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32 articles
Book Review
Anatomical Studies (Corpus Rubenianum Ludwig Burchard, 20.1)
08/2023 | 1445 | 165
Pages: 920-922
related names
Reviewer:
Meier, Hans Jakob (Meier, Hans Jakob)
Subjects
art literature:
Reviewed Items
subjects:
Anatomical Studies (Corpus Rubenianum Ludwig Burchard, 20.1) By Michael W. Kwakkelstein. 220 pp. incl. 62 col. + 94 b. & w. ills. (Brepols, Turnhout, 2022), €140. ISBN 978–0–905203–80–5. | :
Illustrations
Attributed works:
4. Anatomical studies, by Peter Paul Rubens. 1600–10. Pen and brown ink on ivory laid paper, 27.1 by 18.8 cm. (Art Institute of Chicago).
Article
A drawing by Michelangelo for the ‘Worship of the Brazen Serpent’
03/2023 | 1440 | 165
Pages: 220-25
related names
Author:
Joannides, Paul (Joannides, Paul; J., P.; Joannides, P. E. A.)
Subjects
artists:
dates:
subjects:
subjects:
Illustrations
Attributed works:
1. The backing sheet of Fig.2, showing the collector’s stamps of Chambers Hall (bottom left) and Robert Mond (centre), and the inscription by J.C. Robinson.
Attributed works:
10. Study for an ignudo on the ceiling of the Sistine Chapel, by Michelangelo. c.1511. Red chalk with white highlights and lead pen on paper, 27.9 by 21.4 cm. (Teylers Museum, Haarlem).
Attributed works:
2. Study for a figure in the Worship of the Brazen Serpent, by Michelangelo. Probably 1512. Red chalk on paper, 15.7 by 19.3 cm. (Private collection).
Attributed works:
3. Detail of Fig.2, showing the partial watermark.
Attributed works:
4. Detail of the backing sheet of Fig.2, showing the watermark.
Attributed works:
5. Detail of Fig.2, rotated 90 degrees clockwise and showing folds in the sheet caused by excessive paste.
Attributed works:
6. Worship of the Brazen Serpent, by Michelangelo. Fresco. 1508–12. (Sistine Chapel, Vatican; The Picture Art Collection; Alamy Stock Photo).
Attributed works:
7. Study for Adam in the Creation of Adam, by Michelangelo. 1511. Red chalk over stylus on paper, 19.3 by 25.9 cm. (British Museum, London).
Attributed works:
8. Detail of Fig.2, showing the irregular shapes on the figure’s left thigh.
Attributed works:
9. Detail of Fig.2, showing the orientation lines at the bottom right of the sheet.
Exhibition Review
George Stubbs: The Man, The Horse, The Obsession. Mauritshuis, The Hague
05/2020 | 1406 | 162
Pages: 443-445
related names
Reviewer:
Kidson, Alex (Kidson, Alex)
Subjects
artists:
dates:
Reviewed Items
subjects:
George Stubbs: The Man, The Horse, The Obsession Mauritshuis, The Hague 20th February–1st June | :
Illustrations
Attributed works:
13. Skeleton of Eclipse (1764– 89), 67 by 55 by 246 cm. (Royal Veterinary College, London; exh. Mauritshuis, The Hague).
Attributed works:
14. Two horses communing in a landscape, by George Stubbs. Before 1777. Oil on canvas, 124 by 123 cm. (Weston Park, Shropshire; exh. MK Gallery, Milton Keynes).
Attributed works:
15. Eclipse at Newmarket with groom and jockey, by George Stubbs. c.1794. Oil on canvas, 100.5 by 131.5 cm. (Jockey Club, Newmarket; exh. MK Gallery, Milton Keynes).
Book Review
Looking at Men: Art, Anatomy and the Modern Male Body. By Anthea Callen
08/2019 | 1397 | 161
Pages: 698-699
related names
Reviewer:
Padiyar, Satish (Padiyar, Satish)
Subjects
Reviewed Items
subjects:
Looking at Men: Art, Anatomy and the Modern Male Body By Anthea Callen. 272 pp. incl. 212 col. + b. & w. ills. (Yale University Press, New Haven and London, 2018), | :
Illustrations
Attributed works:
6. Study of a male nude, by Théodore Géricault. Oil on canvas, 64 by 81 cm. (Musée Bonnat, Bayonne).
Article
Alfred Stevens, an art student in Florence, 1834–36
05/2019 | 1394 | 161
Pages: 388-397
related names
Author:
Sladen, Teresa (Sladen, Teresa)
Subjects
dates:
patrons:
places:
Illustrations
Attributed works:
1. Self-portrait at the age of fourteen, by Alfred Stevens. 1832. Canvas, 30.8 by 24.8 cm. (Tate).
Attributed works:
10. La Bella, after Titian, by Alfred Stevens. 1835. Watercolour on paper, varnish over face, 23 by 17 cm. (Victoria and Albert Museum, London).
Attributed works:
11. Study of St James with two children by Andrea del Sarto, by Alfred Stevens. 1835. Graphite on paper, 21 by 14 cm. (Walker Art Gallery, Liverpool).
Attributed works:
12. Ligurian landscape with a hilltop building, by Alfred Stevens. 1836. Graphite on paper, 26 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
2. Self portrait, by Giuseppe Bezzuoli. 1839. Canvas, 81 by 64 cm. (Galleria degli Uffizi, Florence).
Attributed works:
3. Francis Kinloch, from his tomb in the Protestant cemetery in Rome, by Thomas Crawford. 1840. Marble. (Photograph the author).
