added onto the touch-dry paint
Attributed works:
64. Photomicrograph of Fig. 60 showing similar wet-in-wet mixing of the green paint with the paint of teh sky and final touches of green added onto the touch-dry paint. (Photograph Museum of Fine Arts, Houston)
Attributed works:
65. Photomicrograph of Fig. 56 showing the discolouration of the red lake paint in an abraded area
Attributed works:
66. Photomicrograph of Fig. 56 showing the discolouration of the chrome yellow paint, where part of the impasto has broken off, slightly enhanced by the absence of varnish
Attributed works:
67. Reverse of Fig. 56 showing the number '180' from the Bonger list inscribed on the canvas
Attributed works:
68. Detail in transmitted light of the number '100' from the Bonger list inscribed on the reverse of Sunset: wheatfield near Arles, by Vincent van Gogh (Kunstmuseum, Winterthur)
Attributed works:
71. View of Arles from Montmajour, by Vincent van Gogh (Nasjonalmuseet, Oslo)
Attributed works:
72. Path to the beach, by Vincent van Gogh. Sketch in his letter no. 369 to Theo van Gogh, 29th and 30th July 1883. (Van Gogh Museum, Amsterdam, Vincent van Gogh Foundation)
Attributed works:
73. The bush, by Jacob van Ruisdael (Musée du Louvre, Paris)
Attributed works:
74. Olive trees, by Vincent van Gogh (Musée des Beaux-Arts, Tournai)
Western art unattributed:
54. Holm oaks near Aureille, just south of the Alpilles (Photograph 2013)
Western art unattributed:
57. Detail from the Carte de l'état-major de France 1820-66 (Institut national de l'information géographique et forestière (IGN), France)
Western art unattributed:
69. Christian Nicolai Mustad's house, Oslo. Photograph. 1960s. (Private collection)
Western art unattributed:
70. Christian Nicolai Mustad's house. Oslo. Photograph 1960s. (Private collection)
Article
The Van Goghs at the Grafton Galleries
12/2010 | 1293 | 152
Pages: 794-798
related names
Author:
Bailey, Martin (Bailey, Martin)
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Illustrations
Attributed works:
21. ‘Posted, near the Grafton Galleries’, by H.M. Bateman. Cartoon in the Bystander (23rd November 1910), p.375.
Attributed works:
22. Le Postier, by Vincent van Gogh. 1889. Canvas, 66.2 by 55 cm. (Barnes Foundation, Merion).
Attributed works:
23. Self-portrait as an artist, by Vincent van Gogh. 1888. Canvas, 65.5 by 50.5 cm. (Van Gogh Museum, Amsterdam).
Attributed works:
24. The Oise at Auvers, by Vincent van Gogh. 1890. Pencil and gouache on paper, 47 by 63 cm. (Tate, London).
Western art unattributed:
20. Jo and Johann Cohen Gosschalk and Jo’s son Vincent W. van Gogh in the dining room of their house at Koninginne­weg 77, Amsterdam. c.1905–06. Photograph, 17 by 12 cm. (Van Gogh Museum, Amsterdam; VGMA, b4832 v/1984).
Book Review
Paul Gauguin: 45 Lettres a Vincent, Theo et Jo van Gogh
02/1984 | 971 | 126
Pages: 96-97
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Reviewer:
Welsh-Ovcharov, Bogomila (Welsh-Ovcharov, Bogomila; Ovcharov, Bogomila Welsh; Welsh-Ovcharov, Bogomila M.)
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artists:
dates:
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Reviewed Items
subjects:
Paul Gauguin: 45 Lettres a Vincent, Theo et Jo van Gogh | author: Cooper, Douglas , author: Gauguin, Paul
Letter
The Letters of Vincent van Gogh
01/1911 | 94 | 18
Pages: 236
related names
Author:
Gosschalk, J. Cohen (Gosschalk, J. Cohen)
Subjects