Attributed works:
4. Copy of a fresco by Agnolo Gaddi in S. Croce, Florence, by Alfred Stevens. 1835–36. Graphite and watercolour with gold on paper, 41.5 by 31 cm. (British Museum, London).
Attributed works:
5. Self-portrait, by Alfred Stevens. c.1835–36. Graphite on paper, 28.9 by 22.9 cm. (National Portrait Gallery, London).
Attributed works:
6. Nude woman, by Alfred Stevens. c.1835. Graphite on paper, 30 by 22 cm. (Walker Art Gallery, Liverpool).
Attributed works:
7. Drawing of a man on horse and skeleton, by Alfred Stevens. c.1834–36. Graphite on paper, 26.8 by 18.8 cm. (Tate).
Attributed works:
8. L’Ammostatore, by Lorenzo Bartolini. c.1818. Marble, 128 by 43 by 41 cm. (State Hermitage Museum, St Petersburg; photograph Fratelli Alinari; Bridgeman Images).
Attributed works:
9. Page from a pocket sketchbook showing people in the street, by Alfred Stevens. c.1837. Graphite on paper, 10 by 14 cm. (Royal Institute of British Architects, London).
Western art unattributed:
13. The Temple of Vesta at Tivoli seen from the gorge. French, c.1800. Oil on paper laid on canvas, 28.7 by 18.7 cm. (The Gere Collection, on loan to the National Gallery, London).
Exhibition Review
Ribera: Art of Violence. Dulwich Picture Gallery, London
01/2019 | 1390 | 161
Pages: 58-60
related names
Reviewer:
Finaldi, Gabriele (Finaldi, Gabriele)
Subjects
dates:
places:
Illustrations
Attributed works:
1. A bat and two ears, by Jusepe de Ribera. Early 1620s. Red chalk, brush and red wash, 15.9 by 27.9 cm. (Metropolitan Museum of Art, New York; exh. Dulwich Picture Gallery, London).
Attributed works:
2. Apollo and Marsyas, by Jusepe de Ribera. 1637. Canvas, 182 by 232 cm. (Museo e Real Bosco di Capodimonte, Naples; exh. Dulwich Picture Gallery, London).
Attributed works:
3. Man bound to a stake, by Jusepe de Ribera. First half of the 1640s. Pen and brown ink with wash, 21.5 by 16.3 cm. (Fine Arts Museum of San Francisco; exh. Dulwich Picture Gallery, London).
Exhibition Review
Michelangelo in New York
02/2018 | 1379 | 160
Pages: 136-141
related names
Reviewer:
Wivel, Matthias (Wivel, Matthias)
Subjects
artists:
dates:
media:
Illustrations
Attributed works:
1. Torment of St Anthony, by Michelangelo Buonarroti. 1487–88. Tempera on panel, 47 by 34.9 cm. (Kimbell Art Museum, Fort Worth).
Attributed works:
2. Detail of a processed infra-red reflectance hyperspectral imagery of Fig.1, showing a brushed compositional sketch attributed to Michelangelo Buonarroti. (Image courtesy John Delaney in collaboration with the paintings conservation department at the Kimbell Art Museum, Fort Worth).
Attributed works:
3. Study of a standing male nude seen from the back, by Michelangelo Buonarroti. Pen and brown ink over traces of black chalk, 38.7 by 19.5 cm. (Albertina, Vienna).
Attributed works:
4. Sketchbook sheet for the ancestors of Christ inn the Sistine ceiling: sleeping figure, by Michelangelo Buonarroti. Black chalk, 13.5 by 14.8 cm. (Ashmolean Museum, Oxford).
Attributed works:
5. Study for a reclining nude for the New Sacristy of S. Lorenzo, Florence, by Michelangelo Buonarroti. Black chalk, 25.8 by 33.2 cm. (Ashmolean Museum, Oxford).
Attributed works:
6. Study for a Crucifixion with mourning figures, by Michelangelo Buonarroti. Black chalk, 40.5 by 21.8 cm. (The Royal Collection / © H.M. Queen Elizabeth II).
Attributed works:
7. Sleeping reclining male nude with boy-genius, attributed to Michelangelo Buonarroti. Black chalk, 18.7 by 12.4 cm. (Städel Museum, Frankfurt am Main).
Book Review
Leonardo da Vinci Anatomist
11/2012 | 1316 | 154
Pages: 794-795
related names
Reviewer:
Laurenza, Domenico (Laurenza, Domenico)
Subjects
dates:
dates:
Illustrations
Attributed works:
65. Dissection of the dacaver of a centenarian, by Leonardo da Vinci. c.1507-08. Pen and ink. (Royal Collection, Windsor Castle; RL 19049v).
Attributed works:
66. Two views of the skull, by Leonardo da Vinci. 1489. Pen and brown ink, 19 by 13.3 cm. (Royal Collection, Windsor Castle; RL 19057r).
Publication Received
Vier Bücher von menschlicher Proportion (1528)
08/2012 | 1313 | 154
Pages: 587
related names
Reviewer:
Blood, Anne (Blood, Anne)
Subjects
artists:
dates:
Reviewed Items
subjects:
Vier Bücher von menschlicher Proportion (1528) | author: Dürer, Albrecht , compiler: Hinz, Berthold
Book Review
Leonardo. Dagli studi di proporzione al ‘Trattato della pittura’
08/2009 | 1277 | 151
Pages: 554-555
related names
Reviewer:
Sconza, Anna (Sconza, Anna)
Subjects
dates:
museums and institutions:
subjects:
Reviewed Items
subjects:
Leonardo. Dagli studi di proporzione al ‘Trattato della pittura’ | editor: Fiorio, Maria Teresa , editor: Marani, Pietro C.
